Songs like Cendrillon, Act I: Duet "Mon fils, mon fils" by Nicolas Isouard
Based on a tempo of (+/- 10%) and a similar genre
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Renata Tebaldi
In Quelle Trine Morbide (Manon Lescaut)
89 bpm • A# Maj • 02:44 • -11.87db
15% Popularity • 20% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 20% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Charles Gounod
Gounod: Faust, Act 1: "Rien ! En vain j'...
89 bpm • C Maj • 04:52 • -19.98db
7% Popularity • 27% Danceability • 10% Energy • 42% Liveness
1% Instrumentalness • 7% Positiveness
7% Popularity • 27% Danceability • 10% Energy • 42% Liveness
1% Instrumentalness • 7% Positiveness
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George Frideric Handel
Alcina, HWV 34, Act II: Ah! Ruggiero cru...
89 bpm • A# min • 02:14 • -15.17db
9% Popularity • 36% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 36% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: X. Fac ut portem
89 bpm • A Maj • 03:29 • -20.59db
9% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
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Gabriel Fauré
2 Mélodies, Op. 46: No. 2, Clair de lun...
89 bpm • B min • 03:06 • -20.95db
15% Popularity • 18% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Nicolas Isouard
Cendrillon, Act I: Duet "Mon fils, mon f...
89 bpm • D# Maj • 03:33 • -18.19db
0% Popularity • 28% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 28% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 12, What Happin...
89 bpm • A Maj • 02:26 • -19.25db
8% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Rossini: Zelmira, Act 1: "Perche mi guar...
90 bpm • F Maj • 05:58 • -30.9db
7% Popularity • 21% Danceability • 3% Energy • 72% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 3% Energy • 72% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem in C Minor: I. Introitus & Kyrie
90 bpm • G Maj • 07:02 • -27.22db
9% Popularity • 10% Danceability • 4% Energy • 8% Liveness
58% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 4% Energy • 8% Liveness
58% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
La forza del destino, Act IV, Scene II: ...
88 bpm • C min • 05:23 • -16.48db
10% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Théodore Dubois
Chansons de Marjolie: No. 3, Celui que j...
89 bpm • A Maj • 02:25 • -16.4db
13% Popularity • 24% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Josef Mysliveček
Myslieček: Demetrio: "Nacqui agli affan...
88 bpm • C min • 07:09 • -19.99db
11% Popularity • 27% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 27% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
Donizetti: Roberto Devereux, Act 1: "Rom...
90 bpm • G Maj • 03:42 • -25.26db
9% Popularity • 24% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: La vie parisienne, Act 4: Fin...
88 bpm • G Maj • 03:12 • -17.09db
7% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Nicolas Isouard
Cendrillon, Act III: Scene "Dieux!"
88 bpm • B Maj • 05:33 • -18.34db
0% Popularity • 29% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Alcina, HWV 34, Act II: Ah, mio cor!
90 bpm • B min • 11:36 • -16.08db
13% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
90 bpm • G Maj • 02:54 • -14.68db
8% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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André-Ernest-Modeste Grétry
La Caravane du Caire, Acte I: XIII. "La ...
90 bpm • C min • 01:19 • -15.35db
12% Popularity • 46% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 46% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: XII. Per singulos dies ...
90 bpm • A# Maj • 02:54 • -9.71db
14% Popularity • 26% Danceability • 52% Energy • 24% Liveness
4% Instrumentalness • 66% Positiveness
14% Popularity • 26% Danceability • 52% Energy • 24% Liveness
4% Instrumentalness • 66% Positiveness
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Georges Bizet
Carmen, Act I: Seguidilla. Près des rem...
90 bpm • D Maj • 04:27 • -17.55db
33% Popularity • 39% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 39% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
La forza del destino, Act IV, Scene I: F...
88 bpm • E Maj • 06:08 • -16.42db
10% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Philip Creasy
The Pirates of Penzance: Oh! False One, ...
88 bpm • G Maj • 03:09 • -23db
7% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Christoph Willibald Gluck
Le cinesi, Wq. 18 (Excerpts): Son lungi ...
88 bpm • A Maj • 11:27 • -18.66db
8% Popularity • 14% Danceability • 21% Energy • 31% Liveness
47% Instrumentalness • 10% Positiveness
8% Popularity • 14% Danceability • 21% Energy • 31% Liveness
47% Instrumentalness • 10% Positiveness
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Nicolas Isouard
Cendrillon, Act I: Air "Je suis modeste"
90 bpm • C min • 02:24 • -20.95db
0% Popularity • 30% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: VIII. Te e...
90 bpm • D Maj • 02:15 • -30.38db
10% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
90 bpm • C Maj • 03:53 • -15.64db
8% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Gabriel Fauré
Fauré: Mirages, Op. 113: I. Cygne sur l...
90 bpm • F Maj • 03:23 • -23.04db
12% Popularity • 31% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 31% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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André Campra
Idoménée, Acte IV Scène 1: Espoir des...
90 bpm • D# Maj • 04:44 • -19.54db
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 4e Parole - "De...
90 bpm • E Maj • 06:19 • -29db
10% Popularity • 10% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
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Jules Massenet
Cendrillon: Ah! Douce enfant
91 bpm • B Maj • 04:38 • -29db
8% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Maria Stuarda: Act I Scene 2: Si, vuol d...
90 bpm • A# Maj • 01:27 • -27.81db
15% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il viaggio a Reims: All'ombra amena
87 bpm • A Maj • 07:13 • -20.44db
9% Popularity • 26% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 26% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Strauss
Strauss, R: 5 Lieder, Op. 48: No. 4, Win...
91 bpm • A# Maj • 03:23 • -24.69db
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: O voi, che penate ...
91 bpm • C min • 01:57 • -21.34db
7% Popularity • 29% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 29% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: V. Te per ...
87 bpm • D Maj • 03:40 • -28.53db
9% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Charles Gounod
Clos ta paupière
91 bpm • D# Maj • 03:27 • -26.42db
8% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Tutto è gioia, t...
91 bpm • G# Maj • 03:32 • -21.88db
8% Popularity • 30% Danceability • 6% Energy • 59% Liveness
1% Instrumentalness • 13% Positiveness
8% Popularity • 30% Danceability • 6% Energy • 59% Liveness
1% Instrumentalness • 13% Positiveness
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Gioachino Rossini
Petite messe solennelle: O salutaris Hos...
91 bpm • G Maj • 05:25 • -21.45db
9% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Cécile Chaminade
Chanson Slave
91 bpm • G min • 03:17 • -10.65db
15% Popularity • 42% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 42% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: IX. Sancta mater
87 bpm • A# min • 02:55 • -16.37db
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Alceste (Sung in French), Act III: Act I...
87 bpm • F Maj • 01:53 • -19.28db
10% Popularity • 18% Danceability • 23% Energy • 23% Liveness
33% Instrumentalness • 12% Positiveness
10% Popularity • 18% Danceability • 23% Energy • 23% Liveness
33% Instrumentalness • 12% Positiveness
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Gaspare Spontini
La Vestale: Ô des infortunés
87 bpm • D Maj • 02:22 • -19db
20% Popularity • 31% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 31% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
La forza del destino, Act IV, Scene II: ...
87 bpm • G# Maj • 05:11 • -17.31db
10% Popularity • 28% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 28% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
Il pirata, Act II: Act II: Qual suono fe...
92 bpm • B min • 01:31 • -12.36db
10% Popularity • 27% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 27% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 3...
87 bpm • A Maj • 04:35 • -21.94db
11% Popularity • 36% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 36% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Julián De La Chica
Dispersed And Transcendental Chants, Op....
92 bpm • G Maj • 03:47 • -26.55db
17% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Giacomo Puccini
E l'uccellino, SC 71 (Arr. for Voice & O...
86 bpm • D Maj • 01:15 • -20.59db
18% Popularity • 41% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 41% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • C Maj • 01:57 • -17.09db
24% Popularity • 23% Danceability • 20% Energy • 46% Liveness
39% Instrumentalness • 34% Positiveness
24% Popularity • 23% Danceability • 20% Energy • 46% Liveness
39% Instrumentalness • 34% Positiveness
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Arthur Sullivan
The Gondoliers / Act 1: 1. List and Lear...
86 bpm • D Maj • 03:00 • -16.61db
9% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Joseph Haydn
Missa in Angustiis "Lord Nelson Mass": I...
92 bpm • F Maj • 04:15 • -23.91db
11% Popularity • 22% Danceability • 9% Energy • 13% Liveness
31% Instrumentalness • 6% Positiveness
11% Popularity • 22% Danceability • 9% Energy • 13% Liveness
31% Instrumentalness • 6% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
86 bpm • C Maj • 04:17 • -22.22db
10% Popularity • 23% Danceability • 13% Energy • 10% Liveness
41% Instrumentalness • 12% Positiveness
10% Popularity • 23% Danceability • 13% Energy • 10% Liveness
41% Instrumentalness • 12% Positiveness
► Preview
Ruggero Leoncavallo
Pagliacci: Act I: Nedda!...Silvio! A que...
86 bpm • C Maj • 01:16 • -15.82db
13% Popularity • 36% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 36% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Franz Schubert
Auf dem Strom, Op. post 119, D943
92 bpm • E Maj • 09:39 • -14.39db
10% Popularity • 25% Danceability • 18% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 18% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
92 bpm • A Maj • 04:32 • -15.67db
11% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
MartÍn Palmeri
Misatango, Misa a Buenos Aires: VII. Et ...
86 bpm • F min • 01:05 • -14.52db
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Ernest Chausson
Chansons de Miarka, Op. 17: No. 1, Les M...
86 bpm • F# min • 03:14 • -17.71db
10% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Nicolas Isouard
Joconde: Dans un delire extreme
86 bpm • D Maj • 02:49 • -15.52db
0% Popularity • 29% Danceability • 18% Energy • 29% Liveness
1% Instrumentalness • 34% Positiveness
0% Popularity • 29% Danceability • 18% Energy • 29% Liveness
1% Instrumentalness • 34% Positiveness
► Preview
Patricia Cameron
The Pirates of Penzance: How Beautifully...
86 bpm • B Maj • 01:55 • -24.6db
8% Popularity • 45% Danceability • 14% Energy • 29% Liveness
12% Instrumentalness • 67% Positiveness
8% Popularity • 45% Danceability • 14% Energy • 29% Liveness
12% Instrumentalness • 67% Positiveness
► Preview
Giuseppe Verdi
La forza del destino, Act II, Scene II: ...
86 bpm • G Maj • 02:53 • -18.33db
14% Popularity • 28% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
14% Popularity • 28% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
► Preview
Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • G Maj • 04:35 • -22db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
MartÍn Palmeri
Misatango, Misa a Buenos Aires: VIII. Cr...
92 bpm • C min • 01:11 • -15.91db
13% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
13% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
► Preview
Louise Bertin
Fausto, Act II: Cavatina. Palpita nel se...
86 bpm • F Maj • 02:35 • -21.63db
12% Popularity • 34% Danceability • 6% Energy • 57% Liveness
5% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 6% Energy • 57% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
César Franck
Die sieben Worte Christi am Kreuz für S...
86 bpm • A min • 04:49 • -20.35db
11% Popularity • 12% Danceability • 15% Energy • 22% Liveness
47% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 15% Energy • 22% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: V. Benedi...
92 bpm • G Maj • 04:16 • -21.27db
7% Popularity • 24% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 24% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Nicolas Isouard
Cendrillon, Act III: Finale "Ciel…Vous...
86 bpm • D Maj • 07:37 • -20.99db
0% Popularity • 28% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 28% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Ruggero Leoncavallo
Pagliacci: La Commedia: Paliaccio, mio m...
93 bpm • C Maj • 01:44 • -20.65db
13% Popularity • 46% Danceability • 5% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
13% Popularity • 46% Danceability • 5% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
93 bpm • C# Maj • 01:47 • -11.21db
8% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Johann Simon Mayr
Te Deum: Sanctus
85 bpm • D Maj • 01:32 • -26.26db
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Richard Blackford
Songs of Nadia Anjuman: No. 4, Fly Freel...
85 bpm • A min • 02:21 • -17.75db
9% Popularity • 30% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 30% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Matthew Coleridge
Requiem: Pie Jesu
85 bpm • C# Maj • 02:28 • -28.58db
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Nicolas Isouard
Cendrillon, Act III: Trio "Vous l'épous...
93 bpm • D min • 02:06 • -22db
0% Popularity • 47% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
0% Popularity • 47% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
► Preview
Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
85 bpm • F Maj • 07:20 • -22.77db
8% Popularity • 22% Danceability • 15% Energy • 25% Liveness
3% Instrumentalness • 24% Positiveness
8% Popularity • 22% Danceability • 15% Energy • 25% Liveness
3% Instrumentalness • 24% Positiveness
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Luigi Cherubini
Cherubini: Medea, Act 2: "Medea, o Medea...
85 bpm • C min • 01:18 • -19.17db
9% Popularity • 34% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 34% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Isabella Colbran
Gia la notte s'avvicina
85 bpm • D Maj • 01:41 • -18.5db
12% Popularity • 35% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 35% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Ernest Chausson
Le charme Op. 2 N°2
93 bpm • G Maj • 01:30 • -22.75db
14% Popularity • 31% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 31% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
L'italiana in Algeri: Atto I. Finale I. ...
93 bpm • C Maj • 02:05 • -19.57db
7% Popularity • 48% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 48% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt. 2: L...
85 bpm • D Maj • 07:51 • -30.61db
24% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
24% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
93 bpm • D min • 04:48 • -26.26db
8% Popularity • 20% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 5% Positiveness
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Joose Vähäsöyrinki
Aaria, Herrani, Oletko
93 bpm • C# min • 03:14 • -20.84db
9% Popularity • 22% Danceability • 12% Energy • 11% Liveness
56% Instrumentalness • 6% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 11% Liveness
56% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Anna Bolena / Act 1: "Ella di me, sollec...
94 bpm • G# Maj • 01:47 • -22.55db
9% Popularity • 35% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 35% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
6 Romances, Op. 4: No. 4, Do Not Sing, M...
84 bpm • F Maj • 05:01 • -21.1db
16% Popularity • 24% Danceability • 5% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
16% Popularity • 24% Danceability • 5% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
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Antonio Salieri
La passione di Gesu Cristo: Part I: Reci...
84 bpm • C Maj • 01:12 • -26.01db
10% Popularity • 33% Danceability • 3% Energy • 78% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 33% Danceability • 3% Energy • 78% Liveness
0% Instrumentalness • 26% Positiveness
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Giacomo Puccini
Turandot, Act III: Nessun dorma!
84 bpm • D Maj • 03:00 • -14.35db
27% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
84 bpm • C min • 03:14 • -17.56db
10% Popularity • 19% Danceability • 30% Energy • 60% Liveness
22% Instrumentalness • 30% Positiveness
10% Popularity • 19% Danceability • 30% Energy • 60% Liveness
22% Instrumentalness • 30% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
84 bpm • B min • 06:28 • -22.04db
11% Popularity • 28% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 10% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 10% Positiveness
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George Frideric Handel
Theodora, HWV 68, Pt. I: Air. As With Ro...
84 bpm • B Maj • 07:08 • -20.54db
9% Popularity • 19% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
9% Popularity • 19% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Léo Delibes
Lakmé / Flower Duet: Viens, Mallika, le...
94 bpm • B Maj • 01:06 • -20.03db
17% Popularity • 34% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 34% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La forza del destino, Act II, Scene II: ...
84 bpm • B Maj • 01:42 • -16.18db
15% Popularity • 33% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
15% Popularity • 33% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
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Richard Strauss
Strauss, R: 6 Lieder, Op. 17: No. 2, St�...
94 bpm • F# Maj • 02:34 • -21.09db
17% Popularity • 36% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 36% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
84 bpm • G min • 04:12 • -15.69db
7% Popularity • 25% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 25% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Francis Poulenc
Gloria, FP 177: I. Gloria in excelsis De...
95 bpm • A min • 02:43 • -11.88db
8% Popularity • 27% Danceability • 33% Energy • 10% Liveness
56% Instrumentalness • 12% Positiveness
8% Popularity • 27% Danceability • 33% Energy • 10% Liveness
56% Instrumentalness • 12% Positiveness
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Francesco Cilea
Adriana Lecouvreur, Act I : Ecco, respir...
84 bpm • A# min • 03:40 • -15.46db
8% Popularity • 24% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "Les fleurs me p...
95 bpm • E min • 04:07 • -23.02db
8% Popularity • 20% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Bedřich Smetana
The Bartered Bride: ACT I, Scene 3. Keca...
84 bpm • D Maj • 04:59 • -17.69db
9% Popularity • 38% Danceability • 22% Energy • 21% Liveness
1% Instrumentalness • 36% Positiveness
9% Popularity • 38% Danceability • 22% Energy • 21% Liveness
1% Instrumentalness • 36% Positiveness
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Giuseppe Verdi
Messa da Requiem for Soloists, Chorus an...
84 bpm • D Maj • 05:08 • -24.39db
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi, Act 1 Scene 4:...
84 bpm • D min • 05:03 • -18db
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Xavier Benguerel
Requiem: Mors stupebit
95 bpm • C# Maj • 01:00 • -21.22db
8% Popularity • 41% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 41% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: XI. Fiat m...
95 bpm • D Maj • 01:39 • -22.72db
10% Popularity • 41% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
