Songs like Chharar Deshe by Soumitra Chattopadhyay
Based on a tempo of (+/- 10%) and a similar genre
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Soumitra Chattopadhyay
Modhyoraater Sonketguli
103 bpm • A# min • 01:45 • -13.05db
0% Popularity • 78% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 78% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Chaiti Ghoshal
Tomaye Natun Kore Pabo Bole
103 bpm • E Maj • 08:49 • -7.78db
0% Popularity • 33% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 33% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Mohammed Aziz
Moneri Kotha
103 bpm • G# min • 05:56 • -11.36db
8% Popularity • 39% Danceability • 45% Energy • 12% Liveness
49% Instrumentalness • 49% Positiveness
8% Popularity • 39% Danceability • 45% Energy • 12% Liveness
49% Instrumentalness • 49% Positiveness
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Bhai Gurdev Singh Sant Sarsahib (Chandigarh Wale)
Soyi Soyi Sada Sach Sahib - Aad Anil Ana...
103 bpm • C min • 01:16 • -6.42db
11% Popularity • 62% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 62% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Sdipto Sekhar Mishra
Baaje Mor Hridy Majhe
103 bpm • F# Maj • 04:44 • -8.19db
8% Popularity • 54% Danceability • 57% Energy • 15% Liveness
20% Instrumentalness • 58% Positiveness
8% Popularity • 54% Danceability • 57% Energy • 15% Liveness
20% Instrumentalness • 58% Positiveness
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Bhai Arjun Singh (Paunta Sahib Wale)
Tithe Bhagat Vase Ke Loh - Nanak Nadri N...
103 bpm • A# Maj • 01:38 • -15.49db
13% Popularity • 50% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 50% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Soumitra Chattopadhyay
Ekti Premer Kabita
103 bpm • A# Maj • 01:44 • -12.27db
0% Popularity • 69% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 69% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Pannalal Bhattacharya
Amaspandito Ghano Ratri
103 bpm • G# Maj • 03:11 • -9.12db
11% Popularity • 35% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 35% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Srikanta Acharya
Rabindranather Sattorbarsho-Ei To Tomar ...
104 bpm • F# Maj • 05:40 • -17.42db
0% Popularity • 46% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 46% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Bhai Gurdev Singh Sant Sarsahib (Chandigarh Wale)
So Dar Raag Aasa Mahalla Pehla So Dar Te...
102 bpm • D Maj • 02:01 • -6.88db
29% Popularity • 59% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 59% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Pramita Mallick
Sajani Sajani
102 bpm • D# Maj • 02:46 • -8.12db
7% Popularity • 56% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 56% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Naynesh Jani
Shri Shiv Panchakshar Stotram
102 bpm • D# Maj • 04:25 • -10.62db
8% Popularity • 59% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 59% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Soumitra Chattopadhyay
Amar Praner Pore Chole Gelo Ke
103 bpm • G# Maj • 06:39 • -5.79db
0% Popularity • 30% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 30% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Debabrata Biswas
Akash Bhora Surjo Tara
104 bpm • G# Maj • 03:30 • -22.25db
10% Popularity • 59% Danceability • 15% Energy • 10% Liveness
36% Instrumentalness • 46% Positiveness
10% Popularity • 59% Danceability • 15% Energy • 10% Liveness
36% Instrumentalness • 46% Positiveness
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Shampa Das
Karnokuntisangbad
102 bpm • C min • 15:34 • -12.06db
0% Popularity • 69% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 69% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Bhai Gurdev Singh Sant Sarsahib (Chandigarh Wale)
Panch Parwaan Panch Pardhaan Panche Paaw...
105 bpm • G# Maj • 02:34 • -8.03db
9% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Sreeradha Bandyopadhyay
Eso Hey Baishakh
105 bpm • G Maj • 02:38 • -1.84db
2% Popularity • 49% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
2% Popularity • 49% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Nashenas
Gah Royat Ze Bada Gulrang Ast
105 bpm • C# Maj • 05:28 • -11.91db
10% Popularity • 38% Danceability • 45% Energy • 32% Liveness
1% Instrumentalness • 25% Positiveness
10% Popularity • 38% Danceability • 45% Energy • 32% Liveness
1% Instrumentalness • 25% Positiveness
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Soumitra Chattopadhyay
Sthir Holo-Amader Shantiniketan
101 bpm • C# Maj • 04:07 • -7.49db
0% Popularity • 55% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 55% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Mustafa Zaman Abbasi
Dhire Bolao Garire
101 bpm • F# Maj • 06:35 • -11.34db
11% Popularity • 64% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 64% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Waliur Rahman
Jedin Roj Hashore
101 bpm • G# min • 04:53 • -8.48db
14% Popularity • 34% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 34% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Mahesh Ranjan Shome
Ramakrishna Namer Jowar
105 bpm • D Maj • 05:52 • -7.76db
16% Popularity • 50% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 50% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Rezwana Choudhury Bannya
Anondo Loke
101 bpm • B Maj • 03:10 • -8.54db
17% Popularity • 36% Danceability • 30% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
17% Popularity • 36% Danceability • 30% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
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Swapan Basu
Amar Praner Manush
101 bpm • C Maj • 03:13 • -14db
9% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Soumitra Chattopadhyay
Sare Doshtay-Ore Majhi
105 bpm • D min • 05:02 • -6.75db
4% Popularity • 51% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 51% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Kashinath Gorule
Aarati Dnyanaraja
106 bpm • C# min • 01:53 • -6.72db
17% Popularity • 56% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 56% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Anweshaa
Ja Peyechi Pratham Dine
100 bpm • G Maj • 05:48 • -9.39db
0% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jaydeep Chakarborty
Joy Joy Joy Mohakali Ambe
106 bpm • G Maj • 02:39 • -5.72db
8% Popularity • 42% Danceability • 70% Energy • 71% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 42% Danceability • 70% Energy • 71% Liveness
0% Instrumentalness • 83% Positiveness
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Aditi Munshi
Sree Gurobe Namoh
106 bpm • A# Maj • 04:03 • -9.2db
13% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jagadguru Shri Kripalu Ji Maharaj
Aarti Preetam Pyaari Ki
100 bpm • F# Maj • 03:42 • -2.98db
9% Popularity • 60% Danceability • 91% Energy • 12% Liveness
79% Instrumentalness • 80% Positiveness
9% Popularity • 60% Danceability • 91% Energy • 12% Liveness
79% Instrumentalness • 80% Positiveness
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Soumitra Chattopadhyay
Tomaro Ashime Prano Mono Loye
101 bpm • A Maj • 06:54 • -7.3db
0% Popularity • 28% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
0% Popularity • 28% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
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Indranil Sen
Chupichupi Tomake
106 bpm • D Maj • 05:27 • -11.95db
13% Popularity • 63% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 63% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Prem Chandrakar
Sirish Aaukha Me Ke Dai
100 bpm • B Maj • 02:22 • -4.56db
12% Popularity • 59% Danceability • 83% Energy • 42% Liveness
1% Instrumentalness • 96% Positiveness
12% Popularity • 59% Danceability • 83% Energy • 42% Liveness
1% Instrumentalness • 96% Positiveness
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Amarnath Bhattacharjee
Kali Karali
100 bpm • B min • 03:02 • -5.74db
10% Popularity • 56% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 56% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Srikanta Acharya
Khelaghor Badhte Legechhi
100 bpm • C Maj • 02:52 • -12.18db
11% Popularity • 66% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 66% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Parikshit Bala
O Aamar Bad Maeeyada
107 bpm • G# Maj • 04:03 • -9.31db
13% Popularity • 67% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 67% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Soumitra Chattopadhyay
Maghotsober-Aro Kato Dure
106 bpm • A Maj • 05:12 • -7.09db
0% Popularity • 46% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 46% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
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Dr Gurinder Singh
Aisi Kirpa Mohe Karo (Bilawal)
99 bpm • D# Maj • 09:08 • -3.34db
7% Popularity • 40% Danceability • 91% Energy • 9% Liveness
54% Instrumentalness • 55% Positiveness
7% Popularity • 40% Danceability • 91% Energy • 9% Liveness
54% Instrumentalness • 55% Positiveness
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Suchitra Mitra
Jibon Jokhon Sukaye Jay
107 bpm • D Maj • 03:59 • -9.28db
10% Popularity • 39% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 39% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Narendrapur University Artist
Banirupe Rohiacho
99 bpm • D Maj • 03:53 • -11.21db
15% Popularity • 67% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 67% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Waliur Rahman
Heiyoray Heiyo
107 bpm • G# min • 05:31 • -4.89db
12% Popularity • 54% Danceability • 92% Energy • 44% Liveness
17% Instrumentalness • 77% Positiveness
12% Popularity • 54% Danceability • 92% Energy • 44% Liveness
17% Instrumentalness • 77% Positiveness
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Biswajit Ghosh
Jowar Bhatae Jibon Dole
99 bpm • B Maj • 01:21 • -9.75db
9% Popularity • 47% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 47% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Ramkanai Das
Bhalo Basa Jantam Na Ami
99 bpm • A# Maj • 05:04 • -6.61db
8% Popularity • 50% Danceability • 45% Energy • 40% Liveness
1% Instrumentalness • 52% Positiveness
8% Popularity • 50% Danceability • 45% Energy • 40% Liveness
1% Instrumentalness • 52% Positiveness
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Morari Bapu
Sukh Paya Rahmat Teri
108 bpm • C# min • 02:44 • -13.78db
18% Popularity • 43% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 43% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jagadguru Shri Kripalu Ji Maharaj
Radhe Radhe Govind Govind Radhe
98 bpm • D Maj • 11:56 • -6.46db
9% Popularity • 30% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 30% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Suchitra Mitra
Ore Nutan Juger Bhore
98 bpm • G# min • 06:19 • -11.21db
0% Popularity • 46% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 46% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Madhurima Dutta Choudhury
Amaro Porano Jaha Chay
109 bpm • F min • 01:07 • -18.94db
14% Popularity • 40% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 40% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Ramkumar Chattopadhyay
E Kothay Ma Go
110 bpm • F Maj • 04:10 • -1.91db
7% Popularity • 42% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 42% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Jitender Singh
Paap Naash Evam Bhakti Praapti Mantra
110 bpm • C# Maj • 01:49 • -7.7db
14% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Sabrina Bashir
Pran Dite Chai
110 bpm • B Maj • 02:32 • -11.96db
9% Popularity • 66% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 66% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Parikshit Bala
Michhe Nari Nirjatan
110 bpm • B Maj • 03:55 • -7.5db
14% Popularity • 46% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 46% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Lopamudra Mitra
Aaj sabar ronge
110 bpm • G# Maj • 02:43 • -9.71db
10% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Satinath Mukherjee
Emon Anek Kathai Bol Tumi
111 bpm • D# Maj • 03:00 • -13.88db
12% Popularity • 58% Danceability • 23% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
12% Popularity • 58% Danceability • 23% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
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Rezwana Choudhury Bannya
Prano Bhoriye
96 bpm • G# Maj • 04:36 • -7.6db
7% Popularity • 55% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 55% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Jitender Singh
Raksha Praapti Mantra
110 bpm • A# min • 01:35 • -8.46db
32% Popularity • 74% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 74% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Amrik Singh Arora
Harinaam Sankirtan - Original
111 bpm • D# Maj • 08:21 • -9.07db
11% Popularity • 50% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 50% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Zappy Toons
Fruits and Their Benefits
111 bpm • G# Maj • 01:44 • -6.15db
14% Popularity • 86% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 86% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Digambar Kutae
Utha Jage Vhare Atta
96 bpm • E Maj • 03:25 • -10.64db
17% Popularity • 48% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 48% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Ramkumar Chattopadhyay
Murati Dekhiya Bhoye
111 bpm • C Maj • 02:12 • -3.15db
10% Popularity • 42% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 42% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Bhai Gurdev Singh Sant Sarsahib (Chandigarh Wale)
Amrit Vela Sach Nao Vadayi Vichaar - Nan...
96 bpm • F Maj • 02:36 • -7.87db
9% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Jitender Singh
Bhaya Naash Mantra
110 bpm • A# min • 01:55 • -7.49db
20% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Shri Prakash Gossai
Jagat Me Saacha Tera Naam
111 bpm • E Maj • 05:29 • -9.45db
11% Popularity • 68% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 68% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Pramita Mallick
Sundari Radhe
111 bpm • F# Maj • 02:45 • -9.03db
10% Popularity • 48% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 48% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Alka Chandrakar
Jite Lakdi Marte Lakdi
111 bpm • F Maj • 01:00 • -6.19db
17% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Bhavik Haria
Navkar Mantra Dhun
95 bpm • D# min • 02:44 • -7.08db
10% Popularity • 64% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 64% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Bhai Gurdev Singh Sant Sarsahib (Chandigarh Wale)
Aakhan Jeewan Visre Mar Jao - Nanak Nawe...
95 bpm • A Maj • 00:57 • -6.02db
32% Popularity • 55% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 55% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Indranil Sen
Aakash Dake Aaj Aamay
112 bpm • C# Maj • 04:11 • -13.63db
11% Popularity • 60% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 60% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Jitender Singh
Swarg Evam Moksha Praapti Mantra
110 bpm • A# min • 01:16 • -7.45db
35% Popularity • 86% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 86% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Muhammad Yousuf
Jinhan Waqt Hae
95 bpm • A# Maj • 08:17 • -8.78db
9% Popularity • 54% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 54% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Shri Prakash Gossai
Murli Dhar
95 bpm • E min • 04:34 • -10.14db
9% Popularity • 66% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 66% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Shilpi Das
Brindabono Bilasini Rai Aaamader
112 bpm • E Maj • 07:25 • -4.35db
7% Popularity • 60% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 60% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Dharitri Ray
Kodom Dale Bajay Bashi
112 bpm • F# min • 05:14 • -5.02db
13% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Indranil Sen
Dheu Othe
112 bpm • F# Maj • 04:29 • -13.02db
8% Popularity • 76% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 76% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Jitender Singh
Prasannata Praapti Mantra
110 bpm • A# min • 01:24 • -8.16db
35% Popularity • 80% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 80% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Soumitra Chattopadhyay
Ja Ja Dekhechhi
112 bpm • G# Maj • 01:25 • -12.63db
0% Popularity • 70% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 70% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Parikshit Bala
Kali Vaja Krishna Vaja
112 bpm • D# min • 04:44 • -12.7db
9% Popularity • 55% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 55% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Pannalal Bhattacharya
Ami Andhar Bhalobasi Bole
113 bpm • A min • 03:18 • -8.01db
11% Popularity • 34% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 34% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Jagadguru Shri Kripalu Ji Maharaj
Shyama Shyam Naam Roop
94 bpm • D Maj • 10:26 • -7.89db
9% Popularity • 56% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 56% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Aditi Munshi
Podaboli Kirtan (Holi Leela)
93 bpm • B Maj • 09:50 • -10.18db
13% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Jitender Singh
Svapna Siddhi Praapti Mantra
110 bpm • A# min • 01:27 • -8.32db
23% Popularity • 86% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 86% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Vishal Khera
Aao Laxmi Ma
93 bpm • C Maj • 05:52 • -14.06db
13% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Soumitra Chattopadhyay
Cholte Cholte
93 bpm • G# Maj • 01:15 • -12.69db
0% Popularity • 72% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 72% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Piyush Dave
Shail Shrung Sam Vishal-Shiv Prarthna
114 bpm • C# Maj • 07:52 • -4.81db
14% Popularity • 43% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 43% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Sounak Chattopadhyay
Bandh Bhenge Dao
93 bpm • B Maj • 05:14 • -8.11db
0% Popularity • 76% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 76% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Srikanta Acharya
Je Koyekjon-Achhe Duwkho
114 bpm • E min • 06:14 • -17.75db
0% Popularity • 44% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 44% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Jitender Singh
Moksha Praapti Mantra
110 bpm • C# Maj • 01:21 • -7.62db
18% Popularity • 84% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 84% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Sdipto Sekhar Mishra
Rajani Pravat Halo
114 bpm • B Maj • 08:10 • -5.28db
7% Popularity • 53% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 53% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 70% Positiveness
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Soumitra Chattopadhyay
Aaji Jhorer Rate Tomar
114 bpm • C# Maj • 01:03 • -7.32db
0% Popularity • 70% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 70% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Shimul Yusuf
Amar Vaiyer Rokte Rangano 21 e February
114 bpm • A# Maj • 01:14 • -9.93db
11% Popularity • 50% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 50% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Debabrata Biswas
E Ki Aparup Rupe Maa Tomay
93 bpm • G Maj • 03:03 • -13.16db
10% Popularity • 45% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
10% Popularity • 45% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Padma Palash
Bhajo Gaurango Laho Gaurango
115 bpm • B Maj • 04:01 • -5.67db
12% Popularity • 46% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 46% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Jitender Singh
Paap Naash Mantra
110 bpm • C# Maj • 01:29 • -7.38db
33% Popularity • 85% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 85% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Rezwana Choudhury Bannya
Badol Diner Prothom Kodom Ful
115 bpm • G# Maj • 01:58 • -8.34db
15% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Amar Paul
Jagore Satsang Basi
115 bpm • B Maj • 05:14 • -14.37db
10% Popularity • 54% Danceability • 47% Energy • 28% Liveness
91% Instrumentalness • 59% Positiveness
10% Popularity • 54% Danceability • 47% Energy • 28% Liveness
91% Instrumentalness • 59% Positiveness
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Waliur Rahman
Khodar Premer
92 bpm • G# Maj • 06:09 • -8.55db
13% Popularity • 28% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 28% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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Subrata Sengupta
Darun Agnibane
115 bpm • B Maj • 03:03 • -8db
4% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
4% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Parikshit Bala
Kandari Go
92 bpm • C# Maj • 04:55 • -8.33db
8% Popularity • 38% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 38% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Jitender Singh
Badha Mukti Mantra
110 bpm • A# min • 01:27 • -6.85db
33% Popularity • 87% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 87% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
