Songs like Change Of Heart by Teddy Thompson
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Bap Kennedy
Good as Gold
98 bpm • C# min • 02:48 • -13.71db
18% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Nick Lowe
Lately I've Let Things Slide
98 bpm • G Maj • 03:06 • -7.99db
26% Popularity • 59% Danceability • 55% Energy • 26% Liveness
6% Instrumentalness • 45% Positiveness
26% Popularity • 59% Danceability • 55% Energy • 26% Liveness
6% Instrumentalness • 45% Positiveness
► Preview
Norah Jones
Wurlitzer Prize (I Don't Want To Get Ove...
98 bpm • D# Maj • 02:39 • -13.26db
30% Popularity • 62% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 62% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Teddy Thompson
Change Of Heart
98 bpm • E Maj • 03:05 • -8.78db
21% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Shelby Lynne
Lungs
98 bpm • G# Maj • 02:54 • -11.76db
26% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Shannon McNally
Geronimo
98 bpm • F# min • 03:50 • -7.72db
18% Popularity • 58% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 58% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Mickey Newbury
The Thirty-third of August
99 bpm • E Maj • 05:42 • -17.84db
11% Popularity • 40% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 40% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Loudon Wainwright III
Pack up Your Sorrows
97 bpm • E Maj • 02:44 • -8.63db
18% Popularity • 70% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 70% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
► Preview
Kelly Jones
Make a Wish on Me - Commentary
97 bpm • C# Maj • 00:37 • -20.85db
1% Popularity • 71% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
1% Popularity • 71% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Teddy Thompson
Slippery Slope (Easier)
99 bpm • B Maj • 04:13 • -11.41db
4% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
4% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
James McMurtry
Song For A Deck Hands Daughter
97 bpm • C Maj • 03:30 • -20.01db
27% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Shelby Lynne
I Won't Die Alone
98 bpm • G# Maj • 02:41 • -12.71db
37% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Mickey Newbury
San Francisco Mable Joy
97 bpm • D Maj • 06:48 • -17.05db
13% Popularity • 32% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 32% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Eliza Gilkyson
Roses at the End of Time
97 bpm • F Maj • 03:25 • -10.21db
12% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
The Warratahs
Cape Turnagain
99 bpm • D Maj • 05:16 • -7.07db
8% Popularity • 49% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 49% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Hayes Carll
That's The Way Love Goes
99 bpm • D# Maj • 03:11 • -12.4db
30% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Lynn Miles
Fearless Heart
97 bpm • F Maj • 03:41 • -8.76db
17% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Tom Rush
River Song
97 bpm • F Maj • 03:56 • -14.79db
16% Popularity • 66% Danceability • 41% Energy • 27% Liveness
23% Instrumentalness • 63% Positiveness
16% Popularity • 66% Danceability • 41% Energy • 27% Liveness
23% Instrumentalness • 63% Positiveness
► Preview
Tift Merritt
Feeling of Beauty
97 bpm • D# Maj • 04:01 • -10.33db
34% Popularity • 60% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
34% Popularity • 60% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
► Preview
Chris Smither
Kind Woman
97 bpm • D Maj • 03:50 • -14.06db
12% Popularity • 47% Danceability • 25% Energy • 17% Liveness
7% Instrumentalness • 33% Positiveness
12% Popularity • 47% Danceability • 25% Energy • 17% Liveness
7% Instrumentalness • 33% Positiveness
► Preview
Kelly Jones
Better at Lying - Commentary
99 bpm • C Maj • 01:28 • -19.75db
2% Popularity • 68% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 68% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Cheryl Wheeler
Northern Girl
99 bpm • A Maj • 03:46 • -15.04db
31% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Delbert McClinton
When Rita Leaves
100 bpm • E Maj • 04:37 • -9.83db
23% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Steve Forbert
Song For Carmelita
97 bpm • C Maj • 01:54 • -9.36db
15% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Holly Williams
Blue Is My Heart
100 bpm • G Maj • 02:42 • -8.08db
11% Popularity • 50% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 50% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Teddy Thompson
Don't Ask Me To Be Friends
96 bpm • A Maj • 03:10 • -10.1db
12% Popularity • 65% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 65% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Lynn Miles
Three Chords and Truth
100 bpm • A# Maj • 03:30 • -9.69db
15% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Tift Merritt
Good Hearted Man
96 bpm • C Maj • 03:39 • -6.39db
29% Popularity • 56% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 56% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Kimmie Rhodes
Love Me Like A Song
96 bpm • A Maj • 03:40 • -14db
29% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Chris Smither
Visions Of Johanna
96 bpm • A Maj • 05:22 • -12.18db
6% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
6% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Jakob Dylan
Everybody's Hurting
101 bpm • C# min • 03:40 • -12.66db
23% Popularity • 56% Danceability • 35% Energy • 12% Liveness
5% Instrumentalness • 31% Positiveness
23% Popularity • 56% Danceability • 35% Energy • 12% Liveness
5% Instrumentalness • 31% Positiveness
► Preview
Ted Hawkins
There Stands The Glass
101 bpm • F Maj • 02:33 • -9.54db
34% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Jenni Muldaur
Put It Off Until Tomorrow
95 bpm • A Maj • 02:27 • -9.15db
9% Popularity • 50% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 50% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Paula Nelson
Riddles and Rhymes
101 bpm • G Maj • 04:51 • -9.82db
12% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Chris Hillman
Wildflowers
101 bpm • E Maj • 02:51 • -7db
32% Popularity • 55% Danceability • 48% Energy • 34% Liveness
2% Instrumentalness • 56% Positiveness
32% Popularity • 55% Danceability • 48% Energy • 34% Liveness
2% Instrumentalness • 56% Positiveness
► Preview
Chris Smither
Leave The Light On
101 bpm • D Maj • 03:47 • -9.86db
18% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
► Preview
Nick Lowe
A Better Man
95 bpm • A Maj • 02:16 • -17.26db
20% Popularity • 63% Danceability • 18% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
20% Popularity • 63% Danceability • 18% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
► Preview
The Cactus Blossoms
You're Dreaming
102 bpm • C Maj • 03:25 • -7.95db
37% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Jenni Muldaur
Makin' Believe
101 bpm • G Maj • 03:21 • -9.37db
9% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Ry Cooder
Across the Borderline
94 bpm • D Maj • 03:05 • -18db
33% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Greg Trooper
We've Still Got Time
102 bpm • D Maj • 03:56 • -9db
13% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Laura Cantrell
The Whiskey Makes You Sweeter
95 bpm • A# Maj • 05:07 • -9db
19% Popularity • 66% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 66% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Ron Sexsmith
Just My Heart Talkin'
102 bpm • D# Maj • 02:22 • -10.65db
20% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Judy Collins
Pack up Your Sorrows - Re-Recorded
103 bpm • A# Maj • 03:26 • -10.12db
13% Popularity • 62% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 62% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Chris Smither
Place In Line
103 bpm • A Maj • 03:51 • -8db
20% Popularity • 64% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 64% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Elliott Murphy
Losing it
103 bpm • D Maj • 04:48 • -9.28db
20% Popularity • 65% Danceability • 46% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
20% Popularity • 65% Danceability • 46% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
► Preview
Greg Trooper
This I'd Do (Live)
102 bpm • F Maj • 03:42 • -9.33db
25% Popularity • 62% Danceability • 35% Energy • 70% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 62% Danceability • 35% Energy • 70% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Steve Forbert
Sadly Sorta Like a Soap Opera
93 bpm • F# min • 03:39 • -8.53db
24% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Ron Sexsmith
Cheap Hotel
93 bpm • G# Maj • 02:18 • -10.2db
26% Popularity • 54% Danceability • 47% Energy • 15% Liveness
31% Instrumentalness • 55% Positiveness
26% Popularity • 54% Danceability • 47% Energy • 15% Liveness
31% Instrumentalness • 55% Positiveness
► Preview
Laura Cantrell
Trains and Boats and Planes
103 bpm • F# min • 04:14 • -12db
10% Popularity • 77% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 77% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Nick Lowe
Shame on the Rain
103 bpm • A# Maj • 02:24 • -15.54db
18% Popularity • 70% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 70% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Teddy Thompson
She Thinks I Still Care
93 bpm • A# Maj • 03:19 • -8.92db
8% Popularity • 27% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 27% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
The Flatlanders
Homeland Refugee
93 bpm • C Maj • 03:58 • -8.7db
9% Popularity • 65% Danceability • 56% Energy • 19% Liveness
2% Instrumentalness • 46% Positiveness
9% Popularity • 65% Danceability • 56% Energy • 19% Liveness
2% Instrumentalness • 46% Positiveness
► Preview
Jenni Muldaur
After The Fire Is Gone
103 bpm • D Maj • 02:44 • -8.75db
9% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Gram Parsons
Hickory Wind - Alternate Version
93 bpm • A Maj • 04:15 • -14.02db
25% Popularity • 36% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 36% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Kieran Kane
I Don't Know Why
103 bpm • C# Maj • 03:09 • -14.8db
21% Popularity • 69% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 69% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Kimmie Rhodes
Wild Roses
103 bpm • D Maj • 03:06 • -11.25db
17% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Teddy Thompson
Let's Think About Living
93 bpm • D Maj • 02:10 • -7.07db
5% Popularity • 72% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 77% Positiveness
5% Popularity • 72% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 77% Positiveness
► Preview
Linda Thompson
Stay Bright
93 bpm • G Maj • 01:46 • -16.23db
5% Popularity • 22% Danceability • 14% Energy • 13% Liveness
46% Instrumentalness • 13% Positiveness
5% Popularity • 22% Danceability • 14% Energy • 13% Liveness
46% Instrumentalness • 13% Positiveness
► Preview
Eliza Carthy
Hug You Like a Mountain - Radio Edit
104 bpm • C Maj • 02:56 • -6.15db
2% Popularity • 55% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
2% Popularity • 55% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Zoe Muth and the Lost High Rollers
I've Been Gone
104 bpm • E Maj • 04:28 • -4.81db
18% Popularity • 66% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 66% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Jenni Muldaur
Just Between You And Me
104 bpm • F Maj • 02:24 • -9.34db
10% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Kimmie Rhodes
We've Done This Before
93 bpm • A Maj • 03:14 • -14.07db
12% Popularity • 50% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 50% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Teddy Thompson
Touching Home
93 bpm • G Maj • 02:46 • -8.9db
9% Popularity • 51% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 51% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Eliza Gilkyson
Where Have All the Flowers Gone
104 bpm • F Maj • 04:41 • -9.73db
11% Popularity • 50% Danceability • 44% Energy • 12% Liveness
13% Instrumentalness • 29% Positiveness
11% Popularity • 50% Danceability • 44% Energy • 12% Liveness
13% Instrumentalness • 29% Positiveness
► Preview
Eliza Carthy
Hug You Like a Mountain
104 bpm • D min • 05:07 • -13.32db
10% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Kelly Jones
Don't Remind Me - Commentary
104 bpm • F Maj • 01:07 • -21.74db
2% Popularity • 72% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 72% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Steve Forbert
Good Time Charlie's Got The Blues
92 bpm • F Maj • 03:06 • -10.29db
30% Popularity • 63% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 46% Positiveness
30% Popularity • 63% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 46% Positiveness
► Preview
John Sebastian
Good Time Charlie's Got The Blues
92 bpm • F Maj • 03:01 • -8.64db
23% Popularity • 65% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
23% Popularity • 65% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
► Preview
Teddy Thompson
Wondering
104 bpm • C Maj • 02:38 • -6.77db
12% Popularity • 65% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 65% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Justin Townes Earle
Mama's Eyes
92 bpm • F Maj • 02:18 • -10.09db
46% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Jenni Muldaur
We're Caught Between A Love And A Love A...
105 bpm • D Maj • 02:21 • -9.87db
12% Popularity • 54% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 54% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Kelly Jones
Only Fooling - Commentary
104 bpm • A# min • 01:25 • -22.85db
1% Popularity • 70% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 70% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
38% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Shelby Lynne
I'm Looking for Blue Eyes
91 bpm • E Maj • 02:57 • -11.91db
24% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Teddy Thompson
Only Fooling
93 bpm • A Maj • 02:45 • -8.74db
15% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Justin Townes Earle
Workin' For The MTA
105 bpm • C Maj • 03:48 • -13.4db
31% Popularity • 56% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
31% Popularity • 56% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
► Preview
Blackie & The Rodeo Kings
Blow Me a Kiss
105 bpm • A Maj • 03:12 • -10.22db
24% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Kieran Kane
Dark Eyed Gal
105 bpm • D Maj • 03:58 • -9.93db
13% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Iris DeMent
The Way I Should
91 bpm • B Maj • 04:26 • -6.62db
21% Popularity • 61% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 61% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Shelby Lynne
Into My Arms
91 bpm • C Maj • 04:47 • -13.61db
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Teddy Thompson
Shine So Bright
105 bpm • E Maj • 02:59 • -13.33db
18% Popularity • 63% Danceability • 25% Energy • 10% Liveness
13% Instrumentalness • 5% Positiveness
18% Popularity • 63% Danceability • 25% Energy • 10% Liveness
13% Instrumentalness • 5% Positiveness
► Preview
Ron Sexsmith
Lebanon, Tennessee
91 bpm • D Maj • 02:57 • -11.08db
32% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Tom Rush
Too Many Memories -
91 bpm • E Maj • 03:42 • -13.41db
18% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Caitlin Cary
Two Different Things
105 bpm • A# Maj • 04:16 • -8.18db
15% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Laura Cantrell
Churches Off the Interstate
105 bpm • C Maj • 02:59 • -8.43db
9% Popularity • 68% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 68% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Kimmie Rhodes
Hard Promises to Keep
91 bpm • G Maj • 04:49 • -14.49db
17% Popularity • 53% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 53% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Teddy Thompson
Where To Go From Here
92 bpm • G Maj • 03:12 • -11.24db
5% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Otis Gibbs
When I Was Young
91 bpm • C Maj • 03:21 • -10.58db
13% Popularity • 59% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 59% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Joe Ely
If You Were A Bluebird - 2022 Remaster
106 bpm • C Maj • 02:58 • -8.81db
19% Popularity • 56% Danceability • 50% Energy • 31% Liveness
20% Instrumentalness • 43% Positiveness
19% Popularity • 56% Danceability • 50% Energy • 31% Liveness
20% Instrumentalness • 43% Positiveness
► Preview
Ray Bonneville
Sabine River
106 bpm • G# Maj • 04:46 • -11db
28% Popularity • 67% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 67% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Ted Hawkins
Afraid
106 bpm • B Maj • 04:36 • -9.76db
14% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Tom Rush
River Song
106 bpm • F Maj • 03:33 • -14.2db
14% Popularity • 56% Danceability • 32% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
14% Popularity • 56% Danceability • 32% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
► Preview
Teddy Thompson
Don't Remind Me
106 bpm • E min • 03:07 • -10.68db
8% Popularity • 38% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 38% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Rod Picott
Girl From Arkansas
106 bpm • F# Maj • 03:38 • -9.23db
9% Popularity • 63% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 63% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Jenni Muldaur
Just Someone I Used To Know
106 bpm • G# Maj • 02:18 • -9.09db
14% Popularity • 61% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 61% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Chris Smither
Time Stands Still
106 bpm • G Maj • 03:45 • -9db
36% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Amy Speace
Hymn for the Crossing
90 bpm • A# Maj • 03:36 • -10.75db
23% Popularity • 53% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 53% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
