Songs like Carry Me Back to the Lone Prairie by Eddy Arnold
Based on a tempo of (+/- 10%) and a similar genre
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The Delmore Brothers
The Fugitive's Lament
96 bpm • C# Maj • 02:43 • -16.58db
31% Popularity • 72% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 72% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Johny Hortin
Bridger
96 bpm • C min • 02:30 • -13.18db
22% Popularity • 68% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 68% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Ferlin Husky
That Big Ole Moon
96 bpm • F Maj • 02:41 • -11.6db
15% Popularity • 66% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 66% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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The Country Side Of Harmonica Sam
Broken Bottle, Broken Heart
96 bpm • G Maj • 02:52 • -11.79db
28% Popularity • 72% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 72% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Eddy Arnold
Carry Me Back to the Lone Prairie
96 bpm • D Maj • 02:18 • -14.39db
36% Popularity • 58% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 58% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Dick Curless
Six Times A Day (The Trains Came Down)
96 bpm • C Maj • 02:33 • -11.25db
22% Popularity • 61% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 61% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Hank Thompson And His Brazos Valley Boys
Rub-A-Dub-Dub
96 bpm • A Maj • 02:15 • -7.92db
26% Popularity • 83% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 83% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Hawkshaw Hawkins
Soldier's Joy
97 bpm • F Maj • 02:20 • -13.16db
21% Popularity • 84% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 84% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Michael Martin Murphey
The Old Chisholm Trail
97 bpm • E Maj • 04:46 • -5.21db
22% Popularity • 75% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 75% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Bill Monroe & His Blue Grass Boys
Blue Yodel No. 4
97 bpm • F Maj • 03:28 • -14.59db
26% Popularity • 74% Danceability • 29% Energy • 25% Liveness
37% Instrumentalness • 79% Positiveness
26% Popularity • 74% Danceability • 29% Energy • 25% Liveness
37% Instrumentalness • 79% Positiveness
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Tennessee Ernie Ford
Streamlined Cannonball
97 bpm • C Maj • 03:00 • -13.93db
14% Popularity • 64% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 64% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Eddy Arnold
Tennessee Stud - Remastered
95 bpm • F Maj • 03:06 • -15.68db
31% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Cowboy Copas
Bury Me Face Down
97 bpm • C Maj • 02:32 • -10.95db
11% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Tommy Collins
Poor, Broke, Mixed up Mess of a Heart
97 bpm • G Maj • 02:09 • -14.9db
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Wakely
When It's Round Up Time in Texas
97 bpm • D Maj • 02:27 • -12.41db
11% Popularity • 77% Danceability • 34% Energy • 8% Liveness
11% Instrumentalness • 91% Positiveness
11% Popularity • 77% Danceability • 34% Energy • 8% Liveness
11% Instrumentalness • 91% Positiveness
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Eddie Noack
Before You Use That Gun
95 bpm • C Maj • 02:32 • -13.54db
18% Popularity • 64% Danceability • 33% Energy • 28% Liveness
4% Instrumentalness • 44% Positiveness
18% Popularity • 64% Danceability • 33% Energy • 28% Liveness
4% Instrumentalness • 44% Positiveness
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Wayne Raney
Why Don't You Haul Off And Love Me
95 bpm • G# min • 03:02 • -9.34db
8% Popularity • 74% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 95% Positiveness
8% Popularity • 74% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 95% Positiveness
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Eddy Arnold
You Don't Know Me
95 bpm • G# Maj • 02:44 • -16.57db
22% Popularity • 39% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 39% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Cal Smith
I've Found Someone Of My Own
97 bpm • A# Maj • 03:24 • -14.91db
32% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Bill Anderson
Still
95 bpm • G# Maj • 02:51 • -21db
33% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kitty Wells
I Can't Stop Loving You - 1958 Single Ve...
97 bpm • F# Maj • 02:16 • -12.84db
33% Popularity • 54% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 54% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Wynn Stewart
Falling for You
97 bpm • E Maj • 02:30 • -13.52db
15% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Buck Owens And His Buckaroos
You'll Never Miss the Water (Till the We...
97 bpm • A Maj • 02:28 • -8.33db
13% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Hank Snow & His Rainbow Ranch Boys
The Rhumba Boogie
94 bpm • D Maj • 02:47 • -7.49db
16% Popularity • 65% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 65% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Dick Curless
The Heartline Special
94 bpm • E min • 02:52 • -14db
21% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Sons Of The San Joaquin
Great American Cowboy
98 bpm • C# min • 04:05 • -11.18db
26% Popularity • 54% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 54% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Ferlin Husky
My Reason For Living
98 bpm • G Maj • 02:04 • -8.57db
33% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Dave Dudley
Six Days on the Road
98 bpm • G Maj • 02:11 • -11.57db
53% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
53% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Sons of the Pioneers
I'll Sail My Ship Alone
94 bpm • D Maj • 02:13 • -10db
30% Popularity • 66% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 66% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Tex Williams
I Lost My Gal From Memphis
98 bpm • F# Maj • 02:27 • -10db
28% Popularity • 78% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 78% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Dick Curless
Hard, Hard Traveling Man
98 bpm • G Maj • 02:33 • -8db
28% Popularity • 71% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 96% Positiveness
28% Popularity • 71% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 96% Positiveness
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Cowboy Copas
Filipino Baby
94 bpm • A Maj • 02:46 • -8.52db
25% Popularity • 73% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 73% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Rodriguez
That's The Way Love Goes
98 bpm • G Maj • 01:51 • -11db
42% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Hawkshaw Hawkins
Sunny Side Of The Mountain
94 bpm • D Maj • 02:55 • -7.79db
14% Popularity • 75% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
14% Popularity • 75% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
98 bpm • A Maj • 02:27 • -9.32db
39% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Jim Ed Brown
Southern Loving
99 bpm • F Maj • 02:13 • -10.54db
24% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Clint Eastwood
San Antonio Rose
94 bpm • G Maj • 02:26 • -11.48db
11% Popularity • 58% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 58% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Sons of the Pioneers
Tumbling Tumbleweeds - Single Version
99 bpm • A# Maj • 03:16 • -15db
25% Popularity • 40% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 40% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Elton Britt
Patent Leather Boots
99 bpm • G# Maj • 03:01 • -10db
13% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Hawkshaw Hawkins
Pan American
94 bpm • E Maj • 02:54 • -12.64db
9% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Eddie Noack
Psycho
99 bpm • D Maj • 03:36 • -13db
42% Popularity • 54% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 54% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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George Hamilton IV
The Roving Gambler
99 bpm • G Maj • 02:21 • -13.71db
22% Popularity • 71% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 71% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Red Steagall
Lone Star Beer and Bob Wills
99 bpm • E Maj • 02:09 • -7db
34% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Cal Smith
Drinking Champagne
93 bpm • C Maj • 03:29 • -14.42db
22% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Elton Britt
That's How the Yodel Was Born
99 bpm • A Maj • 03:13 • -12.26db
10% Popularity • 45% Danceability • 29% Energy • 8% Liveness
7% Instrumentalness • 32% Positiveness
10% Popularity • 45% Danceability • 29% Energy • 8% Liveness
7% Instrumentalness • 32% Positiveness
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Johnnie & Jack
Poison Love
100 bpm • F# Maj • 02:21 • -11.69db
4% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
4% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Bill Monroe
Heavy Traffic Ahead
93 bpm • A Maj • 02:51 • -12.9db
21% Popularity • 75% Danceability • 35% Energy • 33% Liveness
83% Instrumentalness • 92% Positiveness
21% Popularity • 75% Danceability • 35% Energy • 33% Liveness
83% Instrumentalness • 92% Positiveness
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The Browns
The Old Lamplighter
92 bpm • D Maj • 02:21 • -16.78db
34% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Don Rich
Wham Bam
100 bpm • G# Maj • 02:02 • -9.06db
22% Popularity • 71% Danceability • 61% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
22% Popularity • 71% Danceability • 61% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
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Buck Owens & The Buckaroos
Love's Gonna Live Here - Mono Single Ver...
92 bpm • G# Maj • 02:01 • -6.17db
46% Popularity • 59% Danceability • 65% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
46% Popularity • 59% Danceability • 65% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
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Dick Curless
'Tater Raisin' Man
92 bpm • G# Maj • 02:01 • -9.37db
25% Popularity • 53% Danceability • 68% Energy • 30% Liveness
5% Instrumentalness • 85% Positiveness
25% Popularity • 53% Danceability • 68% Energy • 30% Liveness
5% Instrumentalness • 85% Positiveness
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Ira Louvin
Bottom Of The Bottle
92 bpm • A Maj • 02:34 • -10.73db
14% Popularity • 45% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 45% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Maddox Brothers
Milk Cow Blues
100 bpm • D Maj • 03:10 • -14.06db
21% Popularity • 64% Danceability • 13% Energy • 10% Liveness
6% Instrumentalness • 47% Positiveness
21% Popularity • 64% Danceability • 13% Energy • 10% Liveness
6% Instrumentalness • 47% Positiveness
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Eddy Arnold
The Wayward Wind
101 bpm • C# Maj • 03:06 • -15.86db
31% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Cisco Houston
The Dying Cowboy
92 bpm • G# Maj • 03:03 • -22.01db
28% Popularity • 43% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 43% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Hank Thompson And His Brazos Valley Boys
Squaws Along The Yukon
101 bpm • C Maj • 02:31 • -7.05db
28% Popularity • 74% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 74% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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Wynn Stewart
Another Day, Another Dollar
91 bpm • E Maj • 02:32 • -11db
17% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Ferlin Husky
Draggin' The River
91 bpm • F Maj • 02:08 • -10.75db
50% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Hank Penny
Won't You Ride In My Little Red Wagon
101 bpm • D# Maj • 02:03 • -8.93db
29% Popularity • 81% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 81% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Billy Joe Shaver
I'm Just an Old Chunk of Coal (But I'm G...
101 bpm • A Maj • 02:01 • -11db
43% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Frankie Miller
Black Land Farmer
101 bpm • A Maj • 02:31 • -10.29db
22% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Sons Of The San Joaquin
Song of the Rover
101 bpm • C# Maj • 02:08 • -11db
18% Popularity • 67% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 67% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Bill Anderson
Three A.M.
101 bpm • D# Maj • 02:40 • -18.11db
28% Popularity • 66% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 66% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Del Reeves
There Wouldn't Be A Lonely Heart In Town
101 bpm • A Maj • 02:07 • -11.16db
14% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Dick Curless
Loser's Cocktail
91 bpm • E Maj • 02:32 • -8.02db
26% Popularity • 52% Danceability • 88% Energy • 55% Liveness
54% Instrumentalness • 90% Positiveness
26% Popularity • 52% Danceability • 88% Energy • 55% Liveness
54% Instrumentalness • 90% Positiveness
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Eddy Arnold
Take Me In Your Arms and Hold Me
91 bpm • G# Maj • 02:24 • -13.42db
15% Popularity • 35% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 35% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Hawkshaw Hawkins
Twenty Miles From Shore
91 bpm • E Maj • 01:56 • -13.98db
25% Popularity • 47% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 47% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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The Delmore Brothers
Hillbilly Boogie
102 bpm • E Maj • 02:48 • -10.2db
12% Popularity • 63% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 65% Positiveness
12% Popularity • 63% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 65% Positiveness
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Johnny Western
Hannah Lee (High Are the Gallows)
102 bpm • A Maj • 02:26 • -9.83db
15% Popularity • 52% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 52% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy C. Newman
Alligator Man
91 bpm • A Maj • 02:11 • -9db
29% Popularity • 54% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 54% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Tex Williams
Reno
102 bpm • A Maj • 02:20 • -12.13db
13% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Del Reeves
Right Back Loving You Again
102 bpm • A Maj • 02:08 • -8.63db
33% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Red Foley
Hearts Of Stone
90 bpm • A Maj • 02:21 • -19.39db
13% Popularity • 80% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 80% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Stoney Edwards
She's My Rock
90 bpm • G# Maj • 02:24 • -12db
29% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Henson Cargill
Black Jack County Chain
90 bpm • G Maj • 02:06 • -14.99db
19% Popularity • 55% Danceability • 37% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
19% Popularity • 55% Danceability • 37% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
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Jerry Lee Lewis
What's Made Milwaukee Famous (Has Made A...
102 bpm • C Maj • 02:37 • -11db
33% Popularity • 43% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 43% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Tennessee Ernie Ford
The Rovin' Gambler
102 bpm • G Maj • 02:17 • -10.3db
23% Popularity • 90% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 90% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Eddy Arnold
Leanin' on the Old Top Rail
102 bpm • A# Maj • 02:05 • -14db
33% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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George Hamilton IV
Jimmy Brown the News Boy
102 bpm • E Maj • 02:24 • -15.12db
28% Popularity • 73% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 73% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Earl Scruggs
Song of the South
90 bpm • D Maj • 02:51 • -8.07db
28% Popularity • 68% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 68% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Jean Shepard
Two Whoops And A Holler
90 bpm • A Maj • 02:21 • -9.05db
28% Popularity • 80% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 80% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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George Morgan
Room Full of Roses
90 bpm • A# Maj • 02:33 • -15.5db
25% Popularity • 56% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 56% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Kitty Wells
Making Believe - 1955 Single Version
103 bpm • A# Maj • 02:55 • -11db
38% Popularity • 57% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 57% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Hank Snow & His Rainbow Ranch Boys
Yellow Roses
103 bpm • G# Maj • 02:45 • -7.32db
11% Popularity • 26% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 26% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Rodriguez
I'll Just Have To Learn To Stay Away Fro...
90 bpm • C# Maj • 02:07 • -9.18db
26% Popularity • 56% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 56% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Bradley Kincaid
Barbara Allen
89 bpm • C# Maj • 03:25 • -19.05db
30% Popularity • 71% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 71% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Dick Curless
Bury The Bottle With Me
89 bpm • G Maj • 02:48 • -16.3db
33% Popularity • 56% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 56% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Del Reeves
This Must The The Bottom
89 bpm • A Maj • 01:53 • -14db
34% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Eddy Arnold
In The Misty Moonlight - Re-Recorded In ...
103 bpm • G Maj • 02:09 • -11.33db
18% Popularity • 55% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 55% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Mac Wiseman
Corina Corina
89 bpm • A Maj • 01:32 • -9.18db
22% Popularity • 58% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 58% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Charlie Walker
I Wouldn't Take Her to a Dogfight
103 bpm • A Maj • 02:13 • -8.66db
24% Popularity • 70% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Roy Clark
Tips Of My Fingers
89 bpm • D Maj • 02:44 • -16.57db
29% Popularity • 50% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 50% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Little Jimmy Dickens
Country Music Lover
104 bpm • E Maj • 02:57 • -9.21db
15% Popularity • 72% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 72% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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George Hamilton IV
Truck Driving Man
104 bpm • E Maj • 02:28 • -10.54db
27% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Jean Shepard
If Teardrops Were Silver
89 bpm • F Maj • 02:19 • -7.57db
31% Popularity • 61% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 61% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Tom T. Hall
I Miss A Lot Of Trains
104 bpm • E Maj • 02:50 • -16db
25% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Eddy Arnold
Let's Get It While The Gettin's Good
89 bpm • F# Maj • 03:15 • -9.49db
16% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Kitty Wells
Make Believe ('Til We Can Make It Come T...
104 bpm • A Maj • 02:30 • -14.01db
14% Popularity • 78% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 78% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
