Songs like Ceaseless by Svante Henryson
Based on a tempo of (+/- 10%) and a similar genre
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Anders Wihk
Gimme! Gimme! Gimme!
120 bpm • F min • 04:42 • -17.48db
2% Popularity • 67% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 48% Positiveness
2% Popularity • 67% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 48% Positiveness
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Kika Sprangers
And the Sea Said to the Mountain
120 bpm • A# min • 03:50 • -16.71db
12% Popularity • 47% Danceability • 14% Energy • 14% Liveness
84% Instrumentalness • 17% Positiveness
12% Popularity • 47% Danceability • 14% Energy • 14% Liveness
84% Instrumentalness • 17% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: Timon of Athens, ...
120 bpm • G min • 02:56 • -21db
24% Popularity • 63% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 87% Positiveness
24% Popularity • 63% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 87% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a: Lascia ch'io piangia (A...
120 bpm • D Maj • 03:18 • -31.06db
15% Popularity • 45% Danceability • 6% Energy • 68% Liveness
77% Instrumentalness • 20% Positiveness
15% Popularity • 45% Danceability • 6% Energy • 68% Liveness
77% Instrumentalness • 20% Positiveness
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Kim André Arnesen
MAGNIFICAT: III. Quia fecit
120 bpm • G Maj • 05:48 • -24.42db
14% Popularity • 22% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
14% Popularity • 22% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Esbjörn Svensson Trio
Viaticum
120 bpm • F min • 06:50 • -18.56db
2% Popularity • 64% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
2% Popularity • 64% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Anders Wihk
Mamma Mia
120 bpm • F min • 05:22 • -20.3db
1% Popularity • 70% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
1% Popularity • 70% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Eric Vloeimans
Mine own king am I and Joel (Arr. for Ba...
121 bpm • A min • 07:49 • -19db
29% Popularity • 18% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: The Mock Marriage...
119 bpm • E min • 02:54 • -17.24db
24% Popularity • 66% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 66% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jan Garbarek
Sanctus
119 bpm • C min • 04:44 • -18.68db
27% Popularity • 20% Danceability • 15% Energy • 12% Liveness
44% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 15% Energy • 12% Liveness
44% Instrumentalness • 3% Positiveness
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New Tide Orquesta
Vesper
119 bpm • B min • 06:10 • -11db
20% Popularity • 22% Danceability • 17% Energy • 15% Liveness
14% Instrumentalness • 10% Positiveness
20% Popularity • 22% Danceability • 17% Energy • 15% Liveness
14% Instrumentalness • 10% Positiveness
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Trygve Seim
Seeing Double
121 bpm • A Maj • 08:37 • -16.04db
4% Popularity • 38% Danceability • 8% Energy • 6% Liveness
30% Instrumentalness • 20% Positiveness
4% Popularity • 38% Danceability • 8% Energy • 6% Liveness
30% Instrumentalness • 20% Positiveness
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Svante Henryson
Songs from the Milky Way: V. Passacaglia
121 bpm • E min • 05:55 • -19.65db
0% Popularity • 18% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Louis Sclavis
Extases
121 bpm • C# Maj • 03:57 • -23.31db
19% Popularity • 29% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
19% Popularity • 29% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: The Fairy Queen, ...
119 bpm • D min • 04:40 • -19.29db
19% Popularity • 48% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
19% Popularity • 48% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
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Rune Gustafsson
Gammal fäbodpsalm
122 bpm • A min • 04:01 • -17.77db
11% Popularity • 37% Danceability • 3% Energy • 11% Liveness
58% Instrumentalness • 30% Positiveness
11% Popularity • 37% Danceability • 3% Energy • 11% Liveness
58% Instrumentalness • 30% Positiveness
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Burt Bacharach
I Say a Little Prayer (Arr. for Solo Cel...
122 bpm • C Maj • 02:17 • -30.56db
15% Popularity • 60% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 39% Positiveness
15% Popularity • 60% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 39% Positiveness
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Erik Weissglas
Linda Knows
118 bpm • A min • 06:45 • -18.84db
0% Popularity • 55% Danceability • 16% Energy • 14% Liveness
4% Instrumentalness • 15% Positiveness
0% Popularity • 55% Danceability • 16% Energy • 14% Liveness
4% Instrumentalness • 15% Positiveness
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Svante Henryson
Songs from the Milky Way: III. Sarabande...
121 bpm • B min • 07:45 • -19.09db
0% Popularity • 22% Danceability • 24% Energy • 10% Liveness
71% Instrumentalness • 20% Positiveness
0% Popularity • 22% Danceability • 24% Energy • 10% Liveness
71% Instrumentalness • 20% Positiveness
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Enrico Pieranunzi
Un'alba dipinta sui muri
122 bpm • D min • 04:16 • -18.89db
12% Popularity • 36% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
12% Popularity • 36% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Anders Wihk
Take a chance on me
122 bpm • A# Maj • 05:49 • -13.8db
2% Popularity • 60% Danceability • 44% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
2% Popularity • 60% Danceability • 44% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
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Anon
Isla Sacá (Polca)
123 bpm • G Maj • 03:52 • -22.85db
14% Popularity • 38% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
14% Popularity • 38% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Paolo Conte
Sirat Al Bunduqiyyah
123 bpm • A min • 04:07 • -12.71db
31% Popularity • 29% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 29% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Antonio Cesti
Intorno All'Idol Mio (Arr. Voice & Elect...
117 bpm • C Maj • 04:15 • -18db
18% Popularity • 67% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 67% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Svante Henryson
Sonata for Solo Violin: V. Siciliano
121 bpm • A Maj • 02:51 • -23.35db
0% Popularity • 30% Danceability • 2% Energy • 8% Liveness
10% Instrumentalness • 5% Positiveness
0% Popularity • 30% Danceability • 2% Energy • 8% Liveness
10% Instrumentalness • 5% Positiveness
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Trio X of Sweden
Lacrimosa
123 bpm • A min • 04:48 • -12.57db
21% Popularity • 46% Danceability • 30% Energy • 30% Liveness
87% Instrumentalness • 24% Positiveness
21% Popularity • 46% Danceability • 30% Energy • 30% Liveness
87% Instrumentalness • 24% Positiveness
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Arianna Savall
L'Amor
123 bpm • F Maj • 04:51 • -19db
27% Popularity • 47% Danceability • 7% Energy • 10% Liveness
6% Instrumentalness • 32% Positiveness
27% Popularity • 47% Danceability • 7% Energy • 10% Liveness
6% Instrumentalness • 32% Positiveness
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Louis van Dijk
Triologie
123 bpm • F min • 04:15 • -18.68db
16% Popularity • 57% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
16% Popularity • 57% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Niels-Henning Ørsted Pedersen
I Skovens Dybe Stille Ro
117 bpm • D Maj • 05:22 • -22.26db
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: Welcome to All th...
123 bpm • E min • 04:47 • -20.35db
16% Popularity • 42% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 42% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Svante Henryson
Black Run
123 bpm • G Maj • 03:12 • -23.38db
0% Popularity • 45% Danceability • 21% Energy • 6% Liveness
88% Instrumentalness • 46% Positiveness
0% Popularity • 45% Danceability • 21% Energy • 6% Liveness
88% Instrumentalness • 46% Positiveness
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John Dowland
Come Again, Sweet Love Doth Now Invite
123 bpm • G Maj • 05:12 • -21db
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
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Turtle Island String Quartet
BACH¦S LUNCH
116 bpm • C min • 02:55 • -13.92db
11% Popularity • 63% Danceability • 46% Energy • 66% Liveness
10% Instrumentalness • 69% Positiveness
11% Popularity • 63% Danceability • 46% Energy • 66% Liveness
10% Instrumentalness • 69% Positiveness
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Jacques Loussier Trio
Gymnopédie No. 1: Var. 3
124 bpm • G Maj • 05:03 • -27db
29% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
29% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Yuri Honing Acoustic Quartet
Desire
124 bpm • D min • 04:44 • -18.57db
21% Popularity • 48% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
21% Popularity • 48% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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Léo Ferré
Ferré / Transc Ducros: Colloque sentime...
116 bpm • D min • 03:26 • -18.07db
17% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Svante Henryson
Uruk
124 bpm • C Maj • 04:28 • -16.34db
0% Popularity • 37% Danceability • 18% Energy • 10% Liveness
30% Instrumentalness • 28% Positiveness
0% Popularity • 37% Danceability • 18% Energy • 10% Liveness
30% Instrumentalness • 28% Positiveness
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Abbey Lincoln
Throw It Away - 2007 Abbey sings Abbey V...
116 bpm • A# min • 05:17 • -12db
30% Popularity • 51% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 51% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Wolfgang Muthspiel
Hüttengriffe
115 bpm • C Maj • 05:15 • -30.41db
37% Popularity • 55% Danceability • 1% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
37% Popularity • 55% Danceability • 1% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
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Jacques Loussier Trio
Concerto In F Minor, BWV 1056: Largo
124 bpm • G# Maj • 03:19 • -24.89db
23% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
23% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Markus Stockhausen
Encoer
125 bpm • D min • 05:18 • -15db
13% Popularity • 60% Danceability • 27% Energy • 36% Liveness
90% Instrumentalness • 52% Positiveness
13% Popularity • 60% Danceability • 27% Energy • 36% Liveness
90% Instrumentalness • 52% Positiveness
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L'Arpeggiata
Ciaccona, Pt. 2
115 bpm • C Maj • 01:24 • -13.8db
28% Popularity • 66% Danceability • 38% Energy • 39% Liveness
66% Instrumentalness • 92% Positiveness
28% Popularity • 66% Danceability • 38% Energy • 39% Liveness
66% Instrumentalness • 92% Positiveness
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Svante Henryson
Tystnaden
124 bpm • G Maj • 01:45 • -28.76db
0% Popularity • 38% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 38% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Mulo Francel
Walking Far - Improvisation on Marcello ...
125 bpm • D min • 04:23 • -16.02db
8% Popularity • 50% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 12% Positiveness
8% Popularity • 50% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 12% Positiveness
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Tord Gustavsen Trio
The Other Side
115 bpm • F# Maj • 03:24 • -21db
39% Popularity • 49% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
39% Popularity • 49% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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Jacques Loussier Trio
Gnossienne No. 3
115 bpm • A min • 04:24 • -19.57db
21% Popularity • 52% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
21% Popularity • 52% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Markus Stockhausen
Mondtraum
125 bpm • E min • 05:10 • -25db
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
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Erik Weissglas
Laurie
125 bpm • A# min • 10:12 • -18.8db
0% Popularity • 46% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 15% Positiveness
0% Popularity • 46% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 15% Positiveness
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Jesper Skogsrund
Delibes
126 bpm • G Maj • 02:53 • -18.99db
14% Popularity • 40% Danceability • 14% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
14% Popularity • 40% Danceability • 14% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Jorge Augusto Dias Cardoso
Milonga
115 bpm • D min • 04:29 • -31.72db
8% Popularity • 39% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
8% Popularity • 39% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Keith Jarrett Trio
My Back Pages
114 bpm • D min • 05:24 • -17db
31% Popularity • 45% Danceability • 37% Energy • 70% Liveness
81% Instrumentalness • 24% Positiveness
31% Popularity • 45% Danceability • 37% Energy • 70% Liveness
81% Instrumentalness • 24% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: Come Ye Sons of A...
126 bpm • G min • 03:57 • -16.07db
28% Popularity • 54% Danceability • 34% Energy • 9% Liveness
28% Instrumentalness • 77% Positiveness
28% Popularity • 54% Danceability • 34% Energy • 9% Liveness
28% Instrumentalness • 77% Positiveness
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Bobby McFerrin
Song for Amadeus (Improvisation on Mozar...
126 bpm • F min • 02:28 • -30.42db
25% Popularity • 51% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 51% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Anders Widmark
Song For A Toreador
114 bpm • A min • 04:11 • -20db
17% Popularity • 65% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
17% Popularity • 65% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Anders Widmark Trio
Vårsång
114 bpm • G Maj • 02:12 • -23.78db
23% Popularity • 54% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
23% Popularity • 54% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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George Frideric Handel
Handel / Arr Pluhar: Ombra mai fu (Aria ...
114 bpm • F Maj • 05:02 • -19.12db
13% Popularity • 24% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
13% Popularity • 24% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Enrico Pieranunzi
Kingdom - Where Nobody Dies
114 bpm • D Maj • 06:58 • -15.2db
15% Popularity • 33% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
15% Popularity • 33% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
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Tord Gustavsen Trio
Tears Transforming
114 bpm • C Maj • 05:36 • -20db
31% Popularity • 43% Danceability • 17% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
31% Popularity • 43% Danceability • 17% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Emil Brandqvist
From Now On
114 bpm • A min • 03:41 • -21.67db
33% Popularity • 54% Danceability • 9% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
33% Popularity • 54% Danceability • 9% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Erik Weissglas
Theme for Maxine
114 bpm • D Maj • 07:50 • -19.94db
0% Popularity • 50% Danceability • 20% Energy • 13% Liveness
67% Instrumentalness • 25% Positiveness
0% Popularity • 50% Danceability • 20% Energy • 13% Liveness
67% Instrumentalness • 25% Positiveness
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Jacques Loussier Trio
Goldberg Variations: Variation 2
114 bpm • E min • 02:09 • -22.84db
26% Popularity • 48% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
26% Popularity • 48% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Trygve Seim
There Is Some Kiss We Want
113 bpm • F# min • 05:38 • -15.35db
2% Popularity • 43% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
2% Popularity • 43% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Svante Henryson
Songs from the Milky Way: VI. Brutale an...
113 bpm • D min • 05:56 • -12.67db
0% Popularity • 28% Danceability • 45% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
0% Popularity • 28% Danceability • 45% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
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Mark Orton
Childhood
113 bpm • D Maj • 01:52 • -18db
29% Popularity • 42% Danceability • 2% Energy • 13% Liveness
24% Instrumentalness • 42% Positiveness
29% Popularity • 42% Danceability • 2% Energy • 13% Liveness
24% Instrumentalness • 42% Positiveness
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Federica Fornabaio
La bevitrice d'assenzio
113 bpm • F Maj • 06:03 • -23.47db
8% Popularity • 40% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
8% Popularity • 40% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
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Mulo Francel
Let Me Weep / Improvisation on G.F. Hän...
128 bpm • D Maj • 05:03 • -16.36db
8% Popularity • 42% Danceability • 5% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
8% Popularity • 42% Danceability • 5% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
► Preview
Jacques Loussier Trio
Goldberg Variations: Variation 1
113 bpm • G Maj • 01:20 • -15db
30% Popularity • 48% Danceability • 45% Energy • 11% Liveness
82% Instrumentalness • 97% Positiveness
30% Popularity • 48% Danceability • 45% Energy • 11% Liveness
82% Instrumentalness • 97% Positiveness
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Gianluigi Trovesi
Moonlight Serenade - Var.
128 bpm • F Maj • 01:11 • -21.96db
32% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Trygve Seim
Across The Doorsill
127 bpm • D Maj • 04:21 • -16.33db
2% Popularity • 34% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
2% Popularity • 34% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Svante Henryson
Off Pist Suite (Version for Clarinet & C...
112 bpm • G Maj • 04:32 • -17.21db
0% Popularity • 48% Danceability • 12% Energy • 22% Liveness
90% Instrumentalness • 58% Positiveness
0% Popularity • 48% Danceability • 12% Energy • 22% Liveness
90% Instrumentalness • 58% Positiveness
► Preview
Henry Purcell
Purcell / Arr. The King’s Singers: Mus...
112 bpm • E min • 03:49 • -14.63db
27% Popularity • 31% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 31% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
George Frideric Handel
Handel / Arr Pluhar: Where'er you walk (...
112 bpm • A# Maj • 03:37 • -17.44db
13% Popularity • 51% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
13% Popularity • 51% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Jacques Loussier Trio
Goldberg Variations: Aria (1)
128 bpm • G Maj • 02:28 • -20db
34% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
34% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
► Preview
Giovanna Pessi
Who By Fire
112 bpm • D min • 03:56 • -21.27db
15% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Raaf Hekkema
Dido's Lament
111 bpm • G min • 06:21 • -20db
9% Popularity • 21% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Michael Wollny
Questions in a World of Blue
111 bpm • A# Maj • 03:05 • -27.3db
35% Popularity • 51% Danceability • 2% Energy • 11% Liveness
24% Instrumentalness • 14% Positiveness
35% Popularity • 51% Danceability • 2% Energy • 11% Liveness
24% Instrumentalness • 14% Positiveness
► Preview
David Helbock
Beethoven #7, 2nd Movement
129 bpm • A min • 02:43 • -23db
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
► Preview
Anders Wihk
Does your mother know
129 bpm • G Maj • 04:56 • -17.38db
2% Popularity • 66% Danceability • 42% Energy • 12% Liveness
84% Instrumentalness • 69% Positiveness
2% Popularity • 66% Danceability • 42% Energy • 12% Liveness
84% Instrumentalness • 69% Positiveness
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Svante Henryson
Utan skuggor
129 bpm • D Maj • 01:41 • -24.97db
0% Popularity • 35% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 35% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Arne Domnérus
Almighty God
129 bpm • F Maj • 03:11 • -13.39db
17% Popularity • 19% Danceability • 20% Energy • 11% Liveness
39% Instrumentalness • 6% Positiveness
17% Popularity • 19% Danceability • 20% Energy • 11% Liveness
39% Instrumentalness • 6% Positiveness
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Trygve Seim
When I See Your Face
129 bpm • D Maj • 06:34 • -13.82db
2% Popularity • 39% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 17% Positiveness
2% Popularity • 39% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 17% Positiveness
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Jacques Loussier
Air on a G String
129 bpm • C Maj • 03:35 • -28.12db
27% Popularity • 49% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
27% Popularity • 49% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Renaud Garcia-Fons
Chacone
129 bpm • C Maj • 02:58 • -13.61db
27% Popularity • 44% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
27% Popularity • 44% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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Siri Gjære
Winter's Broken
129 bpm • G Maj • 03:35 • -20.46db
12% Popularity • 37% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 37% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Alberto Iglesias
Hable con Ella
111 bpm • A min • 05:08 • -18.9db
22% Popularity • 39% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
22% Popularity • 39% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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David Helbock
Theme from Schindler's List
130 bpm • G min • 05:04 • -22.23db
27% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
27% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Camilla Ringquist
Battle of Vercors
111 bpm • A# min • 01:52 • -11.37db
0% Popularity • 37% Danceability • 41% Energy • 10% Liveness
54% Instrumentalness • 13% Positiveness
0% Popularity • 37% Danceability • 41% Energy • 10% Liveness
54% Instrumentalness • 13% Positiveness
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Ketil Bjørnstad
Fall
111 bpm • A Maj • 03:26 • -25.57db
9% Popularity • 16% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
9% Popularity • 16% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
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Airelle Besson
Valse sentimentale, Op. 51 No. 6
111 bpm • F min • 03:27 • -14.84db
30% Popularity • 48% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
30% Popularity • 48% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Arne Domnérus
Heaven
130 bpm • G min • 03:13 • -20.09db
8% Popularity • 21% Danceability • 1% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 1% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
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Svante Henryson
Black Run
130 bpm • D Maj • 03:22 • -23.46db
2% Popularity • 46% Danceability • 11% Energy • 9% Liveness
64% Instrumentalness • 61% Positiveness
2% Popularity • 46% Danceability • 11% Energy • 9% Liveness
64% Instrumentalness • 61% Positiveness
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Vladimir Cosma
Promenade sentimentale
110 bpm • C min • 02:39 • -24.8db
35% Popularity • 40% Danceability • 3% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
35% Popularity • 40% Danceability • 3% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Jacky Terrasson
Plaisir D'Amour
110 bpm • F Maj • 03:10 • -21.27db
36% Popularity • 64% Danceability • 8% Energy • 11% Liveness
77% Instrumentalness • 42% Positiveness
36% Popularity • 64% Danceability • 8% Energy • 11% Liveness
77% Instrumentalness • 42% Positiveness
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Anders Wihk
Fernando
110 bpm • A# min • 05:31 • -11.98db
2% Popularity • 72% Danceability • 29% Energy • 5% Liveness
14% Instrumentalness • 28% Positiveness
2% Popularity • 72% Danceability • 29% Energy • 5% Liveness
14% Instrumentalness • 28% Positiveness
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Mulo Francel
Sinfonia in F Major - Johann Sebastian B...
131 bpm • F Maj • 02:34 • -14.58db
12% Popularity • 38% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
12% Popularity • 38% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
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Anders Paulsson
Hymn to Life (Arr. G. Idenstam)
131 bpm • D Maj • 03:56 • -23.37db
0% Popularity • 24% Danceability • 7% Energy • 19% Liveness
15% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 7% Energy • 19% Liveness
15% Instrumentalness • 4% Positiveness
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Svante Henryson
Introduction: Clay
110 bpm • A Maj • 03:43 • -13db
0% Popularity • 34% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
0% Popularity • 34% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
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Anders Widmark Trio
Den signade dag (Psalm 424 i 1939 års p...
110 bpm • C Maj • 03:11 • -19.57db
16% Popularity • 57% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 35% Positiveness
16% Popularity • 57% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 35% Positiveness
