Songs like Chewing Gum by Cian Ducrot
Based on a tempo of (+/- 10%) and a similar genre
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Mimi Webb
Red Flags
130 bpm • G# Maj • 02:21 • -5.63db
60% Popularity • 84% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
60% Popularity • 84% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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David Kushner
Daylight
130 bpm • D min • 03:32 • -9.48db
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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We Three
HALF HEARTED
130 bpm • E Maj • 03:52 • -10db
56% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
56% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Munn
LOVE ME OR LEAVE ME
130 bpm • F# Maj • 02:26 • -8.03db
52% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Caleb Hearn
She's Everything That I've Ever Wanted
130 bpm • E Maj • 03:24 • -10.43db
50% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Kyle Hume
alive (it's a lie) - demo
130 bpm • G# Maj • 02:06 • -6db
59% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Matthew Nolan
11:11 - Acoustic
130 bpm • C# Maj • 03:33 • -9.78db
37% Popularity • 46% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 46% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Cian Ducrot
Thank God You Stayed
129 bpm • C# Maj • 03:04 • -5.66db
36% Popularity • 49% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 49% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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One Direction
You & I
131 bpm • C# Maj • 03:57 • -6.83db
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Natalie Jane
Intrusive Thoughts
129 bpm • B Maj • 03:21 • -8.58db
65% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
65% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Dean Lewis
Memories
129 bpm • D Maj • 02:59 • -6.51db
71% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
71% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Caleb Hearn
It's Always Been You
132 bpm • A# Maj • 02:49 • -8.73db
65% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
65% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Zoe Wees
Lightning
128 bpm • G Maj • 02:57 • -5.49db
48% Popularity • 53% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 53% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Cian Ducrot
All That I Know
129 bpm • D# Maj • 02:59 • -9db
41% Popularity • 61% Danceability • 58% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 61% Danceability • 58% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
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Matthew Nolan
Far Away
132 bpm • C# Maj • 03:21 • -11db
38% Popularity • 54% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 54% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Natalie Jane
seeing you with other girls
132 bpm • A Maj • 02:57 • -7.23db
54% Popularity • 64% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
54% Popularity • 64% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Rosie Darling
Reruns
128 bpm • C# Maj • 02:26 • -11db
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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James Blunt
Monsters
128 bpm • C min • 04:19 • -8.71db
68% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
68% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Teddy Swims
Some Things I'll Never Know
128 bpm • C Maj • 04:02 • -7.85db
72% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
72% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Alex Sampson
Like the Rain
132 bpm • A Maj • 03:10 • -10.18db
46% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Lewis Capaldi
drivers license - Spotify Singles
127 bpm • E Maj • 04:22 • -12.53db
60% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
77% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
77% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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James TW
Speechless
127 bpm • C Maj • 03:07 • -8.34db
48% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Alex Warren
Yard Sale
127 bpm • C Maj • 02:54 • -6.07db
64% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
78% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Kiran + Nivi
8 billion people
126 bpm • F min • 03:37 • -7db
54% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
54% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Mimi Webb
Ghost of You
126 bpm • D# Maj • 02:37 • -5.91db
55% Popularity • 72% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 72% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Cian Ducrot
Thank God You Stayed - Choir Version
126 bpm • C# Maj • 02:59 • -5.6db
30% Popularity • 41% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 41% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Matt Hansen
CHEMICALS
135 bpm • C Maj • 03:17 • -5.8db
61% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Dean Lewis
Be Alright - Acoustic
126 bpm • A Maj • 03:17 • -9.02db
57% Popularity • 68% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 68% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Camylio
strangers
125 bpm • C Maj • 02:52 • -10.08db
53% Popularity • 48% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 48% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Brent Morgan
Angel
135 bpm • F# Maj • 03:15 • -9.77db
52% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Cian Ducrot
Know Me Again
134 bpm • E Maj • 04:15 • -10.36db
36% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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James TW
When You Love Someone
126 bpm • G Maj • 03:36 • -6.09db
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Alex Warren
How Could You (Be OK)
125 bpm • C Maj • 03:17 • -5.36db
51% Popularity • 73% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 73% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Matt Hansen
lifejacket
125 bpm • D Maj • 03:23 • -6.43db
57% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Camylio
love and hate
125 bpm • C min • 03:10 • -8.05db
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Brent Morgan
I'll Be There for You
125 bpm • F Maj • 02:09 • -10.03db
58% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Cian Ducrot
Endless Nights
125 bpm • C Maj • 03:11 • -4.53db
49% Popularity • 64% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 64% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Zoe Wees
Hold Me Like You Used To
125 bpm • C min • 03:06 • -6.29db
48% Popularity • 56% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 56% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Niall Horan
The Show
135 bpm • C Maj • 03:11 • -5.44db
66% Popularity • 43% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
66% Popularity • 43% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
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Andreas Wijk
if I was gay
136 bpm • A Maj • 02:38 • -8.23db
35% Popularity • 49% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 49% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
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Alex Warren
Save You a Seat
136 bpm • F# Maj • 03:17 • -6.29db
77% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
77% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Will Linley
miss me (when you’re gone) (sad versio...
136 bpm • F Maj • 03:50 • -9.31db
29% Popularity • 61% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 61% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Cian Ducrot
Here It Is
126 bpm • D# Maj • 03:13 • -5.69db
61% Popularity • 61% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 61% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sam Tompkins
die for someone
136 bpm • C Maj • 02:48 • -6.95db
45% Popularity • 69% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 69% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Hansen
GRAVITY
136 bpm • D Maj • 02:54 • -9.12db
70% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
70% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tate McRae
you broke me first
124 bpm • E Maj • 02:50 • -9.36db
86% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
86% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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St. Lundi
Ready To Be Loved
124 bpm • A Maj • 03:00 • -5.68db
55% Popularity • 63% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 63% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Cian Ducrot
Not Usually Like This
135 bpm • B Maj • 03:19 • -9.05db
42% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Here At Last
Ordinary Life
124 bpm • C# Maj • 02:42 • -7.48db
48% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Kyle Hume
Better Off Without Me
124 bpm • G# Maj • 03:16 • -7.62db
52% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Zoe Wees
Daddy's Eyes
124 bpm • D Maj • 03:02 • -4.94db
46% Popularity • 55% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 55% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 20% Positiveness
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Thomas Day
The End
137 bpm • D Maj • 02:58 • -6db
47% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Cian Ducrot
Blue
136 bpm • C Maj • 03:24 • -12db
23% Popularity • 30% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 30% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Caleb Hearn
Little Bit Better
137 bpm • G# min • 03:47 • -9.38db
77% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
77% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Jessie Murph
Always Been You
137 bpm • D# min • 02:11 • -7.67db
71% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
71% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Myles Smith
Solo
123 bpm • C Maj • 03:19 • -7.99db
80% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
80% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Mark Ambor
Sky is the Limit
123 bpm • E Maj • 02:39 • -14.18db
61% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Rachel Grae
Right Person Right Time - Acoustic
138 bpm • F# Maj • 03:01 • -7.92db
42% Popularity • 53% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 53% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Lauren Spencer Smith
Flowers
138 bpm • D# Maj • 02:37 • -9.67db
72% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
72% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Livingston
Last Man Standing
138 bpm • C# Maj • 03:03 • -5.76db
69% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Dylan Brady
How Are You? (ROSIE Rewrite)
138 bpm • C# Maj • 03:03 • -7.03db
45% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Bellah Mae
On Purpose (For My Future Daughter)
122 bpm • D Maj • 03:06 • -7.43db
53% Popularity • 61% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 61% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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P!nk
TRUSTFALL
122 bpm • G# Maj • 03:57 • -3.89db
72% Popularity • 64% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
72% Popularity • 64% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Rachel Grae
Right Person Right Time
138 bpm • F# Maj • 02:58 • -9.46db
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Miley Cyrus
Angels Like You
122 bpm • F Maj • 03:16 • -4.04db
85% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
85% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Cat Burns
we're not kids anymore
122 bpm • F# min • 03:02 • -12.95db
51% Popularity • 82% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 82% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Cian Ducrot
Blame It On You
122 bpm • C Maj • 03:52 • -6.17db
36% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Anson Seabra
Unloving You
122 bpm • F# Maj • 02:33 • -9.62db
60% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Alex Warren
Chasing Shadows - Acoustic
122 bpm • C# Maj • 02:42 • -10.14db
40% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Tyler Shaw
Love You Still (abcdefu romantic version...
121 bpm • E Maj • 02:30 • -19db
60% Popularity • 71% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
60% Popularity • 71% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Dylan Brady
How Are You?
139 bpm • C# Maj • 02:49 • -6.76db
53% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Lily Meola
Butterfly
139 bpm • C Maj • 02:46 • -7.11db
52% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Cian Ducrot
Crocodiles
139 bpm • G min • 04:00 • -11db
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Alec Benjamin
Devil Doesn’t Bargain
121 bpm • D# Maj • 02:43 • -4.57db
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Jillian Rossi
So What
140 bpm • C# Maj • 02:42 • -7db
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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SLANDER
Love Is Gone - Acoustic
140 bpm • F# Maj • 02:56 • -10.65db
77% Popularity • 54% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
77% Popularity • 54% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Camylio
i tried
140 bpm • G min • 02:40 • -9.63db
59% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Brent Morgan
Some Days
140 bpm • F# Maj • 02:10 • -13db
67% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
67% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jamie Miller
Over You
140 bpm • B min • 02:33 • -6db
44% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
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Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
57% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
57% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Tom Grennan
Here
120 bpm • C# Maj • 03:15 • -5.07db
45% Popularity • 52% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 52% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Dean Lewis
The Last Bit Of Us
120 bpm • G Maj • 03:22 • -9.5db
71% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
71% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Kyle Hume
i can't text you - demo
120 bpm • F# Maj • 02:17 • -5.68db
57% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Zoe Wees
Don't Give Up
120 bpm • F min • 02:46 • -5.57db
51% Popularity • 59% Danceability • 74% Energy • 50% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 59% Danceability • 74% Energy • 50% Liveness
0% Instrumentalness • 36% Positiveness
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Haley Joelle
Memory Lane
120 bpm • C# Maj • 02:34 • -12db
63% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
63% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kodaline
Brother
120 bpm • A# Maj • 03:23 • -5.91db
73% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Thomas Day
VICIOUS
120 bpm • A Maj • 02:12 • -5.87db
53% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Alex Warren
Chasing Shadows
120 bpm • C# min • 02:44 • -8.04db
69% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
69% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Cian Ducrot
All For You - Remix
120 bpm • B min • 02:38 • -7.29db
25% Popularity • 65% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 65% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Anne-Marie
UNHEALTHY
120 bpm • B min • 02:29 • -6.21db
67% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
67% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Picture This
Addicted To You
120 bpm • A Maj • 03:14 • -6.26db
55% Popularity • 65% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 65% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Matthew Nolan
One Night
120 bpm • B min • 03:25 • -8.14db
46% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
