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Chariot
Songs like
Chariot
by
SYML
Based on a tempo of (+/- 10%) and a similar genre
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SYML
Better
167 bpm • C Maj • 04:13 • -8.45db
43% Popularity • 39% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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FINNEAS
I Lost a Friend
169 bpm • B Maj • 03:57 • -11.92db
63% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Austin Farwell
Take Me Away
167 bpm • D# Maj • 01:36 • -22.74db
67% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Edith Whiskers
It's Ok (Duet Version)
167 bpm • G# min • 02:36 • -12.18db
38% Popularity • 47% Danceability • 43% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Lana Del Rey
Paris, Texas
170 bpm • C min • 03:26 • -17.62db
76% Popularity • 32% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Joji
Glimpse of Us
170 bpm • G# Maj • 03:53 • -9.26db
77% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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SYML
The Dark - Recorded at St. Mark's Cathed...
170 bpm • G Maj • 04:31 • -9.93db
26% Popularity • 36% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Seafret
Atlantis
166 bpm • G# min • 03:49 • -7.99db
85% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
58% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Goodwerks
Here With Me
170 bpm • D Maj • 03:38 • -13.26db
25% Popularity • 36% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Tom Odell
Black Friday
165 bpm • F# Maj • 03:41 • -12.4db
71% Popularity • 48% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
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Phoebe Bridgers
Funeral
171 bpm • B Maj • 03:52 • -14.42db
68% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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SYML
I Wanted to Leave
170 bpm • G# Maj • 03:23 • -20db
71% Popularity • 49% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Amber Run
I Found - Acoustic
171 bpm • G min • 04:19 • -11.17db
52% Popularity • 39% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Gibran Alcocer
Idea 1
172 bpm • G# min • 02:34 • -21.13db
72% Popularity • 26% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
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Edith Whiskers
The Snow
173 bpm • E Maj • 03:52 • -11db
30% Popularity • 42% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
86% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Patrick Watson
Here Comes The River
173 bpm • A Maj • 04:13 • -13.73db
44% Popularity • 28% Danceability • 16% Energy • 11% Liveness
12% Instrumentalness • 26% Positiveness
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Lord Huron
The Night We Met
174 bpm • A Maj • 03:29 • -11.11db
67% Popularity • 42% Danceability • 36% Energy • 63% Liveness
18% Instrumentalness • 12% Positiveness
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Amber Run
Fickle Game
172 bpm • E min • 04:23 • -9.36db
48% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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SYML
The Walker - Edit
176 bpm • C Maj • 02:34 • -8.16db
47% Popularity • 50% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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David O'Dowda
This Is the Walk
160 bpm • D# Maj • 03:20 • -15db
48% Popularity • 43% Danceability • 32% Energy • 8% Liveness
50% Instrumentalness • 11% Positiveness
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Novo Amor
Colourway
159 bpm • D# Maj • 03:48 • -10db
63% Popularity • 26% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
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Sufjan Stevens
The Only Thing
159 bpm • D# Maj • 04:44 • -19.59db
61% Popularity • 51% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
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Charlie Cunningham
Minimum
178 bpm • C min • 03:14 • -9.18db
61% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Haux
Arrows
179 bpm • A# Maj • 02:29 • -19.67db
45% Popularity • 33% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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SYML
Where's My Love - Slowed
178 bpm • A min • 04:49 • -15db
56% Popularity • 14% Danceability • 13% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
74% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Mazzy Star
Fade Into You
157 bpm • A Maj • 04:55 • -13.93db
82% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
76% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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David O'Dowda
The Fault Lines
180 bpm • G min • 02:57 • -14.63db
49% Popularity • 47% Danceability • 32% Energy • 11% Liveness
53% Instrumentalness • 13% Positiveness
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Ben Howard
Promise
157 bpm • D Maj • 06:24 • -15.74db
62% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
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SYML
In Between Breaths
180 bpm • C Maj • 03:23 • -17db
56% Popularity • 47% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
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Edith Whiskers
Quiet Zone
156 bpm • G Maj • 02:06 • -16.53db
38% Popularity • 72% Danceability • 12% Energy • 11% Liveness
45% Instrumentalness • 43% Positiveness
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mehro
pirate song
180 bpm • E min • 03:11 • -11.52db
56% Popularity • 50% Danceability • 40% Energy • 13% Liveness
7% Instrumentalness • 26% Positiveness
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
59% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Daughter
Candles
155 bpm • F# Maj • 04:53 • -12.05db
51% Popularity • 41% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Hozier
Shrike
154 bpm • G min • 04:58 • -8.46db
64% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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SYML
Sweet Home
156 bpm • G Maj • 04:08 • -11.17db
52% Popularity • 50% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
75% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jolé
Picture Perfect
152 bpm • G Maj • 02:54 • -13.04db
53% Popularity • 41% Danceability • 30% Energy • 21% Liveness
7% Instrumentalness • 38% Positiveness
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Gregory Alan Isakov
Amsterdam
152 bpm • D# Maj • 03:18 • -12.51db
74% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
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Edith Whiskers
I'll Be There for You
153 bpm • D Maj • 03:20 • -10.57db
37% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
59% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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SYML
Have A Little Faith In Me
156 bpm • F Maj • 03:17 • -13db
58% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Young the Giant
Mind Over Matter (Reprise)
152 bpm • C Maj • 03:50 • -6.35db
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Haux
Sister
187 bpm • G# Maj • 02:13 • -22.37db
52% Popularity • 45% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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mehro
lightning
150 bpm • D# min • 03:08 • -8db
50% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Kodaline
All I Want
187 bpm • C Maj • 05:05 • -9.73db
81% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
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Ocie Elliott
I Got You, Honey
150 bpm • C Maj • 02:41 • -16.08db
63% Popularity • 55% Danceability • 23% Energy • 10% Liveness
52% Instrumentalness • 8% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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The Cinematic Orchestra
To Build A Home
149 bpm • A Maj • 06:11 • -15.4db
76% Popularity • 26% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 7% Positiveness
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flora cash
For Someone
150 bpm • F# Maj • 04:43 • -13db
42% Popularity • 51% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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Tom Rosenthal
It's Ok
148 bpm • G# min • 03:11 • -15.11db
68% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
84% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Ruelle
War Of Hearts
148 bpm • A min • 03:46 • -6.34db
71% Popularity • 48% Danceability • 78% Energy • 10% Liveness
55% Instrumentalness • 26% Positiveness
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SYML
Clean Eyes - Acoustic
148 bpm • A min • 03:42 • -9db
41% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Aisha Badru
Splintered
147 bpm • C# min • 04:10 • -12db
40% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jaymes Young
Moondust
148 bpm • F# min • 03:45 • -10.51db
54% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tom Rosenthal
It's Ok - Acoustic
148 bpm • G# min • 03:11 • -12.73db
54% Popularity • 62% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Charlie Cunningham
Permanent Way
147 bpm • G# Maj • 04:12 • -17.42db
56% Popularity • 56% Danceability • 55% Energy • 9% Liveness
48% Instrumentalness • 45% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
75% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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SYML
Symmetry
147 bpm • G min • 03:38 • -11.83db
48% Popularity • 25% Danceability • 32% Energy • 27% Liveness
30% Instrumentalness • 36% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Amber Run
5AM
146 bpm • C Maj • 04:17 • -11.52db
53% Popularity • 36% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
75% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Edwin Raphael
Thinking About You
145 bpm • A Maj • 01:07 • -16db
65% Popularity • 36% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
60% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Patrick Watson
Sit Down Beside Me
145 bpm • D# min • 04:32 • -13.01db
50% Popularity • 31% Danceability • 33% Energy • 27% Liveness
58% Instrumentalness • 27% Positiveness
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Radical Face
Welcome Home, Son
145 bpm • F# Maj • 04:47 • -10.76db
72% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
77% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Florence + The Machine
Never Let Me Go
145 bpm • A Maj • 04:30 • -3.21db
68% Popularity • 45% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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mehro
chance with you
144 bpm • E min • 03:35 • -8.13db
65% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
69% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Message To Bears
You Are a Memory
144 bpm • A Maj • 03:41 • -10.32db
56% Popularity • 13% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
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Garrett Kato
Breathe It In
144 bpm • G# min • 03:15 • -10db
48% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
69% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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SYML
Dim - Recorded at St. Mark's Cathedral
144 bpm • A Maj • 04:27 • -15db
33% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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mehro
the same
144 bpm • F min • 03:24 • -11db
52% Popularity • 58% Danceability • 50% Energy • 10% Liveness
18% Instrumentalness • 31% Positiveness
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Lana Del Rey
Chemtrails Over The Country Club
201 bpm • E min • 04:31 • -13.13db
81% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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flora cash
You're Somebody Else - Acoustic
206 bpm • C# Maj • 03:39 • -10db
53% Popularity • 38% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Novo Amor
Weather
144 bpm • F# Maj • 03:52 • -13.55db
61% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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SYML
DIM
144 bpm • A Maj • 04:31 • -14db
47% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Chariot