Songs like Cavalleria rusticana, Scene 1: O Lola ch'ai di latti la cammisa (Live) by Pietro Mascagni
Based on a tempo of (+/- 10%) and a similar genre
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
83 bpm • F Maj • 03:54 • -25.77db
23% Popularity • 16% Danceability • 6% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 6% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madame Butterfly, 1. Akt: Vogliatemi ben...
83 bpm • A# Maj • 02:54 • -50.14db
39% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
18% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana - Arr. I Salonisti:...
83 bpm • F Maj • 03:29 • -21db
10% Popularity • 15% Danceability • 11% Energy • 18% Liveness
43% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 11% Energy • 18% Liveness
43% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 4 ...
83 bpm • D# Maj • 01:57 • -25db
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Nicola Piovani
Buongiorno Principessa
82 bpm • A Maj • 03:23 • -31db
47% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Pan Voyevoda, Op. 59: III. Nocturne: Cla...
82 bpm • E Maj • 04:22 • -31db
20% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Mamma, quel vino ...
83 bpm • D# Maj • 05:11 • -15db
22% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor: IV. Ada...
82 bpm • F Maj • 08:30 • -31db
12% Popularity • 11% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
12% Popularity • 11% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 Andante...
84 bpm • G min • 01:50 • -22.09db
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue for Three Vio...
82 bpm • D Maj • 07:24 • -16.13db
24% Popularity • 20% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
24% Popularity • 20% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
82 bpm • E Maj • 05:59 • -21.08db
4% Popularity • 19% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle
82 bpm • D Maj • 03:37 • -30.68db
41% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Claude Debussy
Rêverie, L. 68 (Arr. by Badzura)
82 bpm • F Maj • 06:08 • -21.46db
36% Popularity • 16% Danceability • 7% Energy • 13% Liveness
61% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 7% Energy • 13% Liveness
61% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
On The Wings Of Song Op. 34 No. 2
84 bpm • D Maj • 03:47 • -19.93db
29% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Dite, mama Lucia"
82 bpm • D Maj • 04:40 • -24.07db
4% Popularity • 22% Danceability • 3% Energy • 59% Liveness
0% Instrumentalness • 6% Positiveness
4% Popularity • 22% Danceability • 3% Energy • 59% Liveness
0% Instrumentalness • 6% Positiveness
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Erik Satie
Satie: Gymnopédie No. 3
84 bpm • G Maj • 02:52 • -30.29db
27% Popularity • 18% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
27% Popularity • 18% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Anatoly Lyadov
8 Russian Folk Songs: 6. Cradle Song
82 bpm • A min • 02:22 • -47.4db
35% Popularity • 13% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
35% Popularity • 13% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Romance and Scene:...
84 bpm • E Maj • 05:57 • -21.51db
5% Popularity • 21% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 21% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
82 bpm • F Maj • 02:26 • -31.09db
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio Babbino caro"
82 bpm • G# Maj • 04:03 • -15.4db
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
81 bpm • B Maj • 08:23 • -26db
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
82 bpm • F Maj • 03:39 • -25.19db
34% Popularity • 8% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Ennio Morricone
Gabriel's Oboe
85 bpm • D Maj • 03:42 • -16.07db
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Tim Fain
Swan Lake, Op. 20
85 bpm • F# min • 05:26 • -18.49db
29% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
29% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Ineggiamo, il Sig...
82 bpm • G Maj • 04:05 • -18.72db
4% Popularity • 17% Danceability • 22% Energy • 57% Liveness
0% Instrumentalness • 6% Positiveness
4% Popularity • 17% Danceability • 22% Energy • 57% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act I: "O soave fanc...
85 bpm • G Maj • 04:12 • -16.74db
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Concerto No. 21 in C Major...
85 bpm • F Maj • 07:48 • -33.84db
20% Popularity • 12% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
20% Popularity • 12% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Prelude: 49th Parallel
85 bpm • G Maj • 02:39 • -17db
27% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
84 bpm • F Maj • 03:40 • -21.01db
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Coro a ...
81 bpm • A# Maj • 02:47 • -40.23db
26% Popularity • 18% Danceability • 0% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 0% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Peter Warlock
V. Pieds-en-l'air
85 bpm • G Maj • 03:38 • -26.78db
11% Popularity • 12% Danceability • 5% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 5% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
85 bpm • F Maj • 04:22 • -29db
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Ennio Morricone
Sergio Leone Suite: Deborah's Theme from...
85 bpm • E Maj • 03:31 • -17db
42% Popularity • 9% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 9% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: Träumerei (Arr. L...
81 bpm • D Maj • 03:35 • -31.82db
65% Popularity • 41% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
65% Popularity • 41% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
► Preview
Giuseppe Martucci
Notturno Op. 70 No. 1
80 bpm • F# Maj • 06:28 • -20db
14% Popularity • 20% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Nigel Hess
Main Theme
86 bpm • D Maj • 03:26 • -16.62db
26% Popularity • 17% Danceability • 21% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
26% Popularity • 17% Danceability • 21% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
► Preview
Claude Debussy
Suite bergamasque, L. 75 (Arr. for Orche...
86 bpm • C# Maj • 04:45 • -22db
18% Popularity • 9% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Silvano: Barcarola
81 bpm • E Maj • 06:26 • -30.53db
17% Popularity • 8% Danceability • 3% Energy • 67% Liveness
74% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 3% Energy • 67% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Ennio Morricone
Giuseppe Tornatore Suite: Playing Love f...
80 bpm • D Maj • 01:48 • -17.16db
43% Popularity • 16% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
43% Popularity • 16% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
John Barry
Mozart: Clarinet Concerto In A major, K6...
80 bpm • D Maj • 07:42 • -25.13db
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Florence Beatrice Price
Adoration (Version for Solo Violin and S...
80 bpm • D Maj • 03:52 • -22.7db
22% Popularity • 20% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:57 • -17.85db
14% Popularity • 14% Danceability • 10% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 10% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
86 bpm • D Maj • 08:14 • -25.69db
20% Popularity • 13% Danceability • 2% Energy • 10% Liveness
49% Instrumentalness • 5% Positiveness
20% Popularity • 13% Danceability • 2% Energy • 10% Liveness
49% Instrumentalness • 5% Positiveness
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Joseph Canteloube
Canteloube: Chants d'Auvergne, Vol. 1: N...
80 bpm • C min • 05:37 • -16.35db
16% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
16% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Reynaldo Hahn
L'heure exquise
80 bpm • D Maj • 02:19 • -31.71db
25% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Iris, Act I: Apri la tua finestra!
81 bpm • C Maj • 02:23 • -18.4db
9% Popularity • 38% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 38% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Remo Giazotto
Adagio for Strings and Organ in G Minor
86 bpm • C min • 11:46 • -23db
48% Popularity • 9% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
48% Popularity • 9% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
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Jean Sibelius
The Swan of Tuonela, Op. 22, No. 2
86 bpm • E min • 08:00 • -26.41db
27% Popularity • 17% Danceability • 7% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 7% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
49% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
49% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
► Preview
Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in A Major, Op. 7 No. 1:...
79 bpm • B Maj • 05:18 • -25.49db
26% Popularity • 14% Danceability • 4% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
26% Popularity • 14% Danceability • 4% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
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Edward Elgar
Elgar: Introduction and Allegro, Op. 47:...
80 bpm • C min • 03:14 • -18db
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Reynaldo Hahn
A Chloris (Arr. For Cor Anglais & Orches...
87 bpm • E Maj • 04:15 • -27db
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Ah! lo vedi" (Due...
85 bpm • F min • 05:25 • -16db
21% Popularity • 29% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 29% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Tosca: Vissi d'arte
87 bpm • D# Maj • 02:43 • -13.94db
21% Popularity • 21% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Fritz Kreisler
3 Old Viennese Dances: No. 2, Liebesleid...
79 bpm • A min • 03:40 • -25.96db
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
51% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Les danses polovtsiennes (Extraits de l'...
87 bpm • A Maj • 01:25 • -32db
55% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
55% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
