Songs like Celebrate Me Home by The Perrys
Based on a tempo of (+/- 10%) and a similar genre
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The Dixons
What a Friend Is He
136 bpm • D# Maj • 05:06 • -8.02db
30% Popularity • 50% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 50% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Joseph Habedank
Big Enough
136 bpm • G# Maj • 04:18 • -6.08db
25% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Greenes
The Blood Covered It All
136 bpm • A Maj • 04:11 • -11db
23% Popularity • 45% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 45% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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The Perrys
Celebrate Me Home
136 bpm • C Maj • 04:15 • -8.21db
26% Popularity • 41% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 41% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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McRaes
There Is A Remedy
136 bpm • A# Maj • 04:27 • -7.86db
20% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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11th Hour
Mountain Moving Faith
136 bpm • G# Maj • 03:08 • -4.61db
32% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Dixons
Big Enough
136 bpm • C# Maj • 04:08 • -8.43db
27% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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The Ball Brothers
Mercy Said No
136 bpm • C# Maj • 04:38 • -7db
29% Popularity • 41% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 41% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Rochesters
He Knows My Name
137 bpm • C Maj • 03:23 • -10.1db
41% Popularity • 56% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 56% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Mark Bishop
God Builds Churches With Broken People
135 bpm • F# Maj • 03:51 • -8db
15% Popularity • 28% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 28% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Terry Blackwood
So High
135 bpm • D Maj • 02:34 • -17db
22% Popularity • 59% Danceability • 63% Energy • 73% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 59% Danceability • 63% Energy • 73% Liveness
0% Instrumentalness • 78% Positiveness
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Joseph Habedank
Here He Comes
135 bpm • C Maj • 04:16 • -5.63db
25% Popularity • 44% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 44% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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The Old Paths
Washed In The Blood
137 bpm • C# Maj • 03:14 • -7db
20% Popularity • 70% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 70% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Soul'd Out Quartet
I've Never Been This Homesick Before
137 bpm • D# Maj • 03:02 • -6.24db
18% Popularity • 60% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 60% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Rochesters
I Know Who Holds Tomorrow
137 bpm • G# Maj • 04:40 • -8.17db
26% Popularity • 46% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 46% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Mark Bishop
Pray On the Little Days
135 bpm • B Maj • 04:41 • -7.23db
32% Popularity • 36% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 36% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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The Perrys
I Remember The Day
135 bpm • D Maj • 02:54 • -10.2db
21% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Cross 4 Crowns
He Could Have Called Ten Thousand Angels
135 bpm • G# Maj • 04:43 • -5.9db
13% Popularity • 35% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 35% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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The Primitive Quartet
That Soldier Was Me
137 bpm • F Maj • 03:15 • -10.26db
27% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Old Time Gospel Hour Quartet
The Old Rugged Cross
137 bpm • F Maj • 03:25 • -7.42db
23% Popularity • 40% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 40% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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The Talleys
The Broken Ones
138 bpm • E Maj • 03:39 • -6.62db
31% Popularity • 55% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 55% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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The Dixons
It Was Me
138 bpm • A# Maj • 03:55 • -10.19db
38% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Carr Family
Finish Well
134 bpm • A# Maj • 03:23 • -10.1db
19% Popularity • 35% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 35% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Dove Brothers
My Soul Has Been Set Free
138 bpm • E Maj • 02:34 • -6.89db
27% Popularity • 71% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 71% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Anthony Burger
I've Got The Old Time Religion In My Hea...
138 bpm • G Maj • 02:12 • -8.66db
33% Popularity • 65% Danceability • 84% Energy • 90% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 65% Danceability • 84% Energy • 90% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Bishop
Take Me Back To That Place
138 bpm • C# Maj • 03:59 • -6.94db
23% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Adam Crabb
Sometimes He Whispers
134 bpm • D Maj • 03:53 • -6db
29% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Blackwood Brothers Quartet
You Can Find What I Found
134 bpm • F# Maj • 02:12 • -6.83db
30% Popularity • 71% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 71% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Joseph Habedank
Never No Never
138 bpm • D Maj • 03:35 • -5.03db
24% Popularity • 69% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 69% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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The Dixons
God Must Really Love Us
134 bpm • E Maj • 03:23 • -10.4db
33% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Mike & Kelly Bowling
God's Not Through With You
138 bpm • F Maj • 02:54 • -8.63db
23% Popularity • 64% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 64% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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The Browders
He Took the Nails
134 bpm • D Maj • 04:42 • -6db
28% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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The Ball Brothers
Look to the Cross
134 bpm • A# Maj • 04:53 • -7.23db
24% Popularity • 49% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 49% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Homeland Quartet
I Bowed on My Knees and Cried Holy
133 bpm • D Maj • 05:21 • -9db
23% Popularity • 27% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 27% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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The Perrys
Heaven To Me
134 bpm • D Maj • 04:03 • -6.41db
5% Popularity • 37% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 37% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mark Trammell Quartet
Way Past Ready
133 bpm • E Maj • 03:33 • -6.15db
12% Popularity • 71% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 71% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Dove Brothers
Little David
133 bpm • B Maj • 04:23 • -6.07db
21% Popularity • 70% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 70% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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The LeFevre Quartet
All the Praise
132 bpm • C Maj • 04:50 • -7.17db
20% Popularity • 31% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 31% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Old Time Gospel Hour Quartet
In The Garden
140 bpm • A# Maj • 03:48 • -7.54db
25% Popularity • 35% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 35% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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The Ball Brothers
It's About the Cross
140 bpm • F Maj • 04:11 • -5.97db
41% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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The Perrys
I Rest My Case At The Cross
133 bpm • G# Maj • 04:49 • -8.47db
17% Popularity • 22% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 22% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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The New Hinsons
Old Ship Of Zion
132 bpm • A# Maj • 04:15 • -12db
23% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Greenes
When I Knelt
140 bpm • G# Maj • 03:56 • -11.75db
14% Popularity • 34% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 34% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The LeFevre Quartet
The 99
140 bpm • A Maj • 03:58 • -7.03db
17% Popularity • 48% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 48% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Lindseys
He Proves Me Wrong
140 bpm • F Maj • 03:47 • -10.97db
19% Popularity • 50% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 50% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Brian Free & Assurance
Say Amen
132 bpm • C Maj • 04:33 • -8.98db
32% Popularity • 56% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 56% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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The Perrys
Baptized
132 bpm • B Maj • 03:21 • -5.44db
4% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
4% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jessica King
Keep Me in Your Will
140 bpm • A# Maj • 04:44 • -6.11db
28% Popularity • 36% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 36% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Powells
I Can Go In
132 bpm • C# Maj • 06:14 • -9.54db
21% Popularity • 54% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 54% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Down East Boys
I Want To Be Like My Lord
132 bpm • G# Maj • 03:02 • -5db
22% Popularity • 68% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 68% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Mark Bishop
I Got Here As Fast As I Could
132 bpm • G Maj • 03:40 • -9.33db
20% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Dailey & Vincent
Hide Me, Rock Of Ages
140 bpm • B Maj • 02:39 • -9.38db
34% Popularity • 55% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 55% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Goodmans
God Walks The Dark Hills - Live
132 bpm • A# Maj • 03:14 • -7.36db
20% Popularity • 34% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 34% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
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The Florida Boys
When He Was On the Cross (I Was On His M...
141 bpm • G# Maj • 03:30 • -9db
35% Popularity • 40% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 40% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Mark Trammell Trio
I Have A Heavenly Father
131 bpm • A# Maj • 02:58 • -8db
22% Popularity • 70% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 70% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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The McKameys
I Made It By Grace
141 bpm • C Maj • 03:06 • -5.67db
32% Popularity • 62% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 62% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Terry Blackwood
The Old Account Was Settled Long Ago
141 bpm • A# Maj • 03:36 • -8.97db
26% Popularity • 61% Danceability • 59% Energy • 81% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 61% Danceability • 59% Energy • 81% Liveness
0% Instrumentalness • 74% Positiveness
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Down East Boys
What A Day
131 bpm • G# Maj • 03:17 • -6db
21% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Rochesters
Send the Rain
141 bpm • B Maj • 03:24 • -15.63db
39% Popularity • 55% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 55% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Mark Bishop
I Still Need Him
142 bpm • E Maj • 03:59 • -9db
20% Popularity • 55% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 55% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Whisnants
A Greater Yes
131 bpm • E Maj • 04:14 • -7db
18% Popularity • 31% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 31% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Taylors
For What I Don't Know
131 bpm • A# Maj • 03:42 • -8.8db
19% Popularity • 34% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 34% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Sisters
Rise Again
142 bpm • F# Maj • 03:28 • -10db
36% Popularity • 37% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 37% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Old Time Preachers Quartet
Just a Little Talk With Jesus
130 bpm • A Maj • 03:09 • -6.32db
27% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Rochesters
I'm a Soldier
131 bpm • B Maj • 04:14 • -9db
35% Popularity • 57% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 57% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Carr Family
It's Under the Blood
142 bpm • F# Maj • 04:50 • -5.34db
24% Popularity • 52% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 52% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Ball Brothers
Just as I Am
130 bpm • A# Maj • 04:25 • -7db
30% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Joseph Habedank
The Beauty of the Blood
130 bpm • A# Maj • 03:57 • -6db
31% Popularity • 51% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 51% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Parsons
He Loved Me to Death
130 bpm • D Maj • 03:33 • -7.2db
23% Popularity • 47% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 47% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Dove Brothers
I Can Pray
130 bpm • E Maj • 03:45 • -5db
32% Popularity • 48% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 48% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Jordan Family Band
My God Is Faithful
130 bpm • F# Maj • 03:51 • -8db
27% Popularity • 57% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 57% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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The Morrison Sisters
I'm Not Going to Hell
143 bpm • A# Maj • 03:02 • -7.33db
25% Popularity • 56% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 56% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Joey + Rory
Jesus Paid It All
143 bpm • F# Maj • 03:15 • -10.4db
36% Popularity • 30% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
36% Popularity • 30% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Goodman Revival
Who Am I
143 bpm • F# Maj • 04:06 • -10.48db
32% Popularity • 39% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 39% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
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Gold City
Midnight Cry
143 bpm • A Maj • 04:44 • -6.62db
31% Popularity • 30% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 30% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Crist Family
Keep On The Firing Line
129 bpm • C Maj • 02:12 • -7db
23% Popularity • 80% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 80% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Soul'd Out Quartet
Heaven Medley: When We All Get to Heaven...
129 bpm • F# Maj • 03:46 • -3db
24% Popularity • 61% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 61% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Rochester/Matthews Tradition
When God Has Another Plan
129 bpm • D Maj • 03:01 • -8.7db
37% Popularity • 56% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 56% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Carr Family
Sands of Time
144 bpm • C Maj • 03:30 • -9.18db
20% Popularity • 52% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 52% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Goodman Revival
Had It Not Been
143 bpm • A Maj • 03:18 • -9.04db
34% Popularity • 33% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 33% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Ball Brothers
Mercy Tree
144 bpm • C# Maj • 04:11 • -6.83db
30% Popularity • 47% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 47% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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The Taylors
I Choose Joy
144 bpm • E Maj • 02:56 • -5.43db
21% Popularity • 62% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 62% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Simpson Family
I Have Been Blessed
144 bpm • D Maj • 05:16 • -6.88db
21% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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11th Hour
He Sees What We Don't
128 bpm • C Maj • 04:21 • -9.44db
32% Popularity • 39% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 39% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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John Starnes
Lighthouse
144 bpm • G# Maj • 04:40 • -9.35db
20% Popularity • 38% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 38% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Mark Trammell Trio
Even Thomas Couldn't Doubt It
128 bpm • A# Maj • 02:53 • -6.49db
16% Popularity • 79% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 79% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Rochesters
Highway to Heaven
144 bpm • F# Maj • 04:50 • -16db
20% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Down East Boys
Beat Up Bible
128 bpm • A Maj • 03:02 • -11.16db
23% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Whisnants
I Should Have Been Crucified
145 bpm • C# Maj • 04:01 • -9.09db
17% Popularity • 20% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 20% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The McKameys
When He Speaks
128 bpm • B Maj • 03:01 • -7.47db
27% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Carr Family
For All He's Done
128 bpm • F Maj • 03:16 • -4.64db
16% Popularity • 59% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 59% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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The Greenes
Without The Cross
128 bpm • F Maj • 04:03 • -9.58db
14% Popularity • 34% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 34% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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The Perrys
Who Am I
128 bpm • A# Maj • 03:25 • -10.24db
4% Popularity • 56% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 56% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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The LeFevre Quartet
Let the Church Arise
145 bpm • B Maj • 03:37 • -4db
16% Popularity • 31% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 31% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Tanya Goodman Sykes
Who Am I
127 bpm • G# Maj • 03:43 • -11.41db
30% Popularity • 34% Danceability • 37% Energy • 57% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 34% Danceability • 37% Energy • 57% Liveness
0% Instrumentalness • 30% Positiveness
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The McKameys
Unspoken Request
145 bpm • C Maj • 03:16 • -8db
40% Popularity • 47% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 47% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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The Steeles
We Want America Back
146 bpm • A# Maj • 05:41 • -12db
10% Popularity • 39% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 39% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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The Old Paths
Look At All I Lost
127 bpm • B Maj • 03:34 • -7.57db
16% Popularity • 36% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 36% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
