Songs like Cello Peril by Grayson Voltaire
Based on a tempo of (+/- 10%) and a similar genre
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Photronique
Poppin Non-Stop
99 bpm • C# min • 02:30 • -6db
17% Popularity • 82% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 82% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Grayson Voltaire
String of Truth
99 bpm • F Maj • 02:50 • -19.77db
0% Popularity • 26% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Starfoxy
Castles
98 bpm • C Maj • 02:43 • -8.08db
8% Popularity • 52% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 52% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Benj Heard
I'm a Boss
100 bpm • F min • 03:19 • -4db
13% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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BB St. Clair
The Whole Wide World
100 bpm • A# min • 03:37 • -7.86db
12% Popularity • 53% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 53% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jonathan Buchanan
Love and Rage
98 bpm • G Maj • 03:05 • -16.26db
22% Popularity • 65% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
22% Popularity • 65% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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LeoSoul
Do Ya Thang
100 bpm • C# Maj • 03:09 • -8.53db
37% Popularity • 78% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 78% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Grayson Voltaire
Cello Peril
99 bpm • G# Maj • 02:08 • -22.22db
0% Popularity • 14% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 2% Positiveness
0% Popularity • 14% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 2% Positiveness
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Magnets & Ghosts
I'm Not the Devil
98 bpm • A Maj • 02:59 • -6.71db
15% Popularity • 55% Danceability • 74% Energy • 15% Liveness
44% Instrumentalness • 18% Positiveness
15% Popularity • 55% Danceability • 74% Energy • 15% Liveness
44% Instrumentalness • 18% Positiveness
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WZRD BLD
Take the Money and Run
100 bpm • F# Maj • 03:21 • -5db
32% Popularity • 53% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 53% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Dexter French
Just Another Thing
100 bpm • F Maj • 03:50 • -8.91db
5% Popularity • 76% Danceability • 50% Energy • 11% Liveness
14% Instrumentalness • 28% Positiveness
5% Popularity • 76% Danceability • 50% Energy • 11% Liveness
14% Instrumentalness • 28% Positiveness
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Steph Copeland
Little Boxes
98 bpm • G Maj • 03:42 • -6.82db
14% Popularity • 33% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 33% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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American Gentlemen
Greatness
98 bpm • C# Maj • 02:31 • -7.74db
16% Popularity • 73% Danceability • 48% Energy • 31% Liveness
1% Instrumentalness • 13% Positiveness
16% Popularity • 73% Danceability • 48% Energy • 31% Liveness
1% Instrumentalness • 13% Positiveness
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Indiana
Bad Luck
100 bpm • G# Maj • 03:14 • -7.94db
17% Popularity • 72% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 72% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Dark Waves
Waiting For The World To End
98 bpm • C# Maj • 03:28 • -7.99db
20% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Filthy Souls
Here I Am
100 bpm • F min • 03:12 • -8.93db
45% Popularity • 63% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 63% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Nick Kingsley
Pretty Little Lies
98 bpm • A min • 03:00 • -5.21db
22% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Clooney
Raise It Up
98 bpm • C Maj • 04:39 • -5.48db
17% Popularity • 49% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 49% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Generdyn
Bridges
100 bpm • D min • 04:00 • -6.57db
28% Popularity • 54% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 54% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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ChinChin
Control
100 bpm • G min • 03:29 • -5.64db
17% Popularity • 53% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 53% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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MØØNWATER
It Will Find You
100 bpm • C Maj • 03:38 • -13.46db
15% Popularity • 56% Danceability • 42% Energy • 8% Liveness
3% Instrumentalness • 13% Positiveness
15% Popularity • 56% Danceability • 42% Energy • 8% Liveness
3% Instrumentalness • 13% Positiveness
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Ethel and the Chordtones
Let It Out
100 bpm • F# min • 02:48 • -6db
13% Popularity • 59% Danceability • 86% Energy • 36% Liveness
5% Instrumentalness • 32% Positiveness
13% Popularity • 59% Danceability • 86% Energy • 36% Liveness
5% Instrumentalness • 32% Positiveness
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Emanuel Vo Williams
Supernatural
100 bpm • B min • 03:19 • -6.37db
7% Popularity • 67% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 67% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Louise Dowd
Remain
100 bpm • F Maj • 03:06 • -8.63db
12% Popularity • 52% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 11% Positiveness
12% Popularity • 52% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 11% Positiveness
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Grayson Voltaire
Sex ‘n’ violins
100 bpm • A Maj • 03:10 • -18.77db
2% Popularity • 15% Danceability • 24% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
2% Popularity • 15% Danceability • 24% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Peter Fraser
Under the Influence
101 bpm • G Maj • 03:19 • -6.58db
0% Popularity • 51% Danceability • 58% Energy • 8% Liveness
86% Instrumentalness • 32% Positiveness
0% Popularity • 51% Danceability • 58% Energy • 8% Liveness
86% Instrumentalness • 32% Positiveness
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Quails
High Hopes
100 bpm • A min • 03:58 • -13.75db
18% Popularity • 29% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Hunnit
When I Make History
101 bpm • A min • 02:58 • -5.63db
16% Popularity • 67% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 67% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Sune Rose Wagner
More Human Than Human
101 bpm • E min • 01:53 • -11.06db
28% Popularity • 42% Danceability • 54% Energy • 9% Liveness
47% Instrumentalness • 5% Positiveness
28% Popularity • 42% Danceability • 54% Energy • 9% Liveness
47% Instrumentalness • 5% Positiveness
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Elmo
Lifetime, Pt.2
101 bpm • A min • 03:14 • -6.03db
32% Popularity • 56% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Grayson Voltaire
Bright Club
97 bpm • G Maj • 02:45 • -13.43db
0% Popularity • 58% Danceability • 40% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
0% Popularity • 58% Danceability • 40% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
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Robin Loxley
White Light
101 bpm • B min • 03:21 • -6.67db
14% Popularity • 52% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 37% Positiveness
14% Popularity • 52% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 37% Positiveness
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Dia Frampton
Never Tear Us Apart
96 bpm • E min • 02:33 • -7.38db
23% Popularity • 26% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 26% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
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Brothers Voodoo
Keep You Alive
97 bpm • C# min • 04:22 • -6.19db
33% Popularity • 83% Danceability • 72% Energy • 6% Liveness
13% Instrumentalness • 88% Positiveness
33% Popularity • 83% Danceability • 72% Energy • 6% Liveness
13% Instrumentalness • 88% Positiveness
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Red Means Run
Smoke There’s Fire
102 bpm • C# Maj • 02:55 • -6.99db
14% Popularity • 79% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 79% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Norman
Here We Go
102 bpm • B min • 02:23 • -9.72db
48% Popularity • 68% Danceability • 61% Energy • 19% Liveness
10% Instrumentalness • 67% Positiveness
48% Popularity • 68% Danceability • 61% Energy • 19% Liveness
10% Instrumentalness • 67% Positiveness
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Grayson Voltaire
Be Nice to Me
101 bpm • D Maj • 03:47 • -6.88db
0% Popularity • 45% Danceability • 95% Energy • 11% Liveness
88% Instrumentalness • 68% Positiveness
0% Popularity • 45% Danceability • 95% Energy • 11% Liveness
88% Instrumentalness • 68% Positiveness
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Clement Marfo
Breath of Fresh Air
96 bpm • D# min • 03:42 • -7.35db
25% Popularity • 65% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 65% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Moana A
Queendom
102 bpm • B min • 03:27 • -7.48db
27% Popularity • 57% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 57% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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BOYY
Love Chains
96 bpm • C min • 03:17 • -6db
38% Popularity • 60% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
38% Popularity • 60% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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T-Moe
Move
96 bpm • C# Maj • 02:47 • -7.01db
19% Popularity • 59% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 59% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Lee Richardson
Desert Sun
96 bpm • D Maj • 02:41 • -10db
16% Popularity • 53% Danceability • 73% Energy • 27% Liveness
21% Instrumentalness • 29% Positiveness
16% Popularity • 53% Danceability • 73% Energy • 27% Liveness
21% Instrumentalness • 29% Positiveness
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Tom Adams
Dive
102 bpm • A Maj • 08:05 • -13.11db
18% Popularity • 14% Danceability • 27% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 27% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Grayson Voltaire
Gut Wrench
96 bpm • D Maj • 02:57 • -14.06db
0% Popularity • 17% Danceability • 21% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 21% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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Kelwen Cooke
Hide and Peak
96 bpm • D Maj • 02:55 • -9.87db
7% Popularity • 54% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
7% Popularity • 54% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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AG
Legendz
103 bpm • C# min • 02:08 • -9db
34% Popularity • 74% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 74% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Jon Dix
Remember Me
95 bpm • D Maj • 03:41 • -8db
18% Popularity • 40% Danceability • 64% Energy • 23% Liveness
7% Instrumentalness • 30% Positiveness
18% Popularity • 40% Danceability • 64% Energy • 23% Liveness
7% Instrumentalness • 30% Positiveness
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Lee Richardson
Is That All You Got
96 bpm • D Maj • 03:38 • -5db
11% Popularity • 65% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 65% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Tony Crown
Killing Machine
103 bpm • E min • 03:29 • -12.47db
27% Popularity • 58% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 58% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Kraddy
Mountain Climber
95 bpm • C Maj • 03:19 • -8.55db
10% Popularity • 61% Danceability • 71% Energy • 52% Liveness
87% Instrumentalness • 52% Positiveness
10% Popularity • 61% Danceability • 71% Energy • 52% Liveness
87% Instrumentalness • 52% Positiveness
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Rupert Pope
Damage
95 bpm • A min • 03:28 • -8.74db
23% Popularity • 48% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 48% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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The Federal
Every Moment
95 bpm • A min • 03:42 • -5.35db
9% Popularity • 56% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 56% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 45% Positiveness
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Giorgio Moroder
One Way or Another
95 bpm • G# min • 03:54 • -7db
29% Popularity • 67% Danceability • 68% Energy • 10% Liveness
18% Instrumentalness • 28% Positiveness
29% Popularity • 67% Danceability • 68% Energy • 10% Liveness
18% Instrumentalness • 28% Positiveness
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Tom Griffiths
You're a Superstar
95 bpm • A Maj • 02:13 • -6.64db
7% Popularity • 63% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 63% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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ANIIML
Confessions
95 bpm • A# Maj • 03:09 • -8.13db
27% Popularity • 72% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
27% Popularity • 72% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Natalie Taylor
In the Air Tonight
95 bpm • A# min • 02:53 • -8.93db
52% Popularity • 54% Danceability • 66% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
52% Popularity • 54% Danceability • 66% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
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Campfire
Legends Never Die
95 bpm • G# min • 03:40 • -8.46db
30% Popularity • 64% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 64% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Katie Thompson
Take the Lead
95 bpm • D# min • 03:38 • -7.06db
9% Popularity • 60% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 60% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Nada Funk
What's on your Mind - UnoMas Remix
104 bpm • A# Maj • 03:13 • -5.45db
23% Popularity • 62% Danceability • 89% Energy • 4% Liveness
65% Instrumentalness • 65% Positiveness
23% Popularity • 62% Danceability • 89% Energy • 4% Liveness
65% Instrumentalness • 65% Positiveness
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Lowell
Runaways
104 bpm • C# min • 04:00 • -7.33db
21% Popularity • 37% Danceability • 59% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
21% Popularity • 37% Danceability • 59% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
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Trubdr. Adam Road
If G-D Don't Follow Me (Down This Road)
94 bpm • B Maj • 04:25 • -7.32db
27% Popularity • 42% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 42% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Kelwen Cooke
Under Pass
104 bpm • G Maj • 03:23 • -15.53db
0% Popularity • 61% Danceability • 45% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
0% Popularity • 61% Danceability • 45% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
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2WEI
Pushin On
94 bpm • C# Maj • 03:02 • -8.34db
42% Popularity • 40% Danceability • 86% Energy • 10% Liveness
12% Instrumentalness • 28% Positiveness
42% Popularity • 40% Danceability • 86% Energy • 10% Liveness
12% Instrumentalness • 28% Positiveness
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Valen
Cold Blood
94 bpm • F min • 03:31 • -12.32db
29% Popularity • 59% Danceability • 36% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
29% Popularity • 59% Danceability • 36% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
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Ian Post
On the Way
94 bpm • B min • 02:45 • -8db
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
91% Instrumentalness • 44% Positiveness
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
91% Instrumentalness • 44% Positiveness
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Lee Richardson
I’m out for Blood
94 bpm • G Maj • 03:02 • -4db
15% Popularity • 63% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 63% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Portals
We Have Arrived
94 bpm • C# min • 03:35 • -8.58db
18% Popularity • 49% Danceability • 59% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
18% Popularity • 49% Danceability • 59% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
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Kari Kimmel
High
94 bpm • C min • 04:16 • -6.7db
7% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Vision Vision
Ready for the Devil (No Mercy)
94 bpm • E Maj • 03:19 • -9db
37% Popularity • 67% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 67% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Barns Courtney
Fire - Remix
104 bpm • A# min • 03:08 • -9db
27% Popularity • 32% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 32% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Vo Williams
Beast Inside Me
94 bpm • D Maj • 03:49 • -3.24db
20% Popularity • 70% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 70% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sergio Ruelas
Love in Color
105 bpm • A# min • 03:03 • -10db
11% Popularity • 69% Danceability • 66% Energy • 16% Liveness
15% Instrumentalness • 10% Positiveness
11% Popularity • 69% Danceability • 66% Energy • 16% Liveness
15% Instrumentalness • 10% Positiveness
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Roscoe Williamson
Heartburn
105 bpm • A# min • 02:42 • -9.04db
12% Popularity • 60% Danceability • 72% Energy • 28% Liveness
4% Instrumentalness • 86% Positiveness
12% Popularity • 60% Danceability • 72% Energy • 28% Liveness
4% Instrumentalness • 86% Positiveness
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Naomi August
Sins
105 bpm • E Maj • 03:02 • -6.95db
20% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Keaton Simons
When I Go
105 bpm • A Maj • 03:24 • -10.2db
50% Popularity • 80% Danceability • 42% Energy • 16% Liveness
83% Instrumentalness • 5% Positiveness
50% Popularity • 80% Danceability • 42% Energy • 16% Liveness
83% Instrumentalness • 5% Positiveness
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Lee Richardson
Diamond
105 bpm • C Maj • 03:25 • -5.39db
20% Popularity • 43% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 43% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Rupert Pope
Illuminate
105 bpm • A min • 03:41 • -8.87db
15% Popularity • 61% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
15% Popularity • 61% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Cut One
All on Fire
93 bpm • G Maj • 03:19 • -6.36db
22% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Vision Vision
Hard Times
93 bpm • F# min • 03:05 • -7.41db
41% Popularity • 64% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 64% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Phil Buckle
If I Had a Heart
93 bpm • F Maj • 02:58 • -10.59db
8% Popularity • 55% Danceability • 58% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
8% Popularity • 55% Danceability • 58% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
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Ships
Crawling Back
93 bpm • A min • 03:34 • -7.74db
16% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Clement Marfo
Half Man, Half Machine
106 bpm • G# Maj • 03:08 • -6.18db
20% Popularity • 71% Danceability • 76% Energy • 17% Liveness
4% Instrumentalness • 72% Positiveness
20% Popularity • 71% Danceability • 76% Energy • 17% Liveness
4% Instrumentalness • 72% Positiveness
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Markaholic
Blackout Blurry [From the Motion Picture...
106 bpm • G# min • 03:27 • -5.18db
14% Popularity • 77% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 77% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Sam Shrieve
Bring Your Friends
106 bpm • G Maj • 03:36 • -6.53db
16% Popularity • 66% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 66% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Wolfgang Black
Come on and Dive In
106 bpm • C# Maj • 02:32 • -9db
17% Popularity • 64% Danceability • 64% Energy • 7% Liveness
70% Instrumentalness • 56% Positiveness
17% Popularity • 64% Danceability • 64% Energy • 7% Liveness
70% Instrumentalness • 56% Positiveness
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Grayson Voltaire
Because It’s Easy
92 bpm • D Maj • 02:51 • -5.38db
12% Popularity • 68% Danceability • 86% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 68% Danceability • 86% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
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Ms. Blaze
Champagne
92 bpm • G Maj • 03:09 • -7db
22% Popularity • 80% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 80% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Najee The 1
Supernova
92 bpm • F# Maj • 02:43 • -8.59db
8% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Katie Garfield
It's a Long Way Down
107 bpm • A min • 03:19 • -10db
31% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Years
Yazz
107 bpm • F Maj • 04:15 • -6.51db
15% Popularity • 55% Danceability • 74% Energy • 17% Liveness
3% Instrumentalness • 20% Positiveness
15% Popularity • 55% Danceability • 74% Energy • 17% Liveness
3% Instrumentalness • 20% Positiveness
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Beasts With No Name
Stole My Heart
107 bpm • B min • 03:24 • -6.13db
23% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Simon Begg
Long Gone
92 bpm • C# Maj • 02:57 • -9.1db
20% Popularity • 56% Danceability • 78% Energy • 11% Liveness
32% Instrumentalness • 35% Positiveness
20% Popularity • 56% Danceability • 78% Energy • 11% Liveness
32% Instrumentalness • 35% Positiveness
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Imani Coppola
Just Feels Good
91 bpm • F min • 03:36 • -4.49db
39% Popularity • 63% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 63% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Jonezen
Invincible
91 bpm • B min • 02:53 • -6.27db
21% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Michelle Leverette
(The End Is) Coming Soon
108 bpm • F Maj • 03:03 • -5.95db
12% Popularity • 79% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 79% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Lief Van Cleaf
Planet Zazz
108 bpm • E min • 04:02 • -7.58db
0% Popularity • 46% Danceability • 94% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
0% Popularity • 46% Danceability • 94% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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IN-IS
Broken Ones
91 bpm • F min • 03:48 • -14.45db
12% Popularity • 33% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
12% Popularity • 33% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Ships
Good Lyfe
108 bpm • G# Maj • 02:16 • -7.57db
16% Popularity • 80% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
16% Popularity • 80% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
