Songs like Carrickfergus by Mike O Donoghue
Based on a tempo of (+/- 10%) and a similar genre
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Brian Hoffpauer
The Father's Love
120 bpm • A min • 04:43 • -11.1db
20% Popularity • 55% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 55% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Garden Of Delight
Tic Toc
120 bpm • A# Maj • 03:06 • -7.52db
27% Popularity • 72% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 72% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Mike O Donoghue
Cheerio - Reprise
120 bpm • C Maj • 03:15 • -7.16db
0% Popularity • 73% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 73% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Joe Irrera
Let's Have a Birthday
120 bpm • F Maj • 03:12 • -12.83db
12% Popularity • 72% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 72% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 68% Positiveness
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Ian Burrage
Never Leave Alone
120 bpm • C Maj • 04:38 • -7.23db
21% Popularity • 63% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 63% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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From The Headland
We Need to Run
120 bpm • G Maj • 02:57 • -13.49db
20% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Sutliff
Afterglow
120 bpm • G Maj • 04:00 • -13.86db
8% Popularity • 66% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 66% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Akim Elliot Pinter
Revolution
120 bpm • F# min • 03:22 • -11.46db
17% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Mike O Donoghue
Carrickfergus
120 bpm • C Maj • 06:14 • -10.44db
0% Popularity • 46% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 46% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Karl
Cookie Could a Cook Em
120 bpm • B min • 03:26 • -13.75db
16% Popularity • 86% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 86% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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JA Almqvist
Maj Juni Till Augusti
120 bpm • E min • 04:07 • -8.06db
11% Popularity • 56% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 56% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Mitchells Theatre
I Wanna Be Like Elvis
120 bpm • D Maj • 03:28 • -7.5db
13% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Don Ferdinands
Feels Like Yesterday
120 bpm • G Maj • 03:44 • -1.32db
19% Popularity • 43% Danceability • 94% Energy • 55% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 43% Danceability • 94% Energy • 55% Liveness
0% Instrumentalness • 64% Positiveness
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Frank R. Bellucci
Hidden Highway
120 bpm • D Maj • 03:41 • -4.99db
12% Popularity • 64% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 64% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Mike O Donoghue
Gone America
120 bpm • A Maj • 03:18 • -6.62db
0% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Rum Ragged
The Dewy Dells of Yarrow
120 bpm • E Maj • 03:56 • -9.72db
17% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Brian Stoltz
Nature Smiles on It All
120 bpm • D Maj • 03:35 • -9.14db
12% Popularity • 63% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 63% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Robert Paterson
Story
120 bpm • A Maj • 03:39 • -16.27db
13% Popularity • 69% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 69% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Don Ferdinands
A Love Song
120 bpm • D Maj • 02:56 • -1.34db
18% Popularity • 40% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 40% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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steve moore thirst
God made mountains
121 bpm • G Maj • 02:58 • -10.29db
7% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Mike O Donoghue
Whiskey in the Jar
120 bpm • C Maj • 04:26 • -6.84db
0% Popularity • 60% Danceability • 85% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 60% Danceability • 85% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Calum Baird
Una Semana en La Habana
119 bpm • F Maj • 02:00 • -7.24db
19% Popularity • 82% Danceability • 30% Energy • 56% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 82% Danceability • 30% Energy • 56% Liveness
0% Instrumentalness • 68% Positiveness
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HiSQ
Join the Club
119 bpm • C Maj • 03:19 • -9.13db
8% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Liam Lappin
Hills Around Granemore
121 bpm • D Maj • 04:31 • -9.94db
13% Popularity • 71% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 71% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Don Ferdinands
Start Again
119 bpm • G Maj • 03:32 • -1db
18% Popularity • 27% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 27% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Mister Valentine
Most of All
121 bpm • E Maj • 02:16 • -14.6db
31% Popularity • 55% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
31% Popularity • 55% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Mike O Donoghue
Have a Drink On Me
120 bpm • E Maj • 03:57 • -6.12db
0% Popularity • 69% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 69% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Rev. Col. C.S. Lanham
Universe
119 bpm • F# Maj • 01:29 • -26.98db
9% Popularity • 41% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
9% Popularity • 41% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
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Mitchell Badelles
March 11
119 bpm • C Maj • 04:59 • -11.83db
8% Popularity • 67% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 67% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Lenny Hill
"I Don´t Want to Miss a Thing"
122 bpm • A# Maj • 04:00 • -11.88db
11% Popularity • 54% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
11% Popularity • 54% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
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Quiet Marauder
The Jolly Green Giant
118 bpm • A Maj • 02:48 • -7.58db
17% Popularity • 65% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 65% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Aspens Pyramid
glorious day
122 bpm • G Maj • 01:49 • -9db
25% Popularity • 49% Danceability • 41% Energy • 12% Liveness
13% Instrumentalness • 40% Positiveness
25% Popularity • 49% Danceability • 41% Energy • 12% Liveness
13% Instrumentalness • 40% Positiveness
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Mike O Donoghue
Cheerio
120 bpm • C Maj • 03:23 • -6.02db
0% Popularity • 64% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 64% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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J.R. Leonard
December Day
118 bpm • G Maj • 03:39 • -5.93db
9% Popularity • 66% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 66% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Adam Cliff
Song of Adam
122 bpm • D Maj • 03:39 • -11.65db
19% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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gearoid mccarthy
Belfast Mill
118 bpm • D Maj • 02:51 • -23.78db
23% Popularity • 57% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 57% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Martin Simpson
Ridgeway - Live Bonus Track
122 bpm • C Maj • 03:22 • -9.06db
11% Popularity • 52% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 52% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Ralf Beitner
This World
122 bpm • D Maj • 04:18 • -9db
18% Popularity • 35% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Robert Paterson
Summer Feelin - 2022 Version
123 bpm • A min • 02:52 • -9.84db
15% Popularity • 43% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 43% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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The Shipyard Dogs
End Of The Line
117 bpm • G Maj • 03:16 • -8.68db
20% Popularity • 32% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 32% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Mikael Rickfors
Look For Me Angel
123 bpm • C Maj • 04:04 • -18.85db
8% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Tony Christie
In The Times Of My Weakness
123 bpm • D Maj • 03:23 • -12.85db
13% Popularity • 51% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 51% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Hired Gun Trio
Mama Cried
117 bpm • A Maj • 03:45 • -7.1db
23% Popularity • 52% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 52% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Bertha Faraday
Streetlight
123 bpm • C Maj • 05:28 • -8.98db
23% Popularity • 48% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 48% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Nine Below Zero
The Story Of Nathan John
123 bpm • B min • 03:40 • -5.83db
11% Popularity • 59% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 59% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Fheodore Mebecca
Dont Change Again
117 bpm • A min • 03:23 • -15.95db
16% Popularity • 71% Danceability • 43% Energy • 27% Liveness
1% Instrumentalness • 73% Positiveness
16% Popularity • 71% Danceability • 43% Energy • 27% Liveness
1% Instrumentalness • 73% Positiveness
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David Scobie
Golden Days
123 bpm • C Maj • 02:51 • -12.19db
10% Popularity • 70% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 70% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Ralf Beitner
Caught In The Magic
124 bpm • C Maj • 03:14 • -9db
18% Popularity • 43% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 43% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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George Murphy
Joe Hill
116 bpm • B Maj • 02:51 • -5.43db
8% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Shaun Lennon
Moonshine Blind
116 bpm • C Maj • 03:18 • -11.12db
12% Popularity • 61% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 61% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Richard Karl
Trouble
124 bpm • D Maj • 03:56 • -13.03db
15% Popularity • 60% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 60% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Danny Cooltmoore
Run
124 bpm • D Maj • 04:04 • -5.85db
20% Popularity • 53% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 53% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 27% Positiveness
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Eimhear Ni Ghlacain
Aidan McAnespie
124 bpm • G Maj • 05:44 • -5.93db
14% Popularity • 69% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 69% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Colin Heart
Desire
116 bpm • D Maj • 03:40 • -15.7db
7% Popularity • 70% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 42% Positiveness
7% Popularity • 70% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 42% Positiveness
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Jessica Askea
New Dew
124 bpm • F# min • 02:17 • -9.62db
11% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Sonny Bill Glover
Pioneer
116 bpm • D Maj • 03:10 • -11.5db
10% Popularity • 89% Danceability • 33% Energy • 44% Liveness
35% Instrumentalness • 62% Positiveness
10% Popularity • 89% Danceability • 33% Energy • 44% Liveness
35% Instrumentalness • 62% Positiveness
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Lenny Hill
"Have You Ever Seen the Rain"
116 bpm • G Maj • 03:20 • -10.02db
11% Popularity • 62% Danceability • 53% Energy • 11% Liveness
6% Instrumentalness • 71% Positiveness
11% Popularity • 62% Danceability • 53% Energy • 11% Liveness
6% Instrumentalness • 71% Positiveness
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Steve the Trailplayer
Love Your Enemies
124 bpm • C Maj • 02:14 • -10.74db
29% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Karl
Sugar Sugar Sugar
116 bpm • A min • 03:27 • -14.55db
17% Popularity • 76% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 76% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Rick Whittell
A Shoulder to Cry On
116 bpm • C Maj • 04:21 • -9.39db
14% Popularity • 57% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 33% Positiveness
14% Popularity • 57% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 33% Positiveness
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Wade Montgomery
Lipstick & Whiskey
116 bpm • G Maj • 05:23 • -13.49db
11% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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The Fógues
Moscow to West Cork
115 bpm • G Maj • 03:54 • -9.9db
10% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Mike O Donoghue
Harbour of Broken Dreams
125 bpm • A min • 04:00 • -7.49db
0% Popularity • 61% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 61% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Harry Loco
Hop on the bus!
125 bpm • G Maj • 03:29 • -5.54db
33% Popularity • 61% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 61% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Frank R. Bellucci
Half a Mind
125 bpm • A# Maj • 07:01 • -4.51db
19% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Chenél No.1
Head over heels
125 bpm • D Maj • 02:48 • -8.99db
9% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Stephen Ackles
Time In a Bottle
125 bpm • D Maj • 02:40 • -13.6db
19% Popularity • 62% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 62% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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I AM REKAB
Days Gone
115 bpm • D Maj • 03:11 • -9.91db
4% Popularity • 60% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
4% Popularity • 60% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Fheodore Mebecca
Easy
125 bpm • C min • 03:35 • -13.88db
15% Popularity • 58% Danceability • 57% Energy • 9% Liveness
10% Instrumentalness • 84% Positiveness
15% Popularity • 58% Danceability • 57% Energy • 9% Liveness
10% Instrumentalness • 84% Positiveness
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Lacy J. Dalton
Bonny Doon
125 bpm • A# Maj • 04:49 • -10.51db
20% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Frank R. Bellucci
Lonely Rider
125 bpm • E Maj • 03:11 • -7.85db
27% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Will Page
The Rise
115 bpm • G Maj • 04:48 • -8.08db
11% Popularity • 42% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 42% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Herby Hayes
Isla Mujeres
115 bpm • D Maj • 04:34 • -10.02db
7% Popularity • 68% Danceability • 84% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 68% Danceability • 84% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
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Garden Of Delight
Gunman in the Rain
115 bpm • D Maj • 03:37 • -3.38db
24% Popularity • 61% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 61% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Mike O Donoghue
The Reason I Left Mullingar
115 bpm • A# Maj • 05:24 • -8.82db
0% Popularity • 34% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 34% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Don Ferdinands
Holiday 2023
115 bpm • A Maj • 03:48 • -0.84db
20% Popularity • 50% Danceability • 90% Energy • 71% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 50% Danceability • 90% Energy • 71% Liveness
0% Instrumentalness • 80% Positiveness
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Frank R. Bellucci
Stories That Never Happened
115 bpm • A Maj • 04:08 • -6.31db
12% Popularity • 65% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 65% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Gordon Lightfoot
Drifters
125 bpm • A Maj • 03:27 • -14.59db
14% Popularity • 65% Danceability • 36% Energy • 93% Liveness
2% Instrumentalness • 45% Positiveness
14% Popularity • 65% Danceability • 36% Energy • 93% Liveness
2% Instrumentalness • 45% Positiveness
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Peter Pam
Melodie der Liebe
115 bpm • A Maj • 03:44 • -11.78db
25% Popularity • 82% Danceability • 41% Energy • 11% Liveness
65% Instrumentalness • 60% Positiveness
25% Popularity • 82% Danceability • 41% Energy • 11% Liveness
65% Instrumentalness • 60% Positiveness
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Kieran Davenport
Let the People Sing
115 bpm • G# Maj • 03:47 • -14.48db
13% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Garden Of Delight
Wire to Hell (2017)
115 bpm • D Maj • 03:20 • -5.51db
0% Popularity • 72% Danceability • 82% Energy • 39% Liveness
7% Instrumentalness • 95% Positiveness
0% Popularity • 72% Danceability • 82% Energy • 39% Liveness
7% Instrumentalness • 95% Positiveness
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Robert Paterson
Amigos
126 bpm • C Maj • 03:13 • -15db
14% Popularity • 60% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 60% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Victor Hafichuk
What Will Be Will Be
126 bpm • G Maj • 04:30 • -10.68db
14% Popularity • 60% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
14% Popularity • 60% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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West Side Wayne
Gonna Miss Her
114 bpm • F Maj • 01:57 • -7.49db
16% Popularity • 66% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 66% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Siw-Karin
Can't go any further
114 bpm • G# Maj • 03:43 • -9.5db
10% Popularity • 26% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 26% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Men They Couldn't Hang
Reeling And Railing
127 bpm • G Maj • 02:39 • -7.32db
10% Popularity • 71% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 71% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Murphy's Pigs
The Lioness Of Brittany
127 bpm • A min • 03:33 • -18.37db
14% Popularity • 58% Danceability • 34% Energy • 7% Liveness
48% Instrumentalness • 84% Positiveness
14% Popularity • 58% Danceability • 34% Energy • 7% Liveness
48% Instrumentalness • 84% Positiveness
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Robert Paterson
Frontseat Ride
126 bpm • G min • 03:17 • -9.17db
14% Popularity • 68% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 68% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Overserved Again
Crooked Habits
127 bpm • B min • 05:20 • -9.28db
10% Popularity • 66% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 66% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Jan Stollert
Der Kämpfer
128 bpm • G# Maj • 01:43 • -25.6db
11% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Broadway Band
How Great Thou Art
113 bpm • A# Maj • 04:57 • -7.68db
14% Popularity • 51% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 51% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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John Lindsay
Carrickfergus Town
128 bpm • G Maj • 03:54 • -13.24db
20% Popularity • 54% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 54% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Dwayne Jarrell and the Truer Sound
Legend (Keys Version)
113 bpm • C min • 02:52 • -12.37db
15% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Robert Paterson
Good Vibes
126 bpm • F# Maj • 03:44 • -12.85db
13% Popularity • 59% Danceability • 54% Energy • 9% Liveness
6% Instrumentalness • 73% Positiveness
13% Popularity • 59% Danceability • 54% Energy • 9% Liveness
6% Instrumentalness • 73% Positiveness
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Big Cowboy
1883
128 bpm • F Maj • 04:09 • -10.84db
4% Popularity • 63% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 63% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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Joseph Cesar
Push the Boundaries
128 bpm • A min • 03:09 • -8.95db
9% Popularity • 69% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 69% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Sharon Shannon
Séamus
112 bpm • G Maj • 03:36 • -11.98db
2% Popularity • 37% Danceability • 41% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
2% Popularity • 37% Danceability • 41% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
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Pretty Archie
Carey
128 bpm • G# Maj • 03:42 • -6.62db
17% Popularity • 59% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 59% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
