Songs like Chacony In G Minor Z.730 by Henry Purcell
Based on a tempo of (+/- 10%) and a similar genre
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act III - The...
80 bpm • F# min • 01:10 • -31.5db
16% Popularity • 14% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 34% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A minor, BWV 10...
80 bpm • C Maj • 06:49 • -20.07db
26% Popularity • 20% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 20% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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George Frideric Handel
12 Concerti grossi, Op. 6 - Concerto gro...
80 bpm • E Maj • 01:01 • -25.66db
36% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
36% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
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Jordi Savall
Première Suite: Prélude
80 bpm • F Maj • 04:26 • -24.84db
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Henry Purcell
12 Sonatas of III parts Z790-801: Sonata...
80 bpm • C# min • 05:34 • -21.21db
1% Popularity • 19% Danceability • 9% Energy • 7% Liveness
3% Instrumentalness • 15% Positiveness
1% Popularity • 19% Danceability • 9% Energy • 7% Liveness
3% Instrumentalness • 15% Positiveness
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Alessandro Scarlatti
Sinfonia to Il Giardino di Amore: II. La...
80 bpm • B min • 00:59 • -36.49db
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Part I: No...
80 bpm • D# min • 08:31 • -12.51db
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
81 bpm • G Maj • 02:03 • -20db
49% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
79 bpm • A min • 01:58 • -19db
48% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
48% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Henry Purcell
The Indian Queen, Z. 630, Act 4: They Te...
80 bpm • A min • 02:03 • -27.98db
20% Popularity • 19% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
20% Popularity • 19% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:14 • -29db
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
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Karoly Botvay
Sinfonia in E major, RV 132: II. Andante
79 bpm • A Maj • 02:03 • -24db
49% Popularity • 15% Danceability • 2% Energy • 13% Liveness
84% Instrumentalness • 11% Positiveness
49% Popularity • 15% Danceability • 2% Energy • 13% Liveness
84% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 1 in F Major, B...
81 bpm • C min • 03:09 • -27db
37% Popularity • 8% Danceability • 7% Energy • 64% Liveness
84% Instrumentalness • 8% Positiveness
37% Popularity • 8% Danceability • 7% Energy • 64% Liveness
84% Instrumentalness • 8% Positiveness
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George Frideric Handel
Organ Concertos, Op. 4, Concerto No. 6 i...
79 bpm • A Maj • 07:14 • -36db
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
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William Boyce
Trio Sonata No. 1 in A Minor: II. Fuga
81 bpm • G# min • 01:36 • -24db
29% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Henry Purcell
Purcell: Hail! Bright Cecilia, Z. 328 "O...
80 bpm • C min • 04:33 • -23db
18% Popularity • 16% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Alessandro Marcello
Oboe Concerto in D minor: 2. Adagio
79 bpm • D min • 04:23 • -19.56db
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
78 bpm • B Maj • 01:57 • -21db
43% Popularity • 9% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
43% Popularity • 9% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Erster Teil...
81 bpm • D# min • 06:59 • -19db
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
78 bpm • G# Maj • 01:34 • -20db
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Henry Purcell
Rejoice in the Lord alway, Z. 49
79 bpm • B Maj • 08:10 • -24.72db
19% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
19% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: 8. De torrente i...
82 bpm • B min • 03:35 • -23.37db
13% Popularity • 11% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
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Giuseppe Tartini
Violin Concerto in E Major, D. 50: I. Al...
78 bpm • E Maj • 06:11 • -15.96db
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 3, Cho...
81 bpm • B min • 01:28 • -28db
31% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
31% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
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Heinrich Ignaz Franz von Biber
Passagaglia for Solo Violin from "Rosenk...
82 bpm • F# min • 08:18 • -14db
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117: No. 2
78 bpm • C min • 01:01 • -24db
46% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
46% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "Whence could s...
79 bpm • C Maj • 03:32 • -18.97db
18% Popularity • 40% Danceability • 8% Energy • 54% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 40% Danceability • 8% Energy • 54% Liveness
0% Instrumentalness • 8% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Jean-Baptiste Lully
La naissance de Vénus, LWV 27, Pt. 2: G...
78 bpm • D min • 01:18 • -23.57db
49% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
49% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244: Erbarme dich...
82 bpm • A# min • 07:20 • -21db
41% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
41% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
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Marin Marais
Pièces de viole, Livre 2 - Suite No. 3 ...
77 bpm • C# Maj • 06:08 • -31db
36% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Il Sedecia, Rè di Gerusalemme: "Caldo S...
82 bpm • A# min • 05:25 • -20.73db
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 6 In B Flat Maj...
83 bpm • C min • 04:43 • -23db
45% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
45% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Two Violins in D ...
77 bpm • F Maj • 07:43 • -22db
23% Popularity • 19% Danceability • 16% Energy • 35% Liveness
62% Instrumentalness • 19% Positiveness
23% Popularity • 19% Danceability • 16% Energy • 35% Liveness
62% Instrumentalness • 19% Positiveness
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Dietrich Buxtehude
Sonata in G Major, BuxWV 271: I. Allegro
83 bpm • F# Maj • 02:23 • -16db
21% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
21% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
78 bpm • E Maj • 02:19 • -24db
13% Popularity • 29% Danceability • 5% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
55% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
55% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Alessandro Scarlatti
Il prigioniero fortunato: Sinfonia: III....
77 bpm • C# Maj • 01:12 • -12db
34% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
34% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Monsieur de Sainte-Colombe
Les Pleurs (version à 2 violes) (Mr. de...
77 bpm • C# min • 02:24 • -23db
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
35% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act II: Ritorne...
83 bpm • C# min • 00:59 • -30.38db
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Claudio Monteverdi
Monteverdi: L'incoronazione di Poppea, S...
77 bpm • G Maj • 04:11 • -21db
39% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Concerto for two violins BWV 1043 in D M...
84 bpm • E Maj • 07:20 • -19.47db
36% Popularity • 11% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 11% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Gottlieb Goldberg
Trio Sonata No. 4 in C Major, DürG 13 (...
76 bpm • B Maj • 03:15 • -18.62db
36% Popularity • 15% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 15% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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George Frideric Handel
Athalia, HWV 52: Part 1 - No. 1 Sinfonia...
77 bpm • C# Maj • 05:09 • -30.44db
29% Popularity • 31% Danceability • 2% Energy • 11% Liveness
30% Instrumentalness • 39% Positiveness
29% Popularity • 31% Danceability • 2% Energy • 11% Liveness
30% Instrumentalness • 39% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
42% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
42% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Overtura
76 bpm • G Maj • 02:46 • -21.6db
26% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
26% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Marin Marais
Couplets de folies (Arr. Horsch for Reco...
84 bpm • D# min • 05:23 • -24.48db
20% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
20% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
► Preview
Antonio Caldara
Stabat Mater: VI. Fac me tecum
84 bpm • A min • 01:01 • -19.28db
37% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
37% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Carl Friedrich Abel
Viola da Gamba Suite in D Major: I. Prel...
85 bpm • C# Maj • 01:40 • -31.51db
33% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice: Act I, Scene 1, Coro:...
75 bpm • C min • 03:18 • -21db
27% Popularity • 18% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Jean-Philippe Rameau
Suite in G Major, RCT 6: No. 14, Les sau...
85 bpm • F# min • 02:26 • -16.93db
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626: Act III: Dido: ...
76 bpm • F# min • 03:41 • -24db
16% Popularity • 18% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 3% Positiveness
► Preview
George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
46% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
46% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
► Preview
Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
► Preview
Jan Dismas Zelenka
Miserere, ZWV 57: I. Miserere I
75 bpm • B min • 02:04 • -10.88db
30% Popularity • 29% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 29% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: I. Prélud...
75 bpm • C Maj • 01:38 • -12.7db
21% Popularity • 47% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 52% Positiveness
21% Popularity • 47% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 52% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
L'Aria
86 bpm • D min • 01:51 • -26db
30% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
30% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
► Preview
Henry Purcell
Hail! bright Cecilia, Z. 328: II. Hail! ...
84 bpm • C# min • 03:47 • -22.63db
8% Popularity • 21% Danceability • 9% Energy • 15% Liveness
14% Instrumentalness • 23% Positiveness
8% Popularity • 21% Danceability • 9% Energy • 15% Liveness
14% Instrumentalness • 23% Positiveness
► Preview
Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041: II...
74 bpm • C Maj • 05:32 • -23db
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 2 in D Major: I. Prest...
86 bpm • C Maj • 01:36 • -22db
36% Popularity • 44% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
40% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
40% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
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Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 2, Ball...
74 bpm • C Maj • 02:05 • -33db
28% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
28% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Flute Concerto in A Minor, Wq...
87 bpm • A min • 08:17 • -21db
21% Popularity • 55% Danceability • 22% Energy • 6% Liveness
89% Instrumentalness • 57% Positiveness
21% Popularity • 55% Danceability • 22% Energy • 6% Liveness
89% Instrumentalness • 57% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Kommt, ihr To...
87 bpm • E min • 06:36 • -19.8db
48% Popularity • 18% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
48% Popularity • 18% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act V - Solo ...
87 bpm • C# min • 01:16 • -21.09db
8% Popularity • 38% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 38% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Henry Purcell
The Gordian Knot Untied, Z.597: Chaconne...
85 bpm • C# Maj • 03:46 • -18db
18% Popularity • 25% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 25% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
54% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
54% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
87 bpm • G min • 02:04 • -34db
51% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
51% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
87 bpm • B min • 03:50 • -20.96db
40% Popularity • 16% Danceability • 10% Energy • 16% Liveness
56% Instrumentalness • 11% Positiveness
40% Popularity • 16% Danceability • 10% Energy • 16% Liveness
56% Instrumentalness • 11% Positiveness
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François Couperin
Troisième livre de pièces de clavecin:...
73 bpm • F Maj • 02:10 • -24.62db
42% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
42% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
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Henry Purcell
Dido & Aeneas: Dido & Aeneas: Act III, C...
75 bpm • F# min • 01:22 • -24.01db
22% Popularity • 22% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: I. An...
73 bpm • C# min • 03:30 • -16db
30% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
30% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
73 bpm • G# min • 02:45 • -16.74db
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I Am Laid ...
75 bpm • G min • 04:10 • -18db
36% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
