Songs like Cendrillon, Act II: Duet "Conservez bien" by Nicolas Isouard
Based on a tempo of (+/- 10%) and a similar genre
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Nicolas Isouard
Cendrillon, Act II: Duet "Conservez bien...
66 bpm • D Maj • 03:03 • -20.69db
0% Popularity • 20% Danceability • 11% Energy • 8% Liveness
8% Instrumentalness • 27% Positiveness
0% Popularity • 20% Danceability • 11% Energy • 8% Liveness
8% Instrumentalness • 27% Positiveness
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Giacomo Puccini
Messa di Gloria: II. Gloria
66 bpm • D# Maj • 02:02 • -20.74db
12% Popularity • 30% Danceability • 13% Energy • 20% Liveness
86% Instrumentalness • 14% Positiveness
12% Popularity • 30% Danceability • 13% Energy • 20% Liveness
86% Instrumentalness • 14% Positiveness
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Gaspare Spontini
Spontini: Agnes von Hohenstaufen: "Der S...
66 bpm • A# Maj • 05:12 • -17.79db
13% Popularity • 24% Danceability • 19% Energy • 12% Liveness
70% Instrumentalness • 13% Positiveness
13% Popularity • 24% Danceability • 19% Energy • 12% Liveness
70% Instrumentalness • 13% Positiveness
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Gioachino Rossini
Otello: Deh calma, o ciel, nel sonno
66 bpm • G# Maj • 02:06 • -20.6db
16% Popularity • 31% Danceability • 4% Energy • 11% Liveness
8% Instrumentalness • 11% Positiveness
16% Popularity • 31% Danceability • 4% Energy • 11% Liveness
8% Instrumentalness • 11% Positiveness
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Antonín Dvořák
Stabat Mater, Op. 58, B. 71: V. Tui nati...
66 bpm • D# Maj • 04:42 • -23.96db
11% Popularity • 10% Danceability • 6% Energy • 14% Liveness
41% Instrumentalness • 15% Positiveness
11% Popularity • 10% Danceability • 6% Energy • 14% Liveness
41% Instrumentalness • 15% Positiveness
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Maurice Ravel
歌曲集《シェエラザード》: �...
66 bpm • F# min • 02:49 • -23.31db
0% Popularity • 32% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Nicolas Isouard
Mass Movement: Gloria in excelsis Deo
66 bpm • D Maj • 10:37 • -20.56db
0% Popularity • 28% Danceability • 10% Energy • 14% Liveness
22% Instrumentalness • 14% Positiveness
0% Popularity • 28% Danceability • 10% Energy • 14% Liveness
22% Instrumentalness • 14% Positiveness
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Charlotte Hoather
Gypsy Songs, Op. 55: No. 4, Když Mne St...
67 bpm • D Maj • 02:09 • -13.74db
8% Popularity • 33% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 33% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Terra e mare, SC 73 (Arr. for Voice & Or...
66 bpm • C# Maj • 01:20 • -19.91db
18% Popularity • 42% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
18% Popularity • 42% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Laudate Pueri (Psalm 112), R.602: 3. And...
65 bpm • F# min • 01:07 • -21.38db
10% Popularity • 29% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 29% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Kolner Kammerorchester
Kantate für Soli und Orchester, BWV 208...
65 bpm • A# Maj • 04:16 • -25.53db
9% Popularity • 35% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
9% Popularity • 35% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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Vincenzo Bellini
Bellini: Norma: "Meco all'altar di Vener...
64 bpm • G min • 06:44 • -15.24db
12% Popularity • 24% Danceability • 31% Energy • 12% Liveness
29% Instrumentalness • 22% Positiveness
12% Popularity • 24% Danceability • 31% Energy • 12% Liveness
29% Instrumentalness • 22% Positiveness
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Théodore Dubois
Musiques sur l’eau: No. 6, Blancheurs ...
68 bpm • D Maj • 02:51 • -21.03db
7% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Finale: Herr Che...
69 bpm • G# Maj • 01:36 • -20db
15% Popularity • 42% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 42% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Victor Herbert
The Red Mill: Moonbeams
69 bpm • A# min • 03:27 • -19.68db
12% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
12% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
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Richard Strauss
Four Last Songs, TrV 296 (Arr. for Piano...
69 bpm • D# Maj • 08:44 • -26.59db
9% Popularity • 28% Danceability • 3% Energy • 12% Liveness
61% Instrumentalness • 3% Positiveness
9% Popularity • 28% Danceability • 3% Energy • 12% Liveness
61% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
6 Romances, Op. 38: No. 5, The Dream
69 bpm • F# Maj • 03:12 • -24.26db
12% Popularity • 34% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Cavalli
Il Giasone, Act 1 Scene 14: Dell'antro m...
69 bpm • D min • 02:15 • -16.33db
12% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Messa di Gloria: XIV. Et unam, sanctam
70 bpm • G# Maj • 02:18 • -21.12db
8% Popularity • 21% Danceability • 8% Energy • 60% Liveness
78% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 60% Liveness
78% Instrumentalness • 4% Positiveness
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Nicolas Isouard
Cendrillon, Act II: Finale "À la plus b...
62 bpm • C Maj • 04:16 • -18.08db
0% Popularity • 43% Danceability • 12% Energy • 19% Liveness
1% Instrumentalness • 15% Positiveness
0% Popularity • 43% Danceability • 12% Energy • 19% Liveness
1% Instrumentalness • 15% Positiveness
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Josef Mysliveček
Mysliveček: Adamo ed Eva: "Non sò se i...
70 bpm • F min • 06:39 • -22.08db
13% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 3e Parole - "Mu...
70 bpm • A min • 05:25 • -32.8db
12% Popularity • 14% Danceability • 2% Energy • 6% Liveness
11% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 6% Liveness
11% Instrumentalness • 4% Positiveness
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Gaspare Spontini
La vestale, Act I: Scène. Grands dieux ...
70 bpm • D min • 01:24 • -15.07db
14% Popularity • 34% Danceability • 32% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 34% Danceability • 32% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
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佐藤美枝子
歌劇「魔笛」 第2幕～夜の女�...
71 bpm • F Maj • 03:01 • -15.3db
7% Popularity • 56% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
7% Popularity • 56% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Giacomo Puccini
Messa di Gloria: Agnus Dei
70 bpm • C Maj • 02:32 • -24.91db
14% Popularity • 10% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
14% Popularity • 10% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Petite messe solennelle: VI. Gloria. Gra...
71 bpm • A Maj • 04:55 • -22.97db
10% Popularity • 17% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 17% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Bedřich Smetana
The Bartered Bride: ACT I, Jeník, Maře...
71 bpm • A# Maj • 05:56 • -20.65db
9% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Josef Mysliveček
Mysliveček: Il Demofoonte: "Odo il suon...
62 bpm • F Maj • 02:56 • -22.34db
9% Popularity • 40% Danceability • 15% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
9% Popularity • 40% Danceability • 15% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
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Giuseppe Verdi
Otello: Ave Maria, piena di grazia
61 bpm • G# Maj • 04:41 • -21.56db
10% Popularity • 13% Danceability • 8% Energy • 5% Liveness
8% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 8% Energy • 5% Liveness
8% Instrumentalness • 4% Positiveness
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George Frideric Handel
Semele, HWV 58 / Act 2: Oh Sleep, Why Do...
61 bpm • E Maj • 03:09 • -32db
8% Popularity • 30% Danceability • 1% Energy • 9% Liveness
45% Instrumentalness • 7% Positiveness
8% Popularity • 30% Danceability • 1% Energy • 9% Liveness
45% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": V. ...
71 bpm • D# Maj • 04:51 • -26.07db
12% Popularity • 15% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 15% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Stabat Mater, Op. 58, B. 71: X. Quando c...
71 bpm • D Maj • 07:35 • -18.19db
8% Popularity • 8% Danceability • 21% Energy • 8% Liveness
10% Instrumentalness • 5% Positiveness
8% Popularity • 8% Danceability • 21% Energy • 8% Liveness
10% Instrumentalness • 5% Positiveness
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Gioachino Rossini
L'italiana in Algeri: Atto I. Duetto. Ai...
72 bpm • B min • 07:51 • -20.57db
9% Popularity • 37% Danceability • 21% Energy • 69% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 37% Danceability • 21% Energy • 69% Liveness
0% Instrumentalness • 18% Positiveness
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Giacomo Puccini
Messa di Gloria: IV. Gratias
72 bpm • C# Maj • 03:40 • -22.16db
15% Popularity • 22% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
72 bpm • A Maj • 02:01 • -24db
13% Popularity • 34% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 34% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Theodora, HWV 68, Pt. II: Duet. To Thee,...
60 bpm • E min • 04:29 • -18.47db
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Final...
72 bpm • E Maj • 05:01 • -23.99db
10% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 2e Parole - "Ho...
60 bpm • A# Maj • 04:39 • -27.23db
13% Popularity • 6% Danceability • 7% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 7% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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Maurice Ravel
3 Poèmes de Stéphane Mallarmé, M. 64:...
72 bpm • D Maj • 04:16 • -21.01db
9% Popularity • 25% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: Mädchenblumen, Op. 22: No. ...
73 bpm • F# Maj • 03:30 • -21.51db
13% Popularity • 41% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 41% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Giacomo Puccini
Messa di Gloria: XVII. Benedictus
73 bpm • A# Maj • 02:14 • -23.41db
13% Popularity • 14% Danceability • 11% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 11% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Nicolas Isouard
Cendrillon, Act II: Air "O sexe aimable
73 bpm • C min • 02:56 • -24.01db
0% Popularity • 30% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 30% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Paulus: I. Teil: Nr. 18 Rezitativ TS "Es...
73 bpm • C Maj • 01:36 • -22.59db
12% Popularity • 24% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Théodore Dubois
Chansons de Marjolie: No. 7, En paradis
73 bpm • C Maj • 02:41 • -21.21db
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Aida: Act IV: Vedi? ... di morte l'angel...
73 bpm • C# Maj • 00:59 • -24.92db
14% Popularity • 37% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 37% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Christoph Willibald Gluck
Alceste (Sung in French), Act I: Act I: ...
73 bpm • F Maj • 04:59 • -17.33db
8% Popularity • 23% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 23% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Francis Lopez
Violettes imperiales
60 bpm • G Maj • 03:06 • -20db
13% Popularity • 31% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 31% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Domenico Cimarosa
Gli Orazi e i Curiazi / Act 3: Resta in ...
73 bpm • F Maj • 04:56 • -19.74db
12% Popularity • 28% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 7% Positiveness
12% Popularity • 28% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Vom Himmel hoch: IV. Aria "Sei willekomm...
73 bpm • G Maj • 03:08 • -26db
10% Popularity • 30% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 30% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Fi...
74 bpm • B Maj • 01:35 • -16.45db
9% Popularity • 50% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 50% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Giacomo Meyerbeer
Meyerbeer: Les Huguenots, Act 1: "Plus b...
73 bpm • A# Maj • 03:26 • -22.2db
10% Popularity • 19% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 19% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Léo Delibes
Delibes: Lakmé, Act 3: "Sous le ciel to...
74 bpm • C min • 02:46 • -27.77db
7% Popularity • 25% Danceability • 4% Energy • 8% Liveness
55% Instrumentalness • 15% Positiveness
7% Popularity • 25% Danceability • 4% Energy • 8% Liveness
55% Instrumentalness • 15% Positiveness
► Preview
Richard Strauss
4 Letzte Lieder, TrV 296: No. 3, Beim Sc...
74 bpm • C# Maj • 05:26 • -22.19db
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Nicola D'Agostino
Un bel dì vedremo (As heard in the seri...
74 bpm • A# min • 03:52 • -22.41db
16% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Aimons-nous
74 bpm • A# Maj • 03:36 • -18.05db
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonio Vivaldi
Vivaldi : Orlando furioso : Act 3 "Pover...
74 bpm • G min • 02:10 • -18.45db
4% Popularity • 25% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
4% Popularity • 25% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Hector Berlioz
Les nuits d'été, H 81: No. 2, Le spect...
74 bpm • D Maj • 05:45 • -19.2db
11% Popularity • 24% Danceability • 7% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 7% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Rossini: Guillaume Tell, Act 1 Scene 1: ...
74 bpm • E min • 02:15 • -18.19db
10% Popularity • 27% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 27% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Louise Reichardt
Sei Canzoni di Metastasio: VI. Se non pi...
74 bpm • G Maj • 01:00 • -7.75db
8% Popularity • 57% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 57% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
André Rieu
Caro Nome - Live
75 bpm • E Maj • 07:10 • -17.84db
22% Popularity • 34% Danceability • 30% Energy • 60% Liveness
1% Instrumentalness • 6% Positiveness
22% Popularity • 34% Danceability • 30% Energy • 60% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Franz Liszt
Don Sanche (The Castle of Love), S476/R1...
75 bpm • G Maj • 03:35 • -8.05db
11% Popularity • 26% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 26% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Francis Poulenc
Stabat Mater, FP 148: II. Cujus animam g...
75 bpm • A# min • 01:05 • -16.15db
10% Popularity • 29% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 29% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9: Pie Jesu
75 bpm • F min • 03:40 • -25.64db
8% Popularity • 8% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
► Preview
Charles Gounod
Gounod: Roméo et Juliette, Act 2: "L’...
75 bpm • G min • 01:07 • -24.57db
14% Popularity • 29% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
14% Popularity • 29% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Anton Bruckner
Mass No. 3 In F Minor, WAB 28: 6. Agnus ...
58 bpm • F Maj • 10:13 • -27db
2% Popularity • 6% Danceability • 2% Energy • 32% Liveness
13% Instrumentalness • 4% Positiveness
2% Popularity • 6% Danceability • 2% Energy • 32% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
Strauss, Johann II: Die Fledermaus, Act ...
75 bpm • C Maj • 01:58 • -24.33db
11% Popularity • 39% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 39% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Josef Mysliveček
Mysliveček: L'Olimpiade: "Con questo fe...
75 bpm • B min • 01:23 • -19.1db
16% Popularity • 51% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 51% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Antonín Dvořák
Stabat Mater, Op. 58, B. 71: IV. Fac, ut...
75 bpm • A# min • 08:40 • -25.12db
9% Popularity • 12% Danceability • 4% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 4% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Nicolas Isouard
Cendrillon, Act II: Finale (cont.) "À v...
75 bpm • G Maj • 03:30 • -23.19db
0% Popularity • 35% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 35% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
César Franck
Die sieben Worte Christi am Kreuz für S...
75 bpm • F Maj • 03:33 • -22.91db
9% Popularity • 20% Danceability • 10% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 10% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Louis Spohr
Jubilate Deo
75 bpm • C Maj • 05:09 • -10.86db
7% Popularity • 16% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 16% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Giacomo Puccini
Madame Butterfly, 1. Akt: Vogliatemi ben...
76 bpm • C# Maj • 01:03 • -31.2db
16% Popularity • 36% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 36% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Josef Mysliveček
Mysliveček: L'Olimpiade: "Gemo in un pu...
76 bpm • G Maj • 03:47 • -16.53db
12% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Giovanni Paisiello
Messe pour le sacre de Napoléon: III. G...
76 bpm • D Maj • 01:27 • -21.23db
23% Popularity • 33% Danceability • 18% Energy • 52% Liveness
85% Instrumentalness • 11% Positiveness
23% Popularity • 33% Danceability • 18% Energy • 52% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
76 bpm • D min • 04:02 • -13.47db
2% Popularity • 23% Danceability • 17% Energy • 23% Liveness
1% Instrumentalness • 17% Positiveness
2% Popularity • 23% Danceability • 17% Energy • 23% Liveness
1% Instrumentalness • 17% Positiveness
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Christoph Willibald Gluck
Alceste, Wq. 44 (Excerpts): Vivre sans t...
76 bpm • G min • 07:22 • -17.98db
10% Popularity • 31% Danceability • 24% Energy • 54% Liveness
1% Instrumentalness • 18% Positiveness
10% Popularity • 31% Danceability • 24% Energy • 54% Liveness
1% Instrumentalness • 18% Positiveness
► Preview
Jules Massenet
Massenet: Manon, Act 3: "Faut-il donc sa...
76 bpm • E min • 01:00 • -23.47db
11% Popularity • 30% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 30% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Richard Strauss
Sechs Lieder op.19: 2. Breit über mein ...
76 bpm • C# Maj • 02:45 • -23.37db
13% Popularity • 24% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38 Pt 2: But...
76 bpm • C min • 05:24 • -19.03db
16% Popularity • 24% Danceability • 26% Energy • 12% Liveness
4% Instrumentalness • 12% Positiveness
16% Popularity • 24% Danceability • 26% Energy • 12% Liveness
4% Instrumentalness • 12% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": IX....
57 bpm • A# Maj • 04:32 • -26.36db
11% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Giuseppe Verdi
La forza del destino, Act II, Scene II: ...
76 bpm • B Maj • 04:36 • -15.67db
15% Popularity • 22% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
15% Popularity • 22% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Melitza Torres
Der Erlkönig
76 bpm • G min • 04:05 • -12.6db
10% Popularity • 21% Danceability • 33% Energy • 26% Liveness
8% Instrumentalness • 23% Positiveness
10% Popularity • 21% Danceability • 33% Energy • 26% Liveness
8% Instrumentalness • 23% Positiveness
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American Bach Soloists
Missa brevis Sancti Joannis de Deo "Litt...
76 bpm • D# Maj • 06:07 • -21db
11% Popularity • 18% Danceability • 5% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
11% Popularity • 18% Danceability • 5% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
► Preview
Gaetano Donizetti
Anna Bolena / Act 1: "Si taciturna e mes...
76 bpm • C# Maj • 01:35 • -21.47db
8% Popularity • 42% Danceability • 3% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 42% Danceability • 3% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Komitas
Armenian Songs: Mankakan aghotq - Hayr M...
76 bpm • D Maj • 00:58 • -23.28db
8% Popularity • 32% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
Il Pirata, Act II: Cedo al destin orribi...
77 bpm • A Maj • 04:33 • -14.34db
15% Popularity • 18% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 18% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Claudio Monteverdi
Lasciatemi morire!
77 bpm • F min • 01:24 • -16.4db
16% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Frank Martin
Golgotha, Première Partie: II. Les Rame...
77 bpm • G# min • 09:37 • -20.46db
9% Popularity • 10% Danceability • 12% Energy • 11% Liveness
22% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 12% Energy • 11% Liveness
22% Instrumentalness • 3% Positiveness
► Preview
Jan Dismas Zelenka
Miserere, ZWV 57: V. Sicut erat et Miser...
77 bpm • F# min • 02:35 • -10.63db
10% Popularity • 12% Danceability • 32% Energy • 32% Liveness
85% Instrumentalness • 31% Positiveness
10% Popularity • 12% Danceability • 32% Energy • 32% Liveness
85% Instrumentalness • 31% Positiveness
► Preview
Gaetano Donizetti
Lucia di Lammermoor, Act II: Che fia!......
76 bpm • D# Maj • 01:24 • -15.52db
9% Popularity • 37% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 37% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Markku Liukkonen
Resitatiivi, Pääsiäisjuhla Oli Jo Tul...
77 bpm • A Maj • 03:34 • -16.58db
10% Popularity • 15% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Gioachino Rossini
Petite Messe Solennelle / Credo: Crucifi...
77 bpm • G# Maj • 03:19 • -23.43db
11% Popularity • 23% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
14 Romances, Op. 34: No. 14, Vocalise
77 bpm • C# min • 06:06 • -23.49db
11% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Un ballo in maschera / Act 1: "Il cenno ...
77 bpm • C# Maj • 02:35 • -24.3db
8% Popularity • 29% Danceability • 7% Energy • 40% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 29% Danceability • 7% Energy • 40% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Benjamin Britten
Quatre chansons françaises: No. 2, Sage...
77 bpm • C# Maj • 03:07 • -17.68db
9% Popularity • 18% Danceability • 12% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
► Preview
Nicolas Isouard
Cendrillon, Act II: Duet "Qui? Vous?"
77 bpm • A Maj • 04:26 • -15.78db
0% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Joose Vähäsöyrinki
Resitatiivi, Kun Jeesus Oli Vangittu
77 bpm • G Maj • 04:13 • -21db
13% Popularity • 23% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Saul: Act I, Scene I, Air. "An Infant Ra...
78 bpm • B min • 01:37 • -21.11db
9% Popularity • 33% Danceability • 13% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
9% Popularity • 33% Danceability • 13% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
