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Change the Past
Songs like
Change the Past
by
Isaac Butler
Based on a tempo of (+/- 10%) and a similar genre
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Isaac Butler
Change the Past
160 bpm • D Maj • 03:16 • -5.69db
20% Popularity • 47% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Irish Women In Harmony
Only a Woman
160 bpm • B Maj • 03:37 • -5.88db
19% Popularity • 53% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Two Degrees
Coffee
160 bpm • B Maj • 03:40 • -5.01db
12% Popularity • 43% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Greg Pearson
Through Your Window
162 bpm • C min • 03:39 • -8.95db
19% Popularity • 41% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Havelin
Love Take Over
162 bpm • A# Maj • 03:50 • -7.28db
19% Popularity • 54% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Molly Hocking
After The Night Before
158 bpm • F Maj • 03:28 • -6.77db
16% Popularity • 40% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Isaac Butler
Good Enough
160 bpm • C# Maj • 03:00 • -5.11db
30% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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RuthAnne
Cold Water
164 bpm • A# Maj • 02:40 • -7db
26% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Two Degrees
One Road
160 bpm • A# Maj • 04:47 • -12.31db
7% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Hannah Pisani
Afterthought
164 bpm • C Maj • 03:16 • -8.4db
25% Popularity • 53% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Fischer
I Got to Live - Homework Live Acoustic S...
164 bpm • C Maj • 03:52 • -6.67db
14% Popularity • 45% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Karl Michael
Wait a Minute
156 bpm • C# min • 03:51 • -7.56db
12% Popularity • 60% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Calum Bowie
Here to Stay
155 bpm • A# Maj • 04:43 • -8.98db
22% Popularity • 54% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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True Tides
Break The Silence
165 bpm • B Maj • 03:12 • -6.08db
18% Popularity • 56% Danceability • 78% Energy • 31% Liveness
2% Instrumentalness • 66% Positiveness
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Brave Giant
Otherside
155 bpm • C Maj • 03:13 • -12.8db
9% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 85% Positiveness
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NOURI
Miss All Your Jokes
165 bpm • A# Maj • 03:02 • -15db
30% Popularity • 36% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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John Buckley
Oh My My
166 bpm • B min • 02:54 • -6db
11% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Stephanie Rainey
No Cowboy
166 bpm • C min • 02:34 • -4.11db
27% Popularity • 58% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Pete McCredie
Skinny Love
154 bpm • C# Maj • 03:21 • -18.03db
21% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tom Walker
Something to Believe In
154 bpm • C min • 03:40 • -6.55db
34% Popularity • 57% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Brave Giant
Waves
166 bpm • D min • 03:46 • -13.7db
13% Popularity • 32% Danceability • 65% Energy • 8% Liveness
64% Instrumentalness • 56% Positiveness
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Tom Grennan
Being Angry
166 bpm • C Maj • 02:49 • -7.8db
31% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Calum Bowie
Time That I Can Borrow
154 bpm • A# Maj • 03:37 • -8.53db
25% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ella Henderson
Let’s Go Home Together - Stripped
154 bpm • E Maj • 03:41 • -4.04db
37% Popularity • 65% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Curtis Walsh
Full Recovery
153 bpm • A Maj • 02:56 • -10db
35% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Reuben Gray
In Your Embrace
167 bpm • C min • 03:38 • -7.86db
18% Popularity • 34% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Isaac Butler
Heart Of Gold
167 bpm • C min • 03:01 • -5.87db
37% Popularity • 39% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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JC Stewart
The Wrong Ones - Acoustic
167 bpm • G# Maj • 03:08 • -9.02db
11% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Pa Sheehy
I Saw You At A Funeral
152 bpm • F Maj • 03:15 • -9.69db
25% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Isaac Stuart
Do You Like It When We Lay Like This?
152 bpm • G Maj • 03:17 • -9db
19% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jacob Koopman
Weight of the Wave
152 bpm • G Maj • 04:15 • -12.67db
9% Popularity • 49% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Alfie Sheard
Never Mine To Lose
152 bpm • C# min • 03:00 • -6.89db
17% Popularity • 54% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Isaac Butler
Young Forever
168 bpm • B Maj • 03:16 • -6.4db
14% Popularity • 50% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Tom Grennan
Oh Please - Acoustic
152 bpm • A Maj • 03:28 • -9db
16% Popularity • 70% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Tors
Something I Said - Acoustic
151 bpm • C# Maj • 03:08 • -8.75db
15% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Will Callan
Out of Your Life
151 bpm • C# Maj • 03:13 • -4.46db
9% Popularity • 72% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Brad Heidi
Latte
170 bpm • F# Maj • 03:27 • -8.47db
9% Popularity • 57% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Tim Chadwick
Sore Thumb
170 bpm • A Maj • 03:37 • -8.15db
9% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Isaac Butler
Atmosphere
170 bpm • C Maj • 03:19 • -6.1db
32% Popularity • 41% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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D.A.N
White Flag
170 bpm • F# Maj • 03:11 • -8.13db
27% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Mabes
Bigger Picture
170 bpm • F# min • 03:15 • -7.97db
27% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Róisín O
Better Now
150 bpm • A min • 03:42 • -5.86db
17% Popularity • 45% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Corey Harper
I Started A Joke
150 bpm • F# Maj • 03:06 • -7db
26% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Brave Giant
Leap Of Faith
150 bpm • A Maj • 03:33 • -13.78db
10% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Mark Bowley
Brother's Blood
171 bpm • G Maj • 02:06 • -17.86db
15% Popularity • 49% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Blakey
We Can Change
150 bpm • B Maj • 03:18 • -8.77db
18% Popularity • 48% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Daniel Shaw
Hey Little Brother
150 bpm • A Maj • 03:25 • -12.06db
14% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Tim Schou
High Water
150 bpm • C# Maj • 02:59 • -10db
24% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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JERUB
Feel It
171 bpm • C min • 03:24 • -9.33db
16% Popularity • 38% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Rose
Keep Me Believing
172 bpm • B Maj • 03:13 • -5db
11% Popularity • 49% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Walker
Wait for You
149 bpm • C# Maj • 02:52 • -4.17db
44% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lachie Gill
Wicked Sin
172 bpm • D Maj • 04:00 • -7db
16% Popularity • 29% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Declan J Donovan
I'll Be There Love
172 bpm • F# Maj • 03:08 • -5db
20% Popularity • 50% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Moloney
All That I Do
148 bpm • A Maj • 03:29 • -6.3db
11% Popularity • 52% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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JC Stewart
Valium
148 bpm • D Maj • 03:15 • -6db
19% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Pa Sheehy
Róisín - Acoustic
148 bpm • G# Maj • 03:18 • -7.06db
22% Popularity • 50% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Tom Walker
Wait for You - Acoustic
149 bpm • A# min • 02:56 • -7db
32% Popularity • 37% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Dermot Kennedy
The Corner
148 bpm • D Maj • 03:21 • -8.79db
43% Popularity • 43% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Conleth Mc Geary
Smile
174 bpm • F# min • 03:08 • -6.69db
9% Popularity • 40% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Karl Michael
Missing Us
147 bpm • F Maj • 03:30 • -9.35db
9% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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JC Stewart
Bones - Acoustic
146 bpm • B Maj • 03:21 • -10db
30% Popularity • 68% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Wild Youth
Seventeen
146 bpm • G Maj • 03:09 • -6.95db
19% Popularity • 46% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Tom Walker
Better Half of Me - Acoustic
174 bpm • D# Maj • 03:48 • -9.72db
42% Popularity • 34% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Daniel Shaw
Personal Space
175 bpm • F Maj • 02:26 • -11.32db
7% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Pa Sheehy
Calling
146 bpm • G Maj • 03:52 • -12.76db
17% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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John Doherty
Feel Alive
146 bpm • G Maj • 03:10 • -8.57db
13% Popularity • 52% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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220 KID
Too Many Nights - Acoustic
146 bpm • D Maj • 02:55 • -9.29db
21% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Danny Jones
Do Not Worry
176 bpm • D# Maj • 03:38 • -11db
19% Popularity • 40% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Dermot Kennedy
Outgrown
145 bpm • G Maj • 03:20 • -8.91db
46% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Craig Eddie
Does She Come With a Warning?
145 bpm • C min • 02:47 • -5.57db
9% Popularity • 56% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Dan Fable
Tornado
145 bpm • G Maj • 03:41 • -21.01db
14% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Skinny Living
Let Go
144 bpm • D# Maj • 03:24 • -4.47db
32% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Daniel Shaw
Lean on Me
178 bpm • F Maj • 03:09 • -12.25db
9% Popularity • 42% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Lea Heart
Older
178 bpm • F# Maj • 02:39 • -4.44db
32% Popularity • 52% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Dermot Kennedy
Outnumbered - Lost In The Soft Light Ses...
177 bpm • A min • 04:02 • -8.69db
35% Popularity • 36% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Sonny Tennet
Let Love
144 bpm • E Maj • 03:24 • -13.73db
27% Popularity • 38% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Áine
Dislocated
144 bpm • E Maj • 03:35 • -10.89db
16% Popularity • 57% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Brave Giant
Lordy Lordy
178 bpm • A Maj • 03:09 • -4db
40% Popularity • 58% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Róisín O
Stolen
144 bpm • F Maj • 03:43 • -5.93db
10% Popularity • 40% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jack Hawitt
Our Song
143 bpm • F Maj • 03:52 • -9.31db
33% Popularity • 43% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Dermot Kennedy
Dancing Under Red Skies
144 bpm • C Maj • 03:46 • -6.14db
47% Popularity • 38% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Stephanie Rainey
Ross & Rachel
143 bpm • F min • 03:27 • -8.91db
20% Popularity • 71% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Isaac Butler
Just One Night
143 bpm • G# min • 03:03 • -4.33db
17% Popularity • 65% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Brave Giant
Hymn for the Working Man
179 bpm • G# min • 02:16 • -9.09db
38% Popularity • 46% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Toby Johnson
The Wild Atlantic Way
180 bpm • D# Maj • 04:21 • -12.05db
11% Popularity • 21% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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Samuel Jack
Better Days
180 bpm • F# Maj • 03:20 • -6.7db
21% Popularity • 37% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Larkins
Digital Love
180 bpm • B Maj • 03:26 • -8.34db
27% Popularity • 42% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Pa Sheehy
Meet Me At The Record Store
142 bpm • A min • 03:53 • -6.53db
31% Popularity • 48% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Breakwaves
How Did We Get Here
180 bpm • B min • 03:16 • -11.69db
18% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Tadhg Daly
Come on Over
142 bpm • D Maj • 02:41 • -7.57db
11% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Scars On 45
Just for You
181 bpm • E Maj • 02:45 • -12.23db
14% Popularity • 34% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Paris Youth Foundation
You Haven't Loved Until You've Lost - Pi...
181 bpm • C Maj • 03:20 • -7.52db
7% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Wild Youth
All or Nothing
141 bpm • D Maj • 03:28 • -5.32db
23% Popularity • 51% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Pa Sheehy
Róisín
141 bpm • A# Maj • 04:03 • -4db
37% Popularity • 56% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tim Gallagher
Lipstick
141 bpm • F Maj • 03:36 • -14.22db
13% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Mason Watts
Recovery
140 bpm • D Maj • 03:21 • -7.2db
18% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Mabes
Too Young to Love
140 bpm • A Maj • 03:29 • -7.44db
14% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Dan Elliott
Only Ever Been You
140 bpm • F# min • 03:14 • -7.84db
20% Popularity • 63% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Cattle & Cane
Neighbourhood
140 bpm • C Maj • 03:08 • -6.93db
19% Popularity • 53% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 13% Positiveness
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Shaun Farrugia
Heaven Like Mine
140 bpm • G Maj • 02:55 • -6.37db
27% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Change the Past