Songs like Chabrier: 10 Pièces pittoresques: No. 6, Idylle by Emmanuel Chabrier
Based on a tempo of (+/- 10%) and a similar genre
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Emmanuel Chabrier
España
129 bpm • F Maj • 06:09 • -21.21db
3% Popularity • 34% Danceability • 16% Energy • 2% Liveness
81% Instrumentalness • 28% Positiveness
3% Popularity • 34% Danceability • 16% Energy • 2% Liveness
81% Instrumentalness • 28% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
37% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
37% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Arthur Bliss
Adam Zero: Approach of Autumn
128 bpm • D min • 03:34 • -38db
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Masquerade Suite: Nocturne
128 bpm • A Maj • 03:53 • -25.53db
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Emmanuel Chabrier
España
129 bpm • F Maj • 06:06 • -17.57db
2% Popularity • 33% Danceability • 25% Energy • 5% Liveness
84% Instrumentalness • 36% Positiveness
2% Popularity • 33% Danceability • 25% Energy • 5% Liveness
84% Instrumentalness • 36% Positiveness
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Edvard Grieg
Lyric Suite, Op. 54: III. Notturno (Noct...
127 bpm • C Maj • 04:19 • -23.34db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
45% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
45% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
45% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
45% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Emmanuel Chabrier
España - Rhapsody for Orchestra
129 bpm • F Maj • 06:09 • -17db
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
126 bpm • B min • 03:02 • -29db
41% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
41% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
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Emmanuel Chabrier
Allegro con fuoco
128 bpm • F Maj • 06:06 • -16.64db
3% Popularity • 35% Danceability • 29% Energy • 13% Liveness
78% Instrumentalness • 43% Positiveness
3% Popularity • 35% Danceability • 29% Energy • 13% Liveness
78% Instrumentalness • 43% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
31% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
31% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Charles Koechlin
Bourree fantasque (arr. C. Koechlin)
133 bpm • C Maj • 06:39 • -25.6db
3% Popularity • 32% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
3% Popularity • 32% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70 TH 118: IV....
133 bpm • D min • 07:04 • -16.41db
13% Popularity • 37% Danceability • 25% Energy • 22% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 37% Danceability • 25% Energy • 22% Liveness
90% Instrumentalness • 35% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Emmanuel Chabrier
Joyeuse marche
130 bpm • C Maj • 03:39 • -17.98db
7% Popularity • 54% Danceability • 35% Energy • 6% Liveness
94% Instrumentalness • 37% Positiveness
7% Popularity • 54% Danceability • 35% Energy • 6% Liveness
94% Instrumentalness • 37% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Georges Bizet
Carmen Suite No. 1: Entr'acte (Act III)
133 bpm • D# Maj • 02:38 • -26.93db
22% Popularity • 16% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Maurice Ravel
10 Pièces pittoresques: 10 Pieces pitto...
125 bpm • G min • 04:32 • -21.17db
2% Popularity • 39% Danceability • 16% Energy • 15% Liveness
71% Instrumentalness • 32% Positiveness
2% Popularity • 39% Danceability • 16% Energy • 15% Liveness
71% Instrumentalness • 32% Positiveness
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Emmanuel Chabrier
Suite pastorale: Danse villageoise
128 bpm • A Maj • 04:27 • -23.1db
2% Popularity • 38% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 24% Positiveness
2% Popularity • 38% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 24% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56 "Scott...
124 bpm • A min • 09:40 • -16.82db
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
47% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
47% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Emmanuel Chabrier
Chabrier: España
128 bpm • F Maj • 06:07 • -17.85db
3% Popularity • 39% Danceability • 25% Energy • 4% Liveness
82% Instrumentalness • 50% Positiveness
3% Popularity • 39% Danceability • 25% Energy • 4% Liveness
82% Instrumentalness • 50% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
123 bpm • F Maj • 04:54 • -18.41db
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Emmanuel Chabrier
Chabrier: 10 Pièces pittoresques: No. 6...
135 bpm • E Maj • 03:20 • -28db
3% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 56% Positiveness
3% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 56% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 in B-Flat Minor, Op...
136 bpm • A# min • 08:46 • -16.89db
18% Popularity • 38% Danceability • 38% Energy • 68% Liveness
84% Instrumentalness • 35% Positiveness
18% Popularity • 38% Danceability • 38% Energy • 68% Liveness
84% Instrumentalness • 35% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: I. The Ab...
135 bpm • G min • 05:01 • -18.19db
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): VI...
136 bpm • E Maj • 04:48 • -24.41db
28% Popularity • 34% Danceability • 5% Energy • 6% Liveness
43% Instrumentalness • 18% Positiveness
28% Popularity • 34% Danceability • 5% Energy • 6% Liveness
43% Instrumentalness • 18% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Emmanuel Chabrier
Habanera
128 bpm • A Maj • 04:07 • -27db
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Emmanuel Chabrier
Chabrier: L'étoile, Act I: Rondeau du c...
131 bpm • A Maj • 02:50 • -20.37db
3% Popularity • 52% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 52% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Alexander Borodin
Symphony No. 2 in B Minor: I. Allegro
137 bpm • G Maj • 06:52 • -15db
18% Popularity • 29% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
18% Popularity • 29% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Charles-Valentin Alkan
Le Festin D'Esope Op. 39 No. 12
138 bpm • E min • 09:08 • -18.65db
13% Popularity • 40% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
13% Popularity • 40% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
121 bpm • F min • 11:34 • -18.28db
36% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
36% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Emmanuel Chabrier
España - Rapsodie - 1988 - Remaster
132 bpm • F Maj • 05:59 • -17.33db
5% Popularity • 34% Danceability • 27% Energy • 4% Liveness
92% Instrumentalness • 49% Positiveness
5% Popularity • 34% Danceability • 27% Energy • 4% Liveness
92% Instrumentalness • 49% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: IV. Passacaglia: Ma...
119 bpm • G min • 03:31 • -15.09db
25% Popularity • 30% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
25% Popularity • 30% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
► Preview
Felix Mendelssohn
Overture "A Midsummer Night's Dream", Op...
139 bpm • E Maj • 11:55 • -19.29db
31% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Emmanuel Chabrier
Chabrier: Les cigales
126 bpm • B min • 03:47 • -23.86db
2% Popularity • 42% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 42% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Quartet in G Minor, K.478: II. And...
140 bpm • A# Maj • 06:43 • -27.65db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
43% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
140 bpm • C Maj • 10:01 • -16.14db
13% Popularity • 17% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
► Preview
Emmanuel Chabrier
Suite pastorale: II. Danse villageoise
126 bpm • A Maj • 04:33 • -24db
11% Popularity • 48% Danceability • 5% Energy • 3% Liveness
84% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 5% Energy • 3% Liveness
84% Instrumentalness • 42% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
118 bpm • A# Maj • 07:19 • -17db
23% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
23% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for String Orchestra in C Major...
118 bpm • C Maj • 09:39 • -20.52db
10% Popularity • 31% Danceability • 22% Energy • 18% Liveness
82% Instrumentalness • 17% Positiveness
10% Popularity • 31% Danceability • 22% Energy • 18% Liveness
82% Instrumentalness • 17% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Emmanuel Chabrier
Chabrier: L'étoile: Ouverture
133 bpm • D Maj • 05:14 • -21.14db
3% Popularity • 43% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
3% Popularity • 43% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Jean Françaix
Cortège burlesque - After Emmanuel Chab...
117 bpm • A# Maj • 05:23 • -18.74db
0% Popularity • 54% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
0% Popularity • 54% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Emmanuel Chabrier
Chabrier: Le roi malgré lui, Act 2: Cha...
134 bpm • G Maj • 05:10 • -23db
2% Popularity • 33% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 33% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
143 bpm • E Maj • 04:20 • -23.9db
37% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
115 bpm • A min • 06:14 • -23db
20% Popularity • 35% Danceability • 9% Energy • 7% Liveness
16% Instrumentalness • 23% Positiveness
20% Popularity • 35% Danceability • 9% Energy • 7% Liveness
16% Instrumentalness • 23% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
51% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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Sergei Rachmaninoff
Symphony No. 2: II. Allegro molto
146 bpm • F Maj • 09:49 • -26db
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
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Emmanuel Chabrier
Chabrier: L'étoile, Act I: Dialogue. "A...
124 bpm • C Maj • 02:08 • -19.88db
0% Popularity • 52% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 52% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Georges Bizet
Petite Suite, WD 39: No. 4. Duo: Petit m...
145 bpm • F Maj • 02:55 • -28db
16% Popularity • 14% Danceability • 5% Energy • 13% Liveness
75% Instrumentalness • 6% Positiveness
16% Popularity • 14% Danceability • 5% Energy • 13% Liveness
75% Instrumentalness • 6% Positiveness
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Maurice Ravel
10 Pièces pittoresques for Piano: 10 Pi...
114 bpm • G Maj • 06:49 • -19.93db
5% Popularity • 46% Danceability • 12% Energy • 35% Liveness
21% Instrumentalness • 30% Positiveness
5% Popularity • 46% Danceability • 12% Energy • 35% Liveness
21% Instrumentalness • 30% Positiveness
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Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: IV. Finale ...
146 bpm • G Maj • 07:46 • -18db
35% Popularity • 29% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
35% Popularity • 29% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Robert Schumann
Spanish Romance, Op. 74: The Smuggler (T...
147 bpm • G min • 02:00 • -26db
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Emmanuel Chabrier
Chabrier: España
124 bpm • F Maj • 06:15 • -16.81db
2% Popularity • 35% Danceability • 26% Energy • 4% Liveness
85% Instrumentalness • 34% Positiveness
2% Popularity • 35% Danceability • 26% Energy • 4% Liveness
85% Instrumentalness • 34% Positiveness
