Songs like Ceasefire by Buket
Based on a tempo of (+/- 10%) and a similar genre
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Elisa Valerie
Baby
120 bpm • G min • 02:53 • -7.33db
15% Popularity • 77% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 77% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Philipp Poisel
Alt und grau
120 bpm • F Maj • 03:58 • -9db
36% Popularity • 49% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 49% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Madeline Juno
Vermisse gar nichts - Akustik Version
120 bpm • D# Maj • 03:15 • -19.85db
38% Popularity • 77% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 77% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Philipp Leon
Du tust mir leid
120 bpm • F min • 02:51 • -8.74db
13% Popularity • 96% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 96% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Gregor Hägele
Bitte hass uns nicht
120 bpm • G# Maj • 03:37 • -9.5db
37% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Buket
Ceasefire
120 bpm • B min • 03:25 • -5.25db
1% Popularity • 72% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 35% Positiveness
1% Popularity • 72% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 35% Positiveness
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YAENNIVER
Outro
120 bpm • G# Maj • 04:33 • -10.42db
20% Popularity • 60% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
20% Popularity • 60% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Knappe
Alles geht vorbei - Akustik Version
120 bpm • F Maj • 03:42 • -5.92db
9% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Severin von Sydow
vermiss dich
120 bpm • F Maj • 02:41 • -6.71db
4% Popularity • 75% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
4% Popularity • 75% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Katha Rosa
Nein (Du kannst mir nicht weh tun)
119 bpm • A Maj • 03:33 • -3.93db
42% Popularity • 54% Danceability • 62% Energy • 56% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 54% Danceability • 62% Energy • 56% Liveness
0% Instrumentalness • 29% Positiveness
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KATI K
Schizophren - Akustik Version
121 bpm • E Maj • 02:10 • -7db
34% Popularity • 61% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 61% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Buket
It Ain't Over
120 bpm • F Maj • 03:04 • -7.21db
1% Popularity • 64% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
1% Popularity • 64% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Buchegger
Ease
119 bpm • A Maj • 03:17 • -9.08db
9% Popularity • 65% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 65% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Florian Künstler
Wovor hast du Angst - Akustik Version
121 bpm • A Maj • 02:34 • -8db
30% Popularity • 70% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 70% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Myle
Following You
121 bpm • B min • 03:12 • -5.92db
30% Popularity • 43% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 43% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Batomae
Für den Anfang
119 bpm • G min • 02:51 • -5.83db
12% Popularity • 70% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 70% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Xavi
Analoge Liebe
121 bpm • C# Maj • 02:23 • -6.58db
35% Popularity • 92% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 92% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Mathea
Paris
119 bpm • C# Maj • 02:40 • -3.76db
21% Popularity • 85% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 85% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Buket
Wannabe - Instrumental
121 bpm • C min • 03:29 • -6.8db
0% Popularity • 80% Danceability • 89% Energy • 7% Liveness
85% Instrumentalness • 96% Positiveness
0% Popularity • 80% Danceability • 89% Energy • 7% Liveness
85% Instrumentalness • 96% Positiveness
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Beth
Places - Acoustic
121 bpm • C min • 01:46 • -8.51db
28% Popularity • 51% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 51% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Madeline Juno
Tu was du willst - Akustik Version
122 bpm • D# min • 03:27 • -9.68db
16% Popularity • 84% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 84% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Linda Elys
How To Fall In Love
122 bpm • D Maj • 03:04 • -6.23db
35% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Georg Stengel
Höher, weiter, schneller
122 bpm • G# Maj • 03:22 • -6db
30% Popularity • 77% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 77% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Wilhelmine
an all diesen Tagen
118 bpm • F# Maj • 02:44 • -7db
43% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Buket
Wannabe - Philip Mitov Vision
121 bpm • C min • 03:25 • -3.38db
0% Popularity • 71% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 71% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Mathea
Gib Bescheid
122 bpm • F min • 02:45 • -4.88db
24% Popularity • 85% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 85% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Franzi Harmsen
Ich wär so gern
118 bpm • F# min • 02:15 • -7db
38% Popularity • 81% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 81% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Sandra Hesch
Karussell
122 bpm • A# min • 03:01 • -6.25db
26% Popularity • 67% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 67% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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LOTTE
Bleib nochn Tag (Ladadi)
118 bpm • C Maj • 02:33 • -4.34db
30% Popularity • 84% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 84% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Wilhelmine
Komm wie du bist
118 bpm • G# min • 03:13 • -7.32db
49% Popularity • 77% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 77% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Buket
Wannabe - Sebasio Remix
121 bpm • F min • 04:01 • -4.67db
0% Popularity • 70% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 70% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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PANTHA
Was ich will
118 bpm • F min • 02:51 • -6.15db
25% Popularity • 87% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 87% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Oh Brother
Schon klar
118 bpm • G# Maj • 03:36 • -4.76db
26% Popularity • 73% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 73% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Mark Forster
Gerade Jetzt s/w - Paris Piano Session
122 bpm • F min • 03:46 • -11.74db
18% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Nie und Nimmer
Monolog
123 bpm • D Maj • 04:53 • -11.03db
7% Popularity • 51% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 51% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Xavi
Analoge Liebe - Akustik Version
117 bpm • C# Maj • 02:54 • -6db
15% Popularity • 70% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 70% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Buket
Wannabe
121 bpm • C min • 03:29 • -3.8db
0% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Madeline Juno
Zu zweit allein
123 bpm • G# Maj • 03:35 • -7.25db
29% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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David Puentez
Baby Steps - Acoustic Version
117 bpm • C# Maj • 03:16 • -7.26db
28% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Mathea
Tut mir nicht leid
123 bpm • F# Maj • 03:02 • -5db
35% Popularity • 75% Danceability • 64% Energy • 64% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 75% Danceability • 64% Energy • 64% Liveness
0% Instrumentalness • 46% Positiveness
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Max Giesinger
Nichts mehr zu sagen
123 bpm • G# min • 02:31 • -6.3db
27% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Elen
Raus hier
117 bpm • D Maj • 03:13 • -6.15db
16% Popularity • 61% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 61% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Buket
Never Love Again
123 bpm • F min • 02:23 • -8.82db
11% Popularity • 78% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 78% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Max Lean
Reasons
123 bpm • B min • 02:43 • -4.99db
11% Popularity • 82% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 82% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Madeline Juno
Automatisch - Akustik Version
123 bpm • C min • 03:16 • -7.57db
15% Popularity • 84% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 84% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Mathea
2x - Akustik
123 bpm • G Maj • 03:32 • -9db
8% Popularity • 84% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 84% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Franzi Harmsen
Vielleicht ist nicht genug
117 bpm • D# Maj • 02:56 • -4.36db
27% Popularity • 93% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 93% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Lukas Hellenthal
24 Zoll
123 bpm • D Maj • 03:34 • -8.82db
15% Popularity • 66% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 66% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Buket
It Ain't Over - Quizzo Remix
123 bpm • F Maj • 03:12 • -5.98db
13% Popularity • 67% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 67% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Esther Graf
Nummer 10
117 bpm • E min • 02:38 • -5.74db
24% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Marc Aurel
Interesse
117 bpm • C# min • 02:17 • -6.67db
14% Popularity • 75% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 75% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Helena Fin
Wo es hingeht
116 bpm • G min • 02:44 • -6.45db
16% Popularity • 56% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 56% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Franzi Harmsen
Dein Shirt
124 bpm • A# min • 02:45 • -7db
23% Popularity • 86% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 86% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Julia Engelmann
Bauchgefühl
124 bpm • B Maj • 02:54 • -9.49db
31% Popularity • 68% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 68% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Söhne Mannheims
Am andern Ende der Welt
124 bpm • E Maj • 02:37 • -8.38db
24% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Julia Kautz
Ich ohne dich
124 bpm • D# min • 02:42 • -6.17db
12% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Julian le Play
Stein ins Meer
116 bpm • G# Maj • 03:49 • -7.15db
14% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Carolin Milena
Kämpfer
116 bpm • G Maj • 03:41 • -13.85db
13% Popularity • 52% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 52% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Tim Lehmann
Du fehlst
116 bpm • C Maj • 02:28 • -8db
25% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Mo-Torres
Die beste Version
124 bpm • C Maj • 02:48 • -6.35db
34% Popularity • 78% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 78% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Joachim Kenneweg
Der der bleibt
125 bpm • B Maj • 03:24 • -7.25db
9% Popularity • 78% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 78% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Maxiz
Somebody to Hold
125 bpm • G# Maj • 02:30 • -5.46db
16% Popularity • 79% Danceability • 65% Energy • 28% Liveness
4% Instrumentalness • 74% Positiveness
16% Popularity • 79% Danceability • 65% Energy • 28% Liveness
4% Instrumentalness • 74% Positiveness
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Madeline Juno
Du fändest es schön
125 bpm • F Maj • 03:42 • -4.93db
26% Popularity • 72% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Esther Graf
Wie mein Herz bricht
125 bpm • E Maj • 03:12 • -6.36db
27% Popularity • 76% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 76% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Oh Brother
Hantelbank
125 bpm • A min • 02:38 • -5.41db
13% Popularity • 78% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 78% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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jan SEVEN dettwyler
Lasst Uns Anders Sein
125 bpm • F min • 02:54 • -6.66db
18% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Mark Forster
Bist du Okay - Pianoversion
125 bpm • E min • 02:35 • -10.38db
27% Popularity • 78% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 78% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Wilhelmine
Drip
125 bpm • D Maj • 03:03 • -4.81db
35% Popularity • 89% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 89% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Franzi Harmsen
Schönster Fehler
115 bpm • C# min • 02:51 • -5.2db
35% Popularity • 79% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 79% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Kevin Jenewein
Hurricane
115 bpm • E Maj • 02:56 • -5.64db
30% Popularity • 74% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 74% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Anna Kalchgruber
Die Ganze Nacht
115 bpm • C Maj • 03:16 • -6.73db
8% Popularity • 82% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 82% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Jeanette Biedermann
Wenn du willst
126 bpm • A min • 02:56 • -6.19db
9% Popularity • 53% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 53% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Malik Harris
Running Through The Dark
126 bpm • C Maj • 04:09 • -7.59db
11% Popularity • 43% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 43% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
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Xavi
Wissen wofür
126 bpm • D Maj • 02:58 • -10.02db
27% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Good Kidz
Tunnelblick
126 bpm • A# Maj • 03:33 • -6db
21% Popularity • 78% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 78% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Fidi Steinbeck
Neverending Lovestory
126 bpm • F# min • 02:35 • -7.19db
9% Popularity • 84% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 84% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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LOTTE
Zuhause für mich
126 bpm • B Maj • 03:29 • -5.88db
34% Popularity • 75% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 75% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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David Pfeffer
Perfekt
126 bpm • F Maj • 03:08 • -6.83db
9% Popularity • 71% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 71% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Franzi Harmsen
Zweieinhalb Sekunden
126 bpm • B min • 02:57 • -7.13db
23% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Madeline Juno
Nur kurz glücklich - Akustik Version
126 bpm • D Maj • 03:08 • -19.38db
22% Popularity • 66% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 66% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Wincent Weiss
Nur wegen Dir
126 bpm • D Maj • 03:37 • -9.91db
37% Popularity • 71% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 71% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Oh Brother
Hoff du bist ok
114 bpm • D Maj • 02:44 • -5.83db
23% Popularity • 81% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 81% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Alex Diehl
Alt, Kaputt und Grau
127 bpm • C# Maj • 02:46 • -7.19db
17% Popularity • 75% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 75% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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SEELEMANN
Game Over
127 bpm • F min • 03:14 • -5db
26% Popularity • 78% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 78% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Franzi Harmsen
Nie mehr
127 bpm • C min • 02:37 • -7db
36% Popularity • 77% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 77% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Rea Garvey
Enough Is Enough
127 bpm • D Maj • 03:21 • -4.52db
26% Popularity • 75% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 75% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Peter Plate
Ein besserer Mensch
127 bpm • G# Maj • 03:06 • -9.88db
12% Popularity • 62% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 62% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Charlotte Riess
Narben
113 bpm • C Maj • 03:48 • -19.04db
15% Popularity • 66% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 66% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Mandy Capristo
Genug
113 bpm • B min • 02:21 • -6db
26% Popularity • 78% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 78% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Wilhelmine
Feuervogel
113 bpm • E min • 02:54 • -10.94db
30% Popularity • 66% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
30% Popularity • 66% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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Moritz Garth
Zeit für uns - Piano Version
128 bpm • A Maj • 03:02 • -8db
38% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jonas Monar
Heimweg
128 bpm • D Maj • 02:18 • -6.29db
4% Popularity • 82% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
4% Popularity • 82% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Karen
Dynamit
128 bpm • C min • 02:59 • -5.64db
20% Popularity • 77% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 77% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Ninja POW!
Du trägst keine Liebe in Dir
128 bpm • C# Maj • 03:17 • -6.61db
26% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Hanna Batka
Nur ein bisschen Liebe
128 bpm • D Maj • 02:50 • -4.94db
22% Popularity • 67% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 67% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Fabian Wegerer
501
128 bpm • A Maj • 02:42 • -5.84db
28% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Knappe
Alles geht vorbei
128 bpm • F Maj • 03:33 • -4.94db
24% Popularity • 65% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 65% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Madeline Juno
Neukölln
112 bpm • D min • 03:52 • -6.51db
25% Popularity • 52% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 52% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
