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Chasing Eternity
Songs like
Chasing Eternity
by
Jessica Stevens
Based on a tempo of (+/- 10%) and a similar genre
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Rosalyn Waldron
Hawk Of Power
89 bpm • D Maj • 02:01 • -14.11db
14% Popularity • 61% Danceability • 44% Energy • 10% Liveness
30% Instrumentalness • 74% Positiveness
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Jean Ginther
Cash For My World
89 bpm • F Maj • 02:01 • -12.88db
8% Popularity • 50% Danceability • 44% Energy • 64% Liveness
13% Instrumentalness • 28% Positiveness
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Jessica Stevens
Chasing Eternity
89 bpm • D Maj • 02:01 • -14.29db
0% Popularity • 61% Danceability • 40% Energy • 17% Liveness
63% Instrumentalness • 65% Positiveness
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Bethany Lennon
He Knows She's A Troublemaker
89 bpm • A min • 02:01 • -15.32db
15% Popularity • 62% Danceability • 49% Energy • 25% Liveness
82% Instrumentalness • 67% Positiveness
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Virginia Dorey
He Loves I Miss You
89 bpm • C Maj • 02:01 • -14.15db
15% Popularity • 59% Danceability • 39% Energy • 74% Liveness
4% Instrumentalness • 66% Positiveness
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Patrick Ki
Right Here Waiting
89 bpm • C Maj • 02:56 • -16.73db
13% Popularity • 66% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 65% Positiveness
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包容清
慈祥
89 bpm • B Maj • 01:08 • -15db
9% Popularity • 64% Danceability • 56% Energy • 8% Liveness
72% Instrumentalness • 96% Positiveness
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Cante Usted
Medley: Vida Mia, Al Pasar Esa Edad, Que...
88 bpm • C Maj • 08:07 • -11.06db
12% Popularity • 46% Danceability • 33% Energy • 5% Liveness
79% Instrumentalness • 47% Positiveness
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Yusuf Bütünley
Feelings
90 bpm • C Maj • 03:44 • -20.92db
9% Popularity • 60% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 67% Positiveness
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Benjamín Rojas
Te Lo Pido por Favor
90 bpm • B min • 01:35 • -10.17db
13% Popularity • 67% Danceability • 56% Energy • 16% Liveness
68% Instrumentalness • 47% Positiveness
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Discovey Light Orchestra
No Llores por Mi Argentina
90 bpm • D Maj • 03:03 • -15db
50% Popularity • 51% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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At The Lounge
Chi Mai
90 bpm • F# min • 04:52 • -15.02db
13% Popularity • 33% Danceability • 26% Energy • 35% Liveness
63% Instrumentalness • 12% Positiveness
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Turks
around
90 bpm • G Maj • 01:20 • -18.59db
14% Popularity • 34% Danceability • 19% Energy • 13% Liveness
58% Instrumentalness • 51% Positiveness
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Volcano
最高のラップ
90 bpm • C Maj • 01:43 • -12.32db
10% Popularity • 53% Danceability • 54% Energy • 36% Liveness
3% Instrumentalness • 65% Positiveness
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Juan Carlos Noroña
EL AMOR ACABA
88 bpm • A Maj • 04:47 • -9.79db
19% Popularity • 57% Danceability • 46% Energy • 14% Liveness
96% Instrumentalness • 41% Positiveness
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Barbara Becerra
Speak Of Beats
90 bpm • F Maj • 02:00 • -11.82db
13% Popularity • 55% Danceability • 45% Energy • 68% Liveness
87% Instrumentalness • 42% Positiveness
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Shawn Oldham
Because For A Girl Like You
90 bpm • F Maj • 02:00 • -10.88db
14% Popularity • 68% Danceability • 48% Energy • 7% Liveness
21% Instrumentalness • 36% Positiveness
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Cornelius Avendano
Dance And Beats
90 bpm • F Maj • 02:00 • -12.97db
14% Popularity • 48% Danceability • 48% Energy • 68% Liveness
2% Instrumentalness • 47% Positiveness
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Jean Llamas
Speak Of The Party
90 bpm • F Maj • 02:00 • -10.22db
13% Popularity • 56% Danceability • 52% Energy • 8% Liveness
61% Instrumentalness • 88% Positiveness
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Erica Holmes
Crazy Of The Evening
90 bpm • C Maj • 02:00 • -12.31db
14% Popularity • 68% Danceability • 43% Energy • 8% Liveness
98% Instrumentalness • 59% Positiveness
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Juan Carlos Noroña
El Humahuaqueño
88 bpm • E min • 03:11 • -11.57db
7% Popularity • 82% Danceability • 45% Energy • 28% Liveness
1% Instrumentalness • 70% Positiveness
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Patrick Maddux
Darling, You're My Number One
88 bpm • F Maj • 02:02 • -13.45db
14% Popularity • 59% Danceability • 36% Energy • 9% Liveness
58% Instrumentalness • 35% Positiveness
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Ernest Pitts
Crossroad Of Forever
88 bpm • F Maj • 02:02 • -11.05db
13% Popularity • 64% Danceability • 74% Energy • 31% Liveness
91% Instrumentalness • 85% Positiveness
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熊七梅
只要有你就快乐 - 伴奏版
90 bpm • F Maj • 03:38 • -9.98db
12% Popularity • 62% Danceability • 45% Energy • 6% Liveness
62% Instrumentalness • 36% Positiveness
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Good Knight Productions
Not so Far Away
90 bpm • G Maj • 02:14 • -15db
22% Popularity • 61% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 69% Positiveness
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Sara Maziarz
Crazy For My Own Way
88 bpm • F Maj • 02:02 • -11db
17% Popularity • 56% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 44% Positiveness
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Karine Sanchez
Life's Short
90 bpm • C Maj • 02:00 • -13db
10% Popularity • 54% Danceability • 35% Energy • 15% Liveness
93% Instrumentalness • 34% Positiveness
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Falcom Sound Team jdk
Evening Scene
88 bpm • A Maj • 02:49 • -11.9db
11% Popularity • 57% Danceability • 35% Energy • 37% Liveness
91% Instrumentalness • 29% Positiveness
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Chamras Saewataporn (จำรัส เศวตาภรณ์)
In the Morning
88 bpm • G Maj • 04:17 • -13.18db
19% Popularity • 74% Danceability • 28% Energy • 7% Liveness
84% Instrumentalness • 72% Positiveness
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Alecia Whitten
Love For Your Pain
88 bpm • F Maj • 02:02 • -13db
19% Popularity • 60% Danceability • 27% Energy • 9% Liveness
8% Instrumentalness • 30% Positiveness
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Marion Glover
Rodeo And Syndrome
88 bpm • F Maj • 02:02 • -11.46db
14% Popularity • 73% Danceability • 39% Energy • 17% Liveness
73% Instrumentalness • 49% Positiveness
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Alexis Ridge
Judgement For A Living
88 bpm • F Maj • 02:02 • -13.84db
15% Popularity • 51% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
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La Red Ministerios
Sumérgeme
90 bpm • C Maj • 04:52 • -5.57db
9% Popularity • 67% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 11% Positiveness
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Miguel Nacel
Consentida
88 bpm • C Maj • 02:53 • -25.41db
9% Popularity • 47% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Richard Clay
Y - Instrumentales
90 bpm • E Maj • 02:54 • -8.68db
25% Popularity • 56% Danceability • 56% Energy • 17% Liveness
93% Instrumentalness • 52% Positiveness
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Mato Grosso
Don't Cry For Me Argentina
91 bpm • D Maj • 03:56 • -7.03db
14% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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魏韵磊
江南小乡村
91 bpm • E Maj • 01:08 • -20.75db
9% Popularity • 70% Danceability • 21% Energy • 6% Liveness
3% Instrumentalness • 70% Positiveness
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Muriel Christenson
Knight Of Silver
91 bpm • F Maj • 01:58 • -14db
12% Popularity • 63% Danceability • 27% Energy • 22% Liveness
50% Instrumentalness • 45% Positiveness
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Donna Galaviz
Sound Of Anything
91 bpm • G Maj • 01:58 • -12.48db
8% Popularity • 52% Danceability • 39% Energy • 63% Liveness
81% Instrumentalness • 52% Positiveness
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Pianista sull'Oceano
La prima cosa bella
91 bpm • D Maj • 03:17 • -15.65db
21% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Mary Paxton
Rodeo And Glory
91 bpm • G Maj • 01:58 • -13.88db
9% Popularity • 46% Danceability • 24% Energy • 48% Liveness
96% Instrumentalness • 27% Positiveness
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Sandra Trudeau
Thief Without Duty
91 bpm • G Maj • 02:01 • -17db
16% Popularity • 51% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
► Preview
Miguel Nacel
Todo Se Derrumbo Dentro de Mi
87 bpm • E min • 03:05 • -15.49db
9% Popularity • 53% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 47% Positiveness
► Preview
Pamela Fowlkes
Cautious Of The Truth
91 bpm • D Maj • 02:33 • -12.46db
11% Popularity • 64% Danceability • 71% Energy • 17% Liveness
6% Instrumentalness • 17% Positiveness
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Sheila Scott
Crying In The Champions
87 bpm • A min • 02:04 • -12.27db
8% Popularity • 61% Danceability • 36% Energy • 18% Liveness
97% Instrumentalness • 30% Positiveness
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Adrienne Forrest
Clones Of The New World
91 bpm • C Maj • 02:33 • -13db
24% Popularity • 60% Danceability • 61% Energy • 29% Liveness
76% Instrumentalness • 33% Positiveness
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Jennifer Scanlon
Eating At The Slaves
87 bpm • F Maj • 02:04 • -11.89db
8% Popularity • 59% Danceability • 38% Energy • 12% Liveness
97% Instrumentalness • 44% Positiveness
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Pamela Buchman
Descendant Of The Stockades
87 bpm • C Maj • 02:04 • -12.01db
9% Popularity • 59% Danceability • 38% Energy • 56% Liveness
92% Instrumentalness • 26% Positiveness
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Thomas Ortega
karate
87 bpm • C Maj • 02:04 • -14.4db
9% Popularity • 57% Danceability • 34% Energy • 16% Liveness
90% Instrumentalness • 63% Positiveness
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Angela Kozak
Love For My Voice
91 bpm • G Maj • 01:58 • -10.71db
14% Popularity • 50% Danceability • 39% Energy • 20% Liveness
63% Instrumentalness • 74% Positiveness
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雷君宇
satisfaction
87 bpm • G Maj • 01:03 • -12db
8% Popularity • 56% Danceability • 42% Energy • 15% Liveness
60% Instrumentalness • 58% Positiveness
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The Panpipers
Bridge Over Troubled Water
87 bpm • A# Maj • 04:27 • -8.48db
9% Popularity • 53% Danceability • 46% Energy • 31% Liveness
8% Instrumentalness • 28% Positiveness
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Romero Iglesias
Anonimo Veneziano
87 bpm • C Maj • 03:38 • -14.42db
10% Popularity • 46% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Golden Strings Orchestra
The End Of The World
92 bpm • A Maj • 02:59 • -11.78db
18% Popularity • 53% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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金秀楷
八度余温
92 bpm • A Maj • 01:13 • -16.93db
9% Popularity • 58% Danceability • 21% Energy • 14% Liveness
72% Instrumentalness • 54% Positiveness
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Mehdi
Gateway to the Clouds
92 bpm • E min • 07:07 • -10.15db
14% Popularity • 64% Danceability • 52% Energy • 13% Liveness
94% Instrumentalness • 40% Positiveness
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Charles Files
Hunter On Mars
92 bpm • D# Maj • 01:57 • -12db
9% Popularity • 49% Danceability • 56% Energy • 34% Liveness
74% Instrumentalness • 42% Positiveness
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Judith Gorham
Liberty Avenue
92 bpm • C Maj • 01:57 • -12db
11% Popularity • 65% Danceability • 54% Energy • 34% Liveness
91% Instrumentalness • 45% Positiveness
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Domi de Angeles
Soy Rebelde (Guitar)
92 bpm • G min • 03:14 • -9.83db
24% Popularity • 66% Danceability • 43% Energy • 31% Liveness
93% Instrumentalness • 66% Positiveness
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Los Hijos del sol
Africa
92 bpm • F Maj • 04:16 • -10.29db
27% Popularity • 62% Danceability • 63% Energy • 9% Liveness
96% Instrumentalness • 67% Positiveness
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Phillip La Grande
Always On My Mind
92 bpm • G Maj • 03:33 • -13db
32% Popularity • 63% Danceability • 41% Energy • 12% Liveness
85% Instrumentalness • 48% Positiveness
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Fredrick Sosebee
Lion Of The Eternal
86 bpm • G Maj • 02:05 • -10.98db
9% Popularity • 51% Danceability • 34% Energy • 62% Liveness
58% Instrumentalness • 39% Positiveness
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Lissa Saleh
Darling, You Make Me Feel So..
86 bpm • B min • 02:04 • -11.75db
13% Popularity • 60% Danceability • 35% Energy • 37% Liveness
72% Instrumentalness • 46% Positiveness
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Dina Huffine
Bandits Without Flaws
86 bpm • G Maj • 02:05 • -13.68db
13% Popularity • 47% Danceability • 35% Energy • 28% Liveness
13% Instrumentalness • 38% Positiveness
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Miguel Nacel
Nuestros Anos Felices
86 bpm • C Maj • 02:59 • -11.75db
17% Popularity • 49% Danceability • 30% Energy • 29% Liveness
87% Instrumentalness • 19% Positiveness
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Result Of The Lost Ones
Captain's Lost Treasure
86 bpm • C# min • 02:41 • -11.35db
10% Popularity • 54% Danceability • 37% Energy • 41% Liveness
91% Instrumentalness • 50% Positiveness
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奚宇舀
爱情专属
93 bpm • G Maj • 01:08 • -18.8db
10% Popularity • 54% Danceability • 37% Energy • 11% Liveness
74% Instrumentalness • 36% Positiveness
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Helen Newman
Morning And Heart
93 bpm • G Maj • 01:56 • -12.5db
14% Popularity • 58% Danceability • 58% Energy • 40% Liveness
96% Instrumentalness • 59% Positiveness
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Theresa Trotter
Stars Of A Stranger
93 bpm • G Maj • 01:56 • -15.18db
13% Popularity • 70% Danceability • 29% Energy • 9% Liveness
76% Instrumentalness • 51% Positiveness
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Zirkus Musical Band
Zirkusträume
93 bpm • C Maj • 03:00 • -7.5db
14% Popularity • 76% Danceability • 67% Energy • 15% Liveness
85% Instrumentalness • 96% Positiveness
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Miguel Nacel
Memories
86 bpm • C Maj • 03:01 • -13.59db
9% Popularity • 49% Danceability • 25% Energy • 24% Liveness
86% Instrumentalness • 18% Positiveness
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Michael McNeely
Amethyst Drive
93 bpm • E min • 01:58 • -13.61db
12% Popularity • 70% Danceability • 33% Energy • 39% Liveness
78% Instrumentalness • 75% Positiveness
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岩垂徳行
勝訴! 〜みんなの勝利
93 bpm • G Maj • 01:52 • -11.84db
11% Popularity • 68% Danceability • 41% Energy • 7% Liveness
1% Instrumentalness • 66% Positiveness
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Glenn Frey
Agua Tranquillo (Instrumental)
85 bpm • C# Maj • 00:50 • -19.44db
14% Popularity • 51% Danceability • 31% Energy • 19% Liveness
64% Instrumentalness • 35% Positiveness
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ชาญชัย ศรีทองแจ้ง
อาเฮีย
85 bpm • C Maj • 05:49 • -10.48db
15% Popularity • 64% Danceability • 59% Energy • 89% Liveness
90% Instrumentalness • 40% Positiveness
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One Barefoot Cowboy
Bailar in El Paso
94 bpm • F min • 01:35 • -12.44db
11% Popularity • 68% Danceability • 42% Energy • 12% Liveness
80% Instrumentalness • 76% Positiveness
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巴菁姗
颜色
93 bpm • C# min • 01:08 • -9.95db
9% Popularity • 58% Danceability • 53% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Al Di La
94 bpm • F Maj • 02:39 • -10.85db
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Melvin Childs
Ethels Lane
94 bpm • F# Maj • 01:54 • -14.01db
15% Popularity • 48% Danceability • 27% Energy • 40% Liveness
0% Instrumentalness • 32% Positiveness
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Julio Glaves
Cierre De Rumba
94 bpm • C# min • 02:04 • -14.63db
0% Popularity • 65% Danceability • 27% Energy • 14% Liveness
38% Instrumentalness • 63% Positiveness
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ชาญชัย ศรีทองแจ้ง
จีนไจ๋ยอ
94 bpm • C Maj • 06:09 • -8.57db
12% Popularity • 75% Danceability • 69% Energy • 90% Liveness
88% Instrumentalness • 55% Positiveness
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Scott Tyrrell
She Loves I'm Getting Outta Here
94 bpm • D min • 01:54 • -16db
11% Popularity • 61% Danceability • 40% Energy • 85% Liveness
82% Instrumentalness • 46% Positiveness
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Juan Dickison
Invited By The Moon
94 bpm • F Maj • 01:54 • -9.76db
9% Popularity • 63% Danceability • 66% Energy • 6% Liveness
78% Instrumentalness • 89% Positiveness
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Cora Carson
He's A Thug
94 bpm • D min • 01:54 • -16.01db
12% Popularity • 52% Danceability • 44% Energy • 14% Liveness
90% Instrumentalness • 62% Positiveness
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Patricia Sylvester
I Heard I'm In Love
94 bpm • C Maj • 01:54 • -14.88db
10% Popularity • 59% Danceability • 30% Energy • 13% Liveness
45% Instrumentalness • 41% Positiveness
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Golden Strings Orchestra
Mrs. Robinson
94 bpm • B Maj • 03:31 • -13.88db
12% Popularity • 56% Danceability • 70% Energy • 13% Liveness
98% Instrumentalness • 50% Positiveness
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ชาญชัย ศรีทองแจ้ง
ลาวลอดค่าย
94 bpm • F Maj • 05:15 • -11.26db
11% Popularity • 77% Danceability • 72% Energy • 45% Liveness
78% Instrumentalness • 77% Positiveness
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Richard Clay
La Diferencia - Instrumentales
84 bpm • C Maj • 03:18 • -8.93db
20% Popularity • 58% Danceability • 41% Energy • 13% Liveness
94% Instrumentalness • 47% Positiveness
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Orchestra Panpipes Gold
Color Of The Wind
84 bpm • A# Maj • 04:13 • -8.21db
7% Popularity • 51% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Mario Gonzales Guerra
Piano
95 bpm • E min • 03:49 • -17.14db
25% Popularity • 61% Danceability • 40% Energy • 10% Liveness
87% Instrumentalness • 79% Positiveness
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Carlos Velasco
Vírgenes del Sol
95 bpm • G min • 02:43 • -11.58db
31% Popularity • 63% Danceability • 46% Energy • 8% Liveness
23% Instrumentalness • 33% Positiveness
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Curtis Laursen
ottonwood Lane
95 bpm • C Maj • 01:53 • -12.5db
7% Popularity • 65% Danceability • 34% Energy • 30% Liveness
87% Instrumentalness • 32% Positiveness
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Juanita Layton
She Knows I Got It Easy
95 bpm • F Maj • 01:53 • -11db
17% Popularity • 54% Danceability • 51% Energy • 35% Liveness
96% Instrumentalness • 38% Positiveness
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Juan Carlos Noroña
ESTA NOCHE TE VOY A ESTRENAR
95 bpm • F Maj • 05:15 • -10.31db
2% Popularity • 63% Danceability • 39% Energy • 9% Liveness
85% Instrumentalness • 45% Positiveness
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Harold Barber
Without My Voice
95 bpm • F Maj • 01:53 • -10.07db
8% Popularity • 58% Danceability • 65% Energy • 36% Liveness
65% Instrumentalness • 53% Positiveness
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Grupo Cuarto De Control
Solamente una Vez
83 bpm • F Maj • 02:54 • -8.22db
23% Popularity • 45% Danceability • 38% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Elvio Monti
Cantando con le lacrime agli occhi
96 bpm • F Maj • 03:15 • -8.07db
8% Popularity • 40% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Discovery Light Orchestra
Todas las Chicas Que He Amado
95 bpm • F# Maj • 02:47 • -15.01db
23% Popularity • 50% Danceability • 33% Energy • 32% Liveness
92% Instrumentalness • 51% Positiveness
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Misty Prahl
Dreams Of My Cadillac
96 bpm • E Maj • 01:52 • -12.6db
15% Popularity • 60% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 81% Positiveness
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Edken
New Beginning
96 bpm • E Maj • 02:58 • -18.82db
8% Popularity • 63% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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Chasing Eternity