Songs like Chhauri Patarki Kamaal Kareli by Manoj Mishra
Based on a tempo of (+/- 10%) and a similar genre
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Shree Darshan
Mahakal Sarkar Mere Mahakal Sarkar
106 bpm • G# min • 04:23 • -3db
46% Popularity • 67% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 67% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Kumar Vishwas
Ram Raja Bhi Hain Aur
106 bpm • E min • 06:15 • -8db
36% Popularity • 35% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 35% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Sudhir Vyas
Jitna Diya Sarkar Ne Mujhko
106 bpm • G# Maj • 08:38 • -6.04db
42% Popularity • 65% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 65% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Indresh Upadhyay
Teri sharan mein aake - Hindi Song
106 bpm • A# Maj • 08:19 • -11.49db
39% Popularity • 37% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 37% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Maithili Thakur
Awadh me raam aaye hain
106 bpm • F# Maj • 05:42 • -12.06db
39% Popularity • 55% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 80% Positiveness
39% Popularity • 55% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 80% Positiveness
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Harinaam Das
Radha Raman Mere
105 bpm • D Maj • 05:15 • -6.29db
42% Popularity • 66% Danceability • 63% Energy • 5% Liveness
12% Instrumentalness • 73% Positiveness
42% Popularity • 66% Danceability • 63% Energy • 5% Liveness
12% Instrumentalness • 73% Positiveness
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Shree Darshan
Mhara Ujjain Ka Maharaja Ne Khamma Re Kh...
106 bpm • G Maj • 06:18 • -12.14db
33% Popularity • 86% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 86% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Dhruv Sharma
Shringar Basanti Hai
105 bpm • F# Maj • 05:45 • -8.74db
40% Popularity • 61% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 61% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Rudraa
Awadh Me Ram Aaye Hai
107 bpm • A# Maj • 03:12 • -9.44db
38% Popularity • 48% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 48% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Ghulam Ali
Humen To Ab Bhi Woh Gujara Zamana Yaad
105 bpm • A# min • 05:57 • -11.05db
38% Popularity • 56% Danceability • 51% Energy • 15% Liveness
4% Instrumentalness • 65% Positiveness
38% Popularity • 56% Danceability • 51% Energy • 15% Liveness
4% Instrumentalness • 65% Positiveness
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Brijesh Shandilya
Hanuman Tandav Superfast
105 bpm • D# min • 03:57 • -7.38db
36% Popularity • 56% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 56% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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A-Jay M
Bhole Tere Dar Pe Chale Ayenge
108 bpm • F Maj • 07:10 • -2.99db
28% Popularity • 47% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 47% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Shree Rudraashtakam
107 bpm • D# Maj • 08:52 • -5.87db
24% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Lakhbir Singh Lakkha
Mann Ki Muradein Poori Kar Maa
104 bpm • F# min • 06:40 • -11.09db
40% Popularity • 50% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 50% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Manoj Mishra
Baaje Khatiya Char Char
108 bpm • C# Maj • 03:59 • -4.52db
2% Popularity • 79% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
2% Popularity • 79% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Govind Krsna Das
Radhe Radhe Japa Karo - 1 Min Music
104 bpm • E Maj • 01:00 • -10.04db
54% Popularity • 78% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
54% Popularity • 78% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Devi Neha Saraswat
Radhe Braj Jan Man Sukhkari
108 bpm • D# min • 07:03 • -5db
50% Popularity • 75% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 75% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Larissa Almeida
Naam Hai Tera Taaranhara
108 bpm • C Maj • 06:51 • -7.06db
27% Popularity • 68% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 68% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Tulsi Kumar
Choto So Mero Madan Gopal
108 bpm • G Maj • 04:31 • -6.85db
37% Popularity • 76% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 76% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Nikhil Verma
Koi Jaaye Jo Vrindavan
104 bpm • D# Maj • 01:34 • -9.5db
53% Popularity • 36% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 36% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Manoj Mishra
Mushkil Na Baa
104 bpm • C min • 04:09 • -8.94db
2% Popularity • 75% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
2% Popularity • 75% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Debashish Dasgupta
Gaalo Ko Chhuega
109 bpm • G Maj • 04:24 • -8.19db
3% Popularity • 63% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
3% Popularity • 63% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Govind Krsna Das
Hamare Saath Shri Raghunath
104 bpm • G# Maj • 06:17 • -8.99db
28% Popularity • 59% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 59% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Alpa Patel
Lai Ja Ne Tari Sangath
109 bpm • D Maj • 06:32 • -0.23db
33% Popularity • 41% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 41% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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jhukur singh
Sawali Surat Par Mohan Dil Diwana Ho Gay...
103 bpm • C# min • 09:00 • -5.61db
38% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Nikhil Verma
Shri Vrindavan Bihari
104 bpm • F# Maj • 05:00 • -7.92db
40% Popularity • 47% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 47% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Sushmita Bhattacharya
Sawli Surat Pe Mohan
103 bpm • C Maj • 10:06 • -4.18db
41% Popularity • 72% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 72% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Ghulam Ali
Hum Tere Shahar Me Aaye Hai
109 bpm • A# min • 07:06 • -9.81db
51% Popularity • 58% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 58% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Lakhbir Singh Lakkha
Duniya Rachnewale Ko Bhagwan Kehte Hain
103 bpm • G# min • 06:48 • -12.61db
46% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Ashutosh Pratihast
Jai Mahakaal
109 bpm • A# min • 03:35 • -7.97db
53% Popularity • 74% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 74% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Pujya Prembhushanji Maharaj
Rama Rama Ratte Ratte Biti Re Umariya
109 bpm • E Maj • 06:46 • -6.11db
31% Popularity • 43% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 43% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Vinay katoch Ft Vineet katoch
Shiv Kailash Ke Vasi
102 bpm • G Maj • 06:17 • -9.78db
27% Popularity • 60% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 60% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Dhruv Sharma
Phoolon Mein Saj Rahe Hain (Mere Banke B...
110 bpm • F# Maj • 02:13 • -9.72db
43% Popularity • 59% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 59% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Master Rana
Radhaji Na Dadaji Ae
110 bpm • A# min • 04:08 • -10db
27% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Lingaashtakam
102 bpm • C# Maj • 05:47 • -2.2db
24% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Master Saleem
Mera Aapki Kripa Se
110 bpm • F Maj • 03:36 • -8db
25% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Manoj Mishra
Jaa Jhaar Ke
110 bpm • C Maj • 03:11 • -7.08db
3% Popularity • 83% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
3% Popularity • 83% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Hemant Chauhan
Shiv Stuti Umapati Maheshwaram Namami Sh...
110 bpm • C Maj • 04:02 • -6.94db
49% Popularity • 72% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 72% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Anand Mohan
Dulaar Badi Kaeelu
110 bpm • F# min • 06:01 • -4.6db
0% Popularity • 66% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 66% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Sanj V
Matlab Ki Duniyadari
110 bpm • C# Maj • 07:39 • -4.35db
8% Popularity • 65% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 65% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Sonika Sharma Agarwal
Shree Ram Stuti
110 bpm • D# Maj • 03:24 • -8.29db
41% Popularity • 78% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 78% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Jaya Kishori Ji
Radhe Krishna Radhe Krishna
110 bpm • D Maj • 09:12 • -3db
33% Popularity • 44% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 44% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Manoj Mishra
Racha Hain Srushti Ko Jis Prabhu Ne
110 bpm • F min • 05:29 • -4.84db
22% Popularity • 64% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 64% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Sundeep Gosswami
Ganga Dharay Shiv Ganga Dharay
102 bpm • E min • 04:34 • -7.01db
51% Popularity • 66% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 66% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Gajendra Pratap Singh
Tera Dar To Haqiqat Me Dukhiyon Ka Sahar...
102 bpm • C# Maj • 03:53 • -8.24db
38% Popularity • 56% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 56% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
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Rishabh Saxena
Shendur Lal Chadhayo
102 bpm • G# Maj • 01:27 • -7.66db
52% Popularity • 85% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 85% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Ajay Jairam
Ganga Re Kabhi
102 bpm • C Maj • 06:51 • -6.35db
4% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
4% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Kalpana
Hiro Honda Le Ke Laagal Ba
102 bpm • F Maj • 03:54 • -6.2db
0% Popularity • 80% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 80% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
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Manish Agrawal
Kalo Ki Kaal Mahakali
102 bpm • C# Maj • 08:37 • -5.69db
26% Popularity • 68% Danceability • 71% Energy • 57% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 68% Danceability • 71% Energy • 57% Liveness
0% Instrumentalness • 57% Positiveness
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Alok Kumar
Pyar Bina Jindgi
102 bpm • A# min • 03:41 • -1.24db
0% Popularity • 57% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 57% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Lakhbir Singh Lakkha
Meri Ankhiyon Ke Samne
102 bpm • C# Maj • 07:39 • -3.05db
43% Popularity • 55% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 55% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Manoj Mishra
Prabhu Ram Ka Sumiran Kar Lo
111 bpm • F min • 05:12 • -4db
2% Popularity • 62% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 41% Positiveness
2% Popularity • 62% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 41% Positiveness
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A-Jay M
Bhole Baba Pahadon Ke Raja
111 bpm • E Maj • 03:31 • -7db
40% Popularity • 69% Danceability • 61% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
40% Popularity • 69% Danceability • 61% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Nitin Mukesh
Shree Ram Stuti
101 bpm • G min • 02:35 • -4db
39% Popularity • 74% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 74% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Sanatana Sankirtan
Radhe Radhe Japo Chale Aenge Bihari
101 bpm • E Maj • 06:22 • -7.96db
35% Popularity • 42% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 42% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Pujya Prembhushanji Maharaj
Pata Nahi Kis Roop Me Aakar
112 bpm • D# min • 07:09 • -10.22db
45% Popularity • 68% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 68% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Harinaam Das
Radha Raman Mere Ghar Aavenge
111 bpm • E min • 05:31 • -4db
40% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Acharya Mridul Krishna Goswami
Laagi Tum Sang Yaari Mere Banke Bihari
112 bpm • G Maj • 06:39 • -5.86db
31% Popularity • 65% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 65% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Raju Rajasthani
Shiv Jogiya
100 bpm • A Maj • 03:55 • -5.45db
7% Popularity • 67% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 67% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Mridul Krishan Shastri
Chhoti Chhoti Gaiya Chhote Chhote Gwal
112 bpm • C# Maj • 10:05 • -8db
42% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Shubham Rupam
Saawariya Mhe To Taabar Haa Kamjor
100 bpm • G Maj • 05:04 • -6.75db
27% Popularity • 61% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 61% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Chetna
Mera Apki Kripa Se
100 bpm • F# Maj • 07:26 • -5db
48% Popularity • 67% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 67% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Gaurav Krishna Goswami
Radhey Albeli Sarkar
100 bpm • F# Maj • 07:57 • -14.49db
44% Popularity • 69% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 69% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Gajendra Pratap Singh
Sumiran Kar Shiv Shankar Ka
100 bpm • B Maj • 03:40 • -10.1db
40% Popularity • 63% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 63% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Devi Chitralekha
Radhike Le Chal
100 bpm • C Maj • 08:11 • -6.97db
30% Popularity • 76% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 76% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Amit Rajpal
Saja Do Ghar Ko Gulshan Sa - Original
100 bpm • C Maj • 06:17 • -8db
40% Popularity • 64% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 64% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
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Manoj Mishra
Choliya Ke Hook
100 bpm • C Maj • 04:41 • -5.46db
36% Popularity • 81% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 81% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Akki Kalyan
Kedarnath Chalo Sajjni
100 bpm • G# Maj • 03:46 • -9db
39% Popularity • 83% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 83% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Soham Chakraborty
Mastugundi Pyari Pyari
100 bpm • D min • 04:55 • -9.64db
0% Popularity • 83% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 83% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Gagan Sahni
Main Neevaan Mera Murshad Ucha
100 bpm • C Maj • 03:30 • -7.61db
34% Popularity • 72% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 72% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Jaya Kishori ji
Mera Apaki Kripa Se
100 bpm • F Maj • 07:57 • -3db
44% Popularity • 64% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 64% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Devendra Pathak
Hum Tumhare Hain Prabhu
100 bpm • B Maj • 09:08 • -7db
28% Popularity • 71% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 71% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Vidhi Sharma
Bhagwan Meri Naiya Us Paar Laga Dena
100 bpm • C# Maj • 08:38 • -3.41db
35% Popularity • 63% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 63% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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MANOJ TIWARI
Murli Bajwale Shyam Ji
100 bpm • C# min • 04:56 • -8.1db
0% Popularity • 68% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 68% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Dhruv Sharma
Mera Aapki Kripa Se
100 bpm • G Maj • 04:47 • -10.99db
52% Popularity • 60% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 60% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Devi Chitralekha
Teeno Lokan Se
100 bpm • A Maj • 06:40 • -8.25db
36% Popularity • 74% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 74% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Pujya Rajan Ji Official
Agar Nath Dekhoge Avgun Humare (Bhajan) ...
113 bpm • A# min • 06:26 • -3.41db
45% Popularity • 42% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 42% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Devendra Pathak
Meri Vinti Yahi Hai Radha Rani
100 bpm • G# min • 07:41 • -5.1db
46% Popularity • 71% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 71% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Various Artists
Om Jai Jagdish Hare
100 bpm • F# Maj • 04:48 • -5.52db
44% Popularity • 52% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 52% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Lakhbir Singh Lakkha
Hanuman Tumhara Kya Kehna
113 bpm • A# Maj • 08:41 • -13db
45% Popularity • 74% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 74% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Vishal Mishra
Ram Aaye Hain Ayodhya
113 bpm • D Maj • 09:25 • -10.24db
34% Popularity • 40% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 40% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Gajendra Pratap Singh
Kalyug Me Shivyug Aaya Hai
113 bpm • B Maj • 05:08 • -10db
30% Popularity • 60% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 60% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Gyanendra Sharma
Veer Hanumana Ati Balwana
114 bpm • G# Maj • 06:22 • -9.51db
37% Popularity • 60% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 60% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Sadhvi Purnima Ji
Mujhe Vrindavan Basaya Ye Karam Nahi to ...
114 bpm • B Maj • 08:22 • -4.5db
5% Popularity • 68% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 68% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Kalpana
Ye Ho Piya Garva Lagaav Na
114 bpm • F# Maj • 03:48 • -7.67db
1% Popularity • 72% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 72% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Lakhbir Singh Lakkha
Saj Rahe Bhole Baba Nirale Dulhe Mein
114 bpm • F# Maj • 08:24 • -3db
44% Popularity • 58% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 58% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Abhilipsa Panda
Devon Ke Dev Tum Mahadev
114 bpm • G Maj • 03:05 • -4.24db
42% Popularity • 74% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 74% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Prem Bhushan Maharaj
Jo Karte Rahoge Bhajan Dheere Dheere
114 bpm • D Maj • 06:59 • -11.33db
32% Popularity • 46% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 46% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Hashtag Pandit
Bholenath Shambhu
98 bpm • F min • 04:02 • -7.05db
33% Popularity • 41% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 41% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Gajendra Pratap Singh
Shiv Vaani 2
98 bpm • A min • 03:08 • -8.16db
38% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Vandana Bhardwaj
Radhey Radhey Ki Jap Le Tu Mala
98 bpm • C# min • 05:50 • -8.3db
41% Popularity • 61% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
41% Popularity • 61% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
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Sundeep Gosswami
Apna Bana Le Bhole
98 bpm • A# Maj • 04:32 • -5.24db
47% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Udit Narayan
Saathi Sanghati
98 bpm • F# min • 05:27 • -8.87db
1% Popularity • 74% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 74% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Abhilipsa Panda
Naam Tera Bhole
98 bpm • E min • 03:58 • -2db
45% Popularity • 78% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 78% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Vinay Katoch
Shiv Hain Na
115 bpm • C Maj • 07:06 • -10.21db
27% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Gajendra Pratap Singh
Shiv Vaani
98 bpm • G Maj • 03:08 • -9.65db
44% Popularity • 57% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 57% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Raj Pareek
Tere Aasre Hai
115 bpm • F# Maj • 04:12 • -9db
38% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ashutosh Patel
Ekdantaya Vakratundaay X Morya
115 bpm • C# min • 05:25 • -13.67db
29% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
