Songs like Cello Concerto, Op. 81: I. Con moto moderato (1984 Version) by Gunnar de Frumerie
Based on a tempo of (+/- 10%) and a similar genre
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Olivier Calmel
Wood Music - Concerto pour quintette à ...
100 bpm • F# Maj • 06:40 • -15.69db
3% Popularity • 46% Danceability • 29% Energy • 24% Liveness
90% Instrumentalness • 15% Positiveness
3% Popularity • 46% Danceability • 29% Energy • 24% Liveness
90% Instrumentalness • 15% Positiveness
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Gunnar de Frumerie
Pastoral Suite, Op. 13a: II. Gavott-Muse...
100 bpm • C Maj • 02:47 • -25.59db
1% Popularity • 55% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 54% Positiveness
1% Popularity • 55% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 54% Positiveness
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KNOXVILLETRACKZ
SBP
100 bpm • F# Maj • 01:04 • -45.36db
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
100 bpm • C Maj • 01:19 • -25.27db
13% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
13% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Christian Lindberg
Hamnöy 1976 I
99 bpm • G# Maj • 01:02 • -10.97db
18% Popularity • 78% Danceability • 59% Energy • 27% Liveness
94% Instrumentalness • 98% Positiveness
18% Popularity • 78% Danceability • 59% Energy • 27% Liveness
94% Instrumentalness • 98% Positiveness
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Fernand de la Tombelle
Rêverie
99 bpm • E Maj • 02:24 • -22.93db
14% Popularity • 13% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Anonymous
Flute Concerto, Op. 67: Andante serioso,...
99 bpm • D Maj • 04:40 • -28.04db
0% Popularity • 14% Danceability • 3% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 3% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Gunnar de Frumerie
Pastoral Suite, Op. 13b: II. Gavott & Mu...
100 bpm • G min • 02:48 • -16.28db
0% Popularity • 53% Danceability • 12% Energy • 45% Liveness
90% Instrumentalness • 68% Positiveness
0% Popularity • 53% Danceability • 12% Energy • 45% Liveness
90% Instrumentalness • 68% Positiveness
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Rudolf Moser
Suite, Op. 56: IV. Rondo. Presto
99 bpm • G min • 03:31 • -21.27db
12% Popularity • 26% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
12% Popularity • 26% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
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Traditional
Londonderry Air "Farewell to Cucullain" ...
101 bpm • C Maj • 04:17 • -20.97db
32% Popularity • 20% Danceability • 6% Energy • 14% Liveness
67% Instrumentalness • 6% Positiveness
32% Popularity • 20% Danceability • 6% Energy • 14% Liveness
67% Instrumentalness • 6% Positiveness
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Clive Osgood
Magnificat: No. 6, Esurientes implevit
101 bpm • E Maj • 02:50 • -28.13db
21% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
21% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Franco Alfano
Amour... amour... (Version for Orchestra...
99 bpm • G Maj • 05:49 • -22.54db
13% Popularity • 15% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 6% Positiveness
13% Popularity • 15% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": I. ...
101 bpm • G min • 06:24 • -31.07db
13% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
13% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Gunnar de Frumerie
Clarinet Concerto, Op. 51: II. Allegro g...
99 bpm • D Maj • 06:21 • -24.09db
0% Popularity • 31% Danceability • 7% Energy • 10% Liveness
69% Instrumentalness • 9% Positiveness
0% Popularity • 31% Danceability • 7% Energy • 10% Liveness
69% Instrumentalness • 9% Positiveness
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Edvard Grieg
Symphonic Dances, Op. 64: III. Allegro g...
98 bpm • A Maj • 05:24 • -22.21db
10% Popularity • 32% Danceability • 8% Energy • 22% Liveness
85% Instrumentalness • 21% Positiveness
10% Popularity • 32% Danceability • 8% Energy • 22% Liveness
85% Instrumentalness • 21% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M.61 - f...
98 bpm • G Maj • 01:38 • -31db
1% Popularity • 23% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 9% Positiveness
1% Popularity • 23% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 9% Positiveness
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Franz Schubert
Arpeggione Sonata in A Minor, D. 821 (Ar...
103 bpm • B Maj • 04:14 • -20.92db
14% Popularity • 21% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Johan Svendsen
Saeterjentens Sondag
103 bpm • D Maj • 02:45 • -30.11db
11% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Emil von Sauer
Piano Concerto No. 2 in C Minor: IV. All...
103 bpm • D# Maj • 06:35 • -20.94db
13% Popularity • 40% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
13% Popularity • 40% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Gunnar de Frumerie
Singoalla, Op. 22, Act I: Prior, ädle H...
101 bpm • F Maj • 01:53 • -21.22db
0% Popularity • 43% Danceability • 22% Energy • 55% Liveness
1% Instrumentalness • 38% Positiveness
0% Popularity • 43% Danceability • 22% Energy • 55% Liveness
1% Instrumentalness • 38% Positiveness
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Maya Badian
Violin Concerto: I. Prelude
97 bpm • C# Maj • 06:45 • -25.97db
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
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Maurice Ravel
Le Tombeau de Couperin, M. 68: V. Menuet...
97 bpm • G Maj • 04:53 • -25.01db
12% Popularity • 19% Danceability • 4% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
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Veljo Tormis
Reminiscentia / Autumn Landscapes: V. Wi...
97 bpm • D min • 01:16 • -21.93db
8% Popularity • 29% Danceability • 13% Energy • 13% Liveness
97% Instrumentalness • 33% Positiveness
8% Popularity • 29% Danceability • 13% Energy • 13% Liveness
97% Instrumentalness • 33% Positiveness
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Igor Stravinsky
Stravinsky: Concerto for String Orchestr...
97 bpm • D Maj • 06:15 • -24.41db
19% Popularity • 40% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
19% Popularity • 40% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
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Franz von Suppé
Fantasia symphonica: III. Allegro scherz...
97 bpm • A min • 03:52 • -24.64db
13% Popularity • 36% Danceability • 5% Energy • 56% Liveness
70% Instrumentalness • 24% Positiveness
13% Popularity • 36% Danceability • 5% Energy • 56% Liveness
70% Instrumentalness • 24% Positiveness
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Gunnar de Frumerie
Singoalla, Op. 22, Act II: Singoalla! Va...
99 bpm • A min • 03:15 • -23.42db
0% Popularity • 25% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 25% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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Christian Lindberg
Fear
97 bpm • G# Maj • 01:42 • -29.84db
16% Popularity • 14% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Robert Schumann
IV. Nicht schnell
103 bpm • G Maj • 02:41 • -31.35db
9% Popularity • 20% Danceability • 2% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 2% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: IV. Senza misura
103 bpm • G Maj • 01:54 • -35.77db
11% Popularity • 24% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: VII. Variatio...
97 bpm • A min • 02:23 • -24.72db
8% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
8% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
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Frederick Delius
Orchestral Suite No. 1, RT VI/6: IV. Duo
96 bpm • E min • 02:44 • -27.09db
7% Popularity • 20% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Gunnar de Frumerie
Herren är min herde
98 bpm • C# Maj • 03:10 • -29.71db
0% Popularity • 26% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky / Arr. Nakariakov: Andante c...
96 bpm • B Maj • 07:01 • -29.26db
8% Popularity • 13% Danceability • 4% Energy • 30% Liveness
97% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 4% Energy • 30% Liveness
97% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
96 bpm • G min • 01:42 • -25db
16% Popularity • 12% Danceability • 6% Energy • 23% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 6% Energy • 23% Liveness
87% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite in G Major, P. 58 : III. Pastorale...
104 bpm • D min • 04:36 • -25db
14% Popularity • 16% Danceability • 9% Energy • 20% Liveness
51% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 9% Energy • 20% Liveness
51% Instrumentalness • 3% Positiveness
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Fritz Kreisler
Schön Rosmarin
104 bpm • G Maj • 01:56 • -26db
13% Popularity • 47% Danceability • 10% Energy • 25% Liveness
83% Instrumentalness • 75% Positiveness
13% Popularity • 47% Danceability • 10% Energy • 25% Liveness
83% Instrumentalness • 75% Positiveness
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Aileen
Earth Wind and Fire
105 bpm • C# Maj • 03:05 • -19.92db
15% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
15% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
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Gunnar de Frumerie
Suite for Small Orchestra, Op. 5b: II. S...
103 bpm • A min • 02:18 • -29.14db
0% Popularity • 15% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 8% Positiveness
0% Popularity • 15% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 8% Positiveness
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Robert Schumann
Symphony No. 3 in E-Flat Major, Op. 97 "...
95 bpm • C Maj • 05:27 • -21.89db
8% Popularity • 21% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
8% Popularity • 21% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Bernard Herrmann
Tidying Up
95 bpm • D Maj • 01:30 • -25.33db
10% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
10% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Ancient Airs & Dances, Suite No. 3, P. 1...
96 bpm • A# Maj • 02:49 • -23.61db
23% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
23% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
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Augusta Holmès
Trois petites pièces: Gigue
105 bpm • F Maj • 01:23 • -24db
19% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
19% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
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Prague Chamber Orchestra
Trumpet Concerto: Finale
95 bpm • D min • 04:24 • -17.46db
4% Popularity • 50% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 41% Positiveness
4% Popularity • 50% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 41% Positiveness
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Gunnar de Frumerie
Hjärtats sånger, Op. 27: VI. Som en v�...
97 bpm • C min • 01:51 • -20.72db
0% Popularity • 21% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 21% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Otar Taktakishvili
Taktakishvili: Sonata: Aria: Moderato co...
95 bpm • D min • 04:15 • -22db
10% Popularity • 22% Danceability • 8% Energy • 6% Liveness
91% Instrumentalness • 5% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 6% Liveness
91% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
105 bpm • A Maj • 04:13 • -30.36db
15% Popularity • 32% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
15% Popularity • 32% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Arthur Bliss
Bliss: Cello Concerto: II. Larghetto
95 bpm • C Maj • 07:40 • -24.58db
15% Popularity • 12% Danceability • 10% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
15% Popularity • 12% Danceability • 10% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
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Andre Caplet
Estampes: No. 1. Pagodes (arr. A. Caplet...
95 bpm • C# min • 06:25 • -23.22db
11% Popularity • 12% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
11% Popularity • 12% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Gunnar de Frumerie
Pastoral Suite, Op. 13b: II. Gavott
97 bpm • C min • 03:00 • -20.56db
2% Popularity • 34% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
2% Popularity • 34% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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ЧЕПЦОВ Александр
A PLAY ABOUT GHOSTS
95 bpm • A# min • 02:46 • -18.89db
17% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
17% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
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Milo Paulus
The Long Day Closes: I. Main Titles
94 bpm • A Maj • 02:07 • -23.29db
16% Popularity • 13% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: III. Tordion
107 bpm • G min • 01:04 • -26.17db
12% Popularity • 72% Danceability • 4% Energy • 18% Liveness
12% Instrumentalness • 80% Positiveness
12% Popularity • 72% Danceability • 4% Energy • 18% Liveness
12% Instrumentalness • 80% Positiveness
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Peter Kiesewetter
Reineke Fuchs (Arr. H. Ruhmann for Narra...
107 bpm • D Maj • 01:04 • -20.97db
11% Popularity • 49% Danceability • 17% Energy • 19% Liveness
77% Instrumentalness • 56% Positiveness
11% Popularity • 49% Danceability • 17% Energy • 19% Liveness
77% Instrumentalness • 56% Positiveness
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Steve Elcock
Violin Concerto: III. Passacaglia. Andan...
107 bpm • G min • 06:49 • -20.18db
22% Popularity • 24% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Gunnar de Frumerie
Singoalla, Op. 22, Act IV: Assarias folk...
96 bpm • A# min • 03:02 • -23.94db
0% Popularity • 20% Danceability • 7% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 7% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Aivars Kalējs
French Quadrilogy: No. 2, The Dream
94 bpm • G min • 03:43 • -24.4db
12% Popularity • 19% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Anton Bruckner
Slow Strings
93 bpm • C# min • 02:31 • -35.11db
12% Popularity • 15% Danceability • 1% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 1% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Bohuslav Martinů
Concerto for Violin, Piano and Orchestra...
107 bpm • A# Maj • 08:26 • -21.26db
12% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
► Preview
Edward Elgar
Serenade in E Minor, Op. 20: I. Allegro ...
108 bpm • E min • 03:06 • -21.21db
8% Popularity • 24% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
8% Popularity • 24% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Heino Eller
Symphonic Suite "White Night": I. White ...
108 bpm • F# min • 02:29 • -30.03db
9% Popularity • 16% Danceability • 3% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Gunnar de Frumerie
Singoalla, Op. 22, Act I: Se, Erland har...
105 bpm • G Maj • 03:00 • -29.84db
0% Popularity • 30% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 30% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Nino Rota
5 Pezzi facili: No. 5. Il soldatino
108 bpm • F Maj • 01:39 • -24.57db
22% Popularity • 40% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
22% Popularity • 40% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Suite from Pique Dame (Arr....
108 bpm • F# min • 01:01 • -15.44db
14% Popularity • 34% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
14% Popularity • 34% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
William Walton
Henry V, A Shakespeare Scenario: IV. Int...
92 bpm • C Maj • 02:15 • -35.24db
11% Popularity • 15% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
11% Popularity • 15% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Carl Reinecke
Sonata "Undine" Op. 167 for Flute and Pi...
108 bpm • E min • 06:38 • -25.91db
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Antonín Dvořák
Dvořák: Symphonic Variations in C Majo...
92 bpm • A# min • 01:25 • -30.32db
14% Popularity • 21% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
14% Popularity • 21% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Gunnar de Frumerie
Pastoral Suite, Op. 13b: II. Gavotte
105 bpm • C min • 02:48 • -22.29db
0% Popularity • 51% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 62% Positiveness
0% Popularity • 51% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 62% Positiveness
► Preview
Gerald Finzi
Come away, come away death, Op.18, No.1 ...
109 bpm • E min • 03:43 • -24db
13% Popularity • 16% Danceability • 7% Energy • 23% Liveness
13% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 23% Liveness
13% Instrumentalness • 5% Positiveness
► Preview
Francis Poulenc
Gloria, FP 144: I. Gloria
109 bpm • C Maj • 02:25 • -14.52db
24% Popularity • 29% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 16% Positiveness
24% Popularity • 29% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
Jules Massenet
Bacchus, Act III Tableau 2: Les Mysteres...
91 bpm • F Maj • 01:57 • -36.52db
26% Popularity • 17% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 17% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Fanny Mendelssohn
Mendelssohn: 5 Lieder, Op. 10: No. 2 Vor...
91 bpm • C# Maj • 02:24 • -24.25db
16% Popularity • 31% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
16% Popularity • 31% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Graźnya Bacewicz
Concerto for String Orchestra: II. Andan...
110 bpm • B min • 04:17 • -23.06db
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Gunnar de Frumerie
Piano Trio No. 2, Op. 45: III. Andante d...
106 bpm • B min • 04:31 • -21.24db
0% Popularity • 19% Danceability • 7% Energy • 5% Liveness
6% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 5% Liveness
6% Instrumentalness • 4% Positiveness
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Gerald Finzi
Prelude
109 bpm • F min • 05:07 • -22.94db
9% Popularity • 16% Danceability • 5% Energy • 22% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 22% Liveness
87% Instrumentalness • 4% Positiveness
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Knudåge Riisager
Etudes: IV. Adagio
91 bpm • G# Maj • 05:14 • -28.76db
8% Popularity • 10% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Ernest John Moeran
Serenade in G Major (original version): ...
110 bpm • E min • 02:44 • -35.44db
12% Popularity • 21% Danceability • 1% Energy • 7% Liveness
74% Instrumentalness • 9% Positiveness
12% Popularity • 21% Danceability • 1% Energy • 7% Liveness
74% Instrumentalness • 9% Positiveness
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Leonard Bernstein
Divertimento: V: Turkey Trot: Allegretto...
91 bpm • C Maj • 01:44 • -28.51db
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
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Maurice Ravel
Sonatine, M. 40: II. Mouvement de menuet...
91 bpm • C# Maj • 03:20 • -22.21db
18% Popularity • 17% Danceability • 6% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 6% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Gunnar de Frumerie
Piano Trio No. 2, Op. 45: IV. Allegretto...
94 bpm • D Maj • 04:16 • -18.04db
0% Popularity • 40% Danceability • 14% Energy • 8% Liveness
23% Instrumentalness • 8% Positiveness
0% Popularity • 40% Danceability • 14% Energy • 8% Liveness
23% Instrumentalness • 8% Positiveness
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Heitor Villa-Lobos
Cello Concerto No. 1, Op. 50, W095: I. A...
91 bpm • G Maj • 08:02 • -21.22db
12% Popularity • 20% Danceability • 10% Energy • 14% Liveness
85% Instrumentalness • 14% Positiveness
12% Popularity • 20% Danceability • 10% Energy • 14% Liveness
85% Instrumentalness • 14% Positiveness
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Agathe Backer Grøndahl
Fantasy Pieces, Op. 45: Summer Song
91 bpm • G Maj • 02:25 • -30.64db
16% Popularity • 12% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
16% Popularity • 12% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: No. 10 The You...
110 bpm • F Maj • 03:24 • -35.29db
8% Popularity • 25% Danceability • 2% Energy • 6% Liveness
45% Instrumentalness • 8% Positiveness
8% Popularity • 25% Danceability • 2% Energy • 6% Liveness
45% Instrumentalness • 8% Positiveness
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Bournemouth Symphony Orchestra
Concert Suite from the opera 'The Golden...
91 bpm • C# Maj • 08:49 • -26.45db
0% Popularity • 17% Danceability • 6% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 6% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
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True LUFS Project
Carmina
90 bpm • C Maj • 01:51 • -15.95db
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
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Gunnar de Frumerie
Pastoral Suite, Op. 13b: I. Preludium
106 bpm • C Maj • 02:18 • -24.19db
0% Popularity • 19% Danceability • 8% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
0% Popularity • 19% Danceability • 8% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
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Mieczysław Weinberg
Weinberg: Cello Concerto in C Minor, Op....
90 bpm • D min • 05:42 • -22.06db
7% Popularity • 23% Danceability • 5% Energy • 7% Liveness
33% Instrumentalness • 16% Positiveness
7% Popularity • 23% Danceability • 5% Energy • 7% Liveness
33% Instrumentalness • 16% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Äktenskapsbryter...
90 bpm • D Maj • 08:21 • -18.93db
7% Popularity • 15% Danceability • 15% Energy • 35% Liveness
18% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 15% Energy • 35% Liveness
18% Instrumentalness • 3% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
90 bpm • G Maj • 02:41 • -30.3db
17% Popularity • 10% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
17% Popularity • 10% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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John Powell
Ultimate Sacrifice-Freedom (5m21-22)
112 bpm • C# min • 06:27 • -18.27db
17% Popularity • 17% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
17% Popularity • 17% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Marko Celesty
Calm Cascades
89 bpm • G Maj • 01:56 • -31.27db
9% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Gunnar de Frumerie
Pastoral Suite, Op. 13b: IV. Siciliano
94 bpm • G# Maj • 01:54 • -25.21db
0% Popularity • 29% Danceability • 10% Energy • 22% Liveness
93% Instrumentalness • 14% Positiveness
0% Popularity • 29% Danceability • 10% Energy • 22% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Antonín Dvořák
Serenade for Strings in E Major, B.52: I...
89 bpm • E Maj • 04:04 • -23.74db
14% Popularity • 18% Danceability • 4% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
14% Popularity • 18% Danceability • 4% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
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Giacomo Puccini
La Bohème, SC 67, Act III: Speravo di t...
89 bpm • F Maj • 02:11 • -20.48db
4% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
4% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
The Royal Wind Music
Stück für Flötenuhr nr. 30
112 bpm • A# Maj • 01:51 • -28.96db
16% Popularity • 51% Danceability • 8% Energy • 21% Liveness
92% Instrumentalness • 70% Positiveness
16% Popularity • 51% Danceability • 8% Energy • 21% Liveness
92% Instrumentalness • 70% Positiveness
► Preview
Sergei Prokofiev
Cinderella Suite, Op. 87: Act I: Introdu...
89 bpm • C Maj • 02:30 • -28.86db
9% Popularity • 9% Danceability • 4% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 4% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Zoltán Kodály
Háry János Suite (Version for Orchestr...
113 bpm • D min • 04:59 • -22.35db
9% Popularity • 35% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 35% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Gunnar de Frumerie
Singoalla, Op. 22, Act I: Vinden doftar ...
93 bpm • D min • 05:10 • -26.54db
0% Popularity • 19% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 19% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
