Songs like C'est ailleurs by Anouar Brahem
Based on a tempo of (+/- 10%) and a similar genre
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Lund Quartet
Tulipan
79 bpm • C# min • 05:31 • -13.22db
35% Popularity • 58% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
35% Popularity • 58% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Avi Avital
Lonely Girl
79 bpm • F min • 07:42 • -17.07db
30% Popularity • 29% Danceability • 32% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
30% Popularity • 29% Danceability • 32% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Avishai Cohen
Shir Eres (Lullaby)
79 bpm • F min • 04:35 • -23.56db
29% Popularity • 34% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Anouar Brahem
Eté andalous
79 bpm • G min • 07:05 • -20.98db
20% Popularity • 38% Danceability • 5% Energy • 15% Liveness
80% Instrumentalness • 16% Positiveness
20% Popularity • 38% Danceability • 5% Energy • 15% Liveness
80% Instrumentalness • 16% Positiveness
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Le Trio Joubran
Tanâsim 1
79 bpm • F Maj • 04:21 • -14.48db
29% Popularity • 50% Danceability • 13% Energy • 9% Liveness
66% Instrumentalness • 24% Positiveness
29% Popularity • 50% Danceability • 13% Energy • 9% Liveness
66% Instrumentalness • 24% Positiveness
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John Surman
The Admiral
79 bpm • D# Maj • 05:15 • -19.52db
26% Popularity • 34% Danceability • 5% Energy • 11% Liveness
74% Instrumentalness • 15% Positiveness
26% Popularity • 34% Danceability • 5% Energy • 11% Liveness
74% Instrumentalness • 15% Positiveness
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The Touré-Raichel Collective
Alem
79 bpm • D# min • 08:15 • -9.56db
23% Popularity • 30% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
23% Popularity • 30% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Constantinople
Le pas de l'eau - Cheshmeh
79 bpm • C Maj • 05:36 • -13.51db
30% Popularity • 48% Danceability • 24% Energy • 11% Liveness
67% Instrumentalness • 16% Positiveness
30% Popularity • 48% Danceability • 24% Energy • 11% Liveness
67% Instrumentalness • 16% Positiveness
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Ablaye Cissoko
Domain Domain
79 bpm • G min • 03:22 • -17.15db
31% Popularity • 41% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
31% Popularity • 41% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
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Anouar Brahem
C'est ailleurs
79 bpm • C Maj • 08:04 • -23.36db
23% Popularity • 32% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
23% Popularity • 32% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Trygve Seim
Kyrie
79 bpm • A min • 04:24 • -16.06db
30% Popularity • 21% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Renaud Garcia-Fons
À chaque instant
79 bpm • C Maj • 03:17 • -12.96db
20% Popularity • 22% Danceability • 23% Energy • 11% Liveness
80% Instrumentalness • 32% Positiveness
20% Popularity • 22% Danceability • 23% Energy • 11% Liveness
80% Instrumentalness • 32% Positiveness
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Quentin Dujardin
Madagascar
78 bpm • A min • 04:02 • -19.32db
12% Popularity • 36% Danceability • 18% Energy • 32% Liveness
69% Instrumentalness • 13% Positiveness
12% Popularity • 36% Danceability • 18% Energy • 32% Liveness
69% Instrumentalness • 13% Positiveness
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Karim Baggili
Dawn at Sea - Instrumentale
80 bpm • G Maj • 01:00 • -19.4db
35% Popularity • 48% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
35% Popularity • 48% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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Dhafer Youssef
Fly Shadow Fly
78 bpm • A# min • 05:15 • -14.39db
30% Popularity • 34% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
30% Popularity • 34% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
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Anouar Brahem
Kashf
80 bpm • D min • 05:21 • -20db
27% Popularity • 54% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
27% Popularity • 54% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Andy Sheppard Quartet
Forever ...
80 bpm • A min • 06:42 • -26.46db
8% Popularity • 25% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 10% Positiveness
8% Popularity • 25% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 10% Positiveness
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Christian Wallumrød Ensemble
Eliasong
80 bpm • C# min • 03:24 • -16.9db
24% Popularity • 21% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
24% Popularity • 21% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
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Renaud Garcia-Fons
Légende persane
78 bpm • A Maj • 04:47 • -13.49db
16% Popularity • 34% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 21% Positiveness
16% Popularity • 34% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 21% Positiveness
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Airelle Besson
Virgule - Improvisation
78 bpm • A Maj • 01:59 • -16.61db
39% Popularity • 50% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 75% Positiveness
39% Popularity • 50% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 75% Positiveness
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Ibrahim Maalouf
Lily (Is 2)
78 bpm • A min • 02:08 • -24.96db
21% Popularity • 55% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
21% Popularity • 55% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Anouar Brahem
La nuit
78 bpm • C min • 10:28 • -27.61db
26% Popularity • 23% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 5% Positiveness
26% Popularity • 23% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 5% Positiveness
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Tord Gustavsen Trio
Left Over Lullaby No. 4
78 bpm • D min • 02:28 • -30.45db
31% Popularity • 42% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 42% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Areni Agbabian
Yearning
78 bpm • A min • 03:25 • -27db
13% Popularity • 50% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
13% Popularity • 50% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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Joseph Tawadros
Distant Soulmate
78 bpm • D min • 01:46 • -21.03db
40% Popularity • 53% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
40% Popularity • 53% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Airelle Besson
The Sound of Your Voice, Pt. I
78 bpm • D Maj • 05:35 • -13.66db
23% Popularity • 37% Danceability • 28% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
23% Popularity • 37% Danceability • 28% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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David Darling
Stones Start Spinning
80 bpm • B min • 04:15 • -20db
37% Popularity • 17% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
37% Popularity • 17% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Anouar Brahem
Rue du Départ
78 bpm • A Maj • 06:05 • -28.7db
18% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
18% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Kronos Quartet
Peace Piece
80 bpm • C Maj • 07:11 • -27db
28% Popularity • 22% Danceability • 1% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 1% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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John Surman
At First Sight
77 bpm • G# Maj • 02:33 • -16.19db
37% Popularity • 28% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
37% Popularity • 28% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
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Abdullah Ibrahim
Blue Bolero
77 bpm • G Maj • 02:08 • -26.36db
43% Popularity • 37% Danceability • 0% Energy • 12% Liveness
91% Instrumentalness • 42% Positiveness
43% Popularity • 37% Danceability • 0% Energy • 12% Liveness
91% Instrumentalness • 42% Positiveness
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Michel Godard
Su l'onda d'amore
81 bpm • F min • 07:02 • -19.54db
10% Popularity • 45% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
10% Popularity • 45% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Jakob Bro
Opal
81 bpm • E Maj • 04:40 • -30.28db
16% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
16% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Anouar Brahem
Tunis At Dawn
78 bpm • G min • 06:42 • -27.97db
25% Popularity • 41% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
25% Popularity • 41% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Guillaume Poncelet
Gus Song
77 bpm • D Maj • 02:49 • -23.56db
34% Popularity • 39% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
34% Popularity • 39% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Giovanni Guidi
Avec le temps
81 bpm • C Maj • 06:33 • -25.27db
41% Popularity • 24% Danceability • 7% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
41% Popularity • 24% Danceability • 7% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Joseph Tawadros
Miss A
81 bpm • C min • 01:05 • -17.02db
43% Popularity • 62% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
43% Popularity • 62% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
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Avishai Cohen
Almah Sleeping
76 bpm • B min • 02:54 • -22.3db
28% Popularity • 29% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
28% Popularity • 29% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Ketil Bjørnstad
The River I
82 bpm • A Maj • 03:11 • -26.99db
14% Popularity • 27% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
14% Popularity • 27% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
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Anouar Brahem
L'aube
78 bpm • C min • 05:48 • -26.66db
27% Popularity • 37% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
27% Popularity • 37% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Airelle Besson
Time to Say Goodbye
82 bpm • G Maj • 03:20 • -19.34db
36% Popularity • 33% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
36% Popularity • 33% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
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Avi Avital
Hijazain
76 bpm • C Maj • 06:32 • -19.16db
14% Popularity • 39% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
14% Popularity • 39% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Gidon Kremer
Soledad
76 bpm • E min • 07:46 • -25.18db
21% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
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Karim Baggili
Silent Stories - Instrumentale
82 bpm • G min • 04:34 • -16.67db
30% Popularity • 58% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
30% Popularity • 58% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
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Hadouk Trio
Parasol blanc, pt. 2
76 bpm • E min • 03:33 • -11.51db
28% Popularity • 52% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
28% Popularity • 52% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Nils Petter Molvær
Martoli Bridge
76 bpm • D min • 02:02 • -23.66db
21% Popularity • 23% Danceability • 1% Energy • 13% Liveness
17% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 1% Energy • 13% Liveness
17% Instrumentalness • 4% Positiveness
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Ballaké Sissoko
Mako Mady
76 bpm • F Maj • 06:05 • -18.74db
23% Popularity • 40% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 12% Positiveness
23% Popularity • 40% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 12% Positiveness
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Jan Garbarek
Joron
76 bpm • D min • 06:26 • -21.44db
14% Popularity • 40% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
14% Popularity • 40% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Eleni Karaindrou
Encounter
82 bpm • D Maj • 04:05 • -26.74db
18% Popularity • 13% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
18% Popularity • 13% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Eric Vloeimans
November 22nd
76 bpm • G min • 10:01 • -15.91db
20% Popularity • 22% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
20% Popularity • 22% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Areni Agbabian
Seeing More
76 bpm • G# min • 01:25 • -30.92db
20% Popularity • 21% Danceability • 0% Energy • 8% Liveness
42% Instrumentalness • 6% Positiveness
20% Popularity • 21% Danceability • 0% Energy • 8% Liveness
42% Instrumentalness • 6% Positiveness
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Ulf Wakenius
Gnossienne
76 bpm • E min • 03:02 • -24.35db
26% Popularity • 75% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
26% Popularity • 75% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
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Matthew Halsall
Daan Park
76 bpm • C Maj • 06:22 • -19.71db
32% Popularity • 52% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
32% Popularity • 52% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Dhafer Youssef
Birds Canticum "Birds Requiem" Suite
76 bpm • B min • 03:16 • -13.65db
42% Popularity • 21% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
42% Popularity • 21% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Tord Gustavsen Trio
Edges Of Happiness
82 bpm • A# Maj • 03:03 • -23.73db
43% Popularity • 63% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
43% Popularity • 63% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Michel Portal
Le songe d'un jour d'eté
82 bpm • B min • 01:33 • -21.94db
35% Popularity • 28% Danceability • 2% Energy • 10% Liveness
12% Instrumentalness • 7% Positiveness
35% Popularity • 28% Danceability • 2% Energy • 10% Liveness
12% Instrumentalness • 7% Positiveness
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Abdullah Ibrahim
Signal On The Hill
76 bpm • G Maj • 01:06 • -22db
43% Popularity • 45% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 9% Positiveness
43% Popularity • 45% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 9% Positiveness
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Ketil Bjørnstad
Visitor
76 bpm • C min • 05:05 • -25.57db
10% Popularity • 13% Danceability • 3% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 3% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Nils Petter Molvær
Moute Cave
76 bpm • D# Maj • 01:58 • -21.39db
29% Popularity • 31% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Paolo Damiani
Epilogo (Sequenze Orfiche) - Live
76 bpm • C# Maj • 02:58 • -9.56db
0% Popularity • 37% Danceability • 62% Energy • 13% Liveness
16% Instrumentalness • 54% Positiveness
0% Popularity • 37% Danceability • 62% Energy • 13% Liveness
16% Instrumentalness • 54% Positiveness
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Anouar Brahem
Le pas du chat noir
83 bpm • C min • 08:01 • -22.89db
36% Popularity • 36% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 13% Positiveness
36% Popularity • 36% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 13% Positiveness
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Enrico Rava
Birdsong
75 bpm • D# Maj • 02:16 • -32.47db
33% Popularity • 45% Danceability • 1% Energy • 35% Liveness
66% Instrumentalness • 14% Positiveness
33% Popularity • 45% Danceability • 1% Energy • 35% Liveness
66% Instrumentalness • 14% Positiveness
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Myriam Alter
True Love
75 bpm • C# min • 01:45 • -22.16db
30% Popularity • 40% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
30% Popularity • 40% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
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Renaud Garcia-Fons
Reng-é shotor
75 bpm • F min • 03:48 • -11.9db
35% Popularity • 72% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 77% Positiveness
35% Popularity • 72% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 77% Positiveness
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Oded Tzur
Here Be Dragons
83 bpm • G min • 08:29 • -25.05db
31% Popularity • 27% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
31% Popularity • 27% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Paolo Damiani
Part 3 (Estramadure) - Live
75 bpm • C min • 07:07 • -9.97db
0% Popularity • 37% Danceability • 56% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
0% Popularity • 37% Danceability • 56% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
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Anouar Brahem
On The Road
75 bpm • C Maj • 07:59 • -24.23db
12% Popularity • 30% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 30% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Mats Eilertsen
Albatross
83 bpm • A# min • 04:28 • -26db
30% Popularity • 25% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 9% Positiveness
30% Popularity • 25% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 9% Positiveness
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Myriam Alter
Come With Me
83 bpm • C# Maj • 07:23 • -18db
27% Popularity • 42% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
27% Popularity • 42% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Ketil Bjørnstad
Remembrance III
83 bpm • C Maj • 04:57 • -20.2db
22% Popularity • 32% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
22% Popularity • 32% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
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Tord Gustavsen Quartet
Entrance
75 bpm • C# min • 02:52 • -25.65db
27% Popularity • 43% Danceability • 1% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
27% Popularity • 43% Danceability • 1% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
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Nils Petter Molvær
Kakonita
75 bpm • F min • 04:59 • -18.2db
32% Popularity • 11% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Anouar Brahem
Blue Maqams
75 bpm • C min • 08:41 • -26db
29% Popularity • 37% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
29% Popularity • 37% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Michael Wollny
The Rain Never Stops on Venus
74 bpm • F min • 01:46 • -21.46db
36% Popularity • 41% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
36% Popularity • 41% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
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Myriam Alter
Missing You
75 bpm • D# min • 01:39 • -21.27db
33% Popularity • 40% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 42% Positiveness
33% Popularity • 40% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 42% Positiveness
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Jon Balke
Tuchia
84 bpm • E Maj • 04:56 • -19db
9% Popularity • 16% Danceability • 10% Energy • 9% Liveness
26% Instrumentalness • 5% Positiveness
9% Popularity • 16% Danceability • 10% Energy • 9% Liveness
26% Instrumentalness • 5% Positiveness
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Markus Stockhausen
The Waltz
74 bpm • C# Maj • 04:37 • -17.6db
31% Popularity • 38% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
31% Popularity • 38% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Hadouk Trio
Théâtre des singes
84 bpm • F# Maj • 05:26 • -13.1db
23% Popularity • 69% Danceability • 33% Energy • 11% Liveness
40% Instrumentalness • 21% Positiveness
23% Popularity • 69% Danceability • 33% Energy • 11% Liveness
40% Instrumentalness • 21% Positiveness
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Anouar Brahem
Waqt
75 bpm • G Maj • 02:31 • -21.87db
14% Popularity • 9% Danceability • 1% Energy • 7% Liveness
34% Instrumentalness • 9% Positiveness
14% Popularity • 9% Danceability • 1% Energy • 7% Liveness
34% Instrumentalness • 9% Positiveness
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Brad Mehldau
Paranoid Android I
74 bpm • G min • 01:41 • -16.16db
44% Popularity • 39% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
44% Popularity • 39% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Dhafer Youssef
Wind & Shadows
74 bpm • D# min • 07:38 • -13.4db
30% Popularity • 69% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 78% Positiveness
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Tord Gustavsen Trio
Kirken, den er et gammelt hus
84 bpm • B min • 05:13 • -19.12db
29% Popularity • 34% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
29% Popularity • 34% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Thomas Enhco
Éclipse
84 bpm • G# Maj • 04:24 • -19.63db
21% Popularity • 32% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
21% Popularity • 32% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Colin Vallon
Reste - Variation
74 bpm • C min • 02:23 • -31db
30% Popularity • 40% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
30% Popularity • 40% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
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Anouar Brahem
L'arbre qui voit
74 bpm • C min • 06:13 • -24.06db
21% Popularity • 29% Danceability • 3% Energy • 34% Liveness
42% Instrumentalness • 8% Positiveness
21% Popularity • 29% Danceability • 3% Energy • 34% Liveness
42% Instrumentalness • 8% Positiveness
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Anat Fort Trio
First Rays
74 bpm • F min • 02:18 • -29.96db
43% Popularity • 61% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
43% Popularity • 61% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
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Nils Frahm
Hammers
73 bpm • F# Maj • 03:20 • -24.1db
29% Popularity • 18% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
29% Popularity • 18% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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John Surman
Autumn Nocturne
73 bpm • G min • 06:52 • -18.89db
24% Popularity • 31% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
24% Popularity • 31% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Michael Wollny
Velvet Gloves & Spit
73 bpm • A Maj • 02:43 • -23db
44% Popularity • 42% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
44% Popularity • 42% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Dhafer Youssef
Flying Dervish Outro (”Omar Khayyam”...
85 bpm • A min • 02:18 • -18.5db
34% Popularity • 48% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
34% Popularity • 48% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Anouar Brahem
Leila au pays du carrousel
73 bpm • G min • 06:37 • -22.85db
30% Popularity • 21% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Yom
Le silence de l'exode - Sinaï
86 bpm • G min • 06:52 • -29.45db
11% Popularity • 20% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Larry Grenadier
Oceanic
86 bpm • F# min • 02:26 • -23.47db
23% Popularity • 22% Danceability • 6% Energy • 36% Liveness
91% Instrumentalness • 11% Positiveness
23% Popularity • 22% Danceability • 6% Energy • 36% Liveness
91% Instrumentalness • 11% Positiveness
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Dave Douglas
Soar Away
86 bpm • D min • 03:58 • -18db
21% Popularity • 53% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
21% Popularity • 53% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Malakoff Kowalski
Euphoria, Lobster & Champagne
87 bpm • C Maj • 03:22 • -32db
31% Popularity • 42% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
31% Popularity • 42% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
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Francisco Calleja
Canción Triste
72 bpm • G min • 05:05 • -31.81db
14% Popularity • 25% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
14% Popularity • 25% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
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Mathias Eick
Children
87 bpm • G# Maj • 05:42 • -15.31db
31% Popularity • 52% Danceability • 29% Energy • 22% Liveness
83% Instrumentalness • 28% Positiveness
31% Popularity • 52% Danceability • 29% Energy • 22% Liveness
83% Instrumentalness • 28% Positiveness
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Catrin Finch
Genedigaeth koring-bato
87 bpm • C min • 06:38 • -18db
26% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
26% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness