Songs like Chat To Mi Back by Lady Saw
Based on a tempo of (+/- 10%) and a similar genre
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Peter Ram
Tight
110 bpm • B Maj • 03:11 • -6.07db
24% Popularity • 88% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 88% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Rupee
What Happens in De Party
110 bpm • B Maj • 04:18 • -2.97db
31% Popularity • 53% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 53% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Patrice Roberts feat. Machel Montano
Tempa Wine
110 bpm • D Maj • 03:43 • -16.61db
20% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Tony Matterhorn
Roll Out
110 bpm • C# min • 02:50 • -6.72db
19% Popularity • 80% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 80% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Voicemail
Weh Di Time
110 bpm • A min • 03:59 • -4.55db
17% Popularity • 82% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 82% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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![Roast or Fry (Breadfruit) [feat. Bishop Escobar] cover art](https://i.scdn.co/image/ab67616d00001e02904c64e5ceadf5340b772742)
Chi Ching Ching
Roast or Fry (Breadfruit)
110 bpm • G# Maj • 02:09 • -4.22db
22% Popularity • 89% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 89% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Lady Saw
Chat To Mi Back
110 bpm • F# min • 02:49 • -6.07db
19% Popularity • 68% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 68% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Skinny Fabulous
Naked
110 bpm • C Maj • 02:22 • -4.05db
25% Popularity • 60% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 60% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Mr. Pattern
Chicken & Bread
110 bpm • F# Maj • 02:54 • -4.91db
28% Popularity • 94% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 94% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Agent Sasco (Assassin)
Anywhere We Go
109 bpm • D Maj • 03:56 • -8.92db
23% Popularity • 76% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 76% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Kerwin Du Bois
Doh Beg
109 bpm • D Maj • 03:05 • -5.87db
31% Popularity • 89% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 89% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Gaza Slim
Whine
109 bpm • G# Maj • 03:19 • -5db
32% Popularity • 73% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 73% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Lady Saw
Chat To Mi Back
111 bpm • C# min • 02:48 • -10.31db
10% Popularity • 84% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 84% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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QQ
Kotch Pon Di Edge
108 bpm • F Maj • 02:55 • -5.02db
9% Popularity • 80% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 80% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Tifa
Crawny Gal
112 bpm • G Maj • 03:30 • -10db
22% Popularity • 91% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 91% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Ram
Pumpin
112 bpm • B min • 03:56 • -4.1db
16% Popularity • 87% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 87% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Munga
Wine Pon It
112 bpm • C# min • 03:08 • -3db
33% Popularity • 82% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 82% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Shal Marshall
Party We Love
108 bpm • G# Maj • 03:36 • -4.77db
23% Popularity • 85% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 85% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Lady Saw
Pretty Pussy
112 bpm • D Maj • 02:53 • -2.91db
12% Popularity • 79% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 79% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Krosfyah
Oil Pumping
108 bpm • A min • 04:21 • -9.5db
25% Popularity • 76% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 76% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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DJ Spider
Wuk
108 bpm • C# min • 03:01 • -2.81db
26% Popularity • 81% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 81% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Gappy Ranks
Stinkin Rich
107 bpm • A Maj • 03:19 • -3.87db
22% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Buju Banton
Ride This
107 bpm • A Maj • 03:29 • -5.17db
9% Popularity • 70% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 70% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Demarco
Sort Dem Out
107 bpm • A min • 02:53 • -4.59db
24% Popularity • 69% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 69% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Pamputtae
Ride It
113 bpm • F Maj • 02:25 • -5.67db
13% Popularity • 89% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 89% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Mr Easy
Dont Test Me
107 bpm • A min • 03:44 • -7db
11% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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DING DONG
Ravers Gas
107 bpm • G Maj • 03:10 • -4.56db
37% Popularity • 85% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 85% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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QQ
Stukie
107 bpm • G Maj • 02:37 • -6.64db
32% Popularity • 76% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 76% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Cocoa Tea
Too Young
114 bpm • F# min • 03:47 • -12db
31% Popularity • 86% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 86% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Gaza Slim
No Romance Without Finance
106 bpm • D Maj • 02:37 • -5.06db
32% Popularity • 79% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 79% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Serani
Study People
114 bpm • A# min • 03:24 • -4.33db
32% Popularity • 63% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 63% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Lady Saw
Loser
114 bpm • E Maj • 03:23 • -6.56db
15% Popularity • 87% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 87% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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DING DONG
Syvah
113 bpm • E Maj • 03:10 • -3.73db
11% Popularity • 81% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 81% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Radijah
Walk Like a Dogg
106 bpm • C# Maj • 02:25 • -4.05db
25% Popularity • 86% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 86% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Shenseea
Body Good
106 bpm • G# Maj • 02:58 • -4db
28% Popularity • 70% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 70% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Buju Banton
Gold Spoon
115 bpm • A# Maj • 03:46 • -16.45db
12% Popularity • 72% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 72% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Ram
Woman By My Side
115 bpm • C Maj • 04:39 • -5db
33% Popularity • 69% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 69% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Lady Saw
Me And My Crew [The Rae]
115 bpm • B Maj • 03:09 • -6db
9% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Riddim
Razor B Bruk Fi Mi Bak
105 bpm • G Maj • 02:28 • -8db
22% Popularity • 76% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 76% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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DING DONG
Bad Man Forward
107 bpm • C# Maj • 03:15 • -4.7db
47% Popularity • 73% Danceability • 70% Energy • 49% Liveness
8% Instrumentalness • 57% Positiveness
47% Popularity • 73% Danceability • 70% Energy • 49% Liveness
8% Instrumentalness • 57% Positiveness
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QQ
Tek It To Them (Rum Ram)
115 bpm • C# Maj • 03:31 • -4db
18% Popularity • 87% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 87% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Beenie Man
Wine Gal
105 bpm • G Maj • 03:04 • -8.2db
26% Popularity • 78% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 78% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Little Lenny
Bum Flick
105 bpm • C Maj • 03:29 • -7db
25% Popularity • 94% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 94% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Shenseea
Rude Gyal
105 bpm • G Maj • 02:32 • -6.38db
20% Popularity • 73% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 73% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Riddim
Savage-Culu Culu
105 bpm • G Maj • 02:28 • -7.11db
29% Popularity • 90% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 90% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Sheba
Money
105 bpm • F# Maj • 02:50 • -5.55db
17% Popularity • 83% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 83% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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DING DONG
Flair Is in the Air
106 bpm • G# Maj • 02:20 • -3db
28% Popularity • 77% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 77% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Denise Belfon & Ghetto Flex
Wine & Bend Over
105 bpm • A# min • 04:18 • -4.69db
23% Popularity • 76% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 76% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Blak Ryno
Thug Anthem
116 bpm • C# Maj • 02:43 • -4.2db
28% Popularity • 74% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 74% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Harry Toddler
Dance The Angel
115 bpm • A# min • 03:45 • -8.09db
13% Popularity • 88% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 88% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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ZJ Dymond
Bad Gyal Anthem
105 bpm • G# Maj • 02:46 • -2db
34% Popularity • 90% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 90% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Eve
Money Green
116 bpm • A# Maj • 02:28 • -3db
5% Popularity • 63% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
5% Popularity • 63% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Kerwin Du Bois
Soca Demon
116 bpm • F min • 03:26 • -3.48db
34% Popularity • 73% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 73% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Burning Flames
Get on Bad
116 bpm • A# min • 03:10 • -5.67db
18% Popularity • 56% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 56% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Lady Saw
Bun Fi Bun
104 bpm • F min • 01:33 • -2.02db
11% Popularity • 66% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 66% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
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Harry Toddler
Dance The Angel
116 bpm • A# min • 02:14 • -10.49db
15% Popularity • 78% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 78% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Macka Diamond
Hoola Hoop
116 bpm • G# Maj • 03:37 • -3.26db
15% Popularity • 82% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 82% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Tony Matterhorn
Let Me Touch
104 bpm • G Maj • 02:58 • -5.41db
17% Popularity • 72% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 72% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Tian Winter
Ms. Set Good
104 bpm • E min • 02:49 • -4.62db
24% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Agent Sasco (Assassin)
Step Pon Dem
117 bpm • G# Maj • 02:56 • -3.58db
14% Popularity • 78% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 78% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Voicemail
Get Up
117 bpm • G Maj • 03:14 • -5.53db
11% Popularity • 76% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 76% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Munga
Bad From Mi Born
117 bpm • C# Maj • 03:53 • -6db
35% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Degree
Bounce Somebody
103 bpm • F Maj • 03:17 • -8.45db
18% Popularity • 61% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 61% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Merital
My Money (Ha Ha)
103 bpm • B min • 02:20 • -4db
33% Popularity • 80% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 80% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Tifa
Spell It Out
103 bpm • C# Maj • 03:41 • -2.69db
9% Popularity • 84% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 84% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Agent Sasco (Assassin)
Idiot Thing That
117 bpm • C# min • 03:09 • -3.34db
21% Popularity • 97% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 97% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Tanto Metro & Devonte
Hey Girl
103 bpm • A# Maj • 03:38 • -6db
19% Popularity • 80% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 80% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Lady Saw
Age Is Just A Number
103 bpm • B min • 01:50 • -1.79db
7% Popularity • 52% Danceability • 92% Energy • 80% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 52% Danceability • 92% Energy • 80% Liveness
0% Instrumentalness • 41% Positiveness
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Seanizzle
Nah Sell Out
103 bpm • D Maj • 02:18 • -4.92db
26% Popularity • 56% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 56% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Gaza Kim
Bill
103 bpm • B min • 01:56 • -4db
30% Popularity • 90% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 90% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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DING DONG
Yeng Yeng
103 bpm • B min • 02:57 • -3db
17% Popularity • 68% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 68% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Frisco Kid
Livin In Style
118 bpm • F# Maj • 02:37 • -8.87db
19% Popularity • 72% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 72% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Blak Ryno
Wine and Dip
118 bpm • G# min • 02:27 • -3db
28% Popularity • 85% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 85% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Richie Feelings & Tony Matterhorn
All About Dancing 2
118 bpm • A# Maj • 03:25 • -6.11db
12% Popularity • 84% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 84% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Razor B
Hot Up
118 bpm • G# Maj • 02:16 • -5.44db
24% Popularity • 87% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 87% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Bragga Dat
Dagga Dat
118 bpm • C# Maj • 03:47 • -6db
14% Popularity • 82% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 82% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Denise Belfon
Chuku Chuku
118 bpm • F# Maj • 03:07 • -5.52db
15% Popularity • 76% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 76% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Alison Hinds & Ziggy Ranks
Baddest Wine
118 bpm • F# min • 03:35 • -1.55db
15% Popularity • 79% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 79% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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DJ CHEEM
Ice Cream Man (Freestyle)
118 bpm • B min • 01:39 • -4.75db
19% Popularity • 88% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 88% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Tanto Metro & Devonte
Double Jeopardy
118 bpm • C# Maj • 03:10 • -5.05db
13% Popularity • 72% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 72% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Shawn Storm
Real Man
102 bpm • F# Maj • 03:36 • -9db
32% Popularity • 68% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 68% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Bling Dawg
Take Cocky Gal
118 bpm • A# min • 02:37 • -6.13db
14% Popularity • 88% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 88% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Maxi Priest
Dreaming
102 bpm • G Maj • 03:23 • -15db
18% Popularity • 83% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 83% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Serani
Wanting You
102 bpm • G# min • 02:35 • 0db
27% Popularity • 63% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 63% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Tony Matterhorn
All About Dancing
102 bpm • G Maj • 05:05 • -3.96db
19% Popularity • 88% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 88% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Edwin Yearwood
Take You with Me
102 bpm • F Maj • 04:30 • -6.8db
4% Popularity • 90% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
4% Popularity • 90% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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QQ
Bounce Around (Outta Road Riddim)
102 bpm • C# Maj • 03:51 • -3.65db
22% Popularity • 73% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 73% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Gage
Kitty Kat - Remix
102 bpm • C# min • 02:49 • -4db
21% Popularity • 67% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 67% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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R.D.X
For the Girls
119 bpm • A# min • 03:51 • -3db
15% Popularity • 80% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 80% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Buju Banton
Bogle
102 bpm • C# min • 03:38 • -6.72db
33% Popularity • 78% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 78% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Frisco Kid
Wah Kind
101 bpm • B min • 03:04 • -4db
21% Popularity • 78% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 78% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Lady Saw
Na Nurse
120 bpm • E min • 02:54 • -15.74db
7% Popularity • 93% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 93% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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QQ
One Drop
101 bpm • F Maj • 02:54 • -4db
41% Popularity • 90% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 90% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Fay-Ann Lyons
Girls
120 bpm • C# Maj • 02:42 • -3db
18% Popularity • 78% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 78% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Ce'Cile
Give It To Me
120 bpm • B Maj • 02:51 • -5db
19% Popularity • 98% Danceability • 67% Energy • 3% Liveness
1% Instrumentalness • 98% Positiveness
19% Popularity • 98% Danceability • 67% Energy • 3% Liveness
1% Instrumentalness • 98% Positiveness
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Buju Banton
Love How The Gal Flex
120 bpm • G Maj • 03:38 • -13.74db
42% Popularity • 63% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 63% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Di Genius
Bounce A Gal
101 bpm • F# Maj • 02:46 • -7.49db
28% Popularity • 49% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 49% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Munga
Dilly Dally
101 bpm • C# min • 03:02 • -6db
12% Popularity • 82% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 82% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
