Songs like Chestnuts Roasting on an Open Fire by The Overtones
Based on a tempo of (+/- 10%) and a similar genre
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Jive Bunny and the Mastermixers
Do You Love Me / The Twist / Let's Twist...
80 bpm • E Maj • 05:43 • -8.35db
35% Popularity • 73% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
35% Popularity • 73% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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George Pelham
What A Time To Be Alive
80 bpm • F min • 03:09 • -4.5db
37% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Joe McElderry
The Climb
79 bpm • A# Maj • 03:36 • -5.4db
39% Popularity • 35% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 35% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Beverley Knight
Piece of My Heart
79 bpm • E Maj • 04:10 • -5.51db
29% Popularity • 55% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 55% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Tony Christie
Home Loving Man
81 bpm • C Maj • 02:56 • -10.67db
13% Popularity • 50% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 50% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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MC6 A Cappella
So Much in Love
79 bpm • C min • 03:05 • -10.65db
10% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The D-Day Darlings
(There'll Be Bluebirds Over) White Cliff...
79 bpm • G# Maj • 02:46 • -8db
17% Popularity • 17% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 17% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jason Manford
The Impossible Dream
81 bpm • A# Maj • 02:39 • -9.88db
10% Popularity • 26% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 26% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Luminites
It Hurts So Good
78 bpm • A# Maj • 03:43 • -6db
20% Popularity • 68% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 68% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Morecambe & Wise
Bring Me Sunshine - Theme from the TV Se...
81 bpm • B Maj • 01:51 • -12.57db
40% Popularity • 68% Danceability • 40% Energy • 57% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 68% Danceability • 40% Energy • 57% Liveness
0% Instrumentalness • 93% Positiveness
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Si Cranstoun
Ella Hula Hula
78 bpm • G Maj • 03:44 • -7.93db
22% Popularity • 65% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 65% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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MC6 A Cappella
Runaround Sue
82 bpm • A# Maj • 02:39 • -7.12db
14% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Matt Cardle
When We Collide
82 bpm • D Maj • 03:46 • -5.52db
41% Popularity • 44% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 44% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Hear'Say
Bridge Over Troubled Water
82 bpm • D# Maj • 04:51 • -11.96db
23% Popularity • 43% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 43% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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The Overtones
Runaround Sue
78 bpm • D# Maj • 03:05 • -3.54db
36% Popularity • 62% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 62% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Jason Manford
This Is My Life
82 bpm • C Maj • 04:01 • -8.94db
8% Popularity • 28% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 28% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Si Cranstoun
Being with You
82 bpm • G# Maj • 02:57 • -3.11db
16% Popularity • 64% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 64% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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H & Claire
Beauty & the Beast
77 bpm • F# min • 03:58 • -7db
15% Popularity • 43% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 43% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Michael Ball
Let It Be Me
83 bpm • E Maj • 03:12 • -13.3db
15% Popularity • 21% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 21% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Renée Zellweger
Zing Went The Strings
77 bpm • G Maj • 03:22 • -7.42db
13% Popularity • 44% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 44% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Johnny Mathis
Once Before I Go
77 bpm • A Maj • 03:49 • -5.77db
27% Popularity • 42% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 42% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kian Egan
The Reason
83 bpm • E Maj • 03:49 • -4.92db
13% Popularity • 44% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 44% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ray Quinn
My Way
77 bpm • D# Maj • 04:27 • -8.23db
13% Popularity • 41% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 41% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Tony Christie
Drive Safely Darlin'
84 bpm • G# Maj • 03:24 • -13.15db
9% Popularity • 56% Danceability • 59% Energy • 8% Liveness
5% Instrumentalness • 57% Positiveness
9% Popularity • 56% Danceability • 59% Energy • 8% Liveness
5% Instrumentalness • 57% Positiveness
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Amanda Holden
Somewhere
77 bpm • C# Maj • 02:51 • -4.97db
21% Popularity • 26% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 26% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Kyla Fletcher
Just Call Me Angel of the Morning
76 bpm • G# Maj • 04:13 • -6db
40% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Billy Fury
It's Only Make Believe
84 bpm • A Maj • 02:26 • -10.23db
24% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jackie Wilson
Reet Petite
84 bpm • F Maj • 02:49 • -7db
56% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Sam Smith
Get Happy
84 bpm • G Maj • 02:52 • -6.45db
35% Popularity • 42% Danceability • 55% Energy • 76% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 42% Danceability • 55% Energy • 76% Liveness
0% Instrumentalness • 74% Positiveness
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Marisha Wallace
Climb Ev'ry Mountain
85 bpm • E Maj • 03:10 • -8.62db
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jive Bunny and the Mastermixers
Sweet Soul Music / Land Of A 1000 Dances...
85 bpm • D Maj • 03:51 • -6.64db
18% Popularity • 59% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 59% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Take That
Never Forget
85 bpm • A Maj • 05:31 • -9.13db
10% Popularity • 37% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 37% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Hear'Say
Pure & Simple
75 bpm • F# min • 03:48 • -6.64db
45% Popularity • 63% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 63% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Alexandra Burke
One Moment in Time
75 bpm • B Maj • 03:28 • -10.01db
22% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Boyzlife
Queen Of My Heart
86 bpm • B Maj • 04:21 • -10.37db
14% Popularity • 28% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 28% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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The Overtones
Heatwave
87 bpm • C min • 02:46 • -3.93db
11% Popularity • 60% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 60% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Dick Brave & The Backbeats
Take Good Care of My Baby
88 bpm • F# Maj • 02:29 • -7.38db
37% Popularity • 68% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 68% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Amanda Holden
With You
88 bpm • G Maj • 04:28 • -7.95db
23% Popularity • 31% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 31% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sean Butler
Love Lifts Us Up Where We Belong
72 bpm • D Maj • 03:45 • -7.81db
30% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Barbra Streisand
Stranger In a Strange Land
89 bpm • C# Maj • 04:50 • -6.7db
26% Popularity • 54% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 54% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Boyzlife
No Matter What
89 bpm • G Maj • 04:06 • -13.09db
14% Popularity • 30% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 30% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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S Club Juniors
One Fine Day
89 bpm • F# Maj • 02:19 • -5.86db
23% Popularity • 50% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 50% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
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Dick Brave & The Backbeats
Take Good Care of My Baby - New Radio V...
88 bpm • F# Maj • 02:28 • -5.55db
30% Popularity • 60% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 60% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The D-Day Darlings
Mary
89 bpm • A# Maj • 03:36 • -8.59db
11% Popularity • 41% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 41% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Olly Murs
Please Don't Let Me Go
90 bpm • A# Maj • 03:24 • -6db
47% Popularity • 67% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
47% Popularity • 67% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Take That
Shine
90 bpm • G# Maj • 03:31 • -3.4db
61% Popularity • 58% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
61% Popularity • 58% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Mathis
Foolish
90 bpm • F min • 04:38 • -10.73db
28% Popularity • 51% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
28% Popularity • 51% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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The Overtones
You've Lost That Loving Feeling
92 bpm • C# Maj • 04:34 • -7.74db
19% Popularity • 49% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 49% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Dick Brave & The Backbeats
Complicated
90 bpm • A min • 03:40 • -8.1db
24% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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The D-Day Darlings
We'll Meet Again
90 bpm • D Maj • 03:24 • -10.47db
15% Popularity • 28% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 28% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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Showaddywaddy
Who Put the Bomp (In the Bomp-a-Bomp-a-B...
92 bpm • C# Maj • 03:16 • -5.22db
23% Popularity • 74% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 74% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Take That
Never Forget - Single Version
91 bpm • A Maj • 06:24 • -9db
55% Popularity • 63% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
55% Popularity • 63% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Amanda Holden
When She Loved Me
92 bpm • E Maj • 03:08 • -9.67db
16% Popularity • 34% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 34% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Peter Grant
On Days Like These
93 bpm • G min • 03:38 • -10db
15% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Elvis vs. Spankox
I Got Lucky
93 bpm • C Maj • 02:15 • -4.68db
17% Popularity • 68% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 68% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The D-Day Darlings
We'll Meet Again
90 bpm • D Maj • 03:24 • -8.49db
24% Popularity • 29% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 29% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Shayne Ward
That's My Goal
69 bpm • D Maj • 03:38 • -5.97db
46% Popularity • 29% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 29% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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Cliff Richard & The Shadows
Bachelor Boy - Film Version; 2003 Remast...
68 bpm • G Maj • 01:59 • -7.03db
9% Popularity • 68% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 68% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Perry Como
I Love You And Don't You Forget It
94 bpm • B min • 02:26 • -14.34db
17% Popularity • 72% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 72% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Peter Grant
The Windmills Of Your Mind
93 bpm • D# min • 03:01 • -10.64db
14% Popularity • 33% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 33% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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The Overtones
Call Me Up
95 bpm • C# Maj • 03:09 • -5.05db
10% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Love Motion
Save All Your Kisses for Me
95 bpm • G Maj • 02:57 • -7db
21% Popularity • 57% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 57% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Rawls
Your Love Is Lifting Me (Higher and High...
95 bpm • E Maj • 03:41 • -4.28db
23% Popularity • 64% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 64% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Paloma Faith
I've Gotta Be Me
95 bpm • G Maj • 02:56 • -3.67db
30% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Take That
Up All Night
96 bpm • D Maj • 03:24 • -6.52db
42% Popularity • 57% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 57% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Steps
Say You'll Be Mine
96 bpm • E Maj • 03:32 • -6.32db
40% Popularity • 65% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 65% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Michael McDonald
(Your Love Keeps Lifting Me) Higher And ...
96 bpm • C Maj • 03:02 • -4.87db
30% Popularity • 66% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 66% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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911
A Little Bit More
96 bpm • G Maj • 03:48 • -8db
32% Popularity • 71% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 71% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Tony Evans and His Orchestra
Putting on the Ritz - Quickstep 48bpm
96 bpm • F min • 02:13 • -4.55db
24% Popularity • 67% Danceability • 74% Energy • 5% Liveness
2% Instrumentalness • 90% Positiveness
24% Popularity • 67% Danceability • 74% Energy • 5% Liveness
2% Instrumentalness • 90% Positiveness
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The Overtones
The Bare Necessities / I Wanna Be Like Y...
97 bpm • D Maj • 03:48 • -5.89db
30% Popularity • 73% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 73% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Tony Christie
Smile A Little Smile For Me
97 bpm • A# Maj • 02:45 • -10db
14% Popularity • 53% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 53% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Showaddywaddy
I Wonder Why
97 bpm • A# Maj • 03:16 • -5.41db
35% Popularity • 55% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 55% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Helen Shapiro
Walking Back To Happiness
97 bpm • C# min • 02:43 • -9.86db
7% Popularity • 71% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 71% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Duke Ellington
It Don't Mean A Thing If It Ain't Got Th...
98 bpm • G min • 02:26 • -5.09db
19% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Rocky Sharpe & The Replays
Shout! Shout! (Knock Yourself Out)
98 bpm • G# Maj • 02:50 • -8db
33% Popularity • 68% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 68% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
The Overtones
Happy Days
98 bpm • F# Maj • 02:16 • -5.68db
24% Popularity • 56% Danceability • 87% Energy • 72% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 56% Danceability • 87% Energy • 72% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Dick Brave & The Backbeats
Freedom
98 bpm • F Maj • 03:59 • -7.5db
20% Popularity • 62% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 62% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Rick Astley
Every One of Us
98 bpm • D# Maj • 03:06 • -2.88db
34% Popularity • 62% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 62% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Shane Filan
One Of These Days
99 bpm • C Maj • 03:35 • -6.65db
20% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Gregory Porter
Puttin’ On The Ritz
100 bpm • D Maj • 03:07 • -8.22db
31% Popularity • 69% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 69% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Charlie Mole
Time on our Side - Single Version
100 bpm • B Maj • 03:26 • -11.69db
19% Popularity • 61% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 61% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Overtones
Let's Stay Together
98 bpm • F Maj • 04:03 • -5.88db
17% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Olly Murs
This One's For The Girls
100 bpm • A# Maj • 03:20 • -5db
18% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Showaddywaddy
Remember Then
101 bpm • D min • 02:29 • -6.09db
28% Popularity • 79% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 79% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Shane Filan
Knee Deep In My Heart
99 bpm • A Maj • 03:06 • -6db
39% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Josh Groban
I Can See Clearly Now
100 bpm • A# min • 04:51 • -8.75db
18% Popularity • 63% Danceability • 74% Energy • 30% Liveness
2% Instrumentalness • 57% Positiveness
18% Popularity • 63% Danceability • 74% Energy • 30% Liveness
2% Instrumentalness • 57% Positiveness
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The Beautiful South
Perfect 10
102 bpm • A Maj • 03:38 • -4.04db
55% Popularity • 73% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 73% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Overtones
You to Me Are Everything
103 bpm • F# Maj • 03:55 • -4.66db
31% Popularity • 53% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 53% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Elvis vs. Spankox
Follow That Dream
102 bpm • E Maj • 01:41 • -5.83db
18% Popularity • 58% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 58% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Dick Brave & The Backbeats
Hallelujah I Love Her So
104 bpm • G Maj • 03:35 • -9db
17% Popularity • 63% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 63% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Steps
Story of a Heart
104 bpm • F Maj • 04:16 • -7db
24% Popularity • 65% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 65% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Rick Astley
Angels on My Side
105 bpm • G min • 03:35 • -4.75db
43% Popularity • 66% Danceability • 85% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
43% Popularity • 66% Danceability • 85% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Clock
Oh What A Night
105 bpm • C# Maj • 03:28 • -6db
38% Popularity • 74% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 91% Positiveness
38% Popularity • 74% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 91% Positiveness
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Tony Christie
Most Beautiful Girl
105 bpm • G Maj • 02:49 • -8.58db
31% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Si Cranstoun
Gods of Love
105 bpm • C# min • 02:34 • -2.31db
11% Popularity • 72% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 72% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Logan
Get Here If You Can
106 bpm • G Maj • 04:37 • -9.22db
27% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Cliff Richard & The Shadows
Big News - 2003 Remaster
105 bpm • D Maj • 01:57 • -5.03db
14% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Grant
Spooky
106 bpm • F min • 02:59 • -7.65db
23% Popularity • 79% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
23% Popularity • 79% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
