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Chalo Chalo
Songs like
Chalo Chalo
by
Madan Shukla
Based on a tempo of (+/- 10%) and a similar genre
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Madan Shukla
Chalo Chalo
177 bpm • B min • 04:33 • -6.01db
0% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Mita Chatterjee
Laage rang phagune
177 bpm • G# Maj • 03:34 • -3.85db
13% Popularity • 49% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Pamela Jain
Durga Chalisa
176 bpm • E Maj • 09:24 • -3.32db
16% Popularity • 45% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Sadhana Sargam
Ghammar Ghammar Maru Valonu Gaaje
178 bpm • C min • 06:46 • -7.13db
12% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Nagpuri Diwana
Sahiya Ae Sahiya
178 bpm • E Maj • 06:30 • -7.96db
11% Popularity • 46% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Kukila Sarkar
Kak Kong Mui Moner Kotha
180 bpm • E min • 03:57 • -6.58db
11% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Shankar Sahney
Dil Ki Har Dhadkan Se
180 bpm • G# min • 03:40 • -8.34db
9% Popularity • 58% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Kalpana
Agiya Lagavela Jawani
174 bpm • D# min • 04:07 • -7.77db
17% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Vipin Sachdeva
Kali Chalisa
176 bpm • E Maj • 09:20 • -2.88db
19% Popularity • 51% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Javed Ali
Khwaja Baba
174 bpm • G Maj • 05:27 • -7.58db
11% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Madan Shukla
Tu Mera Dil
180 bpm • E Maj • 03:29 • -3.14db
1% Popularity • 40% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Arvind Barot
Sonala Vatkdi
181 bpm • G# Maj • 09:20 • -10.42db
10% Popularity • 30% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Prahlad Shinde
Aaj Vaishakhi Pornima
181 bpm • A Maj • 06:12 • -10.03db
9% Popularity • 44% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Pamela Jain
Ek Nanha Sa Mehman
173 bpm • B Maj • 03:35 • -9.05db
29% Popularity • 52% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Anand Shinde
Buddhachi Vaani
172 bpm • F Maj • 06:35 • -7.78db
19% Popularity • 64% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Preetam Bhartwan
Ghut Ghut Baduli
182 bpm • G Maj • 07:22 • -11.87db
20% Popularity • 42% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Alka Chandrakar
Aina La Dekhenv Ta
172 bpm • G Maj • 05:01 • -2.98db
18% Popularity • 60% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Milind Shinde
Kaayda Bheemacha
171 bpm • A# min • 07:27 • -8db
30% Popularity • 49% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Saint Dr Gurmeet Ram Rahim Singh Ji Insan
Dhani
172 bpm • E min • 07:33 • -10.59db
12% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Mamta Sahu
Maya Ke Bairi
171 bpm • G# min • 05:45 • -2.18db
26% Popularity • 37% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Rasraj Ji Maharaj
Jai Jai Jai Jai Hanuman Ji Ram Ram
170 bpm • C Maj • 08:01 • -4.21db
25% Popularity • 61% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
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Kalpana
Nevta Bhejwali Ae Maiya
170 bpm • G Maj • 07:51 • -11.46db
4% Popularity • 57% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Gorelal Barman
Roop Tor Rani
170 bpm • C# Maj • 04:06 • -3.72db
21% Popularity • 55% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Gani
Phagan Aayo Re
170 bpm • C# Maj • 04:39 • -5.91db
13% Popularity • 59% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Anupriya Lakhawat
Banna Re
170 bpm • B Maj • 04:17 • -9.93db
17% Popularity • 56% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Indu Sonali
Gulri Ke Phulwa Balam
184 bpm • C# min • 04:45 • -5.48db
8% Popularity • 64% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Palak Gujela
Bandar Ka Dawakhana - Hindi
170 bpm • B Maj • 03:48 • -5.78db
12% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Shrikant Narayan
Daryala Aaylay Taaru
169 bpm • F# Maj • 06:43 • -8.41db
24% Popularity • 44% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Mita Chatterjee
Dushtu meye
186 bpm • F# Maj • 04:38 • -3.63db
17% Popularity • 62% Danceability • 84% Energy • 52% Liveness
0% Instrumentalness • 92% Positiveness
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Birju Maharaj
Kaahe Chhed
186 bpm • D Maj • 05:23 • -6db
43% Popularity • 48% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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MANOJ TIWARI
Babuni Ke Shehar Ke Lagal Ba Hawa
186 bpm • C# Maj • 06:16 • -12.62db
31% Popularity • 60% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Sunil Soni
Pyaar Hoge Re
168 bpm • F# Maj • 04:48 • -2.98db
15% Popularity • 39% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Devendra Pathak
Parbhu Hum Bhi Sharnagat Hai
188 bpm • G# Maj • 07:18 • -6db
28% Popularity • 45% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Ravindra Jain
Savaiyaa Raadhey Krishn Ki Jyoti
188 bpm • C# Maj • 02:16 • -6db
56% Popularity • 54% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Upasana Mehta
Shyam Tere Bhakton Ko Tera Hi Sahara Hai
188 bpm • D Maj • 06:29 • -6.04db
13% Popularity • 59% Danceability • 67% Energy • 20% Liveness
10% Instrumentalness • 89% Positiveness
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Rajesh Das
Moyna Chalat Chalat Korere - Bangla Song
165 bpm • G min • 04:57 • -12.49db
11% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Uttara Kelkar
Chak Chak Sonyacha
165 bpm • F# Maj • 06:10 • -3.6db
19% Popularity • 68% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Milind Shinde
Aali Bheemwadi
165 bpm • A Maj • 06:34 • -7.84db
15% Popularity • 70% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Altaf Raja
Taaza Hawa Lete Hain
165 bpm • F min • 06:26 • -10db
24% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Mukesh Kathait
Jai Maa Nanda Bhagwati
165 bpm • C# Maj • 06:21 • -6.9db
13% Popularity • 67% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Osman Mir
Chogada Tara
165 bpm • A# Maj • 01:55 • -3.32db
19% Popularity • 61% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Pamela Jain
Range Rame Anande Rame
190 bpm • C Maj • 01:00 • -7.32db
23% Popularity • 59% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Mamta Chandrakar
Pawo Ke Pairi Baje
164 bpm • C# Maj • 04:22 • -3.9db
14% Popularity • 47% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Arzoo Bano
Mera Khat Padhake
164 bpm • C Maj • 07:39 • -11.54db
18% Popularity • 48% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Vaishali Samant
Ghumshyan Angaat Aal
164 bpm • G Maj • 04:14 • -2.72db
36% Popularity • 53% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Anuj Sharma
Aarug Kalsa - Devi Jas Geet
162 bpm • F# Maj • 03:13 • -4.8db
37% Popularity • 63% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Lakhbir Singh Lakkha
Oonche Se Ooncha
195 bpm • A# Maj • 06:20 • -5.02db
12% Popularity • 53% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Pamela Jain
Aavi Asho Sud Ajvali
165 bpm • G Maj • 01:49 • -8.51db
10% Popularity • 57% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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KK
Tadap Tadap
160 bpm • D Maj • 06:37 • -10.66db
59% Popularity • 47% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Mohammed Aziz
Aye Meri Mohabbat Sun
159 bpm • C Maj • 08:12 • -4.44db
37% Popularity • 59% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Bharat Sharma Vyas
Sherva Sawari Bade
162 bpm • A# Maj • 06:23 • -10.2db
25% Popularity • 47% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Gore Lal Barman
Tany Phone Kare Mola
159 bpm • F Maj • 05:15 • -4.98db
14% Popularity • 66% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 89% Positiveness
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Kumar Vishu
Maa Ne Mehar Mujhpe Kardi
159 bpm • A min • 05:53 • -3.24db
29% Popularity • 47% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
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Vikram Thakor
Kuhu Kuhu Bole Re
159 bpm • F# min • 04:52 • -6.98db
3% Popularity • 56% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Anuj Sharma
Tor Surta
159 bpm • G Maj • 03:46 • -8.17db
17% Popularity • 43% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Narendra Singh Negi
Otuwa Belena
158 bpm • F Maj • 06:21 • -12.86db
18% Popularity • 51% Danceability • 52% Energy • 6% Liveness
5% Instrumentalness • 92% Positiveness
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Mithlesh Sahu
Tor Pairi Ke Runjhun Me
158 bpm • E Maj • 05:27 • -3.2db
21% Popularity • 72% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Pappu Karki
Hontho Me Muruli
199 bpm • F# Maj • 07:33 • -4.17db
20% Popularity • 30% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Arzoo Bano
Haj Ka Mahina Aa Gaya
157 bpm • C Maj • 06:36 • -8.69db
11% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Master Saleem
Dub Dub Jaave
157 bpm • F Maj • 06:24 • -3.39db
9% Popularity • 42% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Preetam Bhartwan
Devi Kunjapuri Mata
201 bpm • G# Maj • 06:20 • -10.24db
14% Popularity • 43% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Aashish Yadav
Chhouda Chup Chup Tohu Le Le Re
201 bpm • D min • 04:03 • -6.91db
24% Popularity • 34% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Manju Chisti
Jhike Bhala Deshe Ra
156 bpm • A# min • 04:32 • -4.57db
15% Popularity • 57% Danceability • 78% Energy • 54% Liveness
1% Instrumentalness • 74% Positiveness
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Puneet Kashyap
Dina Nath Meri Baat
156 bpm • F# Maj • 05:06 • -8db
32% Popularity • 65% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Kalpana
Ek Na Ek Din Humrao Afat Me Jaan Ho
156 bpm • F Maj • 05:05 • -6.2db
0% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Narendra Singh Negi
Mera Manka Shivalaya Ma
156 bpm • A# min • 07:41 • -3.61db
20% Popularity • 58% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Alka Chandrakar
Piya Piya
156 bpm • C Maj • 05:26 • -6.11db
28% Popularity • 50% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Jatin-Lalit
Tujhe Yaad Na Meri Aayee
155 bpm • D Maj • 07:04 • -10.23db
56% Popularity • 51% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Anuja Sinha
Radhika Gori Se Biraj Ki Chhori Se
154 bpm • D# Maj • 06:42 • -5.51db
12% Popularity • 50% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Dhiraj Choudhry
Dongar Hirva Gar
154 bpm • E Maj • 04:54 • -4.15db
20% Popularity • 63% Danceability • 74% Energy • 30% Liveness
2% Instrumentalness • 94% Positiveness
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Anjali Jain
Shri Durga Chalisa
153 bpm • F Maj • 08:43 • -8db
25% Popularity • 62% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Narendra Singh Negi
Jai Maa Chandravadani
154 bpm • G Maj • 06:55 • -6.34db
18% Popularity • 66% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Preetam Bhartwan
O Meri Maaji Mera Mann Baithi Ja
153 bpm • G# Maj • 07:13 • -9.66db
13% Popularity • 66% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Baba Rasika Pagal
Bhakti Ki Lagni Birha Ki Agni
152 bpm • C# min • 05:44 • -5.42db
1% Popularity • 56% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Gore Lal Barman
Beta Anv Main
152 bpm • F Maj • 06:15 • -5.85db
15% Popularity • 66% Danceability • 71% Energy • 88% Liveness
0% Instrumentalness • 79% Positiveness
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Ramesh Mohan Pandey
Kumauni Jhoda
152 bpm • F# min • 05:19 • -5.49db
12% Popularity • 61% Danceability • 73% Energy • 82% Liveness
0% Instrumentalness • 93% Positiveness
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Chetna
Manmohan Kanha
152 bpm • D# min • 04:31 • -7db
23% Popularity • 55% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Narendra Singh Negi
Sulpa Ki Saaj
154 bpm • F# Maj • 08:25 • -6.28db
26% Popularity • 68% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Bharat Sharma Vyas
Nimiya Ke Darhi Maiya
152 bpm • D min • 07:18 • -10.88db
31% Popularity • 57% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Vikram Thakor
Mane Java De Zat Mare Gher
207 bpm • C# Maj • 03:49 • -9.89db
11% Popularity • 45% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Pamela Jain
Sonano Garbo Maane Riupla Indhoni
150 bpm • G min • 03:21 • -8.61db
10% Popularity • 67% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Manoj Shahri
Ae Mor Chanda
150 bpm • C Maj • 05:31 • -9db
25% Popularity • 70% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Sanju Sharma
Mhane Khatu Main Bulale Baba Shyam
150 bpm • C Maj • 06:31 • -5.24db
18% Popularity • 62% Danceability • 71% Energy • 49% Liveness
0% Instrumentalness • 91% Positiveness
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Narendra Singh Negi
Kabhi Sila Pakhon (Male Version)
152 bpm • G# min • 07:18 • -7.48db
18% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Indra Sharma
Darshan Devo Ni Hamesh
150 bpm • D Maj • 08:04 • -2.73db
0% Popularity • 58% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Chandra Prakash
Sola Solyani Jhoda - Uttrakhandi
150 bpm • G# Maj • 05:22 • -5.26db
25% Popularity • 62% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Sadhvi Purnima Ji
Kirat Ju Ke Aangan Mein
150 bpm • D# Maj • 06:55 • -7db
0% Popularity • 68% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Narendra Singh Negi
Teri Meri Maya Ka Geet
208 bpm • E Maj • 05:28 • -9.12db
35% Popularity • 36% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Chalo Chalo