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Change No Change
Songs like
Change No Change
by
Takka Takka
Based on a tempo of (+/- 10%) and a similar genre
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The Stills
Lola Stars and Stripes
120 bpm • E Maj • 03:51 • -3db
27% Popularity • 53% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Earlimart
Happy Alone
120 bpm • G min • 04:42 • -8.32db
10% Popularity • 64% Danceability • 48% Energy • 11% Liveness
8% Instrumentalness • 22% Positiveness
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The Spinto Band
Take It
120 bpm • E Maj • 03:25 • -5.81db
11% Popularity • 71% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Takka Takka
Change No Change
120 bpm • B Maj • 03:54 • -13.23db
1% Popularity • 68% Danceability • 36% Energy • 10% Liveness
85% Instrumentalness • 16% Positiveness
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OK Go
Here It Goes Again
120 bpm • B min • 03:17 • -5db
11% Popularity • 66% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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The 88
Coming Home
120 bpm • C Maj • 03:38 • -2.56db
24% Popularity • 61% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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The Morning Benders
Boarded Doors
120 bpm • C Maj • 03:27 • -5.23db
19% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Bishop Allen
Flight 180
120 bpm • C Maj • 05:09 • -10.17db
14% Popularity • 48% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Love Language
Summer Dust
119 bpm • F Maj • 03:42 • -5db
15% Popularity • 50% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Takka Takka
Homebreaker
120 bpm • D Maj • 02:40 • -8.15db
0% Popularity • 63% Danceability • 49% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Aqueduct
Hardcore Days & Softcore Nights
121 bpm • E Maj • 03:53 • -7.01db
22% Popularity • 81% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Generationals
Faces in the Dark
121 bpm • C Maj • 03:45 • -4.03db
26% Popularity • 66% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Band of Horses
Wicked Gil
119 bpm • D# Maj • 02:57 • -4.3db
48% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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We Are Trees
Sunrise Sunset
119 bpm • E Maj • 04:44 • -12.73db
22% Popularity • 63% Danceability • 52% Energy • 11% Liveness
53% Instrumentalness • 29% Positiveness
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The Dodos
Ashley
119 bpm • E min • 04:04 • -8.15db
9% Popularity • 39% Danceability • 82% Energy • 11% Liveness
13% Instrumentalness • 40% Positiveness
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Takka Takka
Lion In The Waves
120 bpm • E Maj • 02:48 • -11.26db
0% Popularity • 64% Danceability • 29% Energy • 12% Liveness
32% Instrumentalness • 34% Positiveness
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Surfer Blood
Catholic Pagans
121 bpm • C Maj • 03:12 • -8db
3% Popularity • 46% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Real Estate
Out Of Tune
121 bpm • A Maj • 04:51 • -6.1db
34% Popularity • 41% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Sea Wolf
You're a Wolf
121 bpm • E min • 03:35 • -9db
29% Popularity • 65% Danceability • 63% Energy • 13% Liveness
75% Instrumentalness • 54% Positiveness
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Bishop Allen
Charm School
121 bpm • F Maj • 02:07 • -5.28db
11% Popularity • 72% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Matt Costa
Sweet Thursday
121 bpm • B min • 04:31 • -8.85db
16% Popularity • 68% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Takka Takka
These Broken Chairs
121 bpm • B min • 05:06 • -8.42db
0% Popularity • 62% Danceability • 50% Energy • 21% Liveness
2% Instrumentalness • 39% Positiveness
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Say Hi
Elouise
119 bpm • E Maj • 03:57 • -9.45db
15% Popularity • 39% Danceability • 55% Energy • 11% Liveness
54% Instrumentalness • 70% Positiveness
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Army Navy
Slight of Hand
119 bpm • D Maj • 04:24 • -3.87db
11% Popularity • 53% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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The Shins
Nothing at All
118 bpm • G Maj • 04:09 • -4.9db
27% Popularity • 67% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 73% Positiveness
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Local Natives
World News
122 bpm • E Maj • 04:31 • -8.82db
24% Popularity • 55% Danceability • 81% Energy • 31% Liveness
18% Instrumentalness • 56% Positiveness
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Lawrence Arabia
Look Like a Fool
122 bpm • G Maj • 04:40 • -7db
12% Popularity • 48% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Takka Takka
We Are Pilgrims No More (The End of Our ...
119 bpm • E Maj • 02:27 • -8.16db
1% Popularity • 56% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Coconut Records
Wires
118 bpm • G# Maj • 02:35 • -7.59db
27% Popularity • 88% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Telekinesis
Power Lines
122 bpm • F# Maj • 04:03 • -5.84db
35% Popularity • 62% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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The Shins
Turn On Me
122 bpm • C Maj • 03:41 • -5db
47% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Earlimart
Never Mind the Phone Calls
122 bpm • B min • 03:34 • -8.5db
5% Popularity • 84% Danceability • 52% Energy • 10% Liveness
31% Instrumentalness • 96% Positiveness
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The Stills
Of Montreal
118 bpm • A Maj • 04:27 • -4.33db
16% Popularity • 51% Danceability • 95% Energy • 7% Liveness
11% Instrumentalness • 49% Positiveness
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Takka Takka
Grave Song
122 bpm • G# min • 03:29 • -10.36db
0% Popularity • 67% Danceability • 91% Energy • 13% Liveness
60% Instrumentalness • 66% Positiveness
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Surfer Blood
Demon Dance
122 bpm • D Maj • 03:14 • -3.46db
33% Popularity • 50% Danceability • 83% Energy • 22% Liveness
83% Instrumentalness • 57% Positiveness
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Tapes 'n Tapes
One in the World
122 bpm • G# Maj • 02:49 • -5.7db
20% Popularity • 66% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Someone Still Loves You Boris Yeltsin
Oregon Girl
122 bpm • A Maj • 02:26 • -6db
35% Popularity • 60% Danceability • 70% Energy • 4% Liveness
1% Instrumentalness • 46% Positiveness
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The Shins
Girl Sailor
118 bpm • D Maj • 03:44 • -7.43db
37% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Ambulance LTD
Ophelia
117 bpm • B Maj • 03:38 • -4.88db
23% Popularity • 62% Danceability • 85% Energy • 6% Liveness
5% Instrumentalness • 92% Positiveness
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Takka Takka
A Bad Sign (Highs and Lows)
118 bpm • G# min • 03:24 • -10.15db
0% Popularity • 62% Danceability • 69% Energy • 11% Liveness
21% Instrumentalness • 49% Positiveness
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Surfer Blood
Harmonix
122 bpm • C Maj • 04:42 • -7db
4% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Coconut Records
Slowly
117 bpm • A# Maj • 04:01 • -11.52db
22% Popularity • 43% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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The Morning Benders
Wet Cement
123 bpm • C Maj • 03:55 • -10db
19% Popularity • 64% Danceability • 48% Energy • 7% Liveness
2% Instrumentalness • 47% Positiveness
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Army Navy
Silvery Sleds
123 bpm • C Maj • 04:07 • -5.02db
9% Popularity • 53% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Levy
Rotten Love
123 bpm • F Maj • 03:13 • -6.81db
12% Popularity • 50% Danceability • 80% Energy • 11% Liveness
74% Instrumentalness • 42% Positiveness
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Takka Takka
You And Universe
123 bpm • D Maj • 04:12 • -17.7db
0% Popularity • 49% Danceability • 16% Energy • 10% Liveness
65% Instrumentalness • 8% Positiveness
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The Fling
You're in My Dreams
123 bpm • D Maj • 02:42 • -4.24db
8% Popularity • 40% Danceability • 86% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
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Deathray
Let's Be Friends
117 bpm • D# Maj • 03:05 • -6.42db
11% Popularity • 43% Danceability • 77% Energy • 36% Liveness
46% Instrumentalness • 53% Positiveness
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Band of Horses
Weed Party
123 bpm • A# Maj • 03:09 • -4.06db
38% Popularity • 48% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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The Shins
Gone For Good - Alternate Version
117 bpm • B Maj • 03:07 • -6.61db
26% Popularity • 65% Danceability • 59% Energy • 13% Liveness
65% Instrumentalness • 35% Positiveness
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Generationals
It Keeps You Up
124 bpm • F Maj • 02:55 • -3db
20% Popularity • 54% Danceability • 82% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
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Ben Kweller
I Don't Know Why
116 bpm • G Maj • 03:05 • -6.13db
17% Popularity • 78% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Local Natives
Warning Sign
124 bpm • G Maj • 04:12 • -7.42db
17% Popularity • 61% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Someone Still Loves You Boris Yeltsin
Let's Get Tired
116 bpm • D Maj • 02:14 • -11.05db
27% Popularity • 58% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 46% Positiveness
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Two Hours Traffic
Whenever We Finish
116 bpm • G Maj • 04:29 • -5.93db
7% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The One AM Radio
An Old Photo of Your New Lover
124 bpm • C Maj • 03:16 • -7.04db
11% Popularity • 87% Danceability • 52% Energy • 13% Liveness
5% Instrumentalness • 89% Positiveness
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Oppenheimer
Nine Words
124 bpm • E Maj • 02:22 • -9db
14% Popularity • 52% Danceability • 73% Energy • 18% Liveness
39% Instrumentalness • 32% Positiveness
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Say Hi
All The Pretty Ones
116 bpm • E Maj • 02:37 • -8.59db
11% Popularity • 68% Danceability • 66% Energy • 11% Liveness
8% Instrumentalness • 52% Positiveness
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Takka Takka
Nonsense Waves
124 bpm • D Maj • 03:59 • -9.57db
0% Popularity • 31% Danceability • 57% Energy • 52% Liveness
52% Instrumentalness • 29% Positiveness
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Someone Still Loves You Boris Yeltsin
HEERS
124 bpm • G Maj • 03:25 • -11.34db
17% Popularity • 74% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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The Morning Benders
Crosseyed
116 bpm • A min • 02:47 • -5.3db
24% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Youth Group
Lillian Lies
116 bpm • G Maj • 03:02 • -7.56db
10% Popularity • 40% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Benjamin Gibbard
A Hard One to Know
116 bpm • A Maj • 02:40 • -7.1db
3% Popularity • 55% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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The Shins
Fighting in a Sack - 2023 Remaster
115 bpm • D Maj • 02:26 • -4.12db
36% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Takka Takka
The Optimists Were Right
115 bpm • D Maj • 02:02 • -21.07db
0% Popularity • 31% Danceability • 23% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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The 88
Nobody Cares
125 bpm • G Maj • 03:49 • -5.59db
14% Popularity • 65% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Shout Out Louds
A Track And A Train
125 bpm • C Maj • 04:45 • -4.21db
22% Popularity • 53% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
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Sexton Blake
Young Turks
125 bpm • B min • 04:43 • -3.66db
9% Popularity • 66% Danceability • 91% Energy • 58% Liveness
87% Instrumentalness • 91% Positiveness
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Summer Fiction
She's Bound to Get Hurt
115 bpm • D Maj • 04:56 • -6.32db
12% Popularity • 61% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Girls
Laura
125 bpm • E Maj • 04:51 • -6.5db
30% Popularity • 27% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Guster
Architects & Engineers
115 bpm • B Maj • 02:55 • -5db
32% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Say Hi
Laundry
125 bpm • B Maj • 03:08 • -8.2db
13% Popularity • 75% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Aqueduct
As You Wish
115 bpm • D Maj • 03:35 • -6.34db
15% Popularity • 53% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Shout Out Louds
Very Loud
115 bpm • C Maj • 04:05 • -5.28db
35% Popularity • 46% Danceability • 88% Energy • 42% Liveness
21% Instrumentalness • 33% Positiveness
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Takka Takka
Little Child
115 bpm • B min • 01:42 • -8.98db
0% Popularity • 60% Danceability • 64% Energy • 16% Liveness
1% Instrumentalness • 88% Positiveness
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The One AM Radio
Accidents
115 bpm • C Maj • 01:58 • -7.58db
19% Popularity • 85% Danceability • 53% Energy • 7% Liveness
2% Instrumentalness • 79% Positiveness
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The World Record
We're #1
126 bpm • A# Maj • 03:54 • -5db
28% Popularity • 62% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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French Kicks
Following Waves
114 bpm • G# Maj • 04:16 • -8.56db
9% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Rosebuds
Get up Get Out
126 bpm • C# Maj • 04:07 • -8.85db
8% Popularity • 62% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Explorers Club
Forever
126 bpm • F Maj • 02:32 • -8.82db
30% Popularity • 54% Danceability • 56% Energy • 13% Liveness
23% Instrumentalness • 58% Positiveness
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Typhoon
The Honest Truth
126 bpm • D Maj • 04:05 • -8.46db
27% Popularity • 42% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Brighton MA
Bet You Never Thought
114 bpm • C# Maj • 05:02 • -5.74db
11% Popularity • 37% Danceability • 69% Energy • 14% Liveness
10% Instrumentalness • 22% Positiveness
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The Deadly Syndrome
Doesn't Matter
114 bpm • F Maj • 03:16 • -11db
9% Popularity • 40% Danceability • 37% Energy • 10% Liveness
52% Instrumentalness • 13% Positiveness
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The Elected
Fireflies In A Steel Mill
114 bpm • A Maj • 04:01 • -8.69db
10% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Pomegranates
Everybody Come Outside
126 bpm • A Maj • 03:33 • -9db
13% Popularity • 55% Danceability • 79% Energy • 11% Liveness
32% Instrumentalness • 58% Positiveness
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Death Cab for Cutie
My Mirror Speaks
127 bpm • E Maj • 03:30 • -7db
36% Popularity • 56% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Takka Takka
Draw A Map
126 bpm • G# Maj • 02:41 • -6.77db
1% Popularity • 59% Danceability • 74% Energy • 8% Liveness
57% Instrumentalness • 90% Positiveness
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Carter Tanton
Murderous Joy
127 bpm • A# Maj • 04:45 • -5.03db
13% Popularity • 54% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Cut Off Your Hands
You Should Do Better
114 bpm • A min • 04:16 • -8db
5% Popularity • 51% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Someone Still Loves You Boris Yeltsin
Some Constellation
114 bpm • F# Maj • 03:11 • -13.94db
24% Popularity • 70% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Ben Kweller
Run
113 bpm • G Maj • 03:07 • -5db
22% Popularity • 66% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Coconut Records
Ask Her To Dance
113 bpm • F Maj • 02:50 • -10.9db
25% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Takka Takka
She Works In Banking
127 bpm • C Maj • 05:00 • -8.04db
0% Popularity • 60% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 89% Positiveness
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Brakes
Oh! Forever
113 bpm • E Maj • 04:07 • -6.49db
15% Popularity • 45% Danceability • 73% Energy • 14% Liveness
88% Instrumentalness • 54% Positiveness
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The Love Language
Anthophobia
113 bpm • F Maj • 03:05 • -5.15db
8% Popularity • 38% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Someone Still Loves You Boris Yeltsin
Harrison Ford
113 bpm • E Maj • 03:28 • -8.95db
28% Popularity • 62% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
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The Submarines
Xavia
113 bpm • E Maj • 04:33 • -6.92db
28% Popularity • 54% Danceability • 79% Energy • 36% Liveness
1% Instrumentalness • 22% Positiveness
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Sea Wolf
Wicked Blood
128 bpm • F Maj • 04:25 • -6.72db
21% Popularity • 55% Danceability • 69% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
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Takka Takka
Sofia
113 bpm • A Maj • 02:57 • -7.55db
0% Popularity • 62% Danceability • 51% Energy • 34% Liveness
13% Instrumentalness • 57% Positiveness
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Telekinesis
Imaginary Friend
128 bpm • E Maj • 02:53 • -8.56db
9% Popularity • 72% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Change No Change