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C.C. Rider - Rerecorded
Songs like
C.C. Rider - Rerecorded
by
Amos Milburn
Based on a tempo of (+/- 10%) and a similar genre
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California Feetwarmers
Always Got a Home
167 bpm • D min • 02:51 • -7.99db
30% Popularity • 51% Danceability • 54% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
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Slim Gaillard
Tutti Frutti 2
167 bpm • C Maj • 02:39 • -20.38db
28% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
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Lucky Millinder
Who Threw the Whiskey in the Well
167 bpm • A# Maj • 03:00 • -9.43db
19% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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Tiny Bradshaw
Bradshaw Boogie
167 bpm • G Maj • 01:54 • -6db
25% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Roy Milton
You Got Me Reeling and Rocking - Remaste...
168 bpm • F Maj • 02:05 • -7.99db
22% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Wynona Carr
'Til The Well Runs Dry
167 bpm • G Maj • 02:04 • -8db
32% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
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Roy Brown
Fannie Brown Got Married
168 bpm • D Maj • 02:22 • -9.67db
13% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Bull Moose Jackson
Why Don't You Haul Off And Love Me
168 bpm • D# Maj • 03:02 • -10.04db
11% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Slim Gaillard
Momma's In The Kitchen But We've Got "Po...
166 bpm • D Maj • 02:40 • -6.27db
25% Popularity • 69% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
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Ella Mae Morse
Razzle Dazzle
166 bpm • G# Maj • 02:45 • -8.1db
12% Popularity • 54% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Lonnie Johnson
St. Louis Blues
168 bpm • G Maj • 03:05 • -17.17db
31% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Humphrey Lyttelton
Mr. Five By Five
165 bpm • F Maj • 01:56 • -10.61db
18% Popularity • 47% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Roy Brown
Cadillac Baby
168 bpm • C min • 02:58 • -7db
10% Popularity • 42% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Ray Collins' Hot Club
Lord Oh Lord
169 bpm • G min • 04:53 • -11.49db
9% Popularity • 59% Danceability • 32% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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Slim Gaillard
Tutti Frutti
169 bpm • C Maj • 02:39 • -19.83db
27% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
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Louis Jordan & His Tympany Five
Caldonia Boogie
165 bpm • A min • 02:43 • -6.82db
32% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Ike Turner
Rocket 88
165 bpm • A# Maj • 02:49 • -8.06db
40% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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The Clovers
Hey, Miss Fannie
165 bpm • C# Maj • 02:26 • -12.2db
26% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Big Maceo
Chicago Breakdown
165 bpm • G Maj • 03:01 • -19db
19% Popularity • 43% Danceability • 54% Energy • 21% Liveness
84% Instrumentalness • 95% Positiveness
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Bull Moose Jackson
Big Fat Mamas Are Back In Style Again
170 bpm • C Maj • 02:23 • -10db
12% Popularity • 56% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Slim Gaillard
Thunderbird
165 bpm • C Maj • 02:07 • -16.35db
31% Popularity • 64% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Amos Milburn
Wolf On the River (12-18-47)
169 bpm • C Maj • 02:40 • -10.06db
10% Popularity • 47% Danceability • 38% Energy • 16% Liveness
8% Instrumentalness • 94% Positiveness
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Jimmy Liggins and His Drops Of Joy
Drunk
164 bpm • C min • 02:30 • -14.28db
23% Popularity • 71% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Roy Milton
Hop Skip & Jump
170 bpm • G# Maj • 02:35 • -11db
10% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Nappy Brown
Don't Be Angry
164 bpm • C Maj • 02:27 • -8.55db
35% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Earl Bostic
Special Delivery Stomp
164 bpm • F min • 02:22 • -7.56db
18% Popularity • 49% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Fluffy Hunter
The Walkin' Blues
164 bpm • F Maj • 02:55 • -7.13db
12% Popularity • 70% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Allen Toussaint
Chico
164 bpm • C Maj • 02:19 • -8.32db
16% Popularity • 59% Danceability • 80% Energy • 9% Liveness
64% Instrumentalness • 98% Positiveness
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Meade "Lux" Lewis
Honky Tonk Train Blues
171 bpm • G Maj • 02:58 • -11.34db
26% Popularity • 53% Danceability • 56% Energy • 15% Liveness
88% Instrumentalness • 94% Positiveness
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Sil Austin
Wildwood
163 bpm • A# Maj • 02:34 • -6.87db
32% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
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Amos Milburn
Kiss Me Again (08-21-52)
163 bpm • G Maj • 02:00 • -10.36db
0% Popularity • 60% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Slim Gaillard
Jump Session
163 bpm • F min • 02:36 • -17db
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
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Champion Jack Dupree
Shake Baby Shake
171 bpm • C# Maj • 02:24 • -8.87db
9% Popularity • 53% Danceability • 70% Energy • 19% Liveness
2% Instrumentalness • 86% Positiveness
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Johnny Hodges & His Orchestra
Castle Rock
171 bpm • G# Maj • 02:49 • -12.39db
42% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Lloyd Price
Mailman Blues
162 bpm • F min • 02:12 • -8.34db
31% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
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Bobby Short
Heebie Jeebies
162 bpm • A min • 02:43 • -8.56db
33% Popularity • 61% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Amos Milburn
Without Someone To Call Your Own (06-30-...
172 bpm • A# Maj • 03:36 • -12.6db
0% Popularity • 38% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Gayten
You Better Believe It
162 bpm • G Maj • 02:21 • -8.76db
8% Popularity • 60% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Champion Jack Dupree
Shake Baby Shake
172 bpm • C# Maj • 02:25 • -11db
21% Popularity • 53% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 85% Positiveness
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Wynona Carr
Boppity Bop (Boogity Boog)
162 bpm • G Maj • 02:27 • -8.65db
25% Popularity • 67% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Wynonie Harris
Lovin' Machine
162 bpm • G# Maj • 02:30 • -2db
20% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Miss Sophie Lee
Swing Brother Swing
172 bpm • A min • 03:55 • -6.78db
24% Popularity • 57% Danceability • 39% Energy • 33% Liveness
1% Instrumentalness • 53% Positiveness
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Amos Milburn
Birmingham Bounce (1950)
172 bpm • D min • 03:07 • -6.34db
0% Popularity • 52% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Bull Moose Jackson
Big Ten Inch Record
172 bpm • G# Maj • 02:15 • -7db
24% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
38% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Frank Muschalle
Killer Miller
173 bpm • G# Maj • 02:21 • -12.61db
24% Popularity • 68% Danceability • 53% Energy • 10% Liveness
26% Instrumentalness • 93% Positiveness
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Julia Lee And Her Boyfriends
Last Call (For Alcohol)
173 bpm • F Maj • 02:36 • -10db
20% Popularity • 58% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Nappy Brown
Love Locks
173 bpm • G# Maj • 02:46 • -9.35db
17% Popularity • 67% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Memphis Slim
I Am The Blues
174 bpm • C Maj • 02:49 • -6.97db
23% Popularity • 47% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Johnny Otis
Good Golly
160 bpm • F min • 01:52 • -12.43db
20% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy Rogers
Rock This House
174 bpm • C Maj • 02:50 • -6.2db
32% Popularity • 62% Danceability • 64% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
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Big Maybelle
That's A Pretty Good Love
175 bpm • C# Maj • 02:35 • -9db
36% Popularity • 50% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It The First Time (The Spi...
161 bpm • D# Maj • 03:01 • -11.99db
28% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Slim Gaillard
Communications
175 bpm • G Maj • 02:30 • -5.77db
35% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Memphis Slim
Steppin' Out
175 bpm • F Maj • 02:03 • -13db
36% Popularity • 48% Danceability • 40% Energy • 12% Liveness
96% Instrumentalness • 84% Positiveness
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Earl Hines
Mama Don't Allow No Twistin'
160 bpm • F Maj • 02:17 • -11.92db
15% Popularity • 59% Danceability • 61% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Collins' Hot Club
Drunk
159 bpm • G Maj • 03:28 • -7.22db
17% Popularity • 78% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Smiley Lewis
Mama Don't Like It
159 bpm • G# Maj • 02:35 • -7db
13% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It the First Time (Alterna...
159 bpm • D# Maj • 02:57 • -10.11db
20% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Hot Sugar Band
Wham!!!
176 bpm • A# Maj • 03:16 • -12.97db
33% Popularity • 70% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Anisteen Allen
Bongo Boogie
159 bpm • G min • 02:40 • -9.22db
17% Popularity • 54% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Stick McGhee & His Buddies
Drinkin' Wine Spo-Dee-O-Dee
176 bpm • C min • 03:15 • -13db
20% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Joe Liggins
The Honeydripper
176 bpm • G Maj • 03:10 • -11.3db
16% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
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Ray Collins' Hot Club
Bye Bye Paris
158 bpm • G Maj • 03:06 • -4.12db
30% Popularity • 60% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Lucky Millinder
Adam, Come and Get Your Rib
176 bpm • G# Maj • 02:23 • -4db
18% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Wynonie Harris
Blood Shot Eyes
177 bpm • G# Maj • 02:46 • -2db
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Kid Ory
Joshua Fit the Battle of Jericho - Remas...
158 bpm • F min • 02:58 • -6.74db
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
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Tiny Bradshaw
Breaking Up The House
177 bpm • G# Maj • 02:41 • -13.95db
10% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Du Droppers
I Wanna Know
157 bpm • C min • 02:17 • -10.05db
32% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Amos Milburn
Why Don'T You Do Right (12-18-52)
178 bpm • G min • 02:46 • -11.45db
1% Popularity • 45% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 41% Positiveness
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Joe Liggins
Going Back To New Orleans
178 bpm • A min • 02:50 • -13db
29% Popularity • 59% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 71% Positiveness
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Bobby Charles
See You Later Alligator
156 bpm • F Maj • 02:53 • -5db
22% Popularity • 62% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Nappy Brown
Little By Little
179 bpm • F Maj • 02:34 • -9.81db
29% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Tiny Bradshaw
Two Dry Bones On the Pantry Shelf (01-16...
178 bpm • G Maj • 01:55 • -7.24db
12% Popularity • 61% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Midnight Serenaders
Who Walks In When I Walk Out
179 bpm • C Maj • 03:20 • -11.08db
32% Popularity • 62% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Four Clefs
I Like Pie, I Like Cake
179 bpm • C# Maj • 02:47 • -11.92db
29% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
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Eddie "Cleanhead" Vinson
Wait a Minute Baby
156 bpm • F min • 03:15 • -13db
26% Popularity • 52% Danceability • 36% Energy • 35% Liveness
1% Instrumentalness • 77% Positiveness
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Bobby Charles
Later Alligator (See You Later, Alligato...
156 bpm • C Maj • 03:45 • -11.84db
26% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Lowell Fulson
Don't Leave Me Baby
155 bpm • F Maj • 03:02 • -9db
18% Popularity • 60% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Varetta Dillard
Them There Eyes
155 bpm • G min • 02:17 • -8db
19% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Sidney Bechet
Joshua Fit De Battle of Jericho
180 bpm • C min • 03:21 • -12.8db
41% Popularity • 54% Danceability • 35% Energy • 15% Liveness
84% Instrumentalness • 96% Positiveness
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Count Basie
Roll 'Em Pete
180 bpm • F min • 03:13 • -6.57db
7% Popularity • 53% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Eddie "Cleanhead" Vinson
Old Maid Boogie
155 bpm • F min • 03:48 • -11db
19% Popularity • 57% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Wynona Carr
Nursery Rhyme Rock
181 bpm • C Maj • 01:56 • -9.03db
40% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Amos Milburn
Hold Me Baby
155 bpm • C Maj • 02:50 • -8.41db
1% Popularity • 56% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Helen Humes
He May Be Your Man
154 bpm • F min • 02:58 • -9db
23% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Christian Bleiming
Stompin' At the 'subway'
154 bpm • F Maj • 02:20 • -13.34db
34% Popularity • 58% Danceability • 59% Energy • 20% Liveness
87% Instrumentalness • 97% Positiveness
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Roy Brown
Love Don't Love Nobody
153 bpm • D# Maj • 02:44 • -7db
11% Popularity • 55% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Julia Lee And Her Boyfriends
Tell Me, Daddy
153 bpm • G min • 02:49 • -13db
14% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Wynona Carr
Jump Jack Jump
181 bpm • A# min • 02:16 • -7.62db
28% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Steve Lucky & The Rhumba Bums
Where's My Gravy
183 bpm • G Maj • 03:02 • -11.87db
11% Popularity • 49% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Helen Humes
They Raided The Joint
152 bpm • G# Maj • 03:19 • -9db
27% Popularity • 65% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Roy Milton
Fools Are Getting Scarcer
184 bpm • D# Maj • 02:48 • -6.71db
10% Popularity • 52% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Amos Milburn
House Party (Tonight)
152 bpm • F Maj • 02:32 • -11.8db
12% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy Liggins
I Ain't Drunk - Remastered
150 bpm • F min • 02:21 • -8db
15% Popularity • 63% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Julia Lee And Her Boyfriends
Snatch and Grab It (Alternate Take)
185 bpm • F min • 02:53 • -11.5db
10% Popularity • 59% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Wynona Carr
Ding Dong Daddy
186 bpm • F Maj • 02:08 • -10.45db
29% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Albert Ammons
Shout for Joy
186 bpm • C Maj • 01:37 • -10.24db
18% Popularity • 37% Danceability • 57% Energy • 14% Liveness
79% Instrumentalness • 98% Positiveness
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Lee Allen
Walkin' With Mr Lee
149 bpm • G# Maj • 02:26 • -9db
20% Popularity • 66% Danceability • 70% Energy • 6% Liveness
88% Instrumentalness • 95% Positiveness
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Big Jay McNeely
Deacon Rides Again
186 bpm • C# Maj • 02:47 • -4.2db
26% Popularity • 39% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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C.C. Rider - Rerecorded