Songs like Cello Sonata in A Minor, Op. 14, No. 3, RV 43 (arr. L. Dallapiccola for cello and piano): II. Allegro sostenuto by Luigi Dallapiccola
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Sonata For Violin and Violoncello: Alleg...
125 bpm • A min • 04:51 • -24.19db
8% Popularity • 27% Danceability • 5% Energy • 22% Liveness
26% Instrumentalness • 44% Positiveness
8% Popularity • 27% Danceability • 5% Energy • 22% Liveness
26% Instrumentalness • 44% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: II. Scherzo: Prestissi...
125 bpm • A# Maj • 04:09 • -18.83db
10% Popularity • 32% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 30% Positiveness
10% Popularity • 32% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 30% Positiveness
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Christian Lindberg
Tromsö 2018 IV
124 bpm • C# Maj • 01:01 • -8db
19% Popularity • 59% Danceability • 51% Energy • 39% Liveness
96% Instrumentalness • 45% Positiveness
19% Popularity • 59% Danceability • 51% Energy • 39% Liveness
96% Instrumentalness • 45% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
124 bpm • B Maj • 04:01 • -26.85db
16% Popularity • 31% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 31% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Robert Schumann
Piano Quintet in E-Flat Major, Op. 44: I...
126 bpm • D# Maj • 07:08 • -19.39db
11% Popularity • 41% Danceability • 16% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
11% Popularity • 41% Danceability • 16% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
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Sergei Prokofiev
Visions fugitives, Op. 22: No. 3, Allegr...
124 bpm • G Maj • 00:58 • -29.85db
9% Popularity • 35% Danceability • 3% Energy • 13% Liveness
79% Instrumentalness • 17% Positiveness
9% Popularity • 35% Danceability • 3% Energy • 13% Liveness
79% Instrumentalness • 17% Positiveness
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Maurice Ravel
Miroirs, M.43: No. 4, Alborada del graci...
125 bpm • D Maj • 07:06 • -21.43db
6% Popularity • 46% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
6% Popularity • 46% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
String Quartet No. 7 in F-Sharp Minor, O...
124 bpm • G Maj • 03:39 • -25.76db
10% Popularity • 60% Danceability • 8% Energy • 19% Liveness
81% Instrumentalness • 33% Positiveness
10% Popularity • 60% Danceability • 8% Energy • 19% Liveness
81% Instrumentalness • 33% Positiveness
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Agneta Krilova
The Rose Petal Waltz
126 bpm • C# Maj • 04:00 • -21.86db
19% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
19% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Benjamin Britten
Two Pieces for violin, viola and piano: ...
124 bpm • F Maj • 06:29 • -26.08db
11% Popularity • 26% Danceability • 3% Energy • 34% Liveness
3% Instrumentalness • 3% Positiveness
11% Popularity • 26% Danceability • 3% Energy • 34% Liveness
3% Instrumentalness • 3% Positiveness
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Nikolai Kapustin
24 Jazz Preludes, Op. 53: No. 10
123 bpm • F# min • 01:49 • -21.27db
36% Popularity • 49% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 66% Positiveness
36% Popularity • 49% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 66% Positiveness
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Shiuan Chang
Farewell; Adieu - for violin piano duo
123 bpm • C# min • 05:13 • -21.31db
7% Popularity • 25% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 25% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Violin Sonata No. 1 in A Major, Op. 13: ...
123 bpm • A Maj • 09:08 • -18.15db
7% Popularity • 31% Danceability • 18% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
7% Popularity • 31% Danceability • 18% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
String Quartet No. 9 in E-Flat Major, Op...
123 bpm • G min • 10:01 • -20.15db
9% Popularity • 53% Danceability • 20% Energy • 9% Liveness
79% Instrumentalness • 16% Positiveness
9% Popularity • 53% Danceability • 20% Energy • 9% Liveness
79% Instrumentalness • 16% Positiveness
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Ernst von Dohnányi
Serenade in C Major, Op. 10: I. Marcia: ...
127 bpm • C Maj • 01:58 • -23.72db
12% Popularity • 32% Danceability • 6% Energy • 6% Liveness
80% Instrumentalness • 22% Positiveness
12% Popularity • 32% Danceability • 6% Energy • 6% Liveness
80% Instrumentalness • 22% Positiveness
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Tylman Susato
The Danserye (Transcr. for Piano by Flor...
123 bpm • A min • 01:02 • -23.36db
13% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
13% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
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Pyotr Ilyich Tchaikovsky
Allegro Non Troppo E Risoluto
128 bpm • D# Maj • 06:03 • -23.16db
8% Popularity • 49% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
8% Popularity • 49% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
Horn Sonata in F Major, Op. 17 (arr. for...
123 bpm • F Maj • 01:18 • -24.72db
11% Popularity • 40% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 40% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Federico Mompou
Variations sur un thème de Chopin: VI. ...
128 bpm • D Maj • 01:14 • -21.45db
9% Popularity • 46% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
9% Popularity • 46% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Christian Lindberg
Tromsö 2018 I
128 bpm • C Maj • 01:11 • -11db
15% Popularity • 54% Danceability • 41% Energy • 61% Liveness
80% Instrumentalness • 52% Positiveness
15% Popularity • 54% Danceability • 41% Energy • 61% Liveness
80% Instrumentalness • 52% Positiveness
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Nino Rota
15 Preludes: No. 15. Allegro robusto
128 bpm • F min • 01:03 • -14.76db
9% Popularity • 44% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
9% Popularity • 44% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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John Cage
Spring: (The Seasons, Ballet In One Act ...
128 bpm • D min • 02:15 • -25.96db
8% Popularity • 42% Danceability • 4% Energy • 20% Liveness
82% Instrumentalness • 13% Positiveness
8% Popularity • 42% Danceability • 4% Energy • 20% Liveness
82% Instrumentalness • 13% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1 in E-Flat Major, Op...
122 bpm • D# Maj • 06:22 • -18.2db
10% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
10% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Dario Carnovale
Evanescenze
129 bpm • A# Maj • 01:32 • -51.91db
9% Popularity • 33% Danceability • 0% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 33% Danceability • 0% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
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Stephen Hough
Musical Jewellery Box
122 bpm • A Maj • 03:00 • -28.65db
21% Popularity • 44% Danceability • 6% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
21% Popularity • 44% Danceability • 6% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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ROBERTO CARPIO
R. CARPIO: Suite Hospital Prelude (Chuqu...
121 bpm • C# Maj • 01:08 • -21.29db
28% Popularity • 30% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
28% Popularity • 30% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
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Aram Khachaturian
Children's Album, Book 1: The Cavalry
129 bpm • C Maj • 01:10 • -23.23db
38% Popularity • 41% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 48% Positiveness
38% Popularity • 41% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 48% Positiveness
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Erwin Schulhoff
5 Pieces for String Quartet: No. 2, Alla...
129 bpm • C Maj • 03:02 • -25.02db
10% Popularity • 45% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
10% Popularity • 45% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
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AKIRA HONDA
Eternal Paradox
121 bpm • A Maj • 03:09 • -24.25db
22% Popularity • 69% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
22% Popularity • 69% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Ferruccio Busoni
Sonatina "in diem Nativitatis Christi MC...
129 bpm • F Maj • 07:26 • -30.96db
13% Popularity • 37% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 37% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Maurice Ravel
Miroirs, M. 43: IV. Alborada del gracios...
129 bpm • D Maj • 06:52 • -23.64db
1% Popularity • 46% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
1% Popularity • 46% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
129 bpm • G Maj • 09:26 • -26.97db
12% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
String Quartet in G Minor, Op. 10: IV. T...
121 bpm • G Maj • 07:26 • -18.16db
0% Popularity • 31% Danceability • 20% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
0% Popularity • 31% Danceability • 20% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
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Christopher Jessup
Suite for Viola and Piano: II. Interlude
129 bpm • F Maj • 01:02 • -29db
8% Popularity • 22% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Jean Françaix
String Trio: II. Scherzo - Vivo
120 bpm • G Maj • 03:27 • -20.97db
8% Popularity • 54% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
8% Popularity • 54% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
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Robert Russell Bennett
Hexapoda: No. 2, Jane Shakes Her Head
129 bpm • G Maj • 01:14 • -21.42db
10% Popularity • 50% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 53% Positiveness
10% Popularity • 50% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 53% Positiveness
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Maurice Ravel
Valses nobles et sentimentales M 61b VI....
129 bpm • G Maj • 01:01 • -26db
7% Popularity • 18% Danceability • 8% Energy • 15% Liveness
97% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 8% Energy • 15% Liveness
97% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 For Piano, Trumpet ...
130 bpm • G# Maj • 01:16 • -21db
16% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
16% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
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Jean-Jacques Charles
Les points cardinaux: II.
130 bpm • A min • 01:11 • -18.23db
8% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
8% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Julia Perry
Concerto for Violin and Orchestra: IV. F...
130 bpm • G min • 01:22 • -16.78db
10% Popularity • 26% Danceability • 20% Energy • 44% Liveness
94% Instrumentalness • 16% Positiveness
10% Popularity • 26% Danceability • 20% Energy • 44% Liveness
94% Instrumentalness • 16% Positiveness
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mantekito loko
carino es hola de un poco de ruido
120 bpm • D min • 01:55 • -24.42db
10% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
10% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Leonard Bernstein
Serenade: II. Aristophanes. Allegretto
119 bpm • C# Maj • 04:23 • -21.88db
11% Popularity • 30% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 9% Positiveness
11% Popularity • 30% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 9% Positiveness
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Nikolai Rimsky-Korsakov
Pictures at an Exhibition: Tuileries
120 bpm • C# min • 01:01 • -23.9db
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
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Ludwig van Beethoven
7 Variations on "Bei Männern, welche Li...
119 bpm • D# Maj • 02:17 • -31.98db
17% Popularity • 25% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
17% Popularity • 25% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Clara Schumann
3 Romances for Violin and Piano, Op. 22:...
131 bpm • C# Maj • 02:58 • -23.41db
8% Popularity • 22% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Manuel de Falla
Harpsichord Concerto: III. Vivace (fless...
131 bpm • D Maj • 04:16 • -23.62db
9% Popularity • 55% Danceability • 17% Energy • 10% Liveness
48% Instrumentalness • 65% Positiveness
9% Popularity • 55% Danceability • 17% Energy • 10% Liveness
48% Instrumentalness • 65% Positiveness
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Christian Schittenhelm
Impression de lièvre
119 bpm • A# min • 01:22 • -18.51db
12% Popularity • 32% Danceability • 30% Energy • 20% Liveness
85% Instrumentalness • 20% Positiveness
12% Popularity • 32% Danceability • 30% Energy • 20% Liveness
85% Instrumentalness • 20% Positiveness
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![Quartina (Vierzeiler) - Molto lento; fantastico [sehr langsam, fantasievoll] cover art](https://i.scdn.co/image/ab67616d00001e029ade7efa09f6a7caeee30f67)
Luigi Dallapiccola
Quartina (Vierzeiler) - Molto lento; fan...
132 bpm • A Maj • 01:21 • -41.24db
1% Popularity • 40% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
1% Popularity • 40% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33 (Ar...
118 bpm • A Maj • 03:28 • -28.16db
13% Popularity • 26% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
13% Popularity • 26% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
132 bpm • C# Maj • 01:20 • -26.93db
15% Popularity • 42% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
15% Popularity • 42% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 15 in G-Sharp Mino...
118 bpm • C# min • 01:15 • -18.2db
14% Popularity • 36% Danceability • 24% Energy • 29% Liveness
73% Instrumentalness • 44% Positiveness
14% Popularity • 36% Danceability • 24% Energy • 29% Liveness
73% Instrumentalness • 44% Positiveness
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G. M. Rodriguez
Tango (La cumparsita)
118 bpm • A# Maj • 04:14 • -21.53db
11% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Joseph Haydn
String Quartet in E-Flat Major, Op. 1 No...
117 bpm • A# Maj • 05:16 • -26.34db
8% Popularity • 36% Danceability • 3% Energy • 15% Liveness
5% Instrumentalness • 23% Positiveness
8% Popularity • 36% Danceability • 3% Energy • 15% Liveness
5% Instrumentalness • 23% Positiveness
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Luigi Dallapiccola
Dallapiccola: Canti di prigionia: No. 3,...
118 bpm • C# Maj • 10:01 • -26.74db
0% Popularity • 22% Danceability • 2% Energy • 10% Liveness
31% Instrumentalness • 3% Positiveness
0% Popularity • 22% Danceability • 2% Energy • 10% Liveness
31% Instrumentalness • 3% Positiveness
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Fred Hersch
Aeon
133 bpm • F# min • 03:14 • -32.78db
20% Popularity • 40% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
20% Popularity • 40% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Franz Waxman
Four Scenes of Childhood: I. Good Mornin...
133 bpm • A# Maj • 02:05 • -28.03db
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alfred Schnittke
Suite in the Old Style: II. Ballet
117 bpm • D Maj • 02:14 • -16.27db
8% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
8% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
► Preview
Alessandro Gozzo
In discesa
117 bpm • D min • 01:17 • -23db
11% Popularity • 37% Danceability • 15% Energy • 34% Liveness
92% Instrumentalness • 13% Positiveness
11% Popularity • 37% Danceability • 15% Energy • 34% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
Benjamin Britten
Reveille, concert study for violin with ...
116 bpm • A min • 04:53 • -29.36db
25% Popularity • 29% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 29% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Luigi Dallapiccola
Il prigioniero: I. Prologue and 1st Chor...
133 bpm • C# Maj • 08:40 • -20.25db
0% Popularity • 33% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
Bartók: 14 Bagatelles, Op. 6, Sz. 38: N...
116 bpm • C# min • 02:11 • -21.67db
8% Popularity • 47% Danceability • 19% Energy • 14% Liveness
80% Instrumentalness • 70% Positiveness
8% Popularity • 47% Danceability • 19% Energy • 14% Liveness
80% Instrumentalness • 70% Positiveness
► Preview
Rolf Wallin
Whirld: IV. Rubedo
135 bpm • G Maj • 05:57 • -26.01db
8% Popularity • 33% Danceability • 16% Energy • 46% Liveness
21% Instrumentalness • 10% Positiveness
8% Popularity • 33% Danceability • 16% Energy • 46% Liveness
21% Instrumentalness • 10% Positiveness
► Preview
Kazimierz Serocki
Suite of Preludes: No. 3, Agitato
116 bpm • B Maj • 01:20 • -20.57db
10% Popularity • 44% Danceability • 48% Energy • 12% Liveness
90% Instrumentalness • 97% Positiveness
10% Popularity • 44% Danceability • 48% Energy • 12% Liveness
90% Instrumentalness • 97% Positiveness
► Preview
AntonÃn Dvořák
Bagatelles, Op. 47, B. 79: No. 2, Tempo ...
116 bpm • G Maj • 03:04 • -19.13db
12% Popularity • 29% Danceability • 12% Energy • 33% Liveness
85% Instrumentalness • 6% Positiveness
12% Popularity • 29% Danceability • 12% Energy • 33% Liveness
85% Instrumentalness • 6% Positiveness
► Preview
Franz Schubert
Fantasie in C Major, D. 934: I. Andante ...
135 bpm • C Maj • 03:13 • -30.92db
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
► Preview
Luigi Dallapiccola
Sonatina canonica su "Capricci" di Nicco...
133 bpm • C Maj • 02:53 • -30.01db
0% Popularity • 49% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
0% Popularity • 49% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
► Preview
Igor Stravinsky
Concerto for 2 Pianos, K058: IV. Preludi...
135 bpm • C Maj • 04:59 • -19.2db
13% Popularity • 46% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
13% Popularity • 46% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Benet Casablancas
Jubilus
135 bpm • A Maj • 02:53 • -16.03db
10% Popularity • 43% Danceability • 19% Energy • 52% Liveness
91% Instrumentalness • 10% Positiveness
10% Popularity • 43% Danceability • 19% Energy • 52% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Robert Russell Bennett
Hexapoda: No. 5, Till Dawn Sunday
135 bpm • G min • 02:06 • -19.89db
8% Popularity • 46% Danceability • 17% Energy • 9% Liveness
73% Instrumentalness • 16% Positiveness
8% Popularity • 46% Danceability • 17% Energy • 9% Liveness
73% Instrumentalness • 16% Positiveness
► Preview
Darius Milhaud
Scaramouche pour 2 pianos: Vif
136 bpm • C Maj • 02:47 • -18.79db
8% Popularity • 46% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 37% Positiveness
8% Popularity • 46% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 37% Positiveness
► Preview
Luigi Dallapiccola
Quaderno musicale di Annalibera: III. Co...
135 bpm • F min • 01:02 • -34.01db
0% Popularity • 51% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 34% Positiveness
0% Popularity • 51% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
Manu Martin
Lim Fantasy of Companionship for Piano a...
115 bpm • D# Maj • 01:18 • -17db
11% Popularity • 48% Danceability • 7% Energy • 17% Liveness
86% Instrumentalness • 12% Positiveness
11% Popularity • 48% Danceability • 7% Energy • 17% Liveness
86% Instrumentalness • 12% Positiveness
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Manuel de Falla
Suite populaire espagnole (Arr. for Cell...
115 bpm • A min • 01:21 • -18.73db
13% Popularity • 40% Danceability • 21% Energy • 13% Liveness
93% Instrumentalness • 18% Positiveness
13% Popularity • 40% Danceability • 21% Energy • 13% Liveness
93% Instrumentalness • 18% Positiveness
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Huw Watkins
Piano Trio No. 1: II. Lento
136 bpm • F# Maj • 07:07 • -27.36db
17% Popularity • 23% Danceability • 2% Energy • 7% Liveness
46% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 2% Energy • 7% Liveness
46% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Spanish Songs, Op. 100 (Arr. for Cello &...
136 bpm • D# Maj • 02:15 • -26.51db
18% Popularity • 19% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
18% Popularity • 19% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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György Ligeti
I. Sostenuto. Misurato. Prestissimo
114 bpm • D Maj • 02:40 • -27.54db
9% Popularity • 42% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 42% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 3% Positiveness
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Luigi Dallapiccola
Ombre (Schatten) - Grave [schwer]
136 bpm • D Maj • 01:42 • -28.54db
0% Popularity • 44% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
0% Popularity • 44% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Claude Debussy
La cathédrale engloutie
137 bpm • C Maj • 06:55 • -19.6db
7% Popularity • 53% Danceability • 0% Energy • 26% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 53% Danceability • 0% Energy • 26% Liveness
88% Instrumentalness • 4% Positiveness
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Máire Carroll
Piano Sonata No. 1: I. Allegro marcato
137 bpm • G Maj • 04:35 • -19.06db
12% Popularity • 39% Danceability • 21% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
12% Popularity • 39% Danceability • 21% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
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Ensemble DITTO
Pavane pour une infante défunte
114 bpm • G Maj • 05:30 • -31.35db
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
17% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
17% Instrumentalness • 6% Positiveness
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Valentin Silvestrov
Hommage à J.S.B.: II. Andantino
114 bpm • D min • 01:00 • -24.98db
19% Popularity • 47% Danceability • 2% Energy • 6% Liveness
13% Instrumentalness • 5% Positiveness
19% Popularity • 47% Danceability • 2% Energy • 6% Liveness
13% Instrumentalness • 5% Positiveness
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Maurice Ravel
Ravel: Violin Sonata No. 2 in G Major, M...
114 bpm • F min • 04:59 • -22.66db
12% Popularity • 44% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
12% Popularity • 44% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
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Luigi Dallapiccola
Dallapiccola: Canti di prigionia: No. 2,...
114 bpm • D min • 04:43 • -21.9db
0% Popularity • 27% Danceability • 10% Energy • 18% Liveness
38% Instrumentalness • 5% Positiveness
0% Popularity • 27% Danceability • 10% Energy • 18% Liveness
38% Instrumentalness • 5% Positiveness
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Gabriela Lena Frank
Hilos: I. Danza del Altiplano
137 bpm • G min • 02:31 • -17.12db
7% Popularity • 23% Danceability • 11% Energy • 13% Liveness
40% Instrumentalness • 5% Positiveness
7% Popularity • 23% Danceability • 11% Energy • 13% Liveness
40% Instrumentalness • 5% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: VIIIb. Con mo...
137 bpm • F# Maj • 02:19 • -36.18db
22% Popularity • 24% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Ernest Bloch
From Jewish Life, B. 54: III. No. 3 Jewi...
137 bpm • F Maj • 02:16 • -20.64db
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
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アントニーン・ドヴォルザーク
Romantic Pieces, Op.75, Allegro appassio...
138 bpm • A# Maj • 02:12 • -18.01db
14% Popularity • 20% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
14% Popularity • 20% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Luigi Dallapiccola
Dallapiccola: Liriche greche III, 6 Carm...
114 bpm • C min • 01:04 • -29.28db
0% Popularity • 32% Danceability • 1% Energy • 5% Liveness
3% Instrumentalness • 5% Positiveness
0% Popularity • 32% Danceability • 1% Energy • 5% Liveness
3% Instrumentalness • 5% Positiveness
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Samuel Dushkin
The Firebird: Berceuse (arr. S. Dushkin ...
138 bpm • G# min • 02:09 • -18.3db
11% Popularity • 21% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
11% Popularity • 21% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
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Benjamin Britten
Two Pieces for violin, viola and piano: ...
138 bpm • F# Maj • 04:23 • -24.74db
9% Popularity • 26% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
Cantata No. 4: No. 2, Pastoral
113 bpm • G Maj • 02:10 • -40.88db
21% Popularity • 17% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Christian Lindberg
Hamnöy 1976 V
113 bpm • A Maj • 01:03 • -10db
16% Popularity • 41% Danceability • 61% Energy • 37% Liveness
88% Instrumentalness • 30% Positiveness
16% Popularity • 41% Danceability • 61% Energy • 37% Liveness
88% Instrumentalness • 30% Positiveness
► Preview
Gabriel Fauré
Violin Sonata No. 1 in A Major, Op. 13: ...
139 bpm • B min • 04:12 • -22.8db
6% Popularity • 38% Danceability • 14% Energy • 19% Liveness
63% Instrumentalness • 29% Positiveness
6% Popularity • 38% Danceability • 14% Energy • 19% Liveness
63% Instrumentalness • 29% Positiveness
► Preview
Luigi Dallapiccola
Dallapiccola: Liriche greche I, 5 Framme...
113 bpm • F Maj • 01:26 • -34.27db
0% Popularity • 24% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Charles Camilleri
Malta Suite for Clarinet and Piano: III....
139 bpm • A min • 01:55 • -19.44db
9% Popularity • 49% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
► Preview
Nadia Boulanger
Trois Pièces pour Violoncelle et Piano:...
113 bpm • D# min • 03:10 • -27db
11% Popularity • 21% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 21% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
