Songs like Chante bas, chante haut by Romeo
Based on a tempo of (+/- 10%) and a similar genre
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Patrick Juvet
Faut pas rêver
117 bpm • D min • 03:47 • -10.87db
20% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Romeo
Chante bas, chante haut
117 bpm • A min • 03:36 • -11.42db
0% Popularity • 54% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 54% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Gilbert Bécaud
Le petit oiseau de toutes les couleurs
117 bpm • A# Maj • 02:44 • -10db
17% Popularity • 48% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 48% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Diane Dufresne
Un souvenir heureux
117 bpm • F min • 02:53 • -6.75db
30% Popularity • 65% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 65% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Julie Pietri
Immortelle - Remixée
117 bpm • E min • 04:43 • -8.21db
10% Popularity • 59% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 59% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Enrico Macias
Malheur à celui qui blesse un enfant
116 bpm • G Maj • 02:53 • -13db
29% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Dick Rivers
Nice baie des anges
117 bpm • D# min • 03:27 • -4db
33% Popularity • 62% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 62% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Romeo
Les cow-boys les plus beaux
117 bpm • E Maj • 03:02 • -9.29db
1% Popularity • 82% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
1% Popularity • 82% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
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Marie Laforêt
Que Calor La Vida
118 bpm • D Maj • 02:26 • -11.73db
34% Popularity • 60% Danceability • 40% Energy • 79% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 60% Danceability • 40% Energy • 79% Liveness
0% Instrumentalness • 88% Positiveness
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Crazy Horse
Ne rentre pas ce soir
116 bpm • A Maj • 03:14 • -8.27db
33% Popularity • 51% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 51% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Bernard Sauvat
Le professeur est un rêveur
118 bpm • F Maj • 02:20 • -4.11db
15% Popularity • 73% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 73% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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François Valéry
Putain D'Envie De Vivre
116 bpm • A min • 04:27 • -8.9db
23% Popularity • 85% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 81% Positiveness
23% Popularity • 85% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 81% Positiveness
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Mike Brant
L'oiseau noir et l'oiseau blanc
118 bpm • B Maj • 03:17 • -3.3db
31% Popularity • 46% Danceability • 82% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 46% Danceability • 82% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
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Pierre Perret
Les jolies colonies de vacances
116 bpm • C# min • 03:49 • -6.26db
40% Popularity • 60% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 60% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Dave
Tant qu'il y aura
116 bpm • A Maj • 03:19 • -10.84db
17% Popularity • 65% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 65% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 55% Positiveness
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Gérard Blanc
Du soleil dans la nuit
118 bpm • G Maj • 03:59 • -8.53db
37% Popularity • 61% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 61% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Joe le taxi
Je te survivrai
118 bpm • B Maj • 04:02 • -9.03db
24% Popularity • 63% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 63% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
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Nicoletta
La musique
116 bpm • G Maj • 03:27 • -7db
40% Popularity • 44% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 44% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Annie Cordy
Ca ira mieux demain
116 bpm • A Maj • 02:48 • -7.61db
13% Popularity • 74% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 74% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Marc Gelinas
Tu Te Souviendras De Moi
116 bpm • C Maj • 03:06 • -9db
18% Popularity • 57% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 57% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Romeo
Toutes les filles s'appellent Juliette
116 bpm • A Maj • 02:54 • -8.37db
1% Popularity • 75% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 75% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
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Enrico Macias
Ouvre-moi la porte
118 bpm • D Maj • 03:16 • -8.72db
14% Popularity • 59% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 59% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Dave
Lettre à Hélène
118 bpm • F Maj • 03:28 • -8.1db
32% Popularity • 41% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 41% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Serge Lama
Avec simplicité
115 bpm • C Maj • 03:51 • -8.53db
16% Popularity • 47% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 47% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Michel Fugain
Comme une histoire d'amour
119 bpm • B Maj • 03:57 • -17.85db
8% Popularity • 74% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 74% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Leny Escudero
Pour une amourette
115 bpm • C# min • 02:13 • -7.24db
34% Popularity • 73% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 73% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Dassin
Il faut naître à Monaco
115 bpm • A Maj • 01:52 • -5.81db
36% Popularity • 71% Danceability • 97% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 71% Danceability • 97% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Mike Brant
Donne un peu de toi (Song for Donna)
115 bpm • G min • 03:15 • -4.3db
29% Popularity • 55% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 55% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
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Romeo
Twideuldidoudere - Twideuldidouda
119 bpm • C# Maj • 02:56 • -11.35db
0% Popularity • 68% Danceability • 52% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 68% Danceability • 52% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
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Serge Lama
Marie, la polonaise
115 bpm • A Maj • 03:27 • -11db
33% Popularity • 28% Danceability • 41% Energy • 20% Liveness
2% Instrumentalness • 42% Positiveness
33% Popularity • 28% Danceability • 41% Energy • 20% Liveness
2% Instrumentalness • 42% Positiveness
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Linda De Suza
La maison de cet été
115 bpm • A min • 03:31 • -6.03db
14% Popularity • 38% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 38% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Michel Fugain
Chaque jour de plus
115 bpm • D min • 02:59 • -19.65db
45% Popularity • 60% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 60% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Sheila
L'amour qui brûle en moi
119 bpm • C Maj • 03:59 • -7.51db
10% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Christian Delagrange
La femme de ma vie
114 bpm • B min • 03:57 • -5.23db
22% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Romeo
Tous les villages s'appellent Bethleem
120 bpm • C# Maj • 03:34 • -6.98db
0% Popularity • 50% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 50% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Julie Mabille
Tourmaline
120 bpm • D Maj • 02:54 • -11.31db
14% Popularity • 70% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 70% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Linda De Suza
Un enfant peut faire chanter le monde
114 bpm • C Maj • 03:12 • -6.22db
13% Popularity • 57% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 57% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Dick Rivers
Ainsi soit-elle
120 bpm • E Maj • 03:34 • -13.03db
17% Popularity • 66% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 66% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Nacash
Elle imagine... - Verion originale 1987
114 bpm • D min • 04:04 • -11.06db
43% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Topaloff
J'ai bien mangé , j'ai bien bu
120 bpm • A Maj • 02:38 • -8.21db
11% Popularity • 83% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 83% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Romeo
Maman
120 bpm • B min • 02:49 • -10.07db
16% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Christophe Rippert
Il y a toujours une chanson
120 bpm • D min • 03:48 • -11.96db
13% Popularity • 69% Danceability • 64% Energy • 19% Liveness
3% Instrumentalness • 93% Positiveness
13% Popularity • 69% Danceability • 64% Energy • 19% Liveness
3% Instrumentalness • 93% Positiveness
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Annie Cordy
Maman, ma plus jolie chanson
120 bpm • G# Maj • 03:46 • -11.91db
11% Popularity • 78% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 78% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Christian Delagrange
Apprends-moi (Tornero)
120 bpm • G# Maj • 04:05 • -8.23db
25% Popularity • 54% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 54% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Joe Dassin
Cécilia
120 bpm • E Maj • 03:57 • -7.67db
22% Popularity • 60% Danceability • 88% Energy • 10% Liveness
2% Instrumentalness • 97% Positiveness
22% Popularity • 60% Danceability • 88% Energy • 10% Liveness
2% Instrumentalness • 97% Positiveness
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Mike Brant
Elle a gardé ses yeux d'enfant
121 bpm • C Maj • 02:51 • -6.37db
34% Popularity • 61% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 61% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Romeo
La bise au chanteur
120 bpm • C# Maj • 03:33 • -9.61db
0% Popularity • 70% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 70% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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Michel Fugain
Vis Ta Vie
121 bpm • D Maj • 03:28 • -11.93db
36% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Nicole Croisille
Emma (Je m'appelle Emma)
113 bpm • G Maj • 04:04 • -13db
10% Popularity • 34% Danceability • 30% Energy • 56% Liveness
19% Instrumentalness • 15% Positiveness
10% Popularity • 34% Danceability • 30% Energy • 56% Liveness
19% Instrumentalness • 15% Positiveness
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Christian Delagrange
Ne t'en vas pas, ne t'en vas pas
114 bpm • D# min • 03:41 • -5.19db
16% Popularity • 42% Danceability • 68% Energy • 21% Liveness
18% Instrumentalness • 38% Positiveness
16% Popularity • 42% Danceability • 68% Energy • 21% Liveness
18% Instrumentalness • 38% Positiveness
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Linda De Suza
Comme un homme
113 bpm • C# Maj • 02:48 • -7.28db
14% Popularity • 68% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 68% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Mike Brant
Je vis la vie que j'ai choisie
121 bpm • C Maj • 02:57 • -5.55db
19% Popularity • 52% Danceability • 74% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 52% Danceability • 74% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Catherine Ferry
Bonjour, Bonjour
122 bpm • F min • 03:57 • -5.77db
20% Popularity • 76% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 76% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Romeo
Seul avec toi
121 bpm • C Maj • 03:15 • -6.66db
0% Popularity • 30% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 30% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Patrick Juvet
De Plus En Plus Seul
122 bpm • C min • 04:03 • -7.85db
9% Popularity • 40% Danceability • 48% Energy • 14% Liveness
6% Instrumentalness • 21% Positiveness
9% Popularity • 40% Danceability • 48% Energy • 14% Liveness
6% Instrumentalness • 21% Positiveness
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Christian Delagrange
Tu m'appartiens et je t'aime
121 bpm • G Maj • 03:34 • -7.16db
18% Popularity • 42% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 42% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Nicolas Peyrac
Mississippi River
112 bpm • D min • 04:22 • -12.46db
33% Popularity • 41% Danceability • 51% Energy • 21% Liveness
12% Instrumentalness • 56% Positiveness
33% Popularity • 41% Danceability • 51% Energy • 21% Liveness
12% Instrumentalness • 56% Positiveness
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Michel Fugain
Les Acadiens
113 bpm • G Maj • 02:18 • -5.68db
37% Popularity • 62% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 62% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Sheila
L'école est finie - Version stéréo
122 bpm • C Maj • 02:39 • -3.55db
35% Popularity • 68% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 68% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Romeo
Grimpe sur le toit
122 bpm • C Maj • 03:12 • -9.9db
0% Popularity • 50% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 50% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Jeane Manson
Fais moi danser
122 bpm • G Maj • 04:33 • -6.14db
21% Popularity • 60% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 60% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Pascal Danel
La plage aux romantiques
112 bpm • C# min • 02:29 • -9.97db
16% Popularity • 65% Danceability • 65% Energy • 94% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 65% Danceability • 65% Energy • 94% Liveness
0% Instrumentalness • 41% Positiveness
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Christophe Rippert
Un amour de vacances
112 bpm • A min • 03:30 • -11db
33% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Enrico Macias
Deux ailes et trois plumes
122 bpm • B Maj • 03:29 • -8.45db
10% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Annie Cordy
Qui qu'en veut
112 bpm • G Maj • 02:23 • -4.34db
11% Popularity • 58% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 58% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Nicolas Peyrac
Comment t'appelles-tu?
112 bpm • F Maj • 04:50 • -14db
37% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jeane Manson
Je n'aime que toi
112 bpm • F# Maj • 02:55 • -5.35db
32% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Nicole Croisille
Téléphone-moi
112 bpm • E min • 03:10 • -6db
38% Popularity • 29% Danceability • 59% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 29% Danceability • 59% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
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Michèle Richard
Je connais un ange
112 bpm • A Maj • 03:59 • -8.11db
19% Popularity • 33% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 33% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Ringo
Une Bague, Un Collier
123 bpm • A Maj • 03:08 • -7.71db
19% Popularity • 74% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 74% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Emmanuelle
Premier baiser
111 bpm • A Maj • 03:02 • -7.68db
25% Popularity • 72% Danceability • 71% Energy • 33% Liveness
8% Instrumentalness • 92% Positiveness
25% Popularity • 72% Danceability • 71% Energy • 33% Liveness
8% Instrumentalness • 92% Positiveness
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Gil Valenza
Que dois-je dire à Nathalie ? - L'aband...
123 bpm • D min • 04:03 • -6.51db
13% Popularity • 52% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 52% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Crazy Horse
Ne Laisse Pas Ma Vie Sans Toi
111 bpm • B min • 02:59 • -11db
38% Popularity • 52% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 52% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Romeo
Je veux être un homme
123 bpm • B Maj • 03:19 • -6.27db
4% Popularity • 62% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
4% Popularity • 62% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Joe Dassin
Ma bonne étoile
123 bpm • C Maj • 02:37 • -6db
36% Popularity • 72% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
36% Popularity • 72% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
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Carlos
La cantine
123 bpm • A# Maj • 02:46 • -6.72db
28% Popularity • 83% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 83% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Santiana
Le mal d'amour le mal de toi
123 bpm • F# Maj • 03:44 • -6db
32% Popularity • 38% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 38% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Dick Rivers
Ne lui dis rien
123 bpm • C Maj • 03:11 • -15.69db
16% Popularity • 67% Danceability • 56% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 67% Danceability • 56% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
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Christophe
La vie c'est une histoire d'amour
111 bpm • C Maj • 03:34 • -7.07db
20% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Romeo
Les papillons, les fleurs et les bourgeo...
123 bpm • F# Maj • 03:04 • -11.78db
1% Popularity • 60% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 60% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Stone & Charden
Made in Normandie
111 bpm • E Maj • 04:08 • -8db
27% Popularity • 56% Danceability • 74% Energy • 89% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 56% Danceability • 74% Energy • 89% Liveness
0% Instrumentalness • 45% Positiveness
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Joe Dassin
Il était une fois nous deux
123 bpm • F min • 03:55 • -6db
49% Popularity • 57% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 57% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Michel Fugain
Les années guitare
124 bpm • D Maj • 03:34 • -12.52db
24% Popularity • 74% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 74% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Felix Gray
La gitane
111 bpm • G min • 04:27 • -9db
33% Popularity • 70% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 70% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 81% Positiveness
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Marie Laforêt
Les vendanges de l'amour
124 bpm • G Maj • 02:32 • -8.86db
38% Popularity • 67% Danceability • 51% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 67% Danceability • 51% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
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Romeo
C'est ma vie que je chante
111 bpm • B Maj • 03:03 • -10.07db
1% Popularity • 53% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
1% Popularity • 53% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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François Feldman
C'Est Toi Qui M'As Fait
124 bpm • B min • 05:28 • -16.22db
30% Popularity • 74% Danceability • 65% Energy • 3% Liveness
7% Instrumentalness • 97% Positiveness
30% Popularity • 74% Danceability • 65% Energy • 3% Liveness
7% Instrumentalness • 97% Positiveness
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Jean-Louis Deny
Elle je ne veux qu'elle
124 bpm • C Maj • 03:05 • -9.35db
23% Popularity • 74% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 74% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Joe Dassin
Côté banjo, côté violon
110 bpm • A# min • 03:06 • -9.48db
32% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Jean-Luc Lahaye
Papa chanteur
124 bpm • C Maj • 04:44 • -15db
33% Popularity • 54% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 54% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 40% Positiveness
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Caroline Legrand
J'aurais voulu te dire - Version intégr...
124 bpm • B min • 03:59 • -9.05db
26% Popularity • 75% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 75% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Melody
Y'a pas que les grands qui rêvent
124 bpm • D Maj • 03:51 • -9.28db
33% Popularity • 74% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 74% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Georgette Plana
Riquita
110 bpm • C# Maj • 03:22 • -5db
20% Popularity • 66% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 66% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Stone & Charden
Le prix des allumettes (Live)
124 bpm • D# Maj • 04:16 • -8db
10% Popularity • 37% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 37% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 66% Positiveness
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Georges-Marie Soucramanien
Et tu danses avec lui
110 bpm • C Maj • 03:24 • -7.22db
31% Popularity • 67% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 67% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Alice Dona
Laissez passer la chanson
110 bpm • E Maj • 03:44 • -4.8db
15% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Caroline Legrand
J'aurais voulu te dire
124 bpm • B min • 03:47 • -9db
30% Popularity • 75% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 75% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Santiana
Je t'avais juré de t'aimer
110 bpm • D Maj • 03:03 • -6.53db
30% Popularity • 61% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 61% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
