Songs like cereals and milk by Oscar Anton
Based on a tempo of (+/- 10%) and a similar genre
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Ella Grace
Pieces
140 bpm • F min • 03:15 • -12db
43% Popularity • 73% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
43% Popularity • 73% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Saint DX
A Phone Call
140 bpm • A# min • 02:42 • -7.5db
7% Popularity • 80% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 80% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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BLOWSOM
Midnight7
140 bpm • E min • 03:52 • -8.26db
11% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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BLOW
Shake the Disease
140 bpm • G# Maj • 03:41 • -7db
20% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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PAEVE
Feels
140 bpm • F# Maj • 03:04 • -9.65db
8% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Avril Jensen
van gogh
140 bpm • A min • 03:26 • -10.15db
19% Popularity • 73% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 73% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Oscar Anton
cereals and milk
140 bpm • A Maj • 03:33 • -8.92db
27% Popularity • 84% Danceability • 54% Energy • 8% Liveness
8% Instrumentalness • 76% Positiveness
27% Popularity • 84% Danceability • 54% Energy • 8% Liveness
8% Instrumentalness • 76% Positiveness
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Tender Kid
Few Missed Calls
140 bpm • D Maj • 03:51 • -12.77db
16% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Please
Of Our Own
140 bpm • C Maj • 03:46 • -8.64db
13% Popularity • 47% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 47% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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BLOW
Shake The Disease - A COLORS SHOW
140 bpm • G# Maj • 03:41 • -10db
18% Popularity • 75% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 75% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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mokina
City
141 bpm • B min • 02:58 • -15db
26% Popularity • 78% Danceability • 35% Energy • 23% Liveness
5% Instrumentalness • 62% Positiveness
26% Popularity • 78% Danceability • 35% Energy • 23% Liveness
5% Instrumentalness • 62% Positiveness
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Charlotte Cardin
Daddy
140 bpm • D min • 02:50 • -6db
43% Popularity • 86% Danceability • 74% Energy • 6% Liveness
2% Instrumentalness • 84% Positiveness
43% Popularity • 86% Danceability • 74% Energy • 6% Liveness
2% Instrumentalness • 84% Positiveness
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Oscar Anton
Kiss
140 bpm • E min • 03:36 • -11.19db
19% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Black Sea Dahu
Big Mouth
142 bpm • G Maj • 04:13 • -11.27db
39% Popularity • 47% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 47% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Kids Return
I Will Wait For You
138 bpm • D Maj • 02:21 • -7.09db
30% Popularity • 56% Danceability • 74% Energy • 28% Liveness
2% Instrumentalness • 55% Positiveness
30% Popularity • 56% Danceability • 74% Energy • 28% Liveness
2% Instrumentalness • 55% Positiveness
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BLOW
Lost Your Soul
140 bpm • G min • 03:40 • -6.99db
16% Popularity • 90% Danceability • 50% Energy • 7% Liveness
51% Instrumentalness • 78% Positiveness
16% Popularity • 90% Danceability • 50% Energy • 7% Liveness
51% Instrumentalness • 78% Positiveness
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Teeers
Flavours
142 bpm • G# Maj • 03:58 • -8.77db
10% Popularity • 72% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 72% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Frànçois & The Atlas Mountains
Coucou - Edit
138 bpm • B Maj • 03:36 • -11.32db
16% Popularity • 79% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
16% Popularity • 79% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
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Oscar Anton
have another drink
142 bpm • D# min • 03:43 • -12.48db
20% Popularity • 82% Danceability • 37% Energy • 10% Liveness
30% Instrumentalness • 58% Positiveness
20% Popularity • 82% Danceability • 37% Energy • 10% Liveness
30% Instrumentalness • 58% Positiveness
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Origami Punani
All About Us
137 bpm • F# Maj • 03:48 • -6.83db
26% Popularity • 80% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 68% Positiveness
26% Popularity • 80% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 68% Positiveness
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Ben Mazué
Follow
136 bpm • A Maj • 03:24 • -6.82db
33% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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BLOW
Full Delight
144 bpm • D# min • 03:16 • -7.66db
31% Popularity • 79% Danceability • 65% Energy • 10% Liveness
42% Instrumentalness • 94% Positiveness
31% Popularity • 79% Danceability • 65% Energy • 10% Liveness
42% Instrumentalness • 94% Positiveness
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SAINT WKND
Ridin' Solo
144 bpm • D Maj • 03:13 • -5.97db
30% Popularity • 70% Danceability • 58% Energy • 19% Liveness
5% Instrumentalness • 76% Positiveness
30% Popularity • 70% Danceability • 58% Energy • 19% Liveness
5% Instrumentalness • 76% Positiveness
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Felun
A Magic Light
144 bpm • D Maj • 03:03 • -7.13db
27% Popularity • 65% Danceability • 52% Energy • 15% Liveness
48% Instrumentalness • 33% Positiveness
27% Popularity • 65% Danceability • 52% Energy • 15% Liveness
48% Instrumentalness • 33% Positiveness
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Oscar Anton
cheerios
138 bpm • F Maj • 03:38 • -9.75db
20% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Anwar
Let's Get Along
136 bpm • B min • 02:59 • -7.03db
40% Popularity • 80% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 80% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Euan Allison
November
136 bpm • D Maj • 02:39 • -8.82db
35% Popularity • 86% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 86% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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James Chatburn
The Hurt
145 bpm • A Maj • 03:59 • -10db
30% Popularity • 50% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 50% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Later.
On My Shoulder
145 bpm • D min • 04:03 • -6.63db
12% Popularity • 73% Danceability • 48% Energy • 11% Liveness
10% Instrumentalness • 29% Positiveness
12% Popularity • 73% Danceability • 48% Energy • 11% Liveness
10% Instrumentalness • 29% Positiveness
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KJ Apa
Beautiful Things
145 bpm • D min • 03:47 • -13.63db
15% Popularity • 72% Danceability • 44% Energy • 16% Liveness
8% Instrumentalness • 64% Positiveness
15% Popularity • 72% Danceability • 44% Energy • 16% Liveness
8% Instrumentalness • 64% Positiveness
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Oscar Anton
nuits d'été
144 bpm • F# min • 03:28 • -12.26db
45% Popularity • 71% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
45% Popularity • 71% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Ali Danel
La nuit qui vient
145 bpm • A Maj • 02:51 • -9db
39% Popularity • 71% Danceability • 54% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
39% Popularity • 71% Danceability • 54% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
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Benjamin Amaru
Dancing All Night
135 bpm • A# Maj • 02:54 • -8.22db
27% Popularity • 80% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 80% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Hollysiz
Sister
135 bpm • D Maj • 03:31 • -11.59db
22% Popularity • 67% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 67% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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BARON.E
Jeunesse dorée
135 bpm • A min • 03:21 • -7.04db
33% Popularity • 70% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 70% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Petit Nuage
Nostalgique
134 bpm • C Maj • 02:46 • -14.28db
16% Popularity • 74% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 74% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Oscar Anton
nuits d'été in the 80's
144 bpm • F# min • 03:27 • -8db
29% Popularity • 68% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 68% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Matilda Mann
Japan
134 bpm • A# Maj • 02:14 • -12db
40% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Chase McBride
The Feeling Is All Gone
134 bpm • D Maj • 03:37 • -9.66db
44% Popularity • 79% Danceability • 43% Energy • 12% Liveness
17% Instrumentalness • 78% Positiveness
44% Popularity • 79% Danceability • 43% Energy • 12% Liveness
17% Instrumentalness • 78% Positiveness
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Lola Le Lann
45T
134 bpm • F min • 02:46 • -8.7db
21% Popularity • 78% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 78% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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BARON.E
Danser dans le noir
134 bpm • G min • 04:08 • -8.24db
23% Popularity • 69% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 69% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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BLOWSOM
Novembre
133 bpm • C# min • 03:10 • -7.03db
21% Popularity • 75% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
21% Popularity • 75% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
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Oscar Anton
L'ange passe
136 bpm • A min • 03:19 • -11.52db
22% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Courrier Sud
Sur Ma Bossa
147 bpm • B min • 02:36 • -12.79db
33% Popularity • 75% Danceability • 38% Energy • 8% Liveness
20% Instrumentalness • 46% Positiveness
33% Popularity • 75% Danceability • 38% Energy • 8% Liveness
20% Instrumentalness • 46% Positiveness
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Juliette Armanet
Cool Cat - Juliette Armanet Version
148 bpm • C# min • 04:04 • -10.85db
26% Popularity • 76% Danceability • 46% Energy • 6% Liveness
22% Instrumentalness • 74% Positiveness
26% Popularity • 76% Danceability • 46% Energy • 6% Liveness
22% Instrumentalness • 74% Positiveness
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Dune
Under the Rain
148 bpm • G min • 03:04 • -6.68db
17% Popularity • 78% Danceability • 77% Energy • 8% Liveness
16% Instrumentalness • 60% Positiveness
17% Popularity • 78% Danceability • 77% Energy • 8% Liveness
16% Instrumentalness • 60% Positiveness
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Jake Troth
All Over the World
148 bpm • G Maj • 02:22 • -9.88db
22% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Amilli
Pulling Punches
148 bpm • C Maj • 03:05 • -8db
21% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Oscar Anton
nuits d'été - acoustic
144 bpm • F# min • 03:31 • -12.52db
20% Popularity • 57% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 57% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Julyan
Roll the Dice
132 bpm • A# Maj • 04:02 • -7.42db
9% Popularity • 70% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 44% Positiveness
9% Popularity • 70% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 44% Positiveness
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Alice et Moi
L'amour à la plage
132 bpm • A Maj • 02:46 • -8.45db
44% Popularity • 71% Danceability • 56% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
44% Popularity • 71% Danceability • 56% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
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Benny Sings
Familiar
132 bpm • B min • 03:07 • -13.42db
31% Popularity • 91% Danceability • 31% Energy • 7% Liveness
55% Instrumentalness • 82% Positiveness
31% Popularity • 91% Danceability • 31% Energy • 7% Liveness
55% Instrumentalness • 82% Positiveness
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Pépite
Désert
132 bpm • C Maj • 03:05 • -6.34db
35% Popularity • 44% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 44% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Close to Fire
Summer Haze
132 bpm • A Maj • 03:38 • -6db
44% Popularity • 70% Danceability • 75% Energy • 8% Liveness
14% Instrumentalness • 59% Positiveness
44% Popularity • 70% Danceability • 75% Energy • 8% Liveness
14% Instrumentalness • 59% Positiveness
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Oscar Anton
lonely friends
132 bpm • D Maj • 03:42 • -10.36db
24% Popularity • 76% Danceability • 47% Energy • 9% Liveness
26% Instrumentalness • 80% Positiveness
24% Popularity • 76% Danceability • 47% Energy • 9% Liveness
26% Instrumentalness • 80% Positiveness
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Camel Power Club
Hole Digger
130 bpm • C Maj • 03:05 • -6.71db
32% Popularity • 79% Danceability • 71% Energy • 13% Liveness
65% Instrumentalness • 80% Positiveness
32% Popularity • 79% Danceability • 71% Energy • 13% Liveness
65% Instrumentalness • 80% Positiveness
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Jérémy Frerot
Ça déborde
130 bpm • E Maj • 02:59 • -8.62db
32% Popularity • 74% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 74% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Nomuel
July
150 bpm • E Maj • 02:17 • -15.92db
27% Popularity • 71% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 71% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Margaux de Fouchier
Stayin' Alive
130 bpm • A min • 03:38 • -9.94db
27% Popularity • 74% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 74% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Burgundy
Sane
130 bpm • C Maj • 04:18 • -12db
15% Popularity • 67% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 67% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Oscar Anton
saudade
150 bpm • F# Maj • 02:46 • -14db
21% Popularity • 62% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 62% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Still Pigeon
Tippy Toes
151 bpm • D Maj • 03:14 • -8.01db
34% Popularity • 66% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 66% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas de Pourquery
All the Love
152 bpm • D min • 03:18 • -11.26db
36% Popularity • 57% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 57% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Desmond Myers
Playing with Fire
129 bpm • A Maj • 03:18 • -9.01db
40% Popularity • 66% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 66% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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BLOWSOM
Honey Pot
128 bpm • C Maj • 03:21 • -7.82db
21% Popularity • 79% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
21% Popularity • 79% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Miki
Misunderstood
128 bpm • F# Maj • 02:33 • -8.68db
30% Popularity • 92% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 92% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Oscar Anton
flowers
150 bpm • F min • 04:20 • -12.13db
33% Popularity • 73% Danceability • 50% Energy • 11% Liveness
28% Instrumentalness • 44% Positiveness
33% Popularity • 73% Danceability • 50% Energy • 11% Liveness
28% Instrumentalness • 44% Positiveness
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Lilly Wood and The Prick
A Song
155 bpm • B Maj • 03:29 • -7.5db
31% Popularity • 62% Danceability • 44% Energy • 50% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 62% Danceability • 44% Energy • 50% Liveness
0% Instrumentalness • 65% Positiveness
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Polo & Pan
Peter Pan
126 bpm • F Maj • 03:57 • -13db
39% Popularity • 71% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 44% Positiveness
39% Popularity • 71% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 44% Positiveness
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Kids Return
Forever
156 bpm • E Maj • 03:42 • -10.09db
16% Popularity • 51% Danceability • 41% Energy • 35% Liveness
36% Instrumentalness • 37% Positiveness
16% Popularity • 51% Danceability • 41% Energy • 35% Liveness
36% Instrumentalness • 37% Positiveness
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BLOWSOM
306
127 bpm • C Maj • 03:42 • -8.18db
14% Popularity • 74% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 74% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Aliocha Schneider
Naked
125 bpm • C Maj • 03:24 • -11.57db
28% Popularity • 66% Danceability • 41% Energy • 19% Liveness
31% Instrumentalness • 60% Positiveness
28% Popularity • 66% Danceability • 41% Energy • 19% Liveness
31% Instrumentalness • 60% Positiveness
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Oscar Anton
best day ever
128 bpm • D Maj • 03:00 • -8.81db
20% Popularity • 61% Danceability • 69% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 61% Danceability • 69% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
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Lilly Wood and The Prick
You Want My Money
126 bpm • E min • 03:07 • -6.3db
40% Popularity • 82% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 82% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Toukan Toukän
Disco Dream
125 bpm • A# min • 03:24 • -8.07db
10% Popularity • 70% Danceability • 68% Energy • 18% Liveness
4% Instrumentalness • 85% Positiveness
10% Popularity • 70% Danceability • 68% Energy • 18% Liveness
4% Instrumentalness • 85% Positiveness
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Axel Enderlin
pour un flirt.
125 bpm • A# Maj • 03:11 • -16.47db
36% Popularity • 61% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 61% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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mokina
Waiting by the Window
158 bpm • E Maj • 02:19 • -15db
40% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Møme
Moves
125 bpm • C Maj • 03:38 • -8.21db
21% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Oscar Anton
Down
127 bpm • A min • 04:02 • -11.41db
21% Popularity • 80% Danceability • 65% Energy • 28% Liveness
45% Instrumentalness • 79% Positiveness
21% Popularity • 80% Danceability • 65% Energy • 28% Liveness
45% Instrumentalness • 79% Positiveness
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Lilly Wood and The Prick
In Love for the Last Time
125 bpm • C Maj • 04:03 • -7.53db
14% Popularity • 76% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 76% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Selah Sue
You - Rework
158 bpm • E Maj • 03:18 • -4.8db
18% Popularity • 72% Danceability • 66% Energy • 8% Liveness
43% Instrumentalness • 92% Positiveness
18% Popularity • 72% Danceability • 66% Energy • 8% Liveness
43% Instrumentalness • 92% Positiveness
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ConKi
Coffee Cup
124 bpm • G Maj • 02:40 • -7.6db
38% Popularity • 77% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 77% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Naive New Beaters
One Way To Go
158 bpm • A Maj • 03:37 • -6.54db
22% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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NoMBe
Boys Don't Cry
124 bpm • D# min • 03:08 • -10.32db
22% Popularity • 81% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 81% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Oscar Anton
postcard from Paris
125 bpm • C min • 03:04 • -23.72db
9% Popularity • 59% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 59% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Myd
Let You Speak
124 bpm • A# min • 03:07 • -9.24db
31% Popularity • 78% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
31% Popularity • 78% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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MICHELLE
Killing Me Softly
124 bpm • F min • 03:27 • -8.51db
20% Popularity • 82% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 82% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Benjamin Amaru
Empire of Love
124 bpm • D# Maj • 03:11 • -11db
22% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Clementine
minuit
124 bpm • C# Maj • 03:45 • -8.12db
49% Popularity • 78% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 78% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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BLOWSOM
Breathin
124 bpm • E min • 03:20 • -7.02db
23% Popularity • 81% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 81% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Oscar Anton
the day I wrote "Down" - Bonus
127 bpm • A min • 01:30 • -13.21db
19% Popularity • 86% Danceability • 64% Energy • 38% Liveness
70% Instrumentalness • 86% Positiveness
19% Popularity • 86% Danceability • 64% Energy • 38% Liveness
70% Instrumentalness • 86% Positiveness
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Poupie
Blue - version reggae live
123 bpm • A# min • 02:43 • -8db
37% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Twan Ray
We Could Start A Thing
123 bpm • G Maj • 02:24 • -8.44db
30% Popularity • 69% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 69% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Nightshifts
Kicks
123 bpm • F# Maj • 03:31 • -5.76db
11% Popularity • 73% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 73% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Hugo Hamlet
Your Moment
123 bpm • G# min • 03:24 • -10.38db
37% Popularity • 88% Danceability • 55% Energy • 16% Liveness
18% Instrumentalness • 82% Positiveness
37% Popularity • 88% Danceability • 55% Energy • 16% Liveness
18% Instrumentalness • 82% Positiveness
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Harry McNally
Easy Does It
123 bpm • C Maj • 03:37 • -8.99db
25% Popularity • 91% Danceability • 44% Energy • 51% Liveness
85% Instrumentalness • 96% Positiveness
25% Popularity • 91% Danceability • 44% Energy • 51% Liveness
85% Instrumentalness • 96% Positiveness
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Oscar Anton
Ces Notes Là
124 bpm • C min • 03:01 • -11.21db
20% Popularity • 72% Danceability • 40% Energy • 19% Liveness
2% Instrumentalness • 27% Positiveness
20% Popularity • 72% Danceability • 40% Energy • 19% Liveness
2% Instrumentalness • 27% Positiveness
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Pi Ja Ma
Bisou
123 bpm • D Maj • 03:51 • -7.36db
25% Popularity • 86% Danceability • 69% Energy • 9% Liveness
47% Instrumentalness • 73% Positiveness
25% Popularity • 86% Danceability • 69% Energy • 9% Liveness
47% Instrumentalness • 73% Positiveness
