Songs like Chal Tu Mun by Shiba Ratha
Based on a tempo of (+/- 10%) and a similar genre
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Arabinda Muduli
Mahina Aagnya
105 bpm • C# min • 05:46 • -5.9db
10% Popularity • 64% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 64% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Jolly Mukherjee
Zakhami Sajan Tujhe Pukare
105 bpm • G# min • 04:48 • -13.13db
15% Popularity • 67% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 67% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Manna Dey
Sumukhi Tumhara Sundar Mukh Hi
105 bpm • G# Maj • 01:29 • -15.89db
5% Popularity • 56% Danceability • 18% Energy • 17% Liveness
40% Instrumentalness • 63% Positiveness
5% Popularity • 56% Danceability • 18% Energy • 17% Liveness
40% Instrumentalness • 63% Positiveness
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Shiba Ratha
Chal Tu Mun
105 bpm • B min • 05:39 • -13.73db
0% Popularity • 51% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 51% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Vaishali Samant
Sang Penda Haricha
106 bpm • A# Maj • 05:48 • -3db
15% Popularity • 62% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 62% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Anupama
Hanste Hanste Kat Jaye
104 bpm • D min • 05:43 • -11.77db
9% Popularity • 45% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 45% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 73% Positiveness
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Bappi Lahiri
Rakta Golap Makhiye Niye
104 bpm • A# min • 04:33 • -7.26db
24% Popularity • 44% Danceability • 76% Energy • 77% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 44% Danceability • 76% Energy • 77% Liveness
0% Instrumentalness • 60% Positiveness
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Sonu Nigam
Mora Japa Bala
104 bpm • D Maj • 05:08 • -5.43db
8% Popularity • 57% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 57% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Mithlesh Sahu
Annaye Ke Raj Chale
107 bpm • C# Maj • 05:45 • -14.97db
9% Popularity • 45% Danceability • 49% Energy • 14% Liveness
90% Instrumentalness • 52% Positiveness
9% Popularity • 45% Danceability • 49% Energy • 14% Liveness
90% Instrumentalness • 52% Positiveness
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Shiba Ratha
Shankharu Ninad Shubhilani
106 bpm • G Maj • 07:01 • -12.24db
1% Popularity • 61% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
1% Popularity • 61% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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R. D. Burman
Phele Asha Smriti Amar - Male Version
103 bpm • A Maj • 05:21 • -10.51db
10% Popularity • 50% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 50% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 58% Positiveness
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Anupama
Chadhte Chalo Re Pahad
103 bpm • G Maj • 05:46 • -11.69db
9% Popularity • 48% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 48% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Manna Dey
Adharon Par Ho Koi Bhi Ras
103 bpm • D# Maj • 01:21 • -15.55db
6% Popularity • 62% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 64% Positiveness
6% Popularity • 62% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 64% Positiveness
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Milan Singh
Hai Jyot Ki Mahima Nyari
107 bpm • F# Maj • 07:29 • -7.37db
11% Popularity • 62% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 62% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Bhikari Bal
Tate Bahudai Nebi
103 bpm • F Maj • 08:10 • -11.69db
9% Popularity • 44% Danceability • 44% Energy • 17% Liveness
7% Instrumentalness • 53% Positiveness
9% Popularity • 44% Danceability • 44% Energy • 17% Liveness
7% Instrumentalness • 53% Positiveness
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Narendra Chanchal
Lei Lei Maa Wadhaiyan Tere Bachcheya
107 bpm • G# Maj • 05:48 • -9.43db
8% Popularity • 66% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 66% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Shiba Ratha
Anjulaye Luha
103 bpm • G min • 06:06 • -14.33db
1% Popularity • 62% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
1% Popularity • 62% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Ghulam Ali
Ek Kishti
103 bpm • F# Maj • 10:02 • -8.99db
1% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Arabinda Muduli
Jay Jay Radharamana
103 bpm • C# min • 05:53 • -5.13db
13% Popularity • 49% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 49% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Satish Dehra
Goswami Tulsidas Hanuman Bahuk Vol 3
102 bpm • D Maj • 03:18 • -6.37db
18% Popularity • 84% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 84% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Narendra Singh Negi
Rvauka Ryduyu Ka
108 bpm • G# min • 08:02 • -14.67db
15% Popularity • 65% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 65% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Narendra Chanchal
Shree Durga Kavach
107 bpm • F min • 01:40 • -3.17db
16% Popularity • 53% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 53% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 91% Positiveness
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Brahma Kumaris
Vaise tao jindagi main
102 bpm • F Maj • 06:13 • -15.21db
11% Popularity • 76% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 76% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ravindra Jain
Padam Rupa Padam Hridey
109 bpm • F# min • 08:19 • -6db
7% Popularity • 66% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 66% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
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Arabinda Muduli
Banamali Ki
102 bpm • C# min • 04:43 • -4.54db
8% Popularity • 48% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 48% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Baps Swaminarayan Sanstha
Bhakti Karata Chhute
101 bpm • A Maj • 06:20 • -11.94db
15% Popularity • 54% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 54% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Priti Gajjar
Mara Shrinathji Ne Sonani Ghanti-Shrinat...
101 bpm • C# Maj • 06:12 • -6.45db
12% Popularity • 53% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 53% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Namita Agrawal
Pabana Bhari Dusta Hauchi
110 bpm • G# min • 04:00 • -4.42db
19% Popularity • 54% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 54% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Mrinal Chakraborty
Keno Janni Na Je Shudhu
109 bpm • C# Maj • 03:08 • -13.4db
10% Popularity • 66% Danceability • 36% Energy • 17% Liveness
5% Instrumentalness • 55% Positiveness
10% Popularity • 66% Danceability • 36% Energy • 17% Liveness
5% Instrumentalness • 55% Positiveness
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Ravindra Jain
Karuna Ke Bhandar
101 bpm • G Maj • 05:17 • -6.27db
8% Popularity • 54% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 54% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Trupti Das
Janha Oothi Thiba
100 bpm • B min • 03:23 • -2.21db
9% Popularity • 38% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 38% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Milan Singh
Bhar De Bhar De
110 bpm • A# Maj • 10:26 • -5.9db
6% Popularity • 66% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
6% Popularity • 66% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Kishore Kumar
Tumi Aamar Asha
100 bpm • F# min • 07:00 • -5.55db
30% Popularity • 44% Danceability • 54% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 44% Danceability • 54% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
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Poonam Sharma
Maiya Jagdati
100 bpm • B min • 06:28 • -4db
21% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Sadhana Sargam
A Bhalo Laga Kache Asha
100 bpm • G min • 06:00 • -7.61db
26% Popularity • 65% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 65% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Arabinda Muduli
Khina Rupare Hea
110 bpm • B min • 05:25 • -6.6db
10% Popularity • 50% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 50% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Mina Rana
Devi Barahi Teri Jai Jaikara
111 bpm • C# min • 10:12 • -12.78db
12% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Namita Agrawal
Saga Bhajichhi Badi Churichhi
100 bpm • A# min • 04:35 • -5.82db
18% Popularity • 56% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 56% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Brahma Kumaris
Andhakar man ka mite
99 bpm • D# Maj • 03:49 • -11.39db
14% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Bhikari Bal
Bhala Katha Nuhen
99 bpm • F# min • 04:31 • -10.91db
11% Popularity • 54% Danceability • 64% Energy • 10% Liveness
2% Instrumentalness • 87% Positiveness
11% Popularity • 54% Danceability • 64% Energy • 10% Liveness
2% Instrumentalness • 87% Positiveness
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Ravindra Jain
Mere Mahaveer Jhule Palna
99 bpm • B Maj • 06:16 • -7.84db
8% Popularity • 53% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 53% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Ira Mohanty
Pirati Chori Chori Khela
99 bpm • A# min • 04:34 • -9.68db
16% Popularity • 60% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 60% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Shaila Chikhale
Teri Chun Chun
111 bpm • A Maj • 04:10 • -6.48db
11% Popularity • 72% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 72% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Gurudas Mann
Teetar Bole
99 bpm • G min • 06:47 • -5db
9% Popularity • 69% Danceability • 87% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 69% Danceability • 87% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
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Anup Jalota & Lalitya Munshaw
Kahan Jake Chuppa Chitchor - Original
112 bpm • G# Maj • 06:50 • -12.58db
11% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Bappi Lahiri
Shono Shono Ohe Baba Jivan
112 bpm • G Maj • 04:27 • -8.13db
19% Popularity • 48% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 48% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 78% Positiveness
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Narendra Chanchal
Sone Ke Rath Pe Savaar Bhawani Aai Hai
112 bpm • G# Maj • 06:20 • -8.49db
3% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
3% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Vinod Sirola
Dhaar Por Ka Mandir
112 bpm • G min • 07:51 • -5.62db
11% Popularity • 69% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 69% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Udit Narayan
Mere Ghar Ka Pata
98 bpm • F Maj • 05:31 • -5.57db
9% Popularity • 69% Danceability • 89% Energy • 86% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 69% Danceability • 89% Energy • 86% Liveness
0% Instrumentalness • 88% Positiveness
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Parvati
Kai Jhala Baboo
98 bpm • F Maj • 05:56 • -6.22db
12% Popularity • 51% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 51% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Brahma Kumari
Andhiyare Sabhi Mit Rahe
98 bpm • F# min • 05:43 • -9.94db
16% Popularity • 44% Danceability • 55% Energy • 32% Liveness
10% Instrumentalness • 79% Positiveness
16% Popularity • 44% Danceability • 55% Energy • 32% Liveness
10% Instrumentalness • 79% Positiveness
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Narendra Singh Negi
Tera Mandir Ya
98 bpm • C# Maj • 07:15 • -7.31db
13% Popularity • 82% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 82% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Narendra Chanchal
Shri Durga Sapshati - Dasham Adhyaye
112 bpm • A# Maj • 07:03 • -2.65db
9% Popularity • 44% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 44% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Babla Mehta
Na Sona Na Chandi
98 bpm • G# min • 06:47 • -7.91db
14% Popularity • 42% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 42% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Md Aziz
Dinara Suruja Tu Mo
98 bpm • B min • 03:58 • -5.77db
11% Popularity • 41% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 41% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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Suresh Wadkar
Ram Ji Ne Dhanush Tooda
98 bpm • E Maj • 06:00 • -7.72db
12% Popularity • 36% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 36% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Ravindra Jain
Tum Taran Taaran
113 bpm • E Maj • 09:30 • -7.62db
11% Popularity • 52% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 52% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Narendra Kumar
Naga Kahe Naguni Ku
98 bpm • B min • 05:45 • -2.51db
15% Popularity • 58% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 58% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Narendra Chanchal
Shri Durga Sapshati - Gyahrwan Adhyaye
112 bpm • A# Maj • 06:39 • -6.54db
9% Popularity • 47% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 47% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Alka Yagnik
Tere Liye Rehta Hai
97 bpm • G Maj • 04:55 • -5.06db
7% Popularity • 58% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 58% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Mohammed Aziz
Gazi Baba O Amar Gazi Baba
98 bpm • A min • 05:31 • -7.98db
10% Popularity • 43% Danceability • 73% Energy • 55% Liveness
49% Instrumentalness • 82% Positiveness
10% Popularity • 43% Danceability • 73% Energy • 55% Liveness
49% Instrumentalness • 82% Positiveness
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Brahma Kumaris
Prabhu, jab se aaye jeevan mai
97 bpm • G Maj • 04:17 • -15.44db
15% Popularity • 55% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 55% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Kumar Bapi
A Jibana Sate Agnipatha Tiye
113 bpm • B min • 05:23 • -5.93db
28% Popularity • 62% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 62% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Nidhi Dholkia
HALRDA HU GAVU MARA LAL NE
97 bpm • F min • 06:26 • -14.42db
11% Popularity • 51% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 51% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Narendra Singh Negi
Saera Basgyaal
113 bpm • F# Maj • 05:59 • -10.1db
18% Popularity • 63% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 63% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Kavita Krishnamurthy
Pardesiya Se Ladal Najariyan
97 bpm • G Maj • 05:27 • -8.21db
8% Popularity • 51% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 51% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Bhikhari Bala
Nabhajilu Tu Krushna Namare Baimana
97 bpm • F Maj • 07:36 • -7.79db
13% Popularity • 48% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 48% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Suresh Wadkar
Mehandi Lagake Tujhe
97 bpm • A# min • 05:50 • -11db
16% Popularity • 70% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 70% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 92% Positiveness
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Narendra Chanchal
Jai Jai Ambe Jai Jagdambe
96 bpm • D# min • 05:21 • -3.91db
8% Popularity • 63% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 63% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Arabinda Muduli
Haata Chhada
96 bpm • F Maj • 04:11 • -5.15db
17% Popularity • 57% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 57% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Suman Kalyanpur
Ya Ladkya Mulano
96 bpm • F# min • 03:13 • -20.31db
0% Popularity • 53% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 44% Positiveness
0% Popularity • 53% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 44% Positiveness
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Baps Swaminarayan Sanstha
Nenma Samay Nahi
96 bpm • G# Maj • 05:00 • -10.7db
8% Popularity • 44% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 44% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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babul Supriyo
Daria pakhare Kalia Ghara
116 bpm • B min • 03:48 • -4.66db
18% Popularity • 66% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 66% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
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Suresh Wadkar
Chandra Navya Swapnancha
96 bpm • A# min • 04:49 • -12.12db
0% Popularity • 52% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 52% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Vinod Gandhrav
Tera Assra Jo Liye Jaa Rahe Hain
116 bpm • E Maj • 07:05 • -8.18db
11% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Narendra Chanchal
Jai Ambe Gauri
97 bpm • G# Maj • 07:18 • -6.87db
9% Popularity • 50% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 50% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Mithlesh Sahu
Chalo Re Chalo Re
95 bpm • E Maj • 03:38 • -2.56db
23% Popularity • 48% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 48% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Ravindra Jain
Rajul Nemi Se
95 bpm • C# Maj • 05:11 • -7.5db
7% Popularity • 62% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 62% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Surykant Shinde
Asa Kasa Baiga Krishna Ga
95 bpm • G Maj • 04:50 • -9.68db
17% Popularity • 69% Danceability • 58% Energy • 13% Liveness
5% Instrumentalness • 81% Positiveness
17% Popularity • 69% Danceability • 58% Energy • 13% Liveness
5% Instrumentalness • 81% Positiveness
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Nitin Devka
Ami Bhareli Nazru Rakho-Shrinathji Popul...
95 bpm • F min • 06:35 • -10.78db
15% Popularity • 61% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 61% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Neela Wickramasinghe
Sanda Bondawee
94 bpm • A Maj • 02:47 • -8.74db
10% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Anuradha Paudwal, Kavita Paudwal
Jai Vaishnavi Mata
94 bpm • F min • 06:14 • -6db
13% Popularity • 66% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 66% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Manhar Udhas
Ashroo NI EK Boond
94 bpm • C# Maj • 08:14 • -7.6db
8% Popularity • 64% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 64% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Sapan Jagmohan
Pari Na Soite
118 bpm • D# Maj • 05:27 • -8.28db
16% Popularity • 43% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
16% Popularity • 43% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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Narendra Kumar
Aa Lo Tulasi Mandira Jiba
118 bpm • G# Maj • 05:09 • -2.63db
20% Popularity • 53% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 53% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Arabinda Muduli
Jagannatha Ho Kichi
94 bpm • F# Maj • 06:21 • -3.44db
15% Popularity • 45% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 45% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Lata Mangeshkar
O Amar Pran Sajani
93 bpm • D# Maj • 04:59 • -12.95db
2% Popularity • 69% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
2% Popularity • 69% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Mahendra Kapoor
Brahm Se Shiv Baba Padhare
93 bpm • F# Maj • 04:44 • -9db
15% Popularity • 39% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 39% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Prahlad Shinde
Pandharichya Sakhya Panduranga
93 bpm • G min • 05:30 • -12.43db
17% Popularity • 61% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 61% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Baps Swaminarayan Sanstha
Ame Nana Nana Bal
93 bpm • B Maj • 04:59 • -13.58db
7% Popularity • 64% Danceability • 34% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 64% Danceability • 34% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
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Kishore Kumar
Shoghono Gohono Ratri
118 bpm • D Maj • 04:18 • -13.96db
17% Popularity • 34% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 34% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Manna Dey
Swapane Baje Go Banshi
93 bpm • C# min • 04:33 • -17.27db
8% Popularity • 33% Danceability • 26% Energy • 19% Liveness
3% Instrumentalness • 44% Positiveness
8% Popularity • 33% Danceability • 26% Energy • 19% Liveness
3% Instrumentalness • 44% Positiveness
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Mohammed Aziz
Sabaari Chaale Lo
93 bpm • A# min • 05:15 • -5.51db
7% Popularity • 62% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 62% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Anuradha Nirala
Mathu Mathu Baas Re Mera
119 bpm • B Maj • 07:07 • -9.22db
16% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Binod Rathore
Punei Chando Toro
119 bpm • B min • 05:57 • -11.99db
10% Popularity • 76% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 76% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 87% Positiveness
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Baba Rasika Pagal
Lena Khabar Hamari
119 bpm • A# min • 08:22 • -11.18db
15% Popularity • 39% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 39% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 85% Positiveness
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Akshaya Mohanty
Chithi Mora Tiki Chadhei
93 bpm • F# min • 04:08 • -6.36db
14% Popularity • 31% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 31% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Babul Supriyo
Mohonaya Eashe Nodi Jodi (Duet)
92 bpm • F min • 04:38 • -4.47db
25% Popularity • 52% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 52% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
