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Cavalier
Songs like
Cavalier
by
James Vincent McMorrow
Based on a tempo of (+/- 10%) and a similar genre
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S. Carey
Rose Petals
128 bpm • A# Maj • 03:33 • -12db
51% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Blanco White
Outsider
128 bpm • E Maj • 04:44 • -11.19db
43% Popularity • 50% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Old Sea Brigade
Feel You
128 bpm • D Maj • 03:54 • -14db
48% Popularity • 82% Danceability • 22% Energy • 10% Liveness
59% Instrumentalness • 36% Positiveness
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Charlie Cunningham
I Can Be
128 bpm • D# Maj • 02:55 • -15.09db
29% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Leon Bridges
River
128 bpm • G# Maj • 04:00 • -10.79db
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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James Vincent McMorrow
Rising Water - Venice Beach, April 2015
127 bpm • C Maj • 04:21 • -9.38db
3% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ane Brun
Halo
128 bpm • C min • 03:52 • -12.86db
55% Popularity • 58% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Novo Amor
Welcome to the Jungle
129 bpm • D# Maj • 03:16 • -11.22db
47% Popularity • 46% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 7% Positiveness
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Blanco White
Nocturne
127 bpm • D min • 04:28 • -13.19db
51% Popularity • 48% Danceability • 30% Energy • 16% Liveness
19% Instrumentalness • 19% Positiveness
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Little May
Boardwalks - Remastered 2015/ Bonus Trac...
129 bpm • F# Maj • 03:19 • -13db
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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S. Carey
In the Stream
129 bpm • D# Maj • 05:10 • -17db
33% Popularity • 34% Danceability • 24% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
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James Vincent McMorrow
Sparrow & The Wolf
127 bpm • G Maj • 03:41 • -8.19db
18% Popularity • 53% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Phoria
Saving Us a Riot
130 bpm • D# min • 04:17 • -16.24db
42% Popularity • 48% Danceability • 14% Energy • 12% Liveness
13% Instrumentalness • 6% Positiveness
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Keaton Henson
Sweetheart, What Have You Done to Us
126 bpm • A min • 03:30 • -13.11db
40% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Charlie Cunningham
While You Are Young
130 bpm • C Maj • 02:41 • -11.22db
35% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jon Bryant
Light
130 bpm • A Maj • 04:27 • -12db
44% Popularity • 51% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Fink
If Only
130 bpm • D Maj • 04:23 • -19.28db
45% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Ben Howard
In Dreams
127 bpm • C Maj • 03:33 • -14db
57% Popularity • 49% Danceability • 59% Energy • 14% Liveness
71% Instrumentalness • 28% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
66% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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S. Carey
Fool's Gold
130 bpm • A Maj • 04:14 • -13db
40% Popularity • 50% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Haux
Heavy
130 bpm • G# Maj • 03:01 • -16.13db
40% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Vancouver Sleep Clinic
Collapse
130 bpm • C min • 03:41 • -14.48db
42% Popularity • 68% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Daughter
Landfill
126 bpm • B min • 04:23 • -7.93db
47% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Howard
The Fear
126 bpm • B Maj • 04:20 • -9.65db
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Blanco White
Lie Alone
126 bpm • A min • 04:05 • -10.2db
45% Popularity • 62% Danceability • 29% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
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The Lumineers
Angela (Single Version)
130 bpm • E Maj • 02:58 • -7.99db
45% Popularity • 65% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Haux
Caves
130 bpm • D# min • 03:53 • -13.29db
43% Popularity • 55% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 6% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
66% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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RY X
Love Like This
125 bpm • B Maj • 04:10 • -14.97db
46% Popularity • 37% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
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Bon Iver
8 (circle)
125 bpm • A Maj • 05:09 • -10.77db
52% Popularity • 41% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
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Blanco White
Papillon
130 bpm • E min • 03:59 • -15.9db
42% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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James Vincent McMorrow
This Old Dark Machine
131 bpm • G min • 04:14 • -7.16db
10% Popularity • 58% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Alexi Murdoch
Orange Sky
125 bpm • D Maj • 06:19 • -20.54db
60% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Ziggy Alberts
Gone (The Pocahontas Song)
125 bpm • C# min • 03:38 • -10.36db
57% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The National
Light Years
125 bpm • E Maj • 03:33 • -11.67db
60% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
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Bon Iver
Re: Stacks
125 bpm • D Maj • 06:41 • -22.85db
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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Foy Vance
She Burns
125 bpm • E Maj • 03:49 • -10.15db
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Haux
Seaside
125 bpm • D Maj • 03:26 • -15.35db
38% Popularity • 34% Danceability • 35% Energy • 16% Liveness
8% Instrumentalness • 12% Positiveness
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LÃ¥psley
Falling Short
125 bpm • A min • 03:23 • -9.1db
45% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Jono McCleery
Darkest Light
125 bpm • F min • 03:24 • -9.78db
48% Popularity • 55% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Amos Lee
Keep It Loose, Keep It Tight
132 bpm • E Maj • 03:08 • -11.69db
57% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Seafret
Give Me Something
132 bpm • A Maj • 02:38 • -11.15db
49% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
50% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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James Vincent McMorrow
We Don't Eat
124 bpm • G Maj • 04:55 • -12db
31% Popularity • 46% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Foy Vance
Guiding Light
132 bpm • C# Maj • 05:52 • -12.17db
43% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Leone
My Soul I
132 bpm • A Maj • 04:15 • -10.57db
46% Popularity • 29% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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Ella Grace
Wild Roads
124 bpm • C Maj • 03:22 • -7db
37% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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George Ogilvie
Better Man
124 bpm • F Maj • 04:43 • -7db
31% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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San Holo
The Future - Franky Rizardo Remix
124 bpm • G# Maj • 06:15 • -5.26db
6% Popularity • 64% Danceability • 98% Energy • 7% Liveness
45% Instrumentalness • 56% Positiveness
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James Vincent McMorrow
I Should Go - Solo Version
132 bpm • F# min • 02:31 • -10.37db
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Dermot Kennedy
After Rain
132 bpm • B min • 04:54 • -9.62db
46% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Garrett Kato
Take It Slowly
132 bpm • F Maj • 03:52 • -14db
50% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Alexi Murdoch
Through The Dark
123 bpm • G Maj • 05:30 • -19db
42% Popularity • 57% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Run River North
Mr. Brightside
123 bpm • D Maj • 04:32 • -12db
54% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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James Vincent McMorrow
Give up
124 bpm • B min • 03:46 • -6.13db
46% Popularity • 83% Danceability • 63% Energy • 33% Liveness
13% Instrumentalness • 83% Positiveness
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Damien Rice
The Blower's Daughter
133 bpm • E Maj • 04:46 • -13.57db
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Agnes Obel
Dorian
123 bpm • F# min • 04:48 • -17.57db
51% Popularity • 62% Danceability • 25% Energy • 10% Liveness
36% Instrumentalness • 18% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Nick Mulvey
Punta Cometa - Dancing For The Answers A...
122 bpm • G Maj • 03:36 • -11.03db
43% Popularity • 57% Danceability • 55% Energy • 9% Liveness
90% Instrumentalness • 57% Positiveness
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Old Sea Brigade
Cover My Own
134 bpm • G Maj • 03:53 • -15db
40% Popularity • 73% Danceability • 21% Energy • 7% Liveness
3% Instrumentalness • 40% Positiveness
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James Vincent McMorrow
Last Story - West Hollywood, March 2015
133 bpm • G Maj • 04:27 • -10.5db
1% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Milk Carton Kids
Michigan
122 bpm • A# Maj • 05:30 • -15db
54% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sons Of The East
Come Away
122 bpm • C Maj • 04:20 • -8.39db
57% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Fenne Lily
What's Good
134 bpm • G# min • 03:36 • -14.84db
42% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Talos
In Time
122 bpm • C# Maj • 04:38 • -13.71db
37% Popularity • 50% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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The New Basement Tapes
When I Get My Hands On You
135 bpm • C# min • 03:10 • -13.94db
61% Popularity • 91% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 48% Positiveness
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James Vincent McMorrow
Bend Your Knees
122 bpm • A Maj • 05:06 • -10.18db
3% Popularity • 37% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Leif Vollebekk
Into the Ether
135 bpm • C# Maj • 05:49 • -12.07db
40% Popularity • 58% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Francis and the Lights
I'll Never Forget You
121 bpm • F Maj • 03:45 • -18.62db
28% Popularity • 59% Danceability • 7% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
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Typhoon
Prosthetic Love
136 bpm • G Maj • 04:03 • -10db
33% Popularity • 38% Danceability • 42% Energy • 14% Liveness
28% Instrumentalness • 4% Positiveness
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Ben Howard
Small Things
136 bpm • G min • 05:43 • -9.83db
53% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
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Harrison Storm
Change It All
121 bpm • A# Maj • 04:07 • -13db
55% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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James Vincent McMorrow
And If My Heart Should Somehow Stop
122 bpm • D Maj • 04:34 • -9.82db
12% Popularity • 57% Danceability • 43% Energy • 16% Liveness
42% Instrumentalness • 21% Positiveness
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Haux
Youth
136 bpm • G Maj • 02:40 • -25.72db
40% Popularity • 55% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Ocie Elliott
Wait for You
136 bpm • C# Maj • 03:13 • -12db
61% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Isbells
Reunite
136 bpm • C# min • 03:55 • -12.78db
45% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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Villagers
Nothing Arrived
120 bpm • G Maj • 03:43 • -6db
44% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Blanco White
Chalk
120 bpm • A min • 03:49 • -11.53db
48% Popularity • 64% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Max Brodie
Be Good
120 bpm • C# Maj • 02:44 • -16.46db
53% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Haux
Homegrown
120 bpm • A Maj • 04:02 • -13.68db
50% Popularity • 66% Danceability • 33% Energy • 19% Liveness
39% Instrumentalness • 22% Positiveness
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James Vincent McMorrow
Higher Love
120 bpm • F Maj • 03:35 • -14db
45% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Beach
Thieves
137 bpm • E min • 03:59 • -9db
30% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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George Ogilvie
Surveillance
120 bpm • D# min • 04:12 • -9db
43% Popularity • 52% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Blanco White
Eyes Wide Open
120 bpm • D min • 03:15 • -13.5db
48% Popularity • 66% Danceability • 25% Energy • 13% Liveness
44% Instrumentalness • 47% Positiveness
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LÃ¥psley
Station - 2014
120 bpm • G Maj • 03:14 • -20.88db
45% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
63% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Andrew Belle
Pieces
137 bpm • F# min • 04:01 • -5.86db
55% Popularity • 49% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Leif Vollebekk
East of Eden
138 bpm • G Maj • 04:50 • -14db
36% Popularity • 64% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
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KALEO
All the Pretty Girls - Recorded at Spoti...
139 bpm • C# Maj • 05:07 • -10.07db
46% Popularity • 47% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Bell X1
The Upswing
139 bpm • A Maj • 04:59 • -11.85db
38% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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LÃ¥psley
Station
119 bpm • G Maj • 03:16 • -15.87db
38% Popularity • 53% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Billy Raffoul
Dark Four Door
118 bpm • A# Maj • 03:28 • -11.72db
45% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Rosie Carney
Thousand
118 bpm • C# Maj • 03:26 • -14db
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Leif Vollebekk
All Night Sedans
119 bpm • F min • 03:08 • -16.7db
42% Popularity • 73% Danceability • 16% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
► Preview
George Ogilvie
October
118 bpm • F Maj • 05:07 • -7db
45% Popularity • 68% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Cavalier