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Songs like
Chant
by
Peter Bernstein
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Griffin
The Boy Next Door - Remastered 2006/Rudy...
139 bpm • D min • 04:53 • -8.26db
24% Popularity • 52% Danceability • 44% Energy • 13% Liveness
28% Instrumentalness • 44% Positiveness
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Wayne Shorter
Chief Crazy Horse - Rudy Van Gelder Edit...
139 bpm • G min • 07:34 • -11.47db
22% Popularity • 45% Danceability • 53% Energy • 16% Liveness
28% Instrumentalness • 31% Positiveness
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Mark Turner
Nefertiti
139 bpm • G# Maj • 05:45 • -16db
13% Popularity • 34% Danceability • 20% Energy • 16% Liveness
47% Instrumentalness • 14% Positiveness
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Peter Bernstein
Con Alma
137 bpm • C# Maj • 07:07 • -12.14db
5% Popularity • 32% Danceability • 50% Energy • 6% Liveness
85% Instrumentalness • 61% Positiveness
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Tom Harrell
Sail Away
139 bpm • C Maj • 05:15 • -21.1db
19% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
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Yoko Miwa Trio
Sunset Lane
139 bpm • C Maj • 06:09 • -15db
15% Popularity • 37% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Jesse Van Ruller
The End Of A Love Affair
140 bpm • D min • 08:39 • -16.61db
14% Popularity • 40% Danceability • 30% Energy • 66% Liveness
86% Instrumentalness • 22% Positiveness
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Dave O'Higgins
Nothing to Lose
136 bpm • D min • 05:12 • -11.07db
11% Popularity • 55% Danceability • 41% Energy • 9% Liveness
14% Instrumentalness • 43% Positiveness
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Woody Shaw
Katerina Ballerina
140 bpm • C min • 05:39 • -17db
11% Popularity • 45% Danceability • 31% Energy • 9% Liveness
96% Instrumentalness • 43% Positiveness
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Roy Hargrove Quintet
Alter Ego
136 bpm • B min • 06:33 • -14.53db
14% Popularity • 57% Danceability • 31% Energy • 20% Liveness
39% Instrumentalness • 45% Positiveness
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Thomas Darelid
Valorie
136 bpm • A# Maj • 05:14 • -24db
7% Popularity • 66% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Jackie McLean
Das' Dat - Digital Remaster/2006
140 bpm • F min • 06:24 • -6.37db
16% Popularity • 55% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Emily Remler
Softly, As In A Morning Sunrise
140 bpm • E min • 08:10 • -27.71db
32% Popularity • 46% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 34% Positiveness
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Tom Harrell
Oak Tree
136 bpm • F min • 03:34 • -13db
15% Popularity • 53% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 24% Positiveness
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Tal Farlow
Have You Met Miss Jones?
136 bpm • C Maj • 04:56 • -23.09db
28% Popularity • 59% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 72% Positiveness
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Peter Bernstein
Just A Thought
141 bpm • G# Maj • 08:42 • -11db
3% Popularity • 36% Danceability • 45% Energy • 14% Liveness
78% Instrumentalness • 35% Positiveness
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Maria Kannegaard Trio
Don't Worry
141 bpm • F# Maj • 05:33 • -14.82db
13% Popularity • 44% Danceability • 24% Energy • 10% Liveness
75% Instrumentalness • 22% Positiveness
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McCoy Tyner Trio
Inception - 2018 Digitally Remastered
140 bpm • F min • 04:29 • -17.87db
26% Popularity • 37% Danceability • 36% Energy • 21% Liveness
15% Instrumentalness • 62% Positiveness
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Horace Silver
Summer In Central Park - Remastered
135 bpm • D min • 04:41 • -12.77db
33% Popularity • 52% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Esbjörn Svensson Trio
I Walked Bud
135 bpm • F min • 06:40 • -18.49db
31% Popularity • 55% Danceability • 30% Energy • 9% Liveness
20% Instrumentalness • 47% Positiveness
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Cannonball Adderley Quartet
Poor Butterfly
135 bpm • G# Maj • 05:10 • -7db
35% Popularity • 56% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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Peter Bernstein
This I Dig of You
135 bpm • C min • 08:57 • -10.97db
11% Popularity • 33% Danceability • 69% Energy • 69% Liveness
62% Instrumentalness • 65% Positiveness
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Joshua Redman Quartet
Come What May
135 bpm • A# min • 06:46 • -13.66db
41% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
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Doug Raney
Mr. P.C.
142 bpm • C min • 05:33 • -10.36db
17% Popularity • 34% Danceability • 53% Energy • 20% Liveness
40% Instrumentalness • 70% Positiveness
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Grant Green
Freedom March - Remastered
141 bpm • D min • 08:42 • -11.73db
38% Popularity • 69% Danceability • 43% Energy • 11% Liveness
38% Instrumentalness • 53% Positiveness
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Renee Rosnes
Lifewish
134 bpm • A Maj • 07:33 • -15.06db
9% Popularity • 48% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 38% Positiveness
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Benny Benack III
Thank You for the Heartbreak
134 bpm • A Maj • 04:38 • -18.03db
8% Popularity • 50% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
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Peter Bernstein
One Step Ahead
141 bpm • F min • 11:03 • -10.8db
9% Popularity • 39% Danceability • 63% Energy • 70% Liveness
90% Instrumentalness • 61% Positiveness
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Jesse Van Ruller
Get Out Of Town
134 bpm • D min • 08:05 • -13.25db
10% Popularity • 35% Danceability • 50% Energy • 18% Liveness
11% Instrumentalness • 46% Positiveness
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McCoy Tyner Trio
Speak Low - 2018 Digitally Remastered
142 bpm • C Maj • 06:17 • -19.25db
26% Popularity • 36% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Baptiste Herbin
Swing Valse
134 bpm • F Maj • 03:23 • -9.47db
34% Popularity • 48% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 69% Positiveness
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Peter Bernstein Trio
The Breakthrough
134 bpm • F min • 06:07 • -13.02db
8% Popularity • 42% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
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Benny Benack III
Jade
142 bpm • F# Maj • 03:14 • -14.39db
5% Popularity • 55% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Peter Bernstein
This Is New
134 bpm • G# Maj • 05:57 • -13.32db
2% Popularity • 36% Danceability • 53% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
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Horace Silver
Silver's Serenade - Remastered 1997
142 bpm • D Maj • 09:21 • -11.96db
33% Popularity • 58% Danceability • 30% Energy • 22% Liveness
7% Instrumentalness • 24% Positiveness
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Larry Goldings
Lurkers
143 bpm • C Maj • 05:25 • -9.93db
6% Popularity • 48% Danceability • 49% Energy • 7% Liveness
67% Instrumentalness • 37% Positiveness
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Isaiah J. Thompson
Hi-Fly
143 bpm • G min • 04:41 • -19.98db
19% Popularity • 50% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 50% Positiveness
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Grant Green
Alone Together - Remastered 2002/Rudy Va...
143 bpm • G# Maj • 07:12 • -16db
30% Popularity • 64% Danceability • 28% Energy • 9% Liveness
33% Instrumentalness • 53% Positiveness
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Roy Hargrove Quintet
Shade Of Jade
133 bpm • F min • 05:23 • -15.09db
15% Popularity • 46% Danceability • 39% Energy • 20% Liveness
50% Instrumentalness • 54% Positiveness
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Peter Bernstein
Venus Blues
133 bpm • G Maj • 07:19 • -6.78db
4% Popularity • 35% Danceability • 74% Energy • 13% Liveness
54% Instrumentalness • 39% Positiveness
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Peter Bernstein Trio
Who Can I Turn To (When Nobody Needs Me)
143 bpm • G# Maj • 06:11 • -18.57db
10% Popularity • 46% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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McCoy Tyner Trio
Mellow Minor
143 bpm • G# Maj • 09:17 • -9.35db
7% Popularity • 50% Danceability • 62% Energy • 17% Liveness
85% Instrumentalness • 48% Positiveness
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Peter Bernstein Quartet
Blues For Bulgaria
133 bpm • F# min • 08:04 • -15.1db
11% Popularity • 47% Danceability • 42% Energy • 15% Liveness
49% Instrumentalness • 43% Positiveness
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Branford Marsalis Quartet
Muldoon
133 bpm • A# min • 04:16 • -18.3db
35% Popularity • 43% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
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Joshua Redman
Blues on Sunday
133 bpm • G# Maj • 05:01 • -13db
20% Popularity • 62% Danceability • 28% Energy • 8% Liveness
53% Instrumentalness • 63% Positiveness
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Melvin Rhyne
A.P.J.
133 bpm • C# Maj • 04:36 • -10.73db
1% Popularity • 42% Danceability • 53% Energy • 11% Liveness
4% Instrumentalness • 55% Positiveness
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Gilad Hekselman
Place Like No Home
133 bpm • G# Maj • 01:44 • -21db
34% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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The Cannonball Adderley Quintet
Dat Dere - Remastered
133 bpm • G min • 05:31 • -11.82db
31% Popularity • 58% Danceability • 41% Energy • 15% Liveness
33% Instrumentalness • 43% Positiveness
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Sam Yahel Trio
Never Will I Marry
133 bpm • C min • 05:54 • -18.18db
23% Popularity • 41% Danceability • 33% Energy • 13% Liveness
74% Instrumentalness • 49% Positiveness
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Nick Hempton
Night Owl
133 bpm • D min • 05:21 • -11.48db
8% Popularity • 57% Danceability • 35% Energy • 13% Liveness
8% Instrumentalness • 52% Positiveness
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The Jazz Messengers
Rhythm-A-Ning
144 bpm • G min • 07:20 • -10.96db
16% Popularity • 55% Danceability • 52% Energy • 22% Liveness
2% Instrumentalness • 66% Positiveness
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Chet Baker Quartet
Bea's Flat
132 bpm • F min • 03:01 • -10.86db
40% Popularity • 70% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 89% Positiveness
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McCoy Tyner Trio
Sunset - 2018 Digitally Remastered
132 bpm • D Maj • 04:43 • -22.01db
26% Popularity • 41% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Peter Bernstein
Hidden Pockets
144 bpm • F# min • 06:00 • -14.49db
3% Popularity • 31% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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The Cannonball Adderley Quintet
Grand Central
132 bpm • F# Maj • 04:33 • -13.11db
26% Popularity • 49% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Jackie McLean
Blues Inn - Remastered
132 bpm • F min • 09:05 • -9.58db
40% Popularity • 58% Danceability • 46% Energy • 16% Liveness
17% Instrumentalness • 52% Positiveness
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Jesse Van Ruller
Nobody Else But Me
144 bpm • D Maj • 08:02 • -15.15db
11% Popularity • 42% Danceability • 23% Energy • 71% Liveness
57% Instrumentalness • 25% Positiveness
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Kenny Drew
Funk-Cosity - Rudy Van Gelder Edition/20...
132 bpm • F Maj • 08:25 • -9db
26% Popularity • 55% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Horace Silver
Serenade To A Soul Sister - Remastered
145 bpm • G# min • 06:19 • -8db
41% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Peter Bernstein
Wise One
132 bpm • E min • 09:01 • -14.66db
2% Popularity • 41% Danceability • 33% Energy • 57% Liveness
90% Instrumentalness • 30% Positiveness
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Cory Weeds
Blues de Troye
132 bpm • C# Maj • 05:04 • -10.15db
9% Popularity • 51% Danceability • 41% Energy • 10% Liveness
9% Instrumentalness • 38% Positiveness
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Bobby Watson
Keepin' It Real
132 bpm • C Maj • 07:08 • -8.01db
30% Popularity • 48% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Simon Spang-Hanssen
Wayne Wave
131 bpm • C# min • 04:09 • -9.38db
9% Popularity • 50% Danceability • 54% Energy • 22% Liveness
61% Instrumentalness • 74% Positiveness
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Brad Mehldau Trio
Cheryl
131 bpm • C min • 07:38 • -14.66db
20% Popularity • 48% Danceability • 29% Energy • 10% Liveness
70% Instrumentalness • 42% Positiveness
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Hampton Hawes Trio
I Got Rhythm
145 bpm • C min • 03:18 • -18db
40% Popularity • 49% Danceability • 38% Energy • 28% Liveness
87% Instrumentalness • 80% Positiveness
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Lafayette Harris, Jr.
Wonder Why
145 bpm • G# Maj • 05:15 • -17db
46% Popularity • 48% Danceability • 28% Energy • 9% Liveness
36% Instrumentalness • 36% Positiveness
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Kenny Dorham
I Had The Craziest Dream
131 bpm • C Maj • 04:38 • -20db
38% Popularity • 61% Danceability • 16% Energy • 15% Liveness
77% Instrumentalness • 52% Positiveness
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Wako
Snart blir jeg far
131 bpm • C# Maj • 01:03 • -17.02db
15% Popularity • 44% Danceability • 13% Energy • 11% Liveness
38% Instrumentalness • 19% Positiveness
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Aldo Romano
L.A. 58
131 bpm • C Maj • 04:06 • -11.62db
39% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
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Steve Kuhn
Adagio
131 bpm • E Maj • 07:04 • -25.18db
8% Popularity • 41% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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McCoy Tyner Trio
Have You Met Miss Jones
146 bpm • G# Maj • 03:46 • -14.24db
44% Popularity • 57% Danceability • 49% Energy • 9% Liveness
27% Instrumentalness • 74% Positiveness
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Bud Powell Trio
Nice Work If You Can Get It - 1990 Remas...
131 bpm • G# Maj • 02:20 • -20db
45% Popularity • 50% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 92% Positiveness
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Brad Mehldau Trio
Bee Blues
131 bpm • F# Maj • 06:42 • -16.14db
28% Popularity • 57% Danceability • 27% Energy • 9% Liveness
80% Instrumentalness • 46% Positiveness
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Melissa Aldana
The Bluest Eye
131 bpm • D Maj • 07:22 • -15db
23% Popularity • 46% Danceability • 27% Energy • 13% Liveness
78% Instrumentalness • 28% Positiveness
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Aaron Diehl
Prologue
130 bpm • C# min • 01:58 • -19db
30% Popularity • 43% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
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Larry Goldings
Let's Get Lots
130 bpm • C Maj • 07:07 • -11.25db
11% Popularity • 45% Danceability • 43% Energy • 14% Liveness
77% Instrumentalness • 48% Positiveness
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Joe Chambers
Ruth
130 bpm • A# Maj • 04:11 • -15.29db
24% Popularity • 46% Danceability • 21% Energy • 9% Liveness
74% Instrumentalness • 14% Positiveness
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McCoy Tyner Trio
Flying High
130 bpm • F Maj • 10:13 • -7.02db
11% Popularity • 49% Danceability • 75% Energy • 16% Liveness
81% Instrumentalness • 40% Positiveness
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Tom Harrell
Accross the City
130 bpm • C Maj • 07:01 • -12.94db
16% Popularity • 46% Danceability • 46% Energy • 6% Liveness
88% Instrumentalness • 50% Positiveness
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Peter Bernstein
Harbor No Illusions
147 bpm • F# Maj • 07:19 • -11.47db
5% Popularity • 33% Danceability • 66% Energy • 11% Liveness
36% Instrumentalness • 54% Positiveness
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Seamus Blake
Blues for the Real Human Beings
147 bpm • B Maj • 04:19 • -10.39db
28% Popularity • 48% Danceability • 43% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
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Kenny Drew
Chartreuse
130 bpm • D Maj • 04:33 • -18.37db
38% Popularity • 54% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Steve Coleman
Zec
129 bpm • G# Maj • 09:09 • -13.05db
19% Popularity • 51% Danceability • 48% Energy • 29% Liveness
47% Instrumentalness • 68% Positiveness
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Jesse Van Ruller
Detour Ahead
129 bpm • C Maj • 07:28 • -21.19db
13% Popularity • 40% Danceability • 10% Energy • 68% Liveness
85% Instrumentalness • 19% Positiveness
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Howard Roberts
Between The Devil And The Deep Blue Sea
148 bpm • G# Maj • 02:42 • -16db
31% Popularity • 49% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 55% Positiveness
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Peter Bernstein
Dragonfly
129 bpm • F min • 11:33 • -11.7db
7% Popularity • 40% Danceability • 54% Energy • 70% Liveness
70% Instrumentalness • 43% Positiveness
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Bob Belden Project
Maiden Voyage
129 bpm • D Maj • 06:58 • -16.64db
28% Popularity • 57% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Wycliffe Gordon
Dig This!!
148 bpm • G min • 06:00 • -12.88db
22% Popularity • 54% Danceability • 37% Energy • 10% Liveness
50% Instrumentalness • 61% Positiveness
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Jan Lundgren Trio
Song of Delilah
129 bpm • C# Maj • 05:46 • -12.37db
10% Popularity • 63% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 70% Positiveness
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Larry Goldings
Libra
129 bpm • C# Maj • 05:03 • -11.24db
13% Popularity • 44% Danceability • 55% Energy • 6% Liveness
89% Instrumentalness • 57% Positiveness
► Preview
Blue Mitchell
Scrapple From The Apple
129 bpm • D Maj • 03:58 • -15db
25% Popularity • 61% Danceability • 38% Energy • 25% Liveness
1% Instrumentalness • 85% Positiveness
► Preview
Cyrus Chestnut
Darn That Dream
148 bpm • G Maj • 05:05 • -24.55db
44% Popularity • 42% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Wayne Shorter
Yes Or No - Rudy Van Gelder 24 Bit Maste...
129 bpm • E min • 06:39 • -7.87db
41% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Bojan Zulfikarpašić
Radio bo
128 bpm • G min • 05:44 • -18.12db
25% Popularity • 59% Danceability • 26% Energy • 8% Liveness
24% Instrumentalness • 36% Positiveness
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Lucas Figueiredo Santana
Around the World
128 bpm • F min • 07:49 • -8.08db
9% Popularity • 56% Danceability • 56% Energy • 26% Liveness
68% Instrumentalness • 68% Positiveness
► Preview
Jesse Van Ruller
Sandu
128 bpm • G# min • 04:38 • -17.17db
14% Popularity • 54% Danceability • 26% Energy • 68% Liveness
73% Instrumentalness • 42% Positiveness
► Preview
Wes Montgomery Trio
Yesterdays
149 bpm • A min • 03:15 • -25.34db
48% Popularity • 46% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Horace Silver
Nica's Dream - Remastered 2005
128 bpm • F min • 06:48 • -8.89db
32% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Joshua Redman Quartet
Stagger Bear
128 bpm • B min • 06:04 • -8.02db
15% Popularity • 61% Danceability • 60% Energy • 8% Liveness
75% Instrumentalness • 50% Positiveness
► Preview
Benny Benack III
Scootin'
149 bpm • C# Maj • 05:30 • -7.01db
15% Popularity • 60% Danceability • 49% Energy • 12% Liveness
91% Instrumentalness • 60% Positiveness
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Chant