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Cheating On Me
Songs like
Cheating On Me
by
Melanie Dyer
Based on a tempo of (+/- 10%) and a similar genre
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Matt Cornell
It's Only Midnight
101 bpm • G# Maj • 03:41 • -8db
22% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Mick Lindsay
The Horses
101 bpm • G Maj • 03:39 • -6db
20% Popularity • 52% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Melanie Dyer
Cheating On Me
101 bpm • C# min • 03:29 • -4.85db
6% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Missy Lancaster
Back Row
100 bpm • F# Maj • 03:19 • -3.49db
10% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Southbound xo
This Is Us
102 bpm • D Maj • 03:10 • -6db
16% Popularity • 64% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Buck Twenty
2002
100 bpm • D# Maj • 02:56 • -4.75db
31% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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James Johnston
SMALL TOWN
100 bpm • D Maj • 02:40 • -4.85db
44% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Viper Creek Band
People Drinkin' Beer
100 bpm • D Maj • 02:47 • -5db
23% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Melanie Dyer
Between You & Me
100 bpm • G# Maj • 02:32 • -4db
26% Popularity • 68% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Bella Mackenzie
Ain't For You
102 bpm • G Maj • 03:27 • -2.78db
15% Popularity • 58% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Missy Lancaster
Wild
100 bpm • E Maj • 03:28 • -5.09db
13% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Julia Cole
Be The Whiskey
100 bpm • F Maj • 03:00 • -4.78db
26% Popularity • 58% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Tenille Townes
When's It Gonna Happen
102 bpm • C Maj • 03:37 • -4.55db
29% Popularity • 63% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Amy Sheppard
Couple Goals
102 bpm • G Maj • 02:53 • -2.94db
24% Popularity • 62% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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The McClymonts
Like We Used To
102 bpm • B Maj • 03:20 • -4.84db
27% Popularity • 53% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Hudson Rose
Iconic
100 bpm • E Maj • 03:05 • -3.91db
11% Popularity • 69% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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O'Shea
Neon Soul
100 bpm • E Maj • 03:12 • -3.75db
8% Popularity • 61% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Melanie Dyer
Fresh
100 bpm • B Maj • 02:53 • -4.99db
18% Popularity • 69% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Brad Cox
Old Skoolin'
100 bpm • A# Maj • 02:41 • -4.14db
35% Popularity • 72% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Wills
Won't You Be Mine
100 bpm • A# Maj • 03:37 • -5.37db
28% Popularity • 52% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Andrew Swift
Head Full of Honey
99 bpm • A Maj • 04:03 • -4.77db
25% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Southbound xo
Bar High
102 bpm • A Maj • 02:52 • -5.12db
17% Popularity • 69% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Abby Christo
Tokyo
99 bpm • B min • 03:09 • -5.99db
9% Popularity • 59% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Kylie Morgan
Love Like We're Drunk
99 bpm • D Maj • 02:34 • -4db
33% Popularity • 62% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Tebey
Somewhere in the Country
103 bpm • G Maj • 03:49 • -5.59db
25% Popularity • 57% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Sammy White
Friends With The Bottle
103 bpm • A Maj • 03:20 • -4.84db
23% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Melanie Dyer
Song For That
103 bpm • E Maj • 03:35 • -2.93db
21% Popularity • 53% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Andrew Swift
Never Meant to Break Your Heart
99 bpm • G Maj • 03:45 • -7db
17% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Natalie Pearson
Not In These Boots
104 bpm • F Maj • 03:30 • -4.91db
18% Popularity • 63% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
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Hurricane Fall
How We Get Down
104 bpm • D Maj • 02:59 • -3db
26% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Caitlyn Shadbolt
Edge of the Earth
104 bpm • A Maj • 03:28 • -5.69db
13% Popularity • 74% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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MacKenzie Porter
Drive Thru
104 bpm • C# Maj • 02:38 • -3.42db
21% Popularity • 68% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Southbound xo
Find Our Way
98 bpm • F# Maj • 02:44 • -2db
25% Popularity • 53% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Lily Grace
Maybe So
104 bpm • G Maj • 03:35 • -3.64db
26% Popularity • 59% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
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Darlinghurst
Picture Frame
104 bpm • C# min • 03:24 • -5db
15% Popularity • 58% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Abbie Ferris
Hot Summer Nights
98 bpm • G Maj • 03:13 • -4.1db
12% Popularity • 59% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
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Jade Gibson
Heavens Know
98 bpm • F Maj • 03:30 • -4.09db
20% Popularity • 66% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Taylor Moss
GHOSTED
98 bpm • A min • 03:23 • -4db
31% Popularity • 67% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Alaura Lynne
Redneck Country Boys
98 bpm • A# Maj • 03:13 • -3.24db
33% Popularity • 76% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Caitlyn Shadbolt
Shoot out the Lights
98 bpm • D Maj • 03:28 • -5.09db
12% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Walker County
Bits & Pieces
97 bpm • C# Maj • 02:41 • -4.39db
23% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Christie Lamb
Hot Hot Kiss
105 bpm • E Maj • 03:17 • -6db
16% Popularity • 64% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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Brooke McClymont & Adam Eckersley
Lost If I Lost You
105 bpm • A# Maj • 03:37 • -5.05db
22% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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The Wolfe Brothers
No Brakes
105 bpm • G# min • 02:37 • -5.04db
28% Popularity • 61% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Abbie Ferris
Love Up On Me
105 bpm • F# Maj • 03:12 • -5db
11% Popularity • 60% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Brad Cox
Acres
105 bpm • C# Maj • 03:52 • -4.99db
46% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Charly Reynolds
Tonight in Texas
105 bpm • A# Maj • 03:20 • -5.7db
16% Popularity • 55% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Zac & George
Nothin' To Lose
105 bpm • D Maj • 03:22 • -3.87db
33% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Christie Lamb
Beat of My Own Drum
97 bpm • C# min • 03:06 • -4.1db
8% Popularity • 78% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Max Jackson
Someone in a Small Town
106 bpm • A Maj • 03:35 • -4.63db
22% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Andrew Swift
Runaway Train
106 bpm • F Maj • 03:58 • -6db
22% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Bella Mackenzie
1, 2, 3 You & Me
96 bpm • G Maj • 02:56 • -3.56db
19% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Charly Reynolds
Top Off
105 bpm • E Maj • 03:45 • -3.61db
20% Popularity • 72% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Melanie Dyer
Up And Away
106 bpm • C# min • 03:03 • -4.28db
9% Popularity • 81% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Jason Blaine
The Road That Raised You Up
96 bpm • A# Maj • 02:43 • -4.29db
29% Popularity • 62% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Taylor Moss
Ain't No Girly Girl
96 bpm • E Maj • 03:27 • -3.95db
42% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Carly Pearce
Diamondback
96 bpm • F Maj • 03:02 • -5.48db
41% Popularity • 62% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Laci Kaye Booth
Shuffle
96 bpm • A# Maj • 03:12 • -4.09db
33% Popularity • 57% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Charly Reynolds
Rodeo
97 bpm • E Maj • 02:41 • -2db
25% Popularity • 63% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Southbound xo
Composure
96 bpm • F# min • 02:54 • -5.39db
9% Popularity • 64% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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David Haney
Birth of a City, Pt. 3
107 bpm • A min • 05:05 • -21.43db
0% Popularity • 42% Danceability • 16% Energy • 11% Liveness
75% Instrumentalness • 6% Positiveness
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Teigen Gayse
Sleeping With Her
107 bpm • B min • 02:58 • -3.62db
36% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Viper Creek Band
Green Light
107 bpm • B min • 03:21 • -4.4db
24% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
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Natalie Pearson
Mr Wrong
107 bpm • F# Maj • 02:53 • -5.6db
11% Popularity • 68% Danceability • 74% Energy • 8% Liveness
9% Instrumentalness • 67% Positiveness
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Josh Setterfield
Right About Now
95 bpm • E Maj • 03:09 • -5.09db
33% Popularity • 70% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Morgan Evans
Love Is Real - Int'l Mix
95 bpm • F min • 02:42 • -5.59db
25% Popularity • 61% Danceability • 73% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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David Haney
Birth of a City, Pt. 5
107 bpm • A min • 03:05 • -17.99db
0% Popularity • 39% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
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Taylor Moss
Country Proud
95 bpm • F Maj • 02:51 • -4.03db
37% Popularity • 60% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Grace Leer
Brought A Girl
95 bpm • C Maj • 02:48 • -4.91db
33% Popularity • 70% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Sabrina Durante
Saddle Up
95 bpm • C Maj • 03:08 • -9.62db
14% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Swift
Say the Word
95 bpm • A Maj • 03:40 • -5db
14% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Dan Davidson
He Met A Girl
95 bpm • D Maj • 03:12 • -3.41db
5% Popularity • 55% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Julia Cole
Trust You
95 bpm • D Maj • 02:55 • -8.31db
26% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Sammy White
Drowning My Sorrows
108 bpm • C Maj • 03:33 • -6.72db
16% Popularity • 67% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Hurricane Fall
Lost In Us
108 bpm • G Maj • 03:00 • -4.46db
12% Popularity • 49% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Melanie Dyer
Save My Cents
108 bpm • D Maj • 03:18 • -3.5db
21% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Sara Berki
Drinking In The Summertime
94 bpm • B Maj • 03:41 • -4.71db
25% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Drew Baldridge
When I Fall
108 bpm • G min • 03:18 • -5.5db
22% Popularity • 68% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Denvah
Do Without
94 bpm • A Maj • 03:13 • -5.11db
38% Popularity • 66% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Lindsay Ell
Right On Time
94 bpm • F Maj • 03:06 • -4.76db
43% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Abby Christo
Cooler Than Me
94 bpm • C# Maj • 02:56 • -9.25db
11% Popularity • 54% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hudson Rose
Fireflies In Tennessee
94 bpm • E Maj • 03:19 • -2.71db
17% Popularity • 60% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Brad Cox
Lake House
109 bpm • A# Maj • 03:52 • -9.2db
41% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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David Haney
Birth of a City, Pt. 4
109 bpm • E min • 06:41 • -19.25db
0% Popularity • 76% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 56% Positiveness
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Tori Darke
Feelin' It
109 bpm • G Maj • 02:54 • -6.43db
16% Popularity • 37% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Hannah Ellis
Home And A Hometown
93 bpm • B Maj • 03:13 • -4.98db
23% Popularity • 37% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Nikita Karmen
My First Rodeo
93 bpm • E min • 03:15 • -6.94db
13% Popularity • 46% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Kylie Morgan
Boys Girl
93 bpm • C min • 02:44 • -4.19db
33% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Brad Cox
Now She Ain't
93 bpm • A# min • 02:55 • -4.81db
43% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jayne Denham
Car Trouble
93 bpm • C Maj • 02:56 • -5.13db
24% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Setterfield
Blow Our Cover
93 bpm • G# Maj • 02:48 • -3.69db
31% Popularity • 52% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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James Johnston
A COUNTRY GIRL CAN
93 bpm • C Maj • 03:21 • -4.36db
40% Popularity • 65% Danceability • 88% Energy • 85% Liveness
0% Instrumentalness • 81% Positiveness
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Amy Sheppard
Overthinking
110 bpm • G# Maj • 02:46 • -3.14db
28% Popularity • 66% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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MacKenzie Porter
Drinkin' Songs
110 bpm • C Maj • 03:27 • -3.53db
29% Popularity • 57% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 54% Positiveness
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Freddie Bailey
Edge of Midnight - The Voice Australia 2...
110 bpm • B min • 02:01 • -5.31db
29% Popularity • 69% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Christie Lamb
Up All Night
110 bpm • E min • 03:29 • -4.68db
9% Popularity • 70% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The McClymonts
Good Advice
110 bpm • F# Maj • 03:24 • -4.16db
10% Popularity • 74% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Taylor Moss
Both
110 bpm • C Maj • 02:59 • -2.08db
27% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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RaeLynn
Neon Cowgirl
110 bpm • E Maj • 02:36 • -4db
24% Popularity • 66% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Melanie Dyer
Cheap Moscato
110 bpm • D Maj • 02:45 • -5.32db
20% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Cheating On Me