Songs like Chharpatra - Recitation by Bratati Banerjee
Based on a tempo of (+/- 10%) and a similar genre
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Debasish Chakraborty
Sri Sri Jagadhatri Dhyan Mantra
62 bpm • D min • 01:10 • -6.67db
10% Popularity • 65% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 65% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Vaibhavi Shrikant Shete
Shree dattatreya stotram
62 bpm • F# min • 07:35 • -7.25db
16% Popularity • 58% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 58% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Narendrapur University Artist
Sree Sree Ramkrishna Stotram
65 bpm • C# min • 02:56 • -14.08db
15% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Rupankar Bagchi
Sudhu Kabitar Jannya
66 bpm • A# min • 01:01 • -13.39db
0% Popularity • 40% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 40% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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K. S. Chithra
Hare Rama
66 bpm • G min • 10:41 • -14.29db
8% Popularity • 42% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 42% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 15% Positiveness
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Debabrata Biswas
Biswabeena Robe
53 bpm • A Maj • 02:50 • -10.6db
7% Popularity • 27% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 27% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Morari Bapu
Chopai, Pt. 2
67 bpm • F# Maj • 07:05 • -10.17db
10% Popularity • 23% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 23% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Soumya Manoj
Adyame Safalamayvannu Manusha Janmam
68 bpm • A Maj • 02:26 • -5.12db
19% Popularity • 47% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 47% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Firoza Begum
Mohua Bone Bon Papiya
71 bpm • C# Maj • 03:41 • -12.51db
9% Popularity • 52% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 52% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tiruttani N Swaminathan
Imaiyor Peruma - Thirukailaya Gnanaula
72 bpm • F Maj • 01:18 • -5.22db
9% Popularity • 51% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 51% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Archana Dave
Vedsar Shiva Stavah Stotram
73 bpm • A# min • 07:17 • -8.07db
9% Popularity • 40% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 40% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Pannalal Bhattacharya
Hori Horoye Nami Krishna
74 bpm • F# Maj • 01:57 • -4.64db
7% Popularity • 27% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 27% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Morari Bapu
BUDDHAM SHARNAM GACHHAMI..
71 bpm • B Maj • 01:52 • -21.62db
12% Popularity • 43% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 43% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Rama Karmakar
Krishno Modhur Naam - Bangla Song
74 bpm • G min • 07:27 • -18.47db
9% Popularity • 34% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 34% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jagadguru Shri Kripalu Ji Maharaj
Radha Govind Gheet
74 bpm • F# min • 08:02 • -13.29db
7% Popularity • 27% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 27% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Anup Jalota
Krishna Namer Kamol Koli
74 bpm • F# min • 05:59 • -6.82db
8% Popularity • 48% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 48% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Mahesh Ranjan Shome
Sri Ramakrishna Pronam Mantra
74 bpm • D Maj • 02:10 • -7db
13% Popularity • 29% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 29% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Chhabi Banerjee
Vande Mataram
75 bpm • G Maj • 05:53 • -8.81db
9% Popularity • 17% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 17% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Hemanta Mukhopadhyay
Kakhan Dile Paraye
76 bpm • F# min • 03:00 • -18.73db
9% Popularity • 15% Danceability • 12% Energy • 13% Liveness
82% Instrumentalness • 25% Positiveness
9% Popularity • 15% Danceability • 12% Energy • 13% Liveness
82% Instrumentalness • 25% Positiveness
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Pralay Sarkar
He Porobashi
76 bpm • D Maj • 04:58 • -12.5db
10% Popularity • 21% Danceability • 5% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Bratati Bandyopadhyay
Likhono Tomar
77 bpm • A Maj • 05:02 • -8.15db
2% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
2% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Sadhu Yogicharandas
Manglacharan
76 bpm • G# Maj • 01:05 • -8.63db
33% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Suparna Ghosh
Sawano Gagane
77 bpm • G min • 04:09 • -3.51db
7% Popularity • 59% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 59% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Sadi Mohammad
Prangone More
77 bpm • A# min • 03:01 • -10.61db
9% Popularity • 46% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 46% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Charulatha Mani
Sambasiva - Khamas - Ekam
77 bpm • G Maj • 01:19 • -13.03db
17% Popularity • 63% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 63% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Roopa Ganguly
Tomay Notun Kore
77 bpm • E Maj • 06:42 • -8.42db
7% Popularity • 18% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 18% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Arundhati Holme Chowdhury
Takhon Ke Bole Go
78 bpm • A# Maj • 01:32 • -8.27db
2% Popularity • 53% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 53% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Bratati Banerjee
Ami
78 bpm • G Maj • 03:42 • -12.69db
0% Popularity • 65% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 65% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Koushik Adhikari
Manush Hoy Beiman
78 bpm • C Maj • 05:31 • -11.82db
10% Popularity • 38% Danceability • 46% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 38% Danceability • 46% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
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Apily Dutta Bhowmick
Bhabo Sagar Taran Karon He - Original
78 bpm • C Maj • 07:02 • -3.76db
10% Popularity • 68% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 68% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Manabendra Mukherjee
Hari Mon Mojaye
78 bpm • C# Maj • 03:44 • -14.46db
14% Popularity • 37% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 37% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Ahmad Wali
Dilbar دلبر
78 bpm • C# min • 05:57 • -5db
9% Popularity • 34% Danceability • 70% Energy • 12% Liveness
4% Instrumentalness • 35% Positiveness
9% Popularity • 34% Danceability • 70% Energy • 12% Liveness
4% Instrumentalness • 35% Positiveness
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Mahesh Ranjan Shome
Sura Paan Kori Na Aami
78 bpm • F# Maj • 04:26 • -10.32db
8% Popularity • 39% Danceability • 46% Energy • 11% Liveness
4% Instrumentalness • 65% Positiveness
8% Popularity • 39% Danceability • 46% Energy • 11% Liveness
4% Instrumentalness • 65% Positiveness
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Rama Karmakar
Krishna Krishna Bol Moyna
79 bpm • C# Maj • 05:17 • -10.59db
15% Popularity • 58% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 58% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Bappi Lahiri
Hare Krishna Hare Krishna - Male Version
78 bpm • F# Maj • 07:12 • -7.38db
12% Popularity • 50% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 50% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Subhankar Mohanta
Abdaar
79 bpm • B Maj • 04:18 • -7.62db
10% Popularity • 23% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 23% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Madhu Chandra
Hari Anant Hari Katha
80 bpm • A# Maj • 02:33 • -12.91db
23% Popularity • 32% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 32% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
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Munmun Mukherjee
kotokal valobasa
80 bpm • A# Maj • 02:35 • -13.55db
3% Popularity • 56% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 56% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Shivram Dasa
Melodious Hare Krishna
80 bpm • G min • 02:23 • -9.37db
27% Popularity • 42% Danceability • 57% Energy • 69% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 42% Danceability • 57% Energy • 69% Liveness
0% Instrumentalness • 77% Positiveness
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Mahesh Ranjan Shome
Pavitrang Charitrang
80 bpm • D min • 00:59 • -25.31db
15% Popularity • 33% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 33% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sukanta Chakraborti
Pranamami Anadi
80 bpm • C# Maj • 05:01 • -6.37db
10% Popularity • 56% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 56% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Waliur Rahman
Aamay Bhashaili Ray
81 bpm • F# Maj • 05:17 • -8.59db
11% Popularity • 37% Danceability • 68% Energy • 78% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 37% Danceability • 68% Energy • 78% Liveness
0% Instrumentalness • 70% Positiveness
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Narendrapur University Artist
Sarada Stotro
81 bpm • B Maj • 02:23 • -10.55db
16% Popularity • 46% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 46% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Munmun Mukherjee
Emon Vengechure Valo Keu Baseni Age
80 bpm • D Maj • 05:04 • -7.84db
2% Popularity • 50% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 50% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Alak Roychowdhury
Bhango Daant Bhenge Dao
80 bpm • E Maj • 02:11 • -7.13db
0% Popularity • 75% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 75% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Bhai Parminder Singh
Nirjur Niroop Ho
81 bpm • C# Maj • 02:12 • -13.9db
12% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Mayuri Gandharvika
enCHANTment | Melody 4
81 bpm • F Maj • 07:40 • -9.83db
11% Popularity • 36% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 36% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Indrani Sen
Chaina Aami Kichu Dayal
81 bpm • F Maj • 04:22 • -7.48db
7% Popularity • 61% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 61% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Narendrapur University Artist
Ke Tumi Bajale
81 bpm • C Maj • 04:10 • -12.33db
13% Popularity • 56% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 56% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
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Jagadguru Shri Kripalu Ji Maharaj
Hamaari Radhe Joo
81 bpm • B Maj • 04:17 • -9.7db
10% Popularity • 37% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 37% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Soumya Manoj
Mamaaparadam Kshamikkename
82 bpm • A Maj • 03:52 • -5.1db
10% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Swagata Das Basak
Sedin Dujone Dulechinu Bone
82 bpm • F min • 04:26 • -8.14db
8% Popularity • 50% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 50% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Srinanda Mukhopadhyay
Chandalika, Pt. 2
83 bpm • A Maj • 32:08 • -18.01db
10% Popularity • 56% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 56% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Alak Roychowdhury
Jodi Baron Karo Tabe Hasibo Na
83 bpm • F# Maj • 02:51 • -9.35db
0% Popularity • 69% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 69% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Tania Mannan
Basanta Tar Gan Likhe
83 bpm • F min • 03:56 • -11.51db
9% Popularity • 48% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 48% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Jagadguru Shri Kripalu Ji Maharaj
Aarti Shri Krishn (Baal-Roop)
82 bpm • F# Maj • 03:23 • -7.89db
10% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Kavita Krishnamurthy
Sahojei Kachhe Asa Jay
83 bpm • C Maj • 05:13 • -9.3db
11% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Indrani Sen
Chader Hasi
84 bpm • F# min • 04:00 • -15.75db
15% Popularity • 50% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 50% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Mita Dey
Probhuji Tumi Dao Darshan
84 bpm • F min • 03:54 • -5.3db
7% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Shaan
Jharo Jharo
84 bpm • D Maj • 01:12 • -23.84db
16% Popularity • 25% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 25% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Durbadal Chattopadhyay
Nitto Tomar Je Phul Phote
84 bpm • D min • 04:08 • -8.16db
8% Popularity • 57% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 57% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Jagadguru Shri Kripalu Ji Maharaj
Yugalavar, Rasikan Ko Sirmor
82 bpm • D# min • 10:58 • -5.03db
10% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Bharat Balvalli
Panchaya Pran He Atur Zale
84 bpm • D# Maj • 06:35 • -7.98db
15% Popularity • 57% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 57% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Dya Singh
Satgur Aayo Sharan Tuhari
84 bpm • A Maj • 08:12 • -9.69db
7% Popularity • 37% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
7% Popularity • 37% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Soumya Manoj
Vandepadam Paramanandamadvayam
84 bpm • D min • 02:03 • -3.66db
25% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Munmun Mukherjee
Sei Golpo Ta
85 bpm • G Maj • 03:12 • -10.58db
2% Popularity • 44% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
2% Popularity • 44% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Waliur Rahman
Phuley Puchhino Balo
85 bpm • B Maj • 03:00 • -8.7db
14% Popularity • 34% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 34% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Subir Sen
Tumi Rabe Nirabe
85 bpm • A Maj • 02:43 • -13.8db
8% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Radharani Devi
Eka Kumbha Kankhey Kari
85 bpm • C# Maj • 03:21 • -15.36db
11% Popularity • 41% Danceability • 14% Energy • 14% Liveness
21% Instrumentalness • 40% Positiveness
11% Popularity • 41% Danceability • 14% Energy • 14% Liveness
21% Instrumentalness • 40% Positiveness
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Pankaj Mullick
Shiv Stotram
86 bpm • F# Maj • 03:07 • -15.17db
1% Popularity • 57% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 57% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Soumya Manoj
Namasthe Paadambujam
86 bpm • B min • 02:39 • -4.8db
16% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Kumar Sanu
Jay Baba Lokenath
86 bpm • G# Maj • 05:12 • -8.45db
8% Popularity • 61% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 61% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Indranil Sen
Raat Nijhum
86 bpm • C min • 04:42 • -16.59db
16% Popularity • 64% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 64% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Bratati Bandyopadhyay
Prothom Shok
86 bpm • D Maj • 03:49 • -12.76db
0% Popularity • 40% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 40% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Waliur Rahman
Aamar Sonar Moyna Pakhi
87 bpm • F# Maj • 06:43 • -9.22db
11% Popularity • 36% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 36% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Pankaj Mullick
Aji Basanta Jagrata Dware
88 bpm • C# Maj • 03:17 • -14.28db
0% Popularity • 42% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 42% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Soumya Manoj
Sarvalokathinum Kartha Bhavanallo
86 bpm • A Maj • 02:02 • -3.53db
21% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Shri Prakash Gossai
Ambe Teri Shakti
88 bpm • D Maj • 04:30 • -6.47db
8% Popularity • 49% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 49% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Mahesh Ranjan Shome
Murta Maheshwaram
88 bpm • C Maj • 03:53 • -10.57db
17% Popularity • 56% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 56% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bratati Bandyopadhyay
Uttoradhaikar
88 bpm • C# Maj • 01:54 • -9.05db
0% Popularity • 65% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 65% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Karaikudi Mani
Palaya Gananatha
88 bpm • C# Maj • 05:39 • -9.89db
9% Popularity • 53% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 53% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
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Manna Dey
Baro Moyla Jomeche Mone
88 bpm • F# Maj • 03:46 • -5.64db
8% Popularity • 60% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 60% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Shivpreet Singh
Mittar Pyare Nu
89 bpm • F# min • 05:48 • -18.31db
7% Popularity • 25% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 29% Positiveness
7% Popularity • 25% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 29% Positiveness
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Veer Manpreet Singh
Purpose of Human Life
90 bpm • C# Maj • 09:54 • -20.76db
7% Popularity • 31% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 19% Positiveness
7% Popularity • 31% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 19% Positiveness
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Mahesh Ranjan Shome
Ishwar Balo Khoda Balo
88 bpm • F# Maj • 04:39 • -9.43db
16% Popularity • 58% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 58% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Bratati Bandyopadhyay
Ei Tirthadebotar Dharonir - Gitali Kabbo...
90 bpm • D Maj • 03:13 • -6.62db
0% Popularity • 53% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 53% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Manomay Bhattacharya
Shukho Hin Nishidin
90 bpm • B Maj • 02:02 • -16.04db
14% Popularity • 48% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 48% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Munmun Mukherjee
Megh Bollo
90 bpm • E min • 03:36 • -10.19db
3% Popularity • 49% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 49% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Trupti Dave
नाम रामायण ( संप...
90 bpm • D Maj • 11:12 • -4.97db
9% Popularity • 52% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 52% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Satinath Mukherjee
Na Bole Keno Chole Jai
90 bpm • A# min • 02:50 • -15.26db
14% Popularity • 52% Danceability • 34% Energy • 13% Liveness
86% Instrumentalness • 72% Positiveness
14% Popularity • 52% Danceability • 34% Energy • 13% Liveness
86% Instrumentalness • 72% Positiveness
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Padma Das
সরস্বতী নদী
90 bpm • E Maj • 02:17 • -18.31db
26% Popularity • 43% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 43% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
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Barnali Chatterjee
Saawan Aayo Ri
92 bpm • D Maj • 04:36 • -6.8db
8% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Alak Roychowdhury
Fookla Daante Bhejal Gile
92 bpm • B Maj • 02:49 • -9.55db
0% Popularity • 68% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 68% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Waliur Rahman
Khodar Premer
92 bpm • G# Maj • 06:09 • -8.55db
13% Popularity • 28% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 28% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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Jagadguru Shri Kripalu Ji Maharaj
Radha Krishn Arti
92 bpm • B Maj • 03:18 • -6.7db
11% Popularity • 51% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 51% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Ravindra Jain
Shri Krishna Janm Sanskaran
92 bpm • C# Maj • 05:02 • -6.84db
11% Popularity • 49% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 49% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Debabrata Biswas
E Ki Aparup Rupe Maa Tomay
93 bpm • G Maj • 03:03 • -13.16db
10% Popularity • 45% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
10% Popularity • 45% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Pandit Chhannulal Mishra
Ma Sitala Vandana
93 bpm • G min • 01:05 • -12.02db
26% Popularity • 43% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 43% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness