Songs like Ce n’est pas la mer à boire by Vail Bizier
Based on a tempo of (+/- 10%) and a similar genre
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Abel Laloux
Chronostasis
110 bpm • D# Maj • 02:34 • -27.3db
41% Popularity • 38% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 43% Positiveness
41% Popularity • 38% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 43% Positiveness
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Peter Cavallo
The Half Light
110 bpm • C min • 03:04 • -22.38db
39% Popularity • 42% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
39% Popularity • 42% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Vail Bizier
Ce n’est pas la mer à boire
110 bpm • D Maj • 02:31 • -22.47db
28% Popularity • 47% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
28% Popularity • 47% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Felted Mind
Joy Cycle
109 bpm • A Maj • 03:00 • -22.35db
33% Popularity • 43% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
33% Popularity • 43% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
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Mounia Sedé
Delphine
111 bpm • A# min • 02:22 • -23.59db
33% Popularity • 42% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
33% Popularity • 42% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
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Tim Missel
The Morning After
109 bpm • F# Maj • 02:16 • -28.44db
36% Popularity • 44% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
36% Popularity • 44% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Robert Gafforelli
Silhouette
111 bpm • D# Maj • 03:32 • -33.09db
42% Popularity • 41% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
42% Popularity • 41% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Jean Willneuve
Comme un tableau
111 bpm • F Maj • 02:04 • -17.24db
33% Popularity • 47% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
33% Popularity • 47% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Daniel Daecher
Ernestine
109 bpm • C# Maj • 02:49 • -24.39db
29% Popularity • 32% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
29% Popularity • 32% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Karen Elf
Sweet Cherie
111 bpm • D# Maj • 03:07 • -30.08db
22% Popularity • 51% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
22% Popularity • 51% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Eric Badanti
Vals De Rodrigues
111 bpm • B min • 02:41 • -24.3db
46% Popularity • 42% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
46% Popularity • 42% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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Shaunta Coburn
Grateful
112 bpm • C Maj • 02:25 • -26db
34% Popularity • 56% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
34% Popularity • 56% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Yao Chen
Open Heart
112 bpm • B Maj • 03:53 • -28db
23% Popularity • 51% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
23% Popularity • 51% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Eleanor Neylan
Upraise
112 bpm • B Maj • 02:27 • -29.36db
42% Popularity • 57% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
42% Popularity • 57% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Amity Fall
Duende
112 bpm • G Maj • 02:31 • -27.84db
43% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
43% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Joseph Seabolt
The moments we shared
112 bpm • D min • 02:19 • -26db
20% Popularity • 46% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 42% Positiveness
20% Popularity • 46% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 42% Positiveness
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Julian Ellwood
Heart Questions
108 bpm • F# Maj • 02:21 • -29db
26% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
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Dominique Marais
D-Bus-Y
108 bpm • C# Maj • 02:50 • -25.53db
32% Popularity • 33% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 33% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Falerina Paquet
Fin de l'été
112 bpm • D# min • 01:53 • -24.29db
37% Popularity • 31% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
37% Popularity • 31% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
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Mae Ji-Yoon
Vibrations
108 bpm • G# Maj • 02:53 • -23.98db
49% Popularity • 67% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
49% Popularity • 67% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Elliot Ziegler
Keep Me
113 bpm • G Maj • 03:10 • -19.83db
40% Popularity • 40% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
40% Popularity • 40% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Gemine
Blessing in the Skies
113 bpm • G# min • 02:13 • -21.92db
35% Popularity • 58% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
35% Popularity • 58% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Leroy Bolander
That day
113 bpm • E Maj • 01:58 • -25.71db
29% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
29% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Paco Ruiz
Almonte
107 bpm • F# min • 02:31 • -26.39db
40% Popularity • 33% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
40% Popularity • 33% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Bert Hearns
Leander
113 bpm • G# min • 02:04 • -24.85db
39% Popularity • 26% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
39% Popularity • 26% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Clara Nishimoto
Musing
113 bpm • D# min • 02:34 • -28db
19% Popularity • 33% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
19% Popularity • 33% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Muriël Bostdorp
Lost In The Right Direction
113 bpm • B min • 02:55 • -27.02db
32% Popularity • 38% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
32% Popularity • 38% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Xie Qi
Mother May I
113 bpm • E Maj • 02:34 • -17.56db
36% Popularity • 41% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
36% Popularity • 41% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Kyran Martin
Brig O' Balgownie
106 bpm • F# min • 02:04 • -24.1db
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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Jorulf
Myrdal-Flam
106 bpm • A Maj • 01:58 • -23.13db
34% Popularity • 38% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 38% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Melanie Adler
Gratitude
114 bpm • C# Maj • 02:11 • -26.95db
35% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
35% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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S.J Morgan
Collected
114 bpm • G# Maj • 02:31 • -32.9db
27% Popularity • 42% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Moldoveanu
Belle Chose
106 bpm • A# Maj • 02:40 • -28.73db
36% Popularity • 32% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
36% Popularity • 32% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
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Ezequiel Johnson
A New Year's Walk
106 bpm • C# Maj • 01:57 • -23.2db
30% Popularity • 41% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
30% Popularity • 41% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Les Rêveries
Tout à Fait
114 bpm • G# Maj • 02:52 • -20db
31% Popularity • 42% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
31% Popularity • 42% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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SigrÃður
Interconnectivity
114 bpm • C Maj • 01:43 • -25.82db
37% Popularity • 29% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
37% Popularity • 29% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Olivia Belli
The Faun's Dream
114 bpm • D min • 02:50 • -31.96db
20% Popularity • 45% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
20% Popularity • 45% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Alonzo Gautier
Lekko
114 bpm • F# min • 02:22 • -24.16db
25% Popularity • 39% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
25% Popularity • 39% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Comet Blue
Where The Clouds Go
115 bpm • A Maj • 02:28 • -26.64db
30% Popularity • 40% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
30% Popularity • 40% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
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Vincent Sparro
Endings
115 bpm • F Maj • 01:37 • -25.06db
37% Popularity • 51% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
37% Popularity • 51% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
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Matthew Mor
Normandy
115 bpm • G min • 02:27 • -27.62db
18% Popularity • 43% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
18% Popularity • 43% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Jenny Lange
Wheels in Motion
116 bpm • G# Maj • 03:08 • -32.04db
38% Popularity • 31% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
38% Popularity • 31% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Alexander Motovilov
Little Prince
115 bpm • C Maj • 02:14 • -23.95db
30% Popularity • 44% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
30% Popularity • 44% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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Alexander Descartes
La Storia
105 bpm • F Maj • 02:44 • -29.84db
36% Popularity • 31% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
36% Popularity • 31% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Yao Chen
Apple Blossom
116 bpm • C min • 03:01 • -24.87db
26% Popularity • 57% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
26% Popularity • 57% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Teodor Wolgers
reflections
116 bpm • G# Maj • 03:13 • -29.83db
32% Popularity • 52% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
32% Popularity • 52% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
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Manuel Zito
Ann's Lullaby
104 bpm • C# Maj • 03:14 • -26.25db
32% Popularity • 42% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 53% Positiveness
32% Popularity • 42% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 53% Positiveness
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Arelius
Carillon
116 bpm • F# Maj • 02:14 • -24.7db
32% Popularity • 41% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
32% Popularity • 41% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Ever So Blue
At Dawn
116 bpm • D Maj • 02:16 • -25db
51% Popularity • 62% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 62% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Dominique Charpentier
La tendresse
117 bpm • D Maj • 02:24 • -20.73db
43% Popularity • 54% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
43% Popularity • 54% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
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GÃ…EL
I Remember
116 bpm • C# Maj • 02:22 • -26.18db
38% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
38% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Matti Aalto
feather
117 bpm • F Maj • 02:50 • -27.68db
34% Popularity • 33% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
34% Popularity • 33% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Eric Cadogan
Cloudy Waltz
104 bpm • G min • 02:01 • -23.54db
35% Popularity • 38% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 40% Positiveness
35% Popularity • 38% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 40% Positiveness
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Valerija Novosel
Mali Lošinj
104 bpm • G# Maj • 02:01 • -24.15db
28% Popularity • 44% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
28% Popularity • 44% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
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Irma Kantola
Morning Sun
103 bpm • G# Maj • 02:27 • -26.28db
29% Popularity • 24% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
29% Popularity • 24% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Charles Weathersby
Balett
103 bpm • A min • 04:38 • -25.83db
19% Popularity • 36% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
19% Popularity • 36% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Massimo Natali [IT]
Collapse
103 bpm • C min • 02:23 • -24.54db
18% Popularity • 31% Danceability • 6% Energy • 15% Liveness
82% Instrumentalness • 10% Positiveness
18% Popularity • 31% Danceability • 6% Energy • 15% Liveness
82% Instrumentalness • 10% Positiveness
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Jesse Brown
Notes From Tom
103 bpm • D# min • 02:47 • -21.85db
40% Popularity • 47% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
40% Popularity • 47% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Mewael Yemane
In your eyes
117 bpm • D# min • 02:16 • -25.46db
31% Popularity • 29% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 29% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Arelius
Thrones
118 bpm • C Maj • 01:59 • -25.36db
29% Popularity • 50% Danceability • 0% Energy • 21% Liveness
93% Instrumentalness • 13% Positiveness
29% Popularity • 50% Danceability • 0% Energy • 21% Liveness
93% Instrumentalness • 13% Positiveness
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Ryu Ito
Elderflowers
103 bpm • C# Maj • 02:09 • -28.38db
40% Popularity • 51% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
40% Popularity • 51% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Jaidy Thissen
schemering
103 bpm • G# Maj • 02:04 • -24.52db
40% Popularity • 30% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
40% Popularity • 30% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
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Sabine Paulet
flâner
103 bpm • C# Maj • 03:15 • -19.55db
27% Popularity • 41% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
27% Popularity • 41% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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Ragnar Seaholm
Small Steps
103 bpm • G# min • 02:45 • -29db
31% Popularity • 40% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
31% Popularity • 40% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Mewael Yemane
Wishes
118 bpm • A min • 01:38 • -27.06db
44% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
44% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Leroy Bolander
Mrs.Kelley
118 bpm • G min • 02:28 • -23.26db
22% Popularity • 50% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
22% Popularity • 50% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
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Mino Monterosso
All that Glitters
118 bpm • G# Maj • 02:41 • -32.34db
32% Popularity • 40% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
32% Popularity • 40% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Zygmunt Czarnecki
Kazimierz Dolny
118 bpm • G min • 01:47 • -21.15db
28% Popularity • 33% Danceability • 14% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
28% Popularity • 33% Danceability • 14% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
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Zuzana Kudová
ProzatÃm
102 bpm • F Maj • 02:03 • -29.02db
39% Popularity • 37% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 32% Positiveness
39% Popularity • 37% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 32% Positiveness
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Manuel Zito
On Hold
119 bpm • G min • 02:14 • -25.96db
31% Popularity • 47% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 47% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Giuseppe Galvetti
Romance
119 bpm • G Maj • 03:34 • -28.46db
28% Popularity • 38% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
28% Popularity • 38% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Jef Martens
Wolf and Her
120 bpm • G# Maj • 02:07 • -31db
32% Popularity • 49% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
32% Popularity • 49% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Carl Bonet
Mantra for Piano
101 bpm • F# Maj • 03:18 • -22.21db
42% Popularity • 48% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
42% Popularity • 48% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Pio Roque
Peninsula
102 bpm • C# Maj • 02:08 • -26.19db
32% Popularity • 32% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
32% Popularity • 32% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Alida Sørby
Seljalandsfoss
120 bpm • A# min • 02:56 • -23db
25% Popularity • 32% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
25% Popularity • 32% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Jonas Holmes
Flying South
120 bpm • D# Maj • 02:02 • -28db
35% Popularity • 40% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
35% Popularity • 40% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Sumsar
Amorous Rebound Pt 2
100 bpm • A# min • 02:22 • -20.54db
29% Popularity • 36% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
29% Popularity • 36% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Matt Stewart-Evans
Becalm
100 bpm • E Maj • 02:29 • -22db
39% Popularity • 44% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 34% Positiveness
39% Popularity • 44% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 34% Positiveness
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Finn Hovdal
Striving
100 bpm • B Maj • 01:30 • -19.45db
23% Popularity • 42% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
23% Popularity • 42% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Pataki Gisella
Veszprém
121 bpm • B Maj • 03:01 • -24.16db
20% Popularity • 31% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
20% Popularity • 31% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Tom Merrall
Hopedale
100 bpm • C Maj • 02:37 • -23.54db
27% Popularity • 69% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 50% Positiveness
27% Popularity • 69% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 50% Positiveness
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Allysium
Synchronicity
100 bpm • C# min • 03:09 • -28.54db
32% Popularity • 35% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
32% Popularity • 35% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Mauro Cangemi
Continuo
100 bpm • C Maj • 02:14 • -21.15db
42% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
42% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Martin Greenbaum
Cloud Walk
122 bpm • C# Maj • 02:42 • -29db
29% Popularity • 33% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
29% Popularity • 33% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Kyran Martin
Belmont Street
122 bpm • B min • 02:29 • -21db
32% Popularity • 42% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
32% Popularity • 42% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Damien Jeunet
Waiting
99 bpm • A Maj • 02:44 • -29.81db
41% Popularity • 45% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
41% Popularity • 45% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
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Ingegerd Margaux
Une Valse à Anna
123 bpm • A min • 03:00 • -26db
23% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
23% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Kristen Nichols
Affirmation
123 bpm • C min • 02:03 • -29db
32% Popularity • 31% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
32% Popularity • 31% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Levandau
Reflective Distance
98 bpm • A# min • 02:11 • -28.69db
31% Popularity • 51% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
31% Popularity • 51% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Leonid Gautier
Gran Separado
98 bpm • C Maj • 03:41 • -28db
35% Popularity • 36% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
35% Popularity • 36% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
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Rick Jolt
One With You
124 bpm • D Maj • 02:13 • -26db
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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Matt Stewart-Evans
Closer
124 bpm • C# Maj • 02:24 • -29db
42% Popularity • 41% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
42% Popularity • 41% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Joy Meyer-Williams
As We Fall In Love Again
98 bpm • C# Maj • 02:50 • -29db
45% Popularity • 36% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
45% Popularity • 36% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Muriël Bostdorp
Whatever Begins, Also Ends
124 bpm • C min • 02:43 • -29.94db
28% Popularity • 45% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
28% Popularity • 45% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Pied-Ã -Terre
Memoir
124 bpm • C Maj • 03:22 • -22.99db
36% Popularity • 54% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 29% Positiveness
36% Popularity • 54% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 29% Positiveness
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Elizabeth Bouknight
Eau Claire
97 bpm • A# min • 01:39 • -27.24db
38% Popularity • 37% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
38% Popularity • 37% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
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Hilda Vimér
Sommaräng
97 bpm • C Maj • 02:13 • -28db
32% Popularity • 53% Danceability • 2% Energy • 13% Liveness
95% Instrumentalness • 34% Positiveness
32% Popularity • 53% Danceability • 2% Energy • 13% Liveness
95% Instrumentalness • 34% Positiveness
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Darrell Vitagliano
Crisantemo
97 bpm • A# min • 02:09 • -25.92db
38% Popularity • 35% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
38% Popularity • 35% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
