Songs like Cheek to Cheek (feat. Biréli Lagrène Gipsy Project) by Sara Lazarus
Based on a tempo of (+/- 10%) and a similar genre
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Sara Lazarus
Gypsy in My Soul
106 bpm • G min • 02:38 • -7.68db
10% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Lara Louise
Speak Low
106 bpm • F min • 03:53 • -14.39db
49% Popularity • 75% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 36% Positiveness
49% Popularity • 75% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 36% Positiveness
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Connie Evingson
Lover Man
106 bpm • G Maj • 05:10 • -13.27db
11% Popularity • 56% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 56% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Hailey Tuck
Don't Think Twice
106 bpm • G min • 03:27 • -8db
52% Popularity • 75% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 75% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Indra Rios-Moore
Money
106 bpm • F# min • 04:09 • -11.26db
25% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Susie Arioli
Un jour de différence
106 bpm • G# Maj • 03:23 • -9db
54% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sara Lazarus
I'm Thru with Love
106 bpm • C# Maj • 05:51 • -12.61db
3% Popularity • 47% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 47% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Cyntia M.
After You've Gone
106 bpm • D Maj • 04:05 • -10.36db
27% Popularity • 59% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 59% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Mary Stallings
When I Close My Eyes
107 bpm • D Maj • 03:36 • -17db
13% Popularity • 50% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 50% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Kat Edmonson
What Else Can I Do
107 bpm • F# min • 04:44 • -13.52db
46% Popularity • 67% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
46% Popularity • 67% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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Cassandra Beck
Da Ya Think I'm Sexy?
105 bpm • D min • 03:52 • -5.74db
52% Popularity • 70% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 70% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Tuck & Patti
Learning How To Fly
105 bpm • C min • 04:27 • -16.25db
19% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Sara Lazarus
Cheek to Cheek
106 bpm • G Maj • 03:09 • -6.62db
5% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
5% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Flora MartÃnez
Lover Man (Oh, Where Can You Be?)
105 bpm • G Maj • 03:03 • -12.46db
47% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Svetlana
Moonlight
105 bpm • F Maj • 05:59 • -11db
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Lisa Ekdahl
Rivers of Love
105 bpm • G# min • 04:13 • -12.79db
25% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Hailey Tuck
So in Love
105 bpm • C# Maj • 02:45 • -8.3db
55% Popularity • 72% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 72% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Ann Hampton Callaway
Slow
105 bpm • A min • 05:09 • -15.72db
34% Popularity • 51% Danceability • 24% Energy • 10% Liveness
40% Instrumentalness • 32% Positiveness
34% Popularity • 51% Danceability • 24% Energy • 10% Liveness
40% Instrumentalness • 32% Positiveness
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Sara Lazarus
It's All Right with Me
107 bpm • G min • 03:56 • -7.29db
18% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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NYC Jazz Quartett
What A Difference A Day Makes
105 bpm • G min • 06:25 • -7.4db
28% Popularity • 48% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 48% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Roberta Gambarini
That Old Black Magic
108 bpm • F min • 03:28 • -8.21db
15% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Cécile McLorin Salvant
I Didn't Know What Time It Was
108 bpm • G min • 06:07 • -18.33db
44% Popularity • 65% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 65% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Mary Stallings
You Go To My Head
108 bpm • G Maj • 06:36 • -15db
9% Popularity • 49% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 49% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Heather Rigdon
Young & Naïve
108 bpm • F# min • 02:49 • -12.57db
61% Popularity • 76% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 76% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Sara Lazarus
This Can't Be Love
107 bpm • C# Maj • 03:09 • -5.59db
4% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
4% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Hailey Tuck
Close to You
108 bpm • G Maj • 04:35 • -10.42db
52% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Tierney Sutton
Footprints / My Favorite Things
108 bpm • G# Maj • 05:10 • -13.7db
11% Popularity • 44% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 44% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Jacqui Naylor
How Deep Is Your Love
108 bpm • F# Maj • 03:27 • -9.01db
23% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Sachal Vasandani
Unforgettable
104 bpm • A# Maj • 02:56 • -11.86db
46% Popularity • 49% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
46% Popularity • 49% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Heather Rigdon
Really Something
108 bpm • C Maj • 02:27 • -13.01db
51% Popularity • 72% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 72% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Amanda Carr
Scotch and Soda
108 bpm • F Maj • 02:49 • -19.28db
42% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Blue Martini Jazz
Save Your Love for Me
109 bpm • D Maj • 04:33 • -8.7db
11% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Tierney Sutton
Estate
108 bpm • G Maj • 05:19 • -19.91db
14% Popularity • 57% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
14% Popularity • 57% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Mary Stallings
Sweet And Lovely
109 bpm • F min • 05:19 • -12.22db
11% Popularity • 68% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 68% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Nnenna Freelon
The Lamp Is Low
109 bpm • C# Maj • 04:55 • -12db
10% Popularity • 61% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 61% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Erin Boheme
Give Me One Reason
109 bpm • A# min • 04:35 • -15db
18% Popularity • 69% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
18% Popularity • 69% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
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Katrine Madsen
They Can't Take That Away from Me
103 bpm • E min • 03:35 • -18.92db
16% Popularity • 57% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 57% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Roberta Gambarini
So In Love
103 bpm • D Maj • 03:04 • -17.31db
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Hono Winterstein
Yesterdays
103 bpm • F min • 03:48 • -11.68db
1% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Karen Souza
It's Gonna Happen Tonight
109 bpm • C Maj • 03:16 • -10.65db
44% Popularity • 60% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 60% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Indra Rios-Moore
Love Walked In
103 bpm • D Maj • 03:40 • -15.82db
22% Popularity • 49% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
22% Popularity • 49% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Alexis Cole
A Beautiful Friendship
110 bpm • G Maj • 04:18 • -9db
38% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ely Bruna
Dolce Vita
110 bpm • G Maj • 02:55 • -7db
42% Popularity • 71% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 71% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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The Cooltrane Quartet
Purple Rain
110 bpm • C Maj • 04:29 • -11.23db
35% Popularity • 62% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 62% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Lara Louise
It Could Happen To You
110 bpm • A# Maj • 02:37 • -15.61db
54% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
54% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
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Vanessa Rubin
Our Love Is Here to Stay
102 bpm • G Maj • 03:37 • -13.14db
14% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Hailey Tuck
Tell Him No
102 bpm • C min • 03:19 • -10db
53% Popularity • 75% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
53% Popularity • 75% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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Tony DeSare
Want You
102 bpm • D# min • 04:36 • -12db
35% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Michael Franks
One Day In St. Tropez
110 bpm • E min • 05:19 • -11.56db
34% Popularity • 84% Danceability • 40% Energy • 10% Liveness
8% Instrumentalness • 60% Positiveness
34% Popularity • 84% Danceability • 40% Energy • 10% Liveness
8% Instrumentalness • 60% Positiveness
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Peter Appleyard
Satin Doll
110 bpm • G min • 04:11 • -12.69db
36% Popularity • 69% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 69% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Karen Souza
Everybody Knows
110 bpm • C Maj • 02:48 • -11.41db
49% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Torsten Goods
When Love Comes to Town
102 bpm • G min • 04:01 • -9db
30% Popularity • 75% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 75% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Suss von Ahn
For Once in My Life
102 bpm • G# Maj • 03:28 • -10db
19% Popularity • 68% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 68% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Vincent Bourgeyx
Short Trip
110 bpm • F# Maj • 08:30 • -11.72db
0% Popularity • 46% Danceability • 54% Energy • 16% Liveness
79% Instrumentalness • 52% Positiveness
0% Popularity • 46% Danceability • 54% Energy • 16% Liveness
79% Instrumentalness • 52% Positiveness
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Helen Schneider
Dream A Little Dream
102 bpm • A# min • 02:52 • -11db
30% Popularity • 78% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 78% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Lazarus
He Was Too Good to Me
102 bpm • G Maj • 05:28 • -18.66db
2% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Karen Souza
Everybody Knows
102 bpm • D min • 02:49 • -11.9db
36% Popularity • 72% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 72% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Erin Boheme
What Love Is
102 bpm • F min • 05:00 • -17db
32% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Hailey Tuck
When It's Sleepytime Down South
110 bpm • A# Maj • 05:03 • -14db
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
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Tony DeSare
A Kiss to Build a Dream On
102 bpm • A# Maj • 02:41 • -12.73db
45% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Tok Tok Tok
Straighten Up And Fly Right
111 bpm • C Maj • 03:03 • -15.72db
20% Popularity • 70% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 70% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Laverne Butler
Isn't It a Pity
111 bpm • C min • 04:20 • -30.94db
6% Popularity • 43% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 43% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Kevin Mahogany
May I Come In?
111 bpm • F min • 04:45 • -17db
19% Popularity • 50% Danceability • 19% Energy • 37% Liveness
3% Instrumentalness • 33% Positiveness
19% Popularity • 50% Danceability • 19% Energy • 37% Liveness
3% Instrumentalness • 33% Positiveness
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Erin Boheme
I Love Being Here With You
110 bpm • G# Maj • 03:28 • -12db
32% Popularity • 66% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 66% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Bria Skonberg
Que Sera Sera (Whatever Will Be Will Be)
111 bpm • G# Maj • 04:13 • -14db
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Melody Gardot
Goodnite
111 bpm • D min • 03:04 • -11.99db
53% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Blue Martini Jazz
Something Cool
111 bpm • C Maj • 05:00 • -12db
9% Popularity • 47% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 47% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Cæcilie Norby
Easy Money
111 bpm • D Maj • 04:20 • -10.45db
8% Popularity • 66% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 66% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Kevin Mahogany
Fix It in the Mix
101 bpm • C min • 05:17 • -16db
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
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Vincent Bourgeyx
Elephant's March
101 bpm • F# Maj • 06:20 • -17.3db
0% Popularity • 41% Danceability • 20% Energy • 11% Liveness
34% Instrumentalness • 14% Positiveness
0% Popularity • 41% Danceability • 20% Energy • 11% Liveness
34% Instrumentalness • 14% Positiveness
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Erin Boheme
Let’s Make The Most Of A Beautiful Thi...
111 bpm • C# Maj • 04:39 • -12db
43% Popularity • 31% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 31% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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NYC Jazz Quartett
As Time Goes By
112 bpm • F# Maj • 03:37 • -9db
44% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Carla Cook
Summer (Estaté)
112 bpm • A min • 05:15 • -16.66db
28% Popularity • 54% Danceability • 18% Energy • 14% Liveness
13% Instrumentalness • 18% Positiveness
28% Popularity • 54% Danceability • 18% Energy • 14% Liveness
13% Instrumentalness • 18% Positiveness
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Nicola Conte
Like Leaves in the Wind
112 bpm • C min • 04:50 • -8db
31% Popularity • 65% Danceability • 79% Energy • 28% Liveness
4% Instrumentalness • 73% Positiveness
31% Popularity • 65% Danceability • 79% Energy • 28% Liveness
4% Instrumentalness • 73% Positiveness
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Jazzystics
Walking on Sunshine
112 bpm • G Maj • 03:21 • -5db
50% Popularity • 72% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 72% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Tony DeSare
All of Me
112 bpm • C Maj • 03:26 • -14.22db
35% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Erin Boheme
One Night With Frank
111 bpm • C# Maj • 04:14 • -15db
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Grasiela Piasson
Dream a Little Dream of Me
112 bpm • F Maj • 04:09 • -10db
39% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Tierney Sutton
Don't Go to Strangers
112 bpm • D# Maj • 05:54 • -15.67db
23% Popularity • 49% Danceability • 11% Energy • 11% Liveness
59% Instrumentalness • 16% Positiveness
23% Popularity • 49% Danceability • 11% Energy • 11% Liveness
59% Instrumentalness • 16% Positiveness
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China Moses
Put It on the Line
112 bpm • C Maj • 04:11 • -11db
29% Popularity • 67% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 67% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Dena DeRose
I Could've Told You
112 bpm • D# Maj • 02:33 • -20db
24% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Tony DeSare
I Wish You Love
112 bpm • G# Maj • 03:00 • -14db
41% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Cæcilie Norby
Big Time
112 bpm • G Maj • 03:51 • -7.54db
18% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rigmor Gustafsson
After The Rain
100 bpm • G Maj • 02:52 • -10.87db
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Kandace Springs
Gentle Rain
100 bpm • G min • 03:55 • -9.35db
24% Popularity • 56% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
24% Popularity • 56% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
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Tierney Sutton
Something Cool
112 bpm • C# Maj • 04:26 • -19.48db
28% Popularity • 50% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
28% Popularity • 50% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
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Torsten Goods
Crazy Little Thing Called Love
113 bpm • F Maj • 04:16 • -14.76db
35% Popularity • 67% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 67% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Ruth Cameron
Happiness Is Just A Thing Called Joe
100 bpm • D# Maj • 05:17 • -16db
24% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Erin Boheme
Don't Be Something You Ain't
113 bpm • A min • 04:10 • -15.25db
31% Popularity • 54% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 54% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Sara Lazarus
Taking a Chance on Love
113 bpm • G Maj • 04:09 • -10.15db
14% Popularity • 59% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 59% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Kandace Springs
Devil May Care
99 bpm • A Maj • 02:59 • -9.59db
29% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ann Hampton Callaway
Blusette
99 bpm • G# Maj • 03:37 • -12.09db
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Kevin Mahogany
My New Friend
113 bpm • C Maj • 03:47 • -15db
34% Popularity • 58% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 58% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Ruth Cameron
Waitin' For The Train To Come In
100 bpm • C Maj • 03:10 • -15db
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Mary Stallings
Lullaby Of The Leaves
113 bpm • G Maj • 04:39 • -15db
13% Popularity • 65% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 65% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Roberta Gambarini
Lover Come Back to Me
113 bpm • F Maj • 05:43 • -10.34db
10% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Heather Rigdon
Couleur Cafe
99 bpm • A# min • 02:14 • -12.7db
50% Popularity • 80% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 72% Positiveness
50% Popularity • 80% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 72% Positiveness
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Gabrielle Stravelli
Dream Dancing
99 bpm • F Maj • 03:50 • -12db
17% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
