Songs like Chacona: A la vida bona by Juan Arañés
Based on a tempo of (+/- 10%) and a similar genre
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Tylman Susato
Susato: 12 Dances from the Danserye: XI....
137 bpm • A min • 00:46 • -14db
8% Popularity • 48% Danceability • 28% Energy • 28% Liveness
95% Instrumentalness • 68% Positiveness
8% Popularity • 48% Danceability • 28% Energy • 28% Liveness
95% Instrumentalness • 68% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Girolamo Fantini
All'imperio d'Amore: 1. Toccata "La Renu...
137 bpm • D Maj • 01:47 • -14db
13% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
13% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
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Juan Arañés
Chacona: A la vida bona
137 bpm • D Maj • 01:53 • -16.64db
3% Popularity • 71% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
3% Popularity • 71% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
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Francesco Spinacino
Jay pris amours
137 bpm • A# Maj • 03:33 • -30db
23% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
23% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Pierre Attaingnant
Bransle de Poictou
136 bpm • E Maj • 03:01 • -22.86db
14% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
14% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
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Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Henry VIII
Tandernaken: The Kynge Henry VIII
139 bpm • F Maj • 01:52 • -23db
8% Popularity • 32% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
8% Popularity • 32% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Fabritio Caroso
Furioso alla Spagnuola
139 bpm • D Maj • 01:23 • -20db
16% Popularity • 49% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 49% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Bartolomeo Tromboncino
A la guerra a la guerra
138 bpm • D# min • 03:12 • -21db
15% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
15% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
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Oxford Camerata
Ego Flos Campi
139 bpm • F# Maj • 06:00 • -27.83db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Juan Arañés
Chacona: Improvisation / Juan Aranes: Im...
139 bpm • C Maj • 02:36 • -18.99db
0% Popularity • 61% Danceability • 44% Energy • 45% Liveness
1% Instrumentalness • 47% Positiveness
0% Popularity • 61% Danceability • 44% Energy • 45% Liveness
1% Instrumentalness • 47% Positiveness
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Enríquez de Valderrábano
Soneto I
139 bpm • F Maj • 02:02 • -31db
17% Popularity • 35% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
17% Popularity • 35% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
24% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Paolo Pandolfo
sopra Passemezzo moderno
139 bpm • G Maj • 01:33 • -20.72db
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Francesco Spinacino
La Bernardina de Josquin
135 bpm • A# Maj • 02:59 • -29.36db
18% Popularity • 49% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 86% Positiveness
18% Popularity • 49% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 86% Positiveness
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Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
18% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Gaspar Sanz
Canarios
135 bpm • C# Maj • 03:47 • -18.83db
7% Popularity • 52% Danceability • 23% Energy • 8% Liveness
21% Instrumentalness • 44% Positiveness
7% Popularity • 52% Danceability • 23% Energy • 8% Liveness
21% Instrumentalness • 44% Positiveness
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Bartolomé de Selma y Salaverde
Canzoni fantasie et correnti da suonar: ...
140 bpm • A min • 03:58 • -22db
10% Popularity • 30% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 30% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tomás Luis de Victoria
Salve Regina
134 bpm • C# min • 04:13 • -24.24db
14% Popularity • 23% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
14% Popularity • 23% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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Juan Arañés
Una sarao de la chacona, "A la vida bona...
140 bpm • F# Maj • 01:58 • -20.35db
13% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
13% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
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Francesco de la Torre
Danza alta
140 bpm • A min • 01:42 • -21db
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
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Tarquinio Merula
Sentirete una canzonetta
140 bpm • D Maj • 03:25 • -12.3db
9% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Capella de Ministrers
Amoroso
134 bpm • A min • 03:00 • -17.17db
9% Popularity • 35% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
9% Popularity • 35% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
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Orlando Gibbons
The silver swan
134 bpm • F Maj • 01:27 • -22.03db
11% Popularity • 18% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 5% Positiveness
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Gaspar Sanz
Espagnoletta
141 bpm • C min • 01:06 • -32.1db
17% Popularity • 38% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
17% Popularity • 38% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
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Juan Arañés
Arañés: Chacona: A la vida bona
134 bpm • D Maj • 01:46 • -13.89db
0% Popularity • 68% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 68% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Orazio Vecchi
So ben mi ch'ha bon tempo
141 bpm • E min • 02:47 • -15.17db
13% Popularity • 71% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 71% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
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Juan de Araujo
Tleycantimo choquiliya
133 bpm • E Maj • 01:47 • -22.2db
6% Popularity • 33% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
6% Popularity • 33% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Gaspar Sanz
Paradetas: Improvisación
133 bpm • C# Maj • 05:02 • -24.83db
7% Popularity • 42% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 44% Positiveness
7% Popularity • 42% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 44% Positiveness
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Hopkinson Smith
Marizapalos
133 bpm • G min • 04:25 • -29.39db
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
12% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
12% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Orlande de Lassus
Bonjour, et puis, quelles nouvelles ?
133 bpm • C Maj • 01:58 • -11db
10% Popularity • 30% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 30% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Juan Arañés
La Chacona (y fregonas)
133 bpm • B Maj • 02:33 • -12.44db
0% Popularity • 80% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 80% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Richard Dering
Almaine
133 bpm • G Maj • 01:51 • -23.92db
8% Popularity • 35% Danceability • 3% Energy • 6% Liveness
98% Instrumentalness • 57% Positiveness
8% Popularity • 35% Danceability • 3% Energy • 6% Liveness
98% Instrumentalness • 57% Positiveness
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Juan del Encina
Oy comamos y bebamos: Hoy comamos y beba...
142 bpm • D Maj • 04:07 • -17.66db
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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John Dowland
Mistresse Nichols Almand
132 bpm • A# Maj • 00:52 • -24.27db
33% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
33% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Hans Leo Hassler
Mein gmüth ist mir verwirret
133 bpm • A# Maj • 02:45 • -17db
10% Popularity • 29% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 29% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Adam Jarzębski
Jarzebski: Concerto a 3 voci & continuo:...
132 bpm • D Maj • 02:28 • -12.05db
16% Popularity • 47% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
16% Popularity • 47% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
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Juan Arañés
Una sarao de la chacona, "A la vida bona...
132 bpm • B Maj • 04:06 • -15.33db
0% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jean d’Estrées
Premier livre de danseries: Suite de bra...
132 bpm • F min • 02:04 • -20.89db
7% Popularity • 64% Danceability • 34% Energy • 6% Liveness
58% Instrumentalness • 78% Positiveness
7% Popularity • 64% Danceability • 34% Energy • 6% Liveness
58% Instrumentalness • 78% Positiveness
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Juan de Araujo
Hanacpachap cussisuinim
132 bpm • C# min • 04:23 • -27.03db
4% Popularity • 24% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 10% Positiveness
4% Popularity • 24% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 10% Positiveness
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Robert de Visée
Suite in E Minor: VI. Menuet
132 bpm • D min • 01:15 • -30db
25% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
25% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
131 bpm • F# min • 01:48 • -22.62db
23% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
23% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Juan Arañés
El Morisco Que Ponía
132 bpm • C Maj • 04:07 • -7.49db
1% Popularity • 69% Danceability • 44% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
1% Popularity • 69% Danceability • 44% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Thomas Tallis
Libera Nos, Salva Nos à 5
131 bpm • C min • 01:52 • -27.11db
12% Popularity • 16% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 16% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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Joan Araniés
Un sarao de la Chacona
131 bpm • C# Maj • 06:19 • -9.92db
9% Popularity • 65% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 65% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Edward Martin
Basse dance :La Magdalena: -Recoupe - To...
143 bpm • D min • 02:21 • -24db
19% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
19% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Diego Pisador
La mananna de San Juan
131 bpm • A min • 04:44 • -20.68db
9% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
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Juan Arañés
Chacona, A la Vida Bona
130 bpm • C Maj • 03:16 • -17.02db
0% Popularity • 74% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 74% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
► Preview
Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
► Preview
Francesco da Milano
Fantasia 31
145 bpm • G Maj • 01:13 • -32.14db
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
► Preview
Enríquez de Valderrábano
Soneto II
144 bpm • F Maj • 01:28 • -30db
22% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
22% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
► Preview
John Playford
The English Dancing Master: Parson's far...
130 bpm • A min • 01:36 • -14.42db
21% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
21% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
► Preview
Juan Arañés
Chacona
130 bpm • C Maj • 04:38 • -16.47db
0% Popularity • 48% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 48% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Giovanni Gabrieli
Canzona Seconda (a 6), C196
129 bpm • A min • 04:06 • -25.69db
6% Popularity • 30% Danceability • 4% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
6% Popularity • 30% Danceability • 4% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
anon arr Alan Crumpler
Horse's bransle
129 bpm • A min • 01:40 • -27.99db
10% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
10% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
► Preview
Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Josquin des Prez
Guillaume se va chaufer
129 bpm • C Maj • 01:03 • -17.59db
15% Popularity • 26% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 26% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Luis de Narváez
Canción del Emperador, Mille regres de...
146 bpm • D min • 02:34 • -28.53db
7% Popularity • 38% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
7% Popularity • 38% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
► Preview
Juan Arañés
Chacona «A la vida bona»
145 bpm • D Maj • 03:22 • -19.45db
2% Popularity • 53% Danceability • 17% Energy • 10% Liveness
6% Instrumentalness • 72% Positiveness
2% Popularity • 53% Danceability • 17% Energy • 10% Liveness
6% Instrumentalness • 72% Positiveness
► Preview
French 13th Cent.
Estampie Real: La Seste
146 bpm • G Maj • 03:27 • -41db
10% Popularity • 28% Danceability • 0% Energy • 8% Liveness
10% Instrumentalness • 64% Positiveness
10% Popularity • 28% Danceability • 0% Energy • 8% Liveness
10% Instrumentalness • 64% Positiveness
► Preview
Tylman Susato
Ronde
129 bpm • F Maj • 01:22 • -21.31db
10% Popularity • 53% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 88% Positiveness
10% Popularity • 53% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 88% Positiveness
► Preview
María Luz Álvarez
Chacona
146 bpm • B Maj • 02:38 • -23.21db
0% Popularity • 64% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 64% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Eustache du Caurroy
At The Crossroads... : Fantaisie à 3 su...
128 bpm • D min • 01:47 • -26.52db
12% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Ensemble Project Ars Nova
Biaute Paree De Valour
128 bpm • C Maj • 02:08 • -27db
15% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
15% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
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Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
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Josquin des Prez
Praeter rerum seriem: II. Secunda pars
128 bpm • D min • 03:36 • -22.42db
13% Popularity • 19% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 14% Positiveness
13% Popularity • 19% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 14% Positiveness
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Alonso Mudarra
Pavana de Alexandre (Gallárda)
126 bpm • E Maj • 03:44 • -22db
14% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
14% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Gilles Binchois
Chansons: Filles a marier ne vous mariez...
149 bpm • C# Maj • 01:23 • -16.01db
14% Popularity • 35% Danceability • 26% Energy • 24% Liveness
8% Instrumentalness • 59% Positiveness
14% Popularity • 35% Danceability • 26% Energy • 24% Liveness
8% Instrumentalness • 59% Positiveness
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Hildegard von Bingen
Ave Maria: Ave, Maria, o auctrix vitae (...
128 bpm • F# min • 08:15 • -23db
11% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Praetorius
Terpsichore*: Volte
149 bpm • C Maj • 01:30 • -13.7db
26% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
26% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
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Juan Arañés
Libro Segundo de Tonos y Villancicos: A ...
129 bpm • G Maj • 02:18 • -14.67db
0% Popularity • 71% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 71% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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John Dowland
Mistresse Nichols Almand from Lachrimae,...
150 bpm • A# Maj • 01:23 • -24.25db
14% Popularity • 31% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 74% Positiveness
14% Popularity • 31% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 74% Positiveness
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Cristobal de Morales
Officium defunctorum: Invitatorium: Anti...
125 bpm • F Maj • 03:10 • -25.36db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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William Byrd
Byrd: Sermone blando a 3 & a 4
125 bpm • A# Maj • 04:18 • -23.79db
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
33% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
33% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Juan Arañés
Chacona (España)
146 bpm • A# Maj • 04:10 • -16.95db
0% Popularity • 68% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 68% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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John Dowland
Unquiet Thoughts
124 bpm • G min • 03:24 • -20db
9% Popularity • 44% Danceability • 5% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
9% Popularity • 44% Danceability • 5% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
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Jacob Obrecht
Den haghel ende
151 bpm • A# Maj • 01:48 • -24.61db
14% Popularity • 34% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 21% Positiveness
14% Popularity • 34% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 21% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
15% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
15% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Filippo Azzaiolo
Ti partir cor mio caro
124 bpm • D Maj • 01:36 • -18.31db
18% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
24% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
24% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
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Juan Arañés
Tonos y villancicos, Book 2: Chacona "A ...
146 bpm • C# Maj • 03:52 • -16.61db
1% Popularity • 53% Danceability • 24% Energy • 11% Liveness
9% Instrumentalness • 58% Positiveness
1% Popularity • 53% Danceability • 24% Energy • 11% Liveness
9% Instrumentalness • 58% Positiveness
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Francesco da Milano
Fantasia sexta
123 bpm • F Maj • 02:00 • -30db
23% Popularity • 48% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
23% Popularity • 48% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
