Songs like Carry Him to the Burying Ground (General Taylor) by Sam Lee
Based on a tempo of (+/- 10%) and a similar genre
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Patty Gurdy
Grieve No More - Series Version
83 bpm • G min • 01:26 • -17.97db
44% Popularity • 23% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
44% Popularity • 23% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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Blues Saraceno
Judgement Day
83 bpm • A min • 04:25 • -10db
40% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sam Lee
Soul Cake
83 bpm • G# min • 06:00 • -15.41db
16% Popularity • 30% Danceability • 24% Energy • 9% Liveness
7% Instrumentalness • 11% Positiveness
16% Popularity • 30% Danceability • 24% Energy • 9% Liveness
7% Instrumentalness • 11% Positiveness
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Peter Wiegold
Deep Blue Sea
83 bpm • A# Maj • 04:12 • -14.08db
0% Popularity • 42% Danceability • 20% Energy • 9% Liveness
5% Instrumentalness • 17% Positiveness
0% Popularity • 42% Danceability • 20% Energy • 9% Liveness
5% Instrumentalness • 17% Positiveness
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Zack Hemsey
Vengeance
83 bpm • G# Maj • 06:33 • -9.34db
54% Popularity • 36% Danceability • 69% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
54% Popularity • 36% Danceability • 69% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Bear McCreary
Outlander - The Skye Boat Song (Gaelic E...
84 bpm • F Maj • 03:21 • -15.37db
32% Popularity • 16% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 16% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Hit House
Hunt You Down
82 bpm • C min • 03:44 • -7.19db
37% Popularity • 42% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 42% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Bob Dylan
Masters of War - SherGun Remix
84 bpm • A# Maj • 03:47 • -12db
32% Popularity • 53% Danceability • 64% Energy • 57% Liveness
2% Instrumentalness • 39% Positiveness
32% Popularity • 53% Danceability • 64% Energy • 57% Liveness
2% Instrumentalness • 39% Positiveness
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Sam Lee
The Moon Shone on My Bed Last Night
82 bpm • G min • 06:06 • -15.4db
4% Popularity • 27% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 27% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Henry Jackman
Edelweiss - Vocal
82 bpm • G Maj • 01:23 • -23.16db
32% Popularity • 38% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 38% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Shireen
Umai
84 bpm • G Maj • 06:18 • -7.16db
35% Popularity • 26% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 26% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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![The Angry River (feat. Father John Misty and S.I. Istwa) [Theme From the HBO Series True Detective] cover art](https://i.scdn.co/image/ab67616d00001e026bb0d45162d602716e8e99df)
The Hat
The Angry River [Theme From the HBO Ser...
82 bpm • A min • 02:55 • -9.09db
49% Popularity • 54% Danceability • 47% Energy • 13% Liveness
27% Instrumentalness • 24% Positiveness
49% Popularity • 54% Danceability • 47% Energy • 13% Liveness
27% Instrumentalness • 24% Positiveness
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Hugh McDonald
Fiddlers Ceilidh
82 bpm • A min • 02:13 • -12.09db
11% Popularity • 46% Danceability • 38% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
11% Popularity • 46% Danceability • 38% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Robin Loxley
God Will Cut You Down
82 bpm • G Maj • 03:01 • -13db
38% Popularity • 65% Danceability • 72% Energy • 8% Liveness
11% Instrumentalness • 32% Positiveness
38% Popularity • 65% Danceability • 72% Energy • 8% Liveness
11% Instrumentalness • 32% Positiveness
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Lindy-Fay Hella
Seafarer
82 bpm • D# Maj • 04:33 • -13db
37% Popularity • 53% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 53% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Teho Teardo
A Quiet Life
84 bpm • C Maj • 06:05 • -11db
45% Popularity • 52% Danceability • 23% Energy • 7% Liveness
5% Instrumentalness • 6% Positiveness
45% Popularity • 52% Danceability • 23% Energy • 7% Liveness
5% Instrumentalness • 6% Positiveness
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Seth Lakeman
Blacksmith's Prayer
82 bpm • E Maj • 04:26 • -10.65db
18% Popularity • 40% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 40% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Neal Acree
Warbringers: Jaina
84 bpm • C# Maj • 04:08 • -13.97db
46% Popularity • 28% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
46% Popularity • 28% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Sam Lee
Jasper Sea
82 bpm • G Maj • 05:57 • -18.73db
12% Popularity • 26% Danceability • 6% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 6% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Freya Allan
A Little Sacrifice
82 bpm • B min • 02:52 • -15.89db
41% Popularity • 47% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 47% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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M'ANAM
Bandó Ribineann
85 bpm • C Maj • 02:20 • -12.54db
11% Popularity • 28% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 28% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Clinton Shorter
The Expanse
85 bpm • C Maj • 01:04 • -13.23db
45% Popularity • 9% Danceability • 36% Energy • 9% Liveness
26% Instrumentalness • 17% Positiveness
45% Popularity • 9% Danceability • 36% Energy • 9% Liveness
26% Instrumentalness • 17% Positiveness
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Adrian Von Ziegler
Wolf Blood
85 bpm • D Maj • 03:05 • -16.44db
41% Popularity • 52% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
41% Popularity • 52% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Avi Kaplan
Chains
85 bpm • E min • 04:20 • -12.7db
38% Popularity • 50% Danceability • 36% Energy • 20% Liveness
23% Instrumentalness • 17% Positiveness
38% Popularity • 50% Danceability • 36% Energy • 20% Liveness
23% Instrumentalness • 17% Positiveness
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Sam Lee
The Devil & The Huntsman
85 bpm • C Maj • 04:18 • -9.39db
51% Popularity • 26% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
51% Popularity • 26% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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The Trials of Cato
Gawain
85 bpm • F min • 05:37 • -11.55db
27% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Wardruna
Lyfjaberg
81 bpm • B min • 08:26 • -6.86db
52% Popularity • 49% Danceability • 75% Energy • 43% Liveness
14% Instrumentalness • 31% Positiveness
52% Popularity • 49% Danceability • 75% Energy • 43% Liveness
14% Instrumentalness • 31% Positiveness
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Jeff Russo
Bemidji, MN (Fargo Series Main Theme)
85 bpm • D min • 02:28 • -16.33db
38% Popularity • 17% Danceability • 10% Energy • 58% Liveness
96% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 10% Energy • 58% Liveness
96% Instrumentalness • 7% Positiveness
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Einar Selvik
When Horns Resound
81 bpm • B min • 02:36 • -10.81db
46% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Theo Hakola
Ilmarinen's Lament
85 bpm • B min • 04:27 • -9.57db
10% Popularity • 34% Danceability • 55% Energy • 16% Liveness
70% Instrumentalness • 10% Positiveness
10% Popularity • 34% Danceability • 55% Energy • 16% Liveness
70% Instrumentalness • 10% Positiveness
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Peter Wiegold
Suit of Blue
85 bpm • D# Maj • 07:14 • -12.89db
0% Popularity • 29% Danceability • 22% Energy • 10% Liveness
24% Instrumentalness • 13% Positiveness
0% Popularity • 29% Danceability • 22% Energy • 10% Liveness
24% Instrumentalness • 13% Positiveness
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Sam Lee
Bonny Bunch of Roses
81 bpm • A min • 04:11 • -14.42db
9% Popularity • 37% Danceability • 39% Energy • 17% Liveness
3% Instrumentalness • 12% Positiveness
9% Popularity • 37% Danceability • 39% Energy • 17% Liveness
3% Instrumentalness • 12% Positiveness
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![Edge of Night [Pippin's Song] (Bonus Track) cover art](https://i.scdn.co/image/ab67616d00001e02b7f9463a42383978ad4f8b26)
MALINDA
Edge of Night [Pippin's Song] (Bonus Tra...
81 bpm • G# min • 01:03 • -12.76db
54% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
54% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Eurielle
Lament for Thorin
80 bpm • C# Maj • 03:30 • -20db
43% Popularity • 17% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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EmilÃana Torrini
Gollum's Song
80 bpm • G Maj • 05:51 • -14.24db
47% Popularity • 12% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
47% Popularity • 12% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Lucinda Williams
I'm Crying
80 bpm • E Maj • 03:31 • -20db
24% Popularity • 41% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
24% Popularity • 41% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Ane Brun
All My Tears
86 bpm • A Maj • 02:04 • -10.83db
59% Popularity • 64% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 64% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Toydrum
Sheriff Comes to Town
80 bpm • F# min • 01:45 • -13.29db
14% Popularity • 44% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
14% Popularity • 44% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
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Julie Fowlis
A Ghaoil, Leig Dhachaigh Gum Mhà thair M...
86 bpm • C# Maj • 03:58 • -12db
34% Popularity • 27% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 27% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Sam Lee
Sweet Girl McRee
80 bpm • D# Maj • 04:07 • -17.75db
25% Popularity • 29% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 29% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Wardruna
Laukr
80 bpm • C Maj • 04:05 • -14.92db
43% Popularity • 38% Danceability • 46% Energy • 68% Liveness
91% Instrumentalness • 5% Positiveness
43% Popularity • 38% Danceability • 46% Energy • 68% Liveness
91% Instrumentalness • 5% Positiveness
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Samuel Sim
Siren (Theme from "Home Fires")
80 bpm • G min • 04:00 • -17.47db
28% Popularity • 48% Danceability • 20% Energy • 12% Liveness
62% Instrumentalness • 39% Positiveness
28% Popularity • 48% Danceability • 20% Energy • 12% Liveness
62% Instrumentalness • 39% Positiveness
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Andrew Lockington
Frontier Main Titles
80 bpm • C# min • 01:00 • -10db
30% Popularity • 30% Danceability • 61% Energy • 35% Liveness
91% Instrumentalness • 42% Positiveness
30% Popularity • 30% Danceability • 61% Energy • 35% Liveness
91% Instrumentalness • 42% Positiveness
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Dean Valentine
Digging in the Dirt
80 bpm • A min • 03:58 • -11.65db
10% Popularity • 39% Danceability • 65% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
10% Popularity • 39% Danceability • 65% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
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Josienne Clarke and Ben Walker
Lily Of The West
80 bpm • G# Maj • 04:13 • -9db
21% Popularity • 59% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 59% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Lorne Balfe
Caisen'shar (Old Blood)
80 bpm • E min • 03:34 • -13.15db
20% Popularity • 38% Danceability • 54% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
20% Popularity • 38% Danceability • 54% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
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You Are Wolf
Herne/Abbots Bromley Horn Dance
80 bpm • D min • 03:26 • -16.73db
9% Popularity • 49% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 49% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Port Sulphur Band
Devil in the Churchyard
80 bpm • F# min • 03:07 • -13.82db
37% Popularity • 55% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 55% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Bear McCreary
Where the Shadows Lie
86 bpm • B Maj • 03:48 • -12.5db
38% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Carter Burwell
Billboards On Fire
86 bpm • G min • 02:25 • -13.29db
23% Popularity • 38% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
23% Popularity • 38% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Nico Vega
Bang Bang (My Baby Shot Me Down)
80 bpm • A# min • 03:19 • -5.17db
38% Popularity • 23% Danceability • 78% Energy • 19% Liveness
3% Instrumentalness • 46% Positiveness
38% Popularity • 23% Danceability • 78% Energy • 19% Liveness
3% Instrumentalness • 46% Positiveness
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Perly I Lotry
Ronja's Lullaby a Cappella
86 bpm • G min • 02:30 • -10.89db
34% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Willis Earl Beal
Too Dry To Cry
79 bpm • G Maj • 04:39 • -10.6db
41% Popularity • 71% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 71% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Einar Selvik
Snake Pit Poetry
80 bpm • C Maj • 07:08 • -9.76db
51% Popularity • 23% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Emily Smith
King Orfeo
79 bpm • D Maj • 04:43 • -8.32db
33% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Sam Lee
McCrimmon
79 bpm • D Maj • 06:26 • -16.03db
29% Popularity • 20% Danceability • 23% Energy • 11% Liveness
13% Instrumentalness • 18% Positiveness
29% Popularity • 20% Danceability • 23% Energy • 11% Liveness
13% Instrumentalness • 18% Positiveness
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Filip Lackovic
Drums of War
87 bpm • D Maj • 02:08 • -11.86db
22% Popularity • 60% Danceability • 38% Energy • 32% Liveness
56% Instrumentalness • 42% Positiveness
22% Popularity • 60% Danceability • 38% Energy • 32% Liveness
56% Instrumentalness • 42% Positiveness
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Nick Cave
Comancheria
79 bpm • A min • 02:05 • -22.2db
29% Popularity • 8% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
29% Popularity • 8% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Salt House
Fire Light
79 bpm • D min • 03:19 • -13.4db
29% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Einar Selvik
Snake Pit Poetry - Skaldic Mode
88 bpm • D min • 03:03 • -9.51db
42% Popularity • 56% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 56% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Carlos Rafael Rivera
Blackdom
88 bpm • E min • 02:12 • -27.59db
24% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Ben Nicholls
Polly Vaughan
78 bpm • G Maj • 04:58 • -10.66db
13% Popularity • 42% Danceability • 33% Energy • 37% Liveness
1% Instrumentalness • 25% Positiveness
13% Popularity • 42% Danceability • 33% Energy • 37% Liveness
1% Instrumentalness • 25% Positiveness
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Johnny Flynn
The Wild Hunt
78 bpm • C Maj • 04:03 • -7.27db
31% Popularity • 33% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 33% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Lee
Bushes and Briars
78 bpm • D Maj • 04:31 • -12.73db
31% Popularity • 24% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 24% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Vandaveer
Pretty Polly
88 bpm • C Maj • 03:48 • -9.98db
45% Popularity • 65% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 65% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Lucette
Bobby Reid
77 bpm • A# min • 02:18 • -9db
45% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Atli Örvarsson
Highlands
77 bpm • A min • 02:14 • -26db
21% Popularity • 11% Danceability • 10% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 10% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Wardruna
Bjarkan
77 bpm • A Maj • 05:53 • -12.99db
38% Popularity • 20% Danceability • 43% Energy • 22% Liveness
82% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 43% Energy • 22% Liveness
82% Instrumentalness • 4% Positiveness
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Brillig
The Old Captain
77 bpm • A# min • 04:30 • -7.83db
16% Popularity • 47% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 47% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Lee
John Barleycorn
89 bpm • C# Maj • 05:00 • -9.78db
13% Popularity • 29% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 29% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Nick Cave & Warren Ellis
Memory Time
89 bpm • B min • 02:07 • -12.89db
25% Popularity • 12% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
25% Popularity • 12% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Anne Dudley
Medhel an Gwyns
77 bpm • F min • 02:13 • -10.1db
36% Popularity • 39% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 39% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Avi Kaplan
Change On The Rise
77 bpm • C Maj • 04:00 • -10.41db
56% Popularity • 59% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
56% Popularity • 59% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Laura Marling
Devil's Resting Place
90 bpm • D min • 03:14 • -12.21db
47% Popularity • 40% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
47% Popularity • 40% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
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IMAscore
Tear Down the Bridges
77 bpm • E min • 03:07 • -9db
34% Popularity • 13% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 13% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Sam Lee
Green Mossy Banks
89 bpm • A# Maj • 04:42 • -18.23db
27% Popularity • 28% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 28% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Dominik Scherrer
Rgoan
90 bpm • C Maj • 02:16 • -16.14db
9% Popularity • 36% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 36% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Trevor Morris
Floki Appears to Kill Athelstan
90 bpm • C# min • 03:11 • -18.25db
51% Popularity • 48% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
51% Popularity • 48% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Bear McCreary
The Echo and the River
77 bpm • G Maj • 02:21 • -13db
41% Popularity • 18% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 18% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Wardruna
Isa
90 bpm • G min • 07:11 • -11.71db
42% Popularity • 31% Danceability • 44% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
42% Popularity • 31% Danceability • 44% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
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Daniel Pemberton
King Arthur: Destiny of the Sword
90 bpm • D Maj • 02:42 • -11db
33% Popularity • 40% Danceability • 54% Energy • 59% Liveness
67% Instrumentalness • 64% Positiveness
33% Popularity • 40% Danceability • 54% Energy • 59% Liveness
67% Instrumentalness • 64% Positiveness
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Filip Lackovic
Vikings
90 bpm • A Maj • 02:34 • -12db
32% Popularity • 45% Danceability • 38% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
32% Popularity • 45% Danceability • 38% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
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Danheim
Vikinger
90 bpm • C# min • 05:17 • -16db
47% Popularity • 61% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 61% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Trevor Morris
Battle for Kattegat
90 bpm • A Maj • 06:08 • -13.99db
32% Popularity • 40% Danceability • 50% Energy • 5% Liveness
85% Instrumentalness • 5% Positiveness
32% Popularity • 40% Danceability • 50% Energy • 5% Liveness
85% Instrumentalness • 5% Positiveness
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M'ANAM
Bitter Wind
90 bpm • C# Maj • 03:54 • -20.96db
12% Popularity • 25% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
12% Popularity • 25% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
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C21fx
Blood Red Roses
90 bpm • C min • 03:28 • -13.78db
37% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Daniel Pemberton
King Arthur: Legend of the Sword
90 bpm • D Maj • 02:52 • -9.96db
43% Popularity • 46% Danceability • 64% Energy • 33% Liveness
91% Instrumentalness • 82% Positiveness
43% Popularity • 46% Danceability • 64% Energy • 33% Liveness
91% Instrumentalness • 82% Positiveness
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Carter Burwell
Mildred Goes To War
76 bpm • A min • 01:24 • -15.39db
30% Popularity • 60% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
30% Popularity • 60% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
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Mark Korven
Isle of Wight (Traditional)
76 bpm • E Maj • 01:41 • -18db
23% Popularity • 30% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 30% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Sliotar
The Sweet Little Girl from Barnagh
91 bpm • D min • 02:04 • -7db
29% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bellstop
Trouble
76 bpm • B Maj • 03:43 • -7db
38% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Bratislava Symphony Orchestra
Birkibeinar Titull
76 bpm • F# min • 01:27 • -9.16db
10% Popularity • 26% Danceability • 40% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
10% Popularity • 26% Danceability • 40% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
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Daniel Pemberton
King Arthur: The Coronation
90 bpm • D Maj • 01:45 • -14db
32% Popularity • 61% Danceability • 35% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
32% Popularity • 61% Danceability • 35% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
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Peter Wiegold
Rambling Boys
91 bpm • E min • 07:05 • -12.92db
3% Popularity • 29% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
3% Popularity • 29% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Blues Saraceno
Grave Digger
91 bpm • E min • 03:35 • -11.95db
49% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Nicholls
Bloody Gardener
76 bpm • G Maj • 03:46 • -10.54db
10% Popularity • 38% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 38% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Goodnight, Texas
The Railroad
91 bpm • C Maj • 04:10 • -12db
56% Popularity • 68% Danceability • 42% Energy • 9% Liveness
51% Instrumentalness • 44% Positiveness
56% Popularity • 68% Danceability • 42% Energy • 9% Liveness
51% Instrumentalness • 44% Positiveness
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Johnny Flynn
The Dark
76 bpm • A min • 03:14 • -6.83db
23% Popularity • 17% Danceability • 43% Energy • 11% Liveness
59% Instrumentalness • 26% Positiveness
23% Popularity • 17% Danceability • 43% Energy • 11% Liveness
59% Instrumentalness • 26% Positiveness
