Songs like Cathedral Bell by The Used
Based on a tempo of (+/- 10%) and a similar genre
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Underoath
You're Ever So Inviting
180 bpm • D min • 04:13 • -2db
42% Popularity • 34% Danceability • 99% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 99% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Yellowcard
Fighting
180 bpm • G Maj • 03:00 • -5db
47% Popularity • 41% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 41% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Saosin
Voices
180 bpm • A min • 03:37 • -4db
58% Popularity • 31% Danceability • 92% Energy • 38% Liveness
1% Instrumentalness • 26% Positiveness
58% Popularity • 31% Danceability • 92% Energy • 38% Liveness
1% Instrumentalness • 26% Positiveness
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The All-American Rejects
The Last Song
180 bpm • C# Maj • 05:00 • -3db
48% Popularity • 32% Danceability • 88% Energy • 27% Liveness
8% Instrumentalness • 23% Positiveness
48% Popularity • 32% Danceability • 88% Energy • 27% Liveness
8% Instrumentalness • 23% Positiveness
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The Used
The Bird and the Worm
180 bpm • F# min • 03:45 • -6.87db
59% Popularity • 30% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 30% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Matchbook Romance
My Eyes Burn
180 bpm • D# min • 04:19 • -3.25db
38% Popularity • 40% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 40% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Underoath
Young And Aspiring
180 bpm • E min • 03:04 • -3db
49% Popularity • 26% Danceability • 99% Energy • 77% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 26% Danceability • 99% Energy • 77% Liveness
0% Instrumentalness • 16% Positiveness
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Emarosa
Set If Off Like Napalm
180 bpm • C# min • 03:06 • -2.31db
40% Popularity • 32% Danceability • 97% Energy • 60% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 32% Danceability • 97% Energy • 60% Liveness
0% Instrumentalness • 27% Positiveness
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Sugarcult
Stuck In America
180 bpm • A# Maj • 02:56 • -4db
47% Popularity • 35% Danceability • 94% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 35% Danceability • 94% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
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My Chemical Romance
I'm Not Okay (I Promise)
180 bpm • A Maj • 03:06 • -3.43db
76% Popularity • 21% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
76% Popularity • 21% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Yellowcard
Way Away
180 bpm • D min • 03:22 • -4.08db
57% Popularity • 36% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 36% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Spill Canvas
Reckless Abandonment
181 bpm • D# min • 03:31 • -3.76db
28% Popularity • 33% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 33% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 21% Positiveness
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All Time Low
Dear Maria, Count Me In
181 bpm • D Maj • 03:02 • -3.13db
77% Popularity • 46% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
77% Popularity • 46% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Acceptance
So Contagious
178 bpm • C# Maj • 03:04 • -4.7db
48% Popularity • 41% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 41% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Four Year Strong
Bada Bing! Wit' A Pipe!
181 bpm • D Maj • 03:21 • -4.44db
40% Popularity • 42% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 42% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Chiodos
Those Who Slay Together, Stay Together
182 bpm • D min • 05:04 • -2.93db
34% Popularity • 20% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 20% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Yellowcard
Breathing
180 bpm • E min • 03:38 • -4db
62% Popularity • 38% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 38% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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The Used
All That I've Got
178 bpm • G Maj • 03:58 • -4.76db
49% Popularity • 34% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 34% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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All Time Low
Weightless
181 bpm • D Maj • 03:18 • -4.51db
64% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
64% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Emery
The Party Song
178 bpm • F min • 03:31 • -4db
36% Popularity • 38% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 38% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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A Change of Pace
Shoot from the Hip
178 bpm • F# min • 03:37 • -3.62db
34% Popularity • 27% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 27% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Brand New
Failure By Design
178 bpm • D# Maj • 03:16 • -3.95db
50% Popularity • 43% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 43% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Yellowcard
Miles Apart
182 bpm • D Maj • 03:32 • -3.43db
42% Popularity • 36% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 36% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Matchbook Romance
Fiction
183 bpm • G# Maj • 03:25 • -3.05db
20% Popularity • 25% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 25% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Escape the Fate
Ashley
177 bpm • F Maj • 03:27 • -5.72db
53% Popularity • 27% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 27% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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The Used
Slit Your Own Throat
177 bpm • G Maj • 03:04 • -4.9db
33% Popularity • 44% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 44% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Thrice
All That's Left
183 bpm • G min • 03:19 • -2db
47% Popularity • 48% Danceability • 98% Energy • 33% Liveness
60% Instrumentalness • 54% Positiveness
47% Popularity • 48% Danceability • 98% Energy • 33% Liveness
60% Instrumentalness • 54% Positiveness
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Brand New
Jude Law And A Semester Abroad
178 bpm • G# Maj • 03:42 • -3.37db
49% Popularity • 43% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 43% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Yellowcard
Empty Apartment
184 bpm • C Maj • 03:36 • -6db
47% Popularity • 36% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 36% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Isles & Glaciers
Empty Sighs and Wine
184 bpm • E min • 04:04 • -3.07db
41% Popularity • 35% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 35% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Issues
The Worst of Them
176 bpm • B min • 03:36 • -3.51db
44% Popularity • 48% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 48% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Used
Hospital
177 bpm • D min • 02:56 • -3.94db
42% Popularity • 35% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 35% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Silverstein
Smile In Your Sleep
184 bpm • E min • 03:13 • -3.18db
61% Popularity • 43% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
61% Popularity • 43% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
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All Time Low
Umbrella
176 bpm • C# Maj • 03:49 • -3.83db
55% Popularity • 42% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 42% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmy Eat World
A Praise Chorus
184 bpm • A Maj • 04:03 • -5.3db
53% Popularity • 46% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 46% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Yellowcard
Believe
176 bpm • A Maj • 04:31 • -4.66db
46% Popularity • 35% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 35% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
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AFI
Medicate
185 bpm • G# min • 04:20 • -4db
45% Popularity • 18% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 18% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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The Used
Take It Away
176 bpm • E min • 03:37 • -5.45db
35% Popularity • 28% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 28% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Escape the Fate
Something
175 bpm • A# min • 03:37 • -5.81db
48% Popularity • 40% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 40% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Chiodos
Is It Progression If a Cannibal Uses a F...
185 bpm • D Maj • 03:25 • -5db
39% Popularity • 33% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 33% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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blessthefall
Hey Baby, Here's That Song You Wanted
185 bpm • D# min • 03:14 • -2.77db
58% Popularity • 20% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
58% Popularity • 20% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Black Veil Brides
Perfect Weapon
185 bpm • A Maj • 04:07 • -4.43db
53% Popularity • 38% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 38% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Thrice
Under A Killing Moon
185 bpm • G# Maj • 02:41 • -3.7db
46% Popularity • 41% Danceability • 99% Energy • 7% Liveness
44% Instrumentalness • 49% Positiveness
46% Popularity • 41% Danceability • 99% Energy • 7% Liveness
44% Instrumentalness • 49% Positiveness
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The Used
Cut up Angels
176 bpm • A Maj • 03:47 • -4.24db
20% Popularity • 32% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 32% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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All Time Low
Coffee Shop Soundtrack
185 bpm • A Maj • 03:01 • -6db
48% Popularity • 42% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 42% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Yellowcard
For You, And Your Denial
175 bpm • D Maj • 03:33 • -4db
58% Popularity • 39% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 39% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Destroy Rebuild Until God Shows
Laminated E.T. Animal
185 bpm • D min • 03:33 • -5db
33% Popularity • 35% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 35% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Chunk! No, Captain Chunk!
In Friends We Trust
185 bpm • F min • 03:27 • -4.88db
41% Popularity • 38% Danceability • 96% Energy • 24% Liveness
1% Instrumentalness • 40% Positiveness
41% Popularity • 38% Danceability • 96% Energy • 24% Liveness
1% Instrumentalness • 40% Positiveness
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The Audition
Dance Halls Turn To Ghost Towns
185 bpm • A# min • 03:18 • -2db
26% Popularity • 35% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 35% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Tonight Alive
Breaking & Entering
175 bpm • G# min • 03:32 • -5db
34% Popularity • 44% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 44% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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The Ataris
In This Diary
175 bpm • G# Maj • 03:50 • -4.64db
48% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Eyes Set To Kill
Broken Frames
185 bpm • F# Maj • 02:53 • -3.38db
41% Popularity • 40% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 40% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Destroy Rebuild Until God Shows
Graveyard Dancing
185 bpm • D# min • 02:59 • -5.3db
45% Popularity • 20% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 20% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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The Used
Bulimic
175 bpm • A Maj • 03:20 • -4.69db
47% Popularity • 38% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 38% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Yellowcard
Rough Landing, Holly
175 bpm • E Maj • 03:33 • -3.32db
48% Popularity • 34% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 34% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Thrice
The Artist In The Ambulance
175 bpm • F min • 03:39 • -4.1db
59% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Black Veil Brides
Knives and Pens
186 bpm • D min • 04:15 • -4.7db
62% Popularity • 42% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
62% Popularity • 42% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Scary Kids Scaring Kids
The Bright Side of Suffering
174 bpm • C min • 04:02 • -5.71db
33% Popularity • 33% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 33% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Broadside
Coffee Talk
174 bpm • G# Maj • 02:54 • -2.96db
53% Popularity • 27% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 27% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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The Used
I'm a Fake
174 bpm • C Maj • 04:06 • -7.35db
27% Popularity • 21% Danceability • 82% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 21% Danceability • 82% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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Thursday
Counting 5-4-3-2-1
174 bpm • A Maj • 03:19 • -2db
38% Popularity • 12% Danceability • 91% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
38% Popularity • 12% Danceability • 91% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
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The Almost
Southern Weather
174 bpm • D Maj • 03:28 • -3.45db
41% Popularity • 35% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 35% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Yellowcard
Ocean Avenue
174 bpm • F# min • 03:18 • -3.75db
73% Popularity • 49% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
73% Popularity • 49% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Scary Kids Scaring Kids
The Deep End
174 bpm • G# min • 04:12 • -4.22db
40% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Alesana
The Thespian
187 bpm • A# Maj • 03:57 • -3.19db
51% Popularity • 32% Danceability • 97% Energy • 51% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 32% Danceability • 97% Energy • 51% Liveness
0% Instrumentalness • 29% Positiveness
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The Used
Noise and Kisses
187 bpm • C Maj • 02:49 • -4.66db
44% Popularity • 30% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 30% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Thrice
Stare At The Sun
187 bpm • C min • 03:23 • -3.23db
53% Popularity • 23% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
53% Popularity • 23% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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blink-182
Stockholm Syndrome
173 bpm • C Maj • 02:41 • -3db
49% Popularity • 39% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 39% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Armor For Sleep
Williamsburg
173 bpm • D Maj • 03:42 • -3db
28% Popularity • 24% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 24% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Escape the Fate
The Flood
188 bpm • G# Maj • 03:33 • -5db
48% Popularity • 39% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 39% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Underoath
Down, Set, Go
172 bpm • F# min • 03:44 • -4.16db
45% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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State Champs
Elevated
188 bpm • F Maj • 03:29 • -2db
49% Popularity • 27% Danceability • 98% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 27% Danceability • 98% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
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Atreyu
Right Side Of The Bed
172 bpm • G# Maj • 03:42 • -5db
54% Popularity • 25% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 72% Positiveness
54% Popularity • 25% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 72% Positiveness
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blink-182
Feeling This
173 bpm • E Maj • 02:52 • -5.95db
70% Popularity • 41% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 62% Positiveness
70% Popularity • 41% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 62% Positiveness
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Fall Out Boy
Of All The Gin Joints In All The World
172 bpm • C Maj • 03:11 • -3.42db
57% Popularity • 42% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 42% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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The Used
Liar Liar (Burn in Hell)
172 bpm • A Maj • 02:52 • -4db
42% Popularity • 41% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 41% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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The All-American Rejects
My Paper Heart
172 bpm • C Maj • 03:48 • -4.98db
52% Popularity • 50% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 50% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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AFI
Beautiful Thieves
172 bpm • E Maj • 03:46 • -5db
43% Popularity • 26% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 26% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Emery
The Ponytail Parades
171 bpm • C min • 04:05 • -5.41db
40% Popularity • 23% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 23% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Taking Back Sunday
You Know How I Do - Remastered
171 bpm • E Maj • 03:21 • -4.11db
46% Popularity • 20% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 20% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Story So Far
Quicksand
190 bpm • F Maj • 02:38 • -2.62db
52% Popularity • 35% Danceability • 100% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 35% Danceability • 100% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Used
Buried Myself Alive
171 bpm • G Maj • 04:02 • -5.02db
60% Popularity • 26% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 26% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 39% Positiveness
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Sugarcult
Pretty Girl (The Way)
170 bpm • A# min • 03:28 • -6.5db
45% Popularity • 45% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 45% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 40% Positiveness
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Emarosa
A Toast to the future kids!
170 bpm • G# min • 03:48 • -3.81db
48% Popularity • 33% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 33% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Valencia
The Space Between
170 bpm • D Maj • 03:37 • -4.38db
44% Popularity • 38% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 38% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 44% Positiveness
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Hawthorne Heights
Ohio Is For Lovers
170 bpm • G# min • 04:04 • -6.87db
65% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
65% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Dance Gavin Dance
Uneasy Hearts Weigh The Most
170 bpm • F# min • 03:38 • -3.2db
59% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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The Used
Earthquake
170 bpm • D Maj • 03:29 • -6.1db
39% Popularity • 18% Danceability • 88% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 18% Danceability • 88% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Senses Fail
Can't Be Saved
170 bpm • D Maj • 03:07 • -3.24db
61% Popularity • 33% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 33% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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All Time Low
Remembering Sunday
170 bpm • F# min • 04:16 • -4.8db
59% Popularity • 45% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 45% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Tonight Alive
Lonely Girl
170 bpm • G min • 03:11 • -3.43db
45% Popularity • 41% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 41% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Of Mice & Men
My Understandings
170 bpm • D min • 02:33 • -5.53db
47% Popularity • 33% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 33% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Underoath
A Boy Brushed Red Living In Black And Wh...
170 bpm • C# min • 04:28 • -3.6db
61% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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The Used
Born to Quit
170 bpm • D min • 03:33 • -3.46db
27% Popularity • 34% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 34% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Escape the Fate
Friends And Alibis
191 bpm • F Maj • 04:10 • -3.95db
44% Popularity • 24% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 24% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Simple Plan
I'd Do Anything
169 bpm • G# Maj • 03:17 • -6.86db
63% Popularity • 40% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
63% Popularity • 40% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Emery
Walls
169 bpm • C# min • 03:23 • -5db
49% Popularity • 27% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 27% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Four Year Strong
It Must Really Suck To Be Four Year Stro...
168 bpm • G Maj • 03:16 • -3.79db
46% Popularity • 25% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 25% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
