Songs like Cet amour me tue by Jacques Sauveur Jean
Based on a tempo of (+/- 10%) and a similar genre
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Kreyol La
K-naval
150 bpm • D Maj • 06:57 • -6.59db
11% Popularity • 45% Danceability • 82% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 45% Danceability • 82% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
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King Posse
Darline
146 bpm • G Maj • 04:17 • -10.13db
15% Popularity • 78% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 78% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Jacques Sauveur Jean
Krye chante
156 bpm • C min • 04:02 • -13.28db
12% Popularity • 30% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 30% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Jacques Sauveur Jean
Je t'aime
144 bpm • G Maj • 03:09 • -6.88db
13% Popularity • 65% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 65% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Dat7
Se Konsa
160 bpm • A Maj • 05:04 • -7db
20% Popularity • 62% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 62% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Cruz La
À Toi
160 bpm • C# Maj • 05:01 • -7db
25% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Black Parents
Ti kow bon
160 bpm • F Maj • 07:00 • -11db
9% Popularity • 63% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 63% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Jim Rama
Mon Seul Regret
162 bpm • C Maj • 04:15 • -5.21db
19% Popularity • 61% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 61% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Jacques Sauveur Jean
Plus d'elle
144 bpm • G Maj • 04:36 • -11.63db
2% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
2% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Ti Lunet
Demenaje
164 bpm • A# Maj • 04:42 • -7.4db
13% Popularity • 54% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 54% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Mass Konpa
Kounye A
164 bpm • G Maj • 04:00 • -10.99db
31% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Gabel
Fanm Moun
164 bpm • A min • 05:25 • -6.39db
26% Popularity • 60% Danceability • 76% Energy • 58% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 60% Danceability • 76% Energy • 58% Liveness
0% Instrumentalness • 90% Positiveness
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Original H
I Love You
164 bpm • F Maj • 05:05 • -7.41db
21% Popularity • 62% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 62% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Klass
Se Ou Sèl Mwen Genyen
164 bpm • A Maj • 05:51 • -6.79db
24% Popularity • 60% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 60% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Jacques Sauveur Jean
Plus d'elle - Remix Special Effects
144 bpm • G Maj • 04:38 • -13.88db
2% Popularity • 80% Danceability • 38% Energy • 14% Liveness
2% Instrumentalness • 96% Positiveness
2% Popularity • 80% Danceability • 38% Energy • 14% Liveness
2% Instrumentalness • 96% Positiveness
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Mizik Mizik
Sa poun fe - Remastered
164 bpm • D Maj • 05:49 • -7.71db
10% Popularity • 74% Danceability • 57% Energy • 5% Liveness
16% Instrumentalness • 90% Positiveness
10% Popularity • 74% Danceability • 57% Energy • 5% Liveness
16% Instrumentalness • 90% Positiveness
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Mikaben
Fè Lapli
164 bpm • C Maj • 03:46 • -3.99db
42% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Nickenson Prud'Homme
Deception
164 bpm • F Maj • 05:44 • -9db
30% Popularity • 65% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 65% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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J-BEATZ
I Fall in Love
164 bpm • G Maj • 04:52 • -5.06db
23% Popularity • 67% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 67% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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Klass
Lanmou Pafè
164 bpm • E min • 06:11 • -5.52db
26% Popularity • 61% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 61% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Jacques Sauveur Jean
Mwen Jwenn
164 bpm • A min • 05:00 • -7.1db
5% Popularity • 65% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
5% Popularity • 65% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Gabel
Kisa Pou'm Bay
164 bpm • A# Maj • 05:23 • -6db
32% Popularity • 66% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 66% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Mass Konpa
Sekirite
164 bpm • C Maj • 05:25 • -4.97db
18% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Original H
Ou fèt pou mwen
164 bpm • F Maj • 05:15 • -6.57db
23% Popularity • 60% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 60% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Fabiola Shyne
Naturellement
164 bpm • E Maj • 04:56 • -7.33db
28% Popularity • 66% Danceability • 73% Energy • 9% Liveness
7% Instrumentalness • 83% Positiveness
28% Popularity • 66% Danceability • 73% Energy • 9% Liveness
7% Instrumentalness • 83% Positiveness
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Roody Roodboy
Krazèd Fwaye
164 bpm • C Maj • 04:16 • -4.03db
42% Popularity • 67% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 67% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Jacques Sauveur Jean
Maman
139 bpm • C# Maj • 04:34 • -14.92db
3% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
3% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Top Adlerman
Kile
166 bpm • F# Maj • 04:59 • -5.66db
17% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Jacques Sauveur Jean
Le vrai bonheur
166 bpm • E min • 04:36 • -11.57db
9% Popularity • 66% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 66% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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X-tassy
Di'm Kibò'w Vle'l #Quickie
166 bpm • E min • 04:24 • -7.97db
35% Popularity • 57% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 57% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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De Gazzman Couleur
Il Est Ou Le Bonheur
166 bpm • A min • 06:06 • -6.06db
16% Popularity • 60% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 60% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Nickenson Prud'Homme
Zanmi
168 bpm • D# Maj • 06:08 • -9.04db
33% Popularity • 69% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 69% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Jacques Sauveur Jean
Sispan-n
138 bpm • C Maj • 03:45 • -14.42db
6% Popularity • 84% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 84% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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Gabel
Ou sé mélodie
168 bpm • A Maj • 05:00 • -7.57db
34% Popularity • 68% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 68% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Jacques Sauveur Jean
Formidable
166 bpm • E min • 04:14 • -9.25db
10% Popularity • 60% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 60% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Herve "Shabba" Antenor
Chè an mwen
168 bpm • D Maj • 05:02 • -8.03db
21% Popularity • 56% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 56% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Kado
Power of Love
168 bpm • F Maj • 05:41 • -7.15db
21% Popularity • 60% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 60% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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King Posse
Sa Wap Fe
168 bpm • B min • 07:58 • -18.7db
15% Popularity • 63% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 63% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Jacques Sauveur Jean
K. Reman
164 bpm • A min • 04:30 • -14.57db
18% Popularity • 68% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 68% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Michael Benjamin
Ou Pati
168 bpm • G Maj • 05:32 • -11.44db
10% Popularity • 59% Danceability • 73% Energy • 20% Liveness
1% Instrumentalness • 95% Positiveness
10% Popularity • 59% Danceability • 73% Energy • 20% Liveness
1% Instrumentalness • 95% Positiveness
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Gabel
Ki Mele'm
168 bpm • G Maj • 04:24 • -7db
28% Popularity • 62% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 62% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Top Adlerman
Angel
168 bpm • F# Maj • 05:23 • -5.24db
15% Popularity • 65% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 65% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Original H
Evidemment
168 bpm • E Maj • 05:38 • -5.89db
20% Popularity • 59% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 59% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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King Posse
Ti Louloup
168 bpm • D Maj • 05:42 • -6.62db
12% Popularity • 72% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 72% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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X-tassy
#Lgd (Let's Get Down)
168 bpm • G# Maj • 04:50 • -5.94db
26% Popularity • 63% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 63% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Jacques Sauveur Jean
Koman Nou Ye
165 bpm • G Maj • 04:40 • -8.6db
1% Popularity • 38% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
1% Popularity • 38% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Disip
Heartbreak & Misery
168 bpm • F# Maj • 06:31 • -5.14db
30% Popularity • 69% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 69% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Gabel
Koute kè'm
168 bpm • G Maj • 04:59 • -9.03db
37% Popularity • 72% Danceability • 77% Energy • 17% Liveness
1% Instrumentalness • 95% Positiveness
37% Popularity • 72% Danceability • 77% Energy • 17% Liveness
1% Instrumentalness • 95% Positiveness
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509
All I Need Is You
168 bpm • D Maj • 05:05 • -9.23db
16% Popularity • 63% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 63% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Mikaben
Kenbe M'
168 bpm • G Maj • 04:59 • -4.46db
33% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Beljazz
La femme de mon patron
168 bpm • A# Maj • 05:42 • -7.95db
29% Popularity • 69% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 69% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Jacques Sauveur Jean
Deceptiom Facebook
166 bpm • C Maj • 04:41 • -7.92db
12% Popularity • 63% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 63% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Top Adlerman
Konsole
168 bpm • F# Maj • 04:49 • -6.43db
28% Popularity • 72% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 72% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Jbeatz
Eske'w Happy
168 bpm • C Maj • 05:09 • -7db
31% Popularity • 73% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 73% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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5 Etwal
U. R.
168 bpm • A min • 05:43 • -8.64db
8% Popularity • 66% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 66% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Klass
M'ap Marye
168 bpm • D# Maj • 06:50 • -6.58db
37% Popularity • 37% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 37% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Black Parents
My Number One - Live
168 bpm • G Maj • 05:39 • -6.83db
29% Popularity • 65% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 65% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Jacques Sauveur Jean
Aksidan Lanmou
168 bpm • G Maj • 04:49 • -6.17db
18% Popularity • 64% Danceability • 90% Energy • 26% Liveness
9% Instrumentalness • 89% Positiveness
18% Popularity • 64% Danceability • 90% Energy • 26% Liveness
9% Instrumentalness • 89% Positiveness
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King Posse
SAW WE
168 bpm • G Maj • 09:31 • -8.72db
14% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jbeatz
Lanmou Mechan
168 bpm • F# Maj • 05:04 • -7db
37% Popularity • 73% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 73% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Djakout # 1
Tendresse
169 bpm • A Maj • 06:27 • -11.21db
10% Popularity • 43% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 43% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Klass
Klike Sou Li
168 bpm • D min • 06:05 • -4.65db
29% Popularity • 61% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 61% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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Rayy Raymond
Ou Make VI Mwen
170 bpm • G Maj • 04:42 • -10.02db
23% Popularity • 58% Danceability • 59% Energy • 59% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 58% Danceability • 59% Energy • 59% Liveness
0% Instrumentalness • 35% Positiveness
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Jacques Sauveur Jean
Bò Kote W
168 bpm • A Maj • 05:11 • -6.89db
13% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Black Parents
Adan et Eve
170 bpm • E Maj • 05:50 • -6.59db
24% Popularity • 66% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 66% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Gabel
Kwe Nan Lanmou
170 bpm • G Maj • 04:17 • -6.27db
26% Popularity • 57% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 57% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Djakout #1
Mwen Mouri
170 bpm • F Maj • 06:13 • -6.53db
22% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Klass
Let's Make It Work
168 bpm • E Maj • 06:32 • -5.87db
24% Popularity • 64% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 64% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Mass Konpa
Gad On F anm
170 bpm • E min • 05:10 • -3db
19% Popularity • 57% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 57% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Jacques Sauveur Jean
Viktwa Lanmou
169 bpm • F Maj • 04:50 • -9.89db
6% Popularity • 58% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
6% Popularity • 58% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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K-Dans
Move chwa
170 bpm • A# Maj • 05:19 • -6.22db
25% Popularity • 56% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 56% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Jude Jean
Aprann Mwen
170 bpm • G Maj • 05:18 • -5.71db
17% Popularity • 62% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 62% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Harmonik
Cheri benyen m' - Remastered Version
170 bpm • F Maj • 04:31 • -6.56db
23% Popularity • 67% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 67% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Djakout #1
Aprouve'm
170 bpm • A# Maj • 05:52 • -6.89db
18% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jacques Sauveur Jean
Les yeux revolver
170 bpm • F Maj • 05:18 • -7.33db
17% Popularity • 67% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 67% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Jacques Sauveur Jean
Sorry
170 bpm • D min • 04:30 • -7.03db
20% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Kenny Desmangles
My Pain
172 bpm • A# Maj • 05:50 • -4.44db
25% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Herve "Shabba" Antenor
Pito m' pa konnen
172 bpm • E Maj • 05:17 • -6.64db
13% Popularity • 67% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 67% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Original H
Trahison
172 bpm • D Maj • 05:22 • -5.95db
9% Popularity • 55% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 55% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Klass
You Don't Want Me
172 bpm • D Maj • 05:57 • -6.06db
37% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Jacques Sauveur Jean
Une Histoire D'Amour - Remastered
172 bpm • G# Maj • 05:23 • -16.27db
16% Popularity • 38% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 38% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Jacques Sauveur Jean
Crying & Singing
132 bpm • G Maj • 04:33 • -15.17db
8% Popularity • 68% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 68% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Fasil
Par Amour et Ressemblance
172 bpm • G Maj • 05:51 • -6.11db
11% Popularity • 59% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 58% Positiveness
11% Popularity • 59% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 58% Positiveness
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Disip De Gazzman Couleur
Si M Te Gen Pouwva Lavi
172 bpm • F min • 06:13 • -6.32db
15% Popularity • 55% Danceability • 85% Energy • 50% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 55% Danceability • 85% Energy • 50% Liveness
0% Instrumentalness • 79% Positiveness
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Original H
Trahison - Remix
172 bpm • D Maj • 05:23 • -5.5db
24% Popularity • 52% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 52% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Klass
Emmène-moi
172 bpm • D# Maj • 05:37 • -7.5db
36% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Jacques Sauveur Jean
Le geant de papier
172 bpm • G min • 05:00 • -8.9db
14% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Jacques Sauveur Jean
Kanpe La
172 bpm • A Maj • 05:12 • -7.84db
16% Popularity • 58% Danceability • 89% Energy • 26% Liveness
1% Instrumentalness • 89% Positiveness
16% Popularity • 58% Danceability • 89% Energy • 26% Liveness
1% Instrumentalness • 89% Positiveness
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Gracia & Richie
Papa
172 bpm • A Maj • 05:52 • -9.72db
24% Popularity • 70% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 70% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Vayb
Ralanti
172 bpm • B min • 05:09 • -6.68db
43% Popularity • 64% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 64% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Disip De Gazzman Couleur
Poukisa
172 bpm • C min • 05:50 • -4db
25% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Klass
Lanmou n Kidnape
172 bpm • G Maj • 05:25 • -3.86db
36% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Beljazz
Ou fou pou li
172 bpm • F Maj • 06:16 • -7.27db
20% Popularity • 60% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 60% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Jacques Sauveur Jean
Tonton Nwel Di Mwen Wap Pase
170 bpm • C Maj • 03:23 • -6.78db
4% Popularity • 66% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
4% Popularity • 66% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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X-tassy
Scandal
172 bpm • G Maj • 05:47 • -8.51db
29% Popularity • 57% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
29% Popularity • 57% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
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Zo Konpa
Sexual Healing - Zouk
172 bpm • G# Maj • 04:47 • -9.06db
34% Popularity • 61% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 61% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Jude Jean
My Story
172 bpm • A min • 06:18 • -10.19db
7% Popularity • 64% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
7% Popularity • 64% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
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Klass
I'm Sorry
172 bpm • C# min • 05:58 • -6.41db
27% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
