Songs like Chelsea Dagger by The Fratellis
Based on a tempo of (+/- 10%) and a similar genre
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The Strokes
Juicebox
155 bpm • D min • 03:14 • -2.37db
59% Popularity • 46% Danceability • 98% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
59% Popularity • 46% Danceability • 98% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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Catfish and the Bottlemen
7
155 bpm • A# Maj • 04:16 • -4.93db
67% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kings of Leon
Don't Matter
155 bpm • D Maj • 02:50 • -5.12db
58% Popularity • 41% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
58% Popularity • 41% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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The Enemy
Be Somebody
155 bpm • C# Maj • 03:04 • -4db
33% Popularity • 44% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 44% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Vampire Weekend
Holiday
156 bpm • D Maj • 02:18 • -5db
49% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
49% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Wolfmother
Joker And The Thief
156 bpm • C Maj • 04:39 • -2.43db
63% Popularity • 26% Danceability • 80% Energy • 41% Liveness
1% Instrumentalness • 46% Positiveness
63% Popularity • 26% Danceability • 80% Energy • 41% Liveness
1% Instrumentalness • 46% Positiveness
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Franz Ferdinand
Jacqueline
154 bpm • C min • 03:49 • -8.58db
47% Popularity • 31% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 31% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Razorlight
Somewhere Else
156 bpm • F# min • 03:16 • -3db
49% Popularity • 36% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 36% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Kaiser Chiefs
Never Miss A Beat
156 bpm • C Maj • 03:06 • -4db
57% Popularity • 50% Danceability • 90% Energy • 65% Liveness
17% Instrumentalness • 45% Positiveness
57% Popularity • 50% Danceability • 90% Energy • 65% Liveness
17% Instrumentalness • 45% Positiveness
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Kings of Leon
Sex on Fire
153 bpm • A Maj • 03:23 • -5.65db
84% Popularity • 54% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
84% Popularity • 54% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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The Kooks
She Moves In Her Own Way
153 bpm • G Maj • 02:49 • -5.36db
72% Popularity • 41% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
72% Popularity • 41% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Fratellis
Jeannie Nitro
153 bpm • A min • 04:19 • -4.49db
31% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Franz Ferdinand
Love Illumination
153 bpm • E min • 03:42 • -3db
53% Popularity • 53% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 53% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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The Strokes
Bad Decisions
153 bpm • C Maj • 04:53 • -3.4db
62% Popularity • 37% Danceability • 92% Energy • 28% Liveness
20% Instrumentalness • 39% Positiveness
62% Popularity • 37% Danceability • 92% Energy • 28% Liveness
20% Instrumentalness • 39% Positiveness
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The Libertines
Time for Heroes
152 bpm • D Maj • 02:40 • -4db
54% Popularity • 34% Danceability • 92% Energy • 1% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 34% Danceability • 92% Energy • 1% Liveness
0% Instrumentalness • 71% Positiveness
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Kings of Leon
Waste A Moment
153 bpm • D Maj • 03:03 • -4.86db
69% Popularity • 44% Danceability • 85% Energy • 13% Liveness
74% Instrumentalness • 54% Positiveness
69% Popularity • 44% Danceability • 85% Energy • 13% Liveness
74% Instrumentalness • 54% Positiveness
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Biffy Clyro
Mountains
158 bpm • C# Maj • 03:21 • -6.84db
39% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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The Fratellis
Stacie Anne
152 bpm • E Maj • 03:20 • -2.64db
18% Popularity • 31% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 31% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Klaxons
It's Not Over Yet
152 bpm • A Maj • 03:35 • -4db
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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The Strokes
Reptilia
158 bpm • A Maj • 03:39 • -5.11db
77% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
77% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
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The Enemy
Away from Here - US Version
158 bpm • C# Maj • 03:00 • -5db
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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The Killers
Spaceman
152 bpm • E Maj • 04:44 • -5.49db
63% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
63% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Weezer
Say It Ain't So
152 bpm • D# Maj • 04:18 • -7.14db
77% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
77% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Fratellis
Starcrossed Losers
152 bpm • F min • 04:31 • -5db
41% Popularity • 45% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 45% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Eagles Of Death Metal
Wannabe in L.A
158 bpm • F min • 02:15 • -3.95db
54% Popularity • 64% Danceability • 94% Energy • 9% Liveness
15% Instrumentalness • 97% Positiveness
54% Popularity • 64% Danceability • 94% Energy • 9% Liveness
15% Instrumentalness • 97% Positiveness
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Kaiser Chiefs
Everything Is Average Nowadays
158 bpm • A Maj • 02:42 • -2db
30% Popularity • 35% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 35% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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The Zutons
Zuton Fever
158 bpm • B Maj • 03:06 • -4db
37% Popularity • 39% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 39% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Franz Ferdinand
Michael
159 bpm • F# min • 03:24 • -7.45db
46% Popularity • 43% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 43% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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The White Stripes
Blue Orchid
151 bpm • A# min • 02:37 • -8.54db
67% Popularity • 48% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
67% Popularity • 48% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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The Clash
I Fought the Law
151 bpm • D Maj • 02:43 • -6.82db
62% Popularity • 53% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
62% Popularity • 53% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Royal Blood
Out of the Black
159 bpm • D Maj • 04:00 • -2.75db
60% Popularity • 52% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 52% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Biffy Clyro
Who's Got a Match?
159 bpm • D Maj • 02:23 • -5.2db
38% Popularity • 75% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 75% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Kaiser Chiefs
I Predict A Riot
159 bpm • G# Maj • 03:53 • -3.24db
65% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
65% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Cage The Elephant
Mess Around
150 bpm • B min • 02:53 • -5.23db
60% Popularity • 42% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 42% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 61% Positiveness
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Wolfmother
Woman
151 bpm • A min • 02:55 • -3.5db
58% Popularity • 19% Danceability • 95% Energy • 9% Liveness
9% Instrumentalness • 22% Positiveness
58% Popularity • 19% Danceability • 95% Energy • 9% Liveness
9% Instrumentalness • 22% Positiveness
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We Are Scientists
Cash Cow
160 bpm • C Maj • 02:35 • -4db
34% Popularity • 41% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 41% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Hot Hot Heat
Bandages
150 bpm • E min • 03:32 • -4db
50% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Maximo Park
Graffiti
150 bpm • E Maj • 03:05 • -3db
38% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
38% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
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Kaiser Chiefs
Na Na Na Na Naa
159 bpm • E Maj • 03:00 • -4db
39% Popularity • 25% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 25% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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OK Go
This Too Shall Pass
160 bpm • F Maj • 03:08 • -3.4db
41% Popularity • 43% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
41% Popularity • 43% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Courteeners
Are You in Love With a Notion?
160 bpm • G Maj • 04:14 • -6.77db
51% Popularity • 40% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
51% Popularity • 40% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Circa Waves
T-Shirt Weather
160 bpm • E Maj • 03:12 • -5db
62% Popularity • 42% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 42% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Jamie T
Rabbit Hole
160 bpm • G min • 03:39 • -3.43db
42% Popularity • 49% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 49% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Paolo Nutini
New Shoes
150 bpm • G# Maj • 03:23 • -8.69db
48% Popularity • 75% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 75% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Kaiser Chiefs
Everyday I Love You Less And Less
160 bpm • C# min • 03:37 • -4.56db
58% Popularity • 49% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 49% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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We Are Scientists
After Hours
160 bpm • C# min • 03:52 • -4.56db
41% Popularity • 39% Danceability • 98% Energy • 17% Liveness
4% Instrumentalness • 34% Positiveness
41% Popularity • 39% Danceability • 98% Energy • 17% Liveness
4% Instrumentalness • 34% Positiveness
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The Hives
Won't Be Long
150 bpm • C# min • 03:46 • -3.09db
41% Popularity • 60% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 60% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Gerry Cinnamon
Sometimes
150 bpm • A Maj • 03:16 • -6.74db
65% Popularity • 64% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 64% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Wombats
Lemon to a Knife Fight
150 bpm • A min • 03:25 • -3.58db
42% Popularity • 56% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 56% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Florence + The Machine
Dog Days Are Over
150 bpm • G Maj • 04:12 • -5.26db
81% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
81% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Kings of Leon
Red Morning Light
161 bpm • A Maj • 02:59 • -5.39db
57% Popularity • 53% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
57% Popularity • 53% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
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Kaiser Chiefs
The Factory Gates
161 bpm • B min • 03:32 • -4db
37% Popularity • 26% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 26% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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blink-182
All The Small Things
149 bpm • C Maj • 02:47 • -4.92db
83% Popularity • 43% Danceability • 90% Energy • 61% Liveness
0% Instrumentalness • 68% Positiveness
83% Popularity • 43% Danceability • 90% Energy • 61% Liveness
0% Instrumentalness • 68% Positiveness
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Stereophonics
The Bartender And The Thief
162 bpm • C Maj • 02:54 • -2.85db
53% Popularity • 30% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 30% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 35% Positiveness
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We Are Scientists
Inaction
162 bpm • A min • 02:32 • -4.43db
38% Popularity • 41% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 41% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmy Eat World
The Middle
162 bpm • D Maj • 02:45 • -5.43db
84% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
84% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Catfish and the Bottlemen
Pacifier
148 bpm • A Maj • 03:57 • -4.1db
61% Popularity • 46% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
61% Popularity • 46% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Kaiser Chiefs
Heat Dies Down
161 bpm • A# min • 03:55 • -2.02db
26% Popularity • 31% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 31% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Killers
Mr. Brightside
148 bpm • C# Maj • 03:42 • -5.23db
87% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
87% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Stereophonics
C'est La Vie
148 bpm • A# Maj • 03:40 • -2.42db
32% Popularity • 46% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 46% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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The Von Bondies
C'mon C'mon
148 bpm • F Maj • 02:13 • -4db
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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The Zutons
Why Won't You Give Me Your Love?
148 bpm • C Maj • 03:22 • -2.37db
30% Popularity • 26% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 26% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Biffy Clyro
Bubbles
147 bpm • D# Maj • 05:01 • -5.89db
41% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kaiser Chiefs
Modern Way
148 bpm • C# min • 04:03 • -5.17db
49% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
49% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Killers
Change Your Mind
147 bpm • F Maj • 03:12 • -4db
58% Popularity • 35% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 35% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Stereophonics
Dakota
147 bpm • E Maj • 04:57 • -3.5db
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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We Are Scientists
The Great Escape
147 bpm • A Maj • 03:18 • -5db
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Jon Fratelli
Daddy Won't Pay Your Bill
147 bpm • F# Maj • 04:01 • -2.16db
14% Popularity • 49% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 49% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Kings of Leon
Molly's Chambers
146 bpm • B Maj • 02:14 • -3.97db
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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The Hives
Walk Idiot Walk
146 bpm • A Maj • 03:31 • -3.93db
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
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The Libertines
Can't Stand Me Now
164 bpm • E Maj • 03:23 • -3.21db
60% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The Wombats
Tokyo (Vampires & Wolves)
146 bpm • C Maj • 03:45 • -5.52db
54% Popularity • 46% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 46% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Catfish and the Bottlemen
Fallout
146 bpm • G# Maj • 03:30 • -3.76db
59% Popularity • 36% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 36% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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Supergrass
Alright
146 bpm • E min • 03:00 • -4.81db
75% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
75% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
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Franz Ferdinand
Bullet
165 bpm • C Maj • 02:43 • -2.88db
45% Popularity • 39% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 39% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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OK Go
Here It Goes Again
146 bpm • C Maj • 02:59 • -2.31db
66% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The Killers
Run For Cover
165 bpm • F Maj • 03:42 • -3.31db
62% Popularity • 47% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 47% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Catfish and the Bottlemen
Rango
146 bpm • C# Maj • 02:57 • -5.12db
52% Popularity • 43% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 43% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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The Hives
Two-Timing Touch and Broken Bones
165 bpm • B min • 02:00 • -3.25db
52% Popularity • 34% Danceability • 99% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
52% Popularity • 34% Danceability • 99% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
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Spoon
The Underdog
145 bpm • G Maj • 03:42 • -6.48db
39% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Jamie T
Zombie
145 bpm • E Maj • 04:06 • -4.34db
56% Popularity • 54% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 54% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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The Strokes
12:51
145 bpm • E Maj • 02:33 • -3.84db
68% Popularity • 45% Danceability • 89% Energy • 56% Liveness
80% Instrumentalness • 59% Positiveness
68% Popularity • 45% Danceability • 89% Energy • 56% Liveness
80% Instrumentalness • 59% Positiveness
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The Reytons
Low Life (2018)
145 bpm • C Maj • 02:55 • -6db
52% Popularity • 58% Danceability • 76% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 58% Danceability • 76% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
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Maximo Park
Going Missing
145 bpm • E min • 03:42 • -5db
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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Franz Ferdinand
Darts Of Pleasure
145 bpm • E min • 02:59 • -7.64db
48% Popularity • 40% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 40% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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The Stone Roses
She Bangs the Drums - Remastered
145 bpm • A Maj • 03:52 • -5db
62% Popularity • 34% Danceability • 98% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
62% Popularity • 34% Danceability • 98% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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The Bravery
Believe
166 bpm • G# Maj • 03:46 • -3.37db
56% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Arctic Monkeys
Dancing Shoes
144 bpm • C# Maj • 02:21 • -4.14db
65% Popularity • 52% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
65% Popularity • 52% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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The Black Keys
Lonely Boy
166 bpm • D Maj • 03:13 • -7.84db
79% Popularity • 36% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
79% Popularity • 36% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Maximo Park
Girls Who Play Guitar
166 bpm • A Maj • 03:12 • -3db
39% Popularity • 52% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 52% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Razorlight
Rip It Up - Sawmills 04
167 bpm • D Maj • 02:25 • -3.94db
33% Popularity • 24% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 24% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Phoenix
1901
144 bpm • C Maj • 03:13 • -5.65db
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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We Are Scientists
Nobody Move, Nobody Get Hurt
144 bpm • F# Maj • 03:12 • -4.74db
49% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Jake Bugg
Seen It All
167 bpm • D Maj • 02:51 • -5.86db
57% Popularity • 38% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 38% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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The Black Keys
Dead and Gone
144 bpm • G min • 03:41 • -5.46db
57% Popularity • 64% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
57% Popularity • 64% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness