Songs like Chiacona by Antonio Bertali
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Bertali
Sanctus, Benedictus
134 bpm • C Maj • 02:36 • -20.86db
0% Popularity • 23% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 8% Positiveness
0% Popularity • 23% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 8% Positiveness
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Dietrich Becker
Sonata in A Minor: V. Sarabande
134 bpm • G# min • 01:32 • -29db
9% Popularity • 16% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Girolamo Frescobaldi
Canzona prima a 4, canto alto tenor bass...
135 bpm • G Maj • 02:18 • -16.23db
13% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
13% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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James Oswald
Airs for the Autumn: Night Shade: I. Ari...
135 bpm • C# Maj • 01:09 • -13.75db
23% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Air...
133 bpm • G# min • 01:21 • -33.04db
30% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
30% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
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Antonio Bertali
Sonata à 14 "Sancti Placidi"
134 bpm • C# Maj • 03:15 • -15.11db
0% Popularity • 33% Danceability • 11% Energy • 6% Liveness
34% Instrumentalness • 14% Positiveness
0% Popularity • 33% Danceability • 11% Energy • 6% Liveness
34% Instrumentalness • 14% Positiveness
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George Frideric Handel
Water Music Suite No. 3 in G Major, HWV ...
133 bpm • G Maj • 02:33 • -15.09db
13% Popularity • 40% Danceability • 25% Energy • 34% Liveness
43% Instrumentalness • 92% Positiveness
13% Popularity • 40% Danceability • 25% Energy • 34% Liveness
43% Instrumentalness • 92% Positiveness
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Dario Castello
Sonata Duodecima a 3 In A Minor
135 bpm • G# min • 07:58 • -17.46db
4% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
4% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Cello Sonata in F Major, Op. 14 No. 2, R...
135 bpm • F Maj • 04:15 • -18.29db
8% Popularity • 22% Danceability • 8% Energy • 8% Liveness
13% Instrumentalness • 20% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 8% Liveness
13% Instrumentalness • 20% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
22% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
22% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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Gabriele Usper
Sonata a 4
136 bpm • C# Maj • 04:01 • -21.42db
13% Popularity • 27% Danceability • 10% Energy • 8% Liveness
75% Instrumentalness • 20% Positiveness
13% Popularity • 27% Danceability • 10% Energy • 8% Liveness
75% Instrumentalness • 20% Positiveness
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Antonio Bertali
Agnus Dei
135 bpm • C Maj • 01:58 • -19.63db
0% Popularity • 28% Danceability • 13% Energy • 7% Liveness
80% Instrumentalness • 6% Positiveness
0% Popularity • 28% Danceability • 13% Energy • 7% Liveness
80% Instrumentalness • 6% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
132 bpm • B Maj • 03:26 • -25.92db
9% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
9% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
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Francesco Geminiani
Cello Sonata in D Minor, Op. 5 No. 2, H....
136 bpm • C# min • 02:19 • -21.2db
8% Popularity • 21% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
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Nicola Matteis
Fuga (Prestissimo)
136 bpm • C# Maj • 01:07 • -16.14db
18% Popularity • 54% Danceability • 24% Energy • 19% Liveness
1% Instrumentalness • 69% Positiveness
18% Popularity • 54% Danceability • 24% Energy • 19% Liveness
1% Instrumentalness • 69% Positiveness
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František Tůma
Sinfonia a quattro: I. Allegro assai
132 bpm • C# Maj • 02:01 • -25.43db
11% Popularity • 39% Danceability • 14% Energy • 13% Liveness
85% Instrumentalness • 53% Positiveness
11% Popularity • 39% Danceability • 14% Energy • 13% Liveness
85% Instrumentalness • 53% Positiveness
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Alessandro Scarlatti
Sinfonia No. 9 in G Minor, RosS 533.9: I...
131 bpm • F# min • 01:19 • -21.97db
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Bertali
Jubilate Deo
136 bpm • F Maj • 03:33 • -20.31db
0% Popularity • 26% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
0% Popularity • 26% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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![Water Music, Suite No. 2 in D Major, HWV 349: IV. [Rigaudon 1] cover art](https://i.scdn.co/image/ab67616d00001e024901a4a7fbdb16c43cfcd61d)
George Frideric Handel
Water Music, Suite No. 2 in D Major, HWV...
131 bpm • F# Maj • 01:08 • -19.76db
13% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
13% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
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Arcangelo Corelli
Trio Sonata in D Minor, Op. 3 No. 5: II....
131 bpm • C# min • 01:42 • -17.5db
14% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Nicola Matteis
Preludio in ostination: Passagio rotto
131 bpm • F# min • 01:09 • -16.8db
14% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: VIII. A...
131 bpm • F# Maj • 01:05 • -16.86db
22% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
22% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Dolci Accenti
Sonata Per Viola da Gamba No. 2 in a Min...
131 bpm • G# min • 02:28 • -23db
10% Popularity • 25% Danceability • 2% Energy • 35% Liveness
97% Instrumentalness • 11% Positiveness
10% Popularity • 25% Danceability • 2% Energy • 35% Liveness
97% Instrumentalness • 11% Positiveness
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Giovanni Maria Bononcini
Sonata a tre in sol minore: V. Allegro
131 bpm • F# min • 01:05 • -15.79db
10% Popularity • 44% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 44% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Symphony
137 bpm • F# min • 02:18 • -35.43db
16% Popularity • 15% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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James Oswald
A Sonata of Scots Tunes: II. Ettrick Ban...
131 bpm • C# Maj • 01:00 • -19.45db
20% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
20% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
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Nicola Matteis
Allegro
131 bpm • D# min • 02:01 • -17.55db
15% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
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Antonio Bertali
Maria Maddalena, Terza parte: XII. Tropp...
138 bpm • A# Maj • 01:06 • -17.65db
2% Popularity • 31% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 31% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
130 bpm • G# Maj • 04:43 • -20.34db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Francesca Caccini
Scene 1
130 bpm • F# Maj • 01:20 • -15.87db
16% Popularity • 32% Danceability • 16% Energy • 16% Liveness
29% Instrumentalness • 38% Positiveness
16% Popularity • 32% Danceability • 16% Energy • 16% Liveness
29% Instrumentalness • 38% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
22% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
22% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VII....
138 bpm • C# min • 01:06 • -23.44db
17% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
17% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
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![Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata III in G-Moll, Op. 2, BuxWV 261: ...
130 bpm • F# min • 05:34 • -17.29db
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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John Adson
Adson's Masque
130 bpm • G min • 01:40 • -16.23db
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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François Couperin
Les goûts-réunis, ou Nouveaux Concerts...
129 bpm • E Maj • 02:11 • -21.01db
9% Popularity • 34% Danceability • 10% Energy • 24% Liveness
99% Instrumentalness • 71% Positiveness
9% Popularity • 34% Danceability • 10% Energy • 24% Liveness
99% Instrumentalness • 71% Positiveness
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Giulio Caccini
Amarilli, mia bella (1601)
129 bpm • C# Maj • 05:47 • -22.43db
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Heinrich Ignaz Franz von Biber
Violin Sonata No. 1 in A Major, C. 138: ...
129 bpm • D# Maj • 01:05 • -25.63db
23% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
23% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Bülent Oral
Gray's Inn
139 bpm • D# min • 02:57 • -22.15db
10% Popularity • 27% Danceability • 5% Energy • 10% Liveness
52% Instrumentalness • 41% Positiveness
10% Popularity • 27% Danceability • 5% Energy • 10% Liveness
52% Instrumentalness • 41% Positiveness
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Alessandro Scarlatti
29 Partite sopra l'aria della Folia (Arr...
129 bpm • C# min • 07:50 • -21.13db
8% Popularity • 38% Danceability • 19% Energy • 8% Liveness
41% Instrumentalness • 48% Positiveness
8% Popularity • 38% Danceability • 19% Energy • 8% Liveness
41% Instrumentalness • 48% Positiveness
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François Couperin
Concert No. 8 in G Major "Les goûts ré...
129 bpm • F Maj • 02:18 • -25.41db
16% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
16% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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![Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] cover art](https://i.scdn.co/image/ab67616d00001e02fe833cbdd39d5fa4fc6d784d)
Charles Avison
Concerto grosso No. 6 in D Major: II. Co...
139 bpm • C# Maj • 01:16 • -23.76db
22% Popularity • 38% Danceability • 15% Energy • 18% Liveness
69% Instrumentalness • 77% Positiveness
22% Popularity • 38% Danceability • 15% Energy • 18% Liveness
69% Instrumentalness • 77% Positiveness
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The Royal Wind Music
Galliard
139 bpm • F# Maj • 02:22 • -18.59db
23% Popularity • 30% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
23% Popularity • 30% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Angel Briceño
Sonata a tre - Doi violini e trombone co...
129 bpm • D min • 06:48 • -15.72db
0% Popularity • 31% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 31% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Bertali
XII sonate a tre o quattro strumenti e b...
129 bpm • C# min • 04:47 • -18.02db
5% Popularity • 32% Danceability • 18% Energy • 15% Liveness
8% Instrumentalness • 23% Positiveness
5% Popularity • 32% Danceability • 18% Energy • 15% Liveness
8% Instrumentalness • 23% Positiveness
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Johann Rosenmüller
Sonata Decima à 5 en fa majeur
129 bpm • E Maj • 05:33 • -18.3db
9% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
9% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Henry Purcell
Fantazia IX, Z. 740
129 bpm • E Maj • 04:23 • -18.1db
7% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Antonio Maria Bononcini
Sonata a Violoncello Solo G Major: Largo
140 bpm • F# Maj • 02:04 • -19.08db
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 34% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 34% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
128 bpm • A Maj • 02:11 • -13.01db
16% Popularity • 44% Danceability • 28% Energy • 30% Liveness
92% Instrumentalness • 51% Positiveness
16% Popularity • 44% Danceability • 28% Energy • 30% Liveness
92% Instrumentalness • 51% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
128 bpm • B min • 01:56 • -23.28db
9% Popularity • 40% Danceability • 10% Energy • 19% Liveness
94% Instrumentalness • 86% Positiveness
9% Popularity • 40% Danceability • 10% Energy • 19% Liveness
94% Instrumentalness • 86% Positiveness
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Antonio Bertali
Ciaccona
128 bpm • F Maj • 09:57 • -20.61db
0% Popularity • 45% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 45% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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António Pereira da Costa
Concerto VIII in C Minor: IV. Adagio
128 bpm • C min • 01:04 • -18.73db
12% Popularity • 17% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
12% Popularity • 17% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Benedetto Marcello
Sinfonia a quattro No. 2 in A Major, SF ...
140 bpm • G# Maj • 01:05 • -16.1db
16% Popularity • 14% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
16% Popularity • 14% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
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Henry Purcell
The Gordion Knot Unty'd, Z. 597: Fourth ...
141 bpm • B Maj • 01:28 • -21db
17% Popularity • 65% Danceability • 19% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
17% Popularity • 65% Danceability • 19% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
► Preview
Arcangelo Corelli
Trio Sonata in D Minor, Op. 3 No. 5: IV....
140 bpm • C# min • 01:11 • -17.66db
11% Popularity • 31% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 31% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Nicola Matteis
Preludio in fantasia
128 bpm • D# min • 01:16 • -16.68db
14% Popularity • 33% Danceability • 23% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
14% Popularity • 33% Danceability • 23% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
► Preview
Joseph Haydn
Baryton Trio in C Major, Hob. XI:93: I. ...
141 bpm • B Maj • 03:02 • -21.2db
11% Popularity • 43% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 66% Positiveness
11% Popularity • 43% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 66% Positiveness
► Preview
Giuseppe Torelli
Concerto grosso in D Minor, op. 8, No. 7...
128 bpm • E Maj • 01:07 • -18.15db
11% Popularity • 25% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 25% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Chamber Sonata No. 2 in C Minor: V. Aria...
127 bpm • B min • 03:52 • -18.87db
8% Popularity • 29% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 14% Positiveness
8% Popularity • 29% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 14% Positiveness
► Preview
Nicola Porpora
Il trionfo della divina Giustizia ne' to...
127 bpm • B min • 06:53 • -21.45db
17% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Canzon Francese del Principe
127 bpm • G# min • 04:45 • -27.98db
24% Popularity • 30% Danceability • 11% Energy • 4% Liveness
90% Instrumentalness • 42% Positiveness
24% Popularity • 30% Danceability • 11% Energy • 4% Liveness
90% Instrumentalness • 42% Positiveness
► Preview
Marc-Antoine Charpentier
Médée, H. 491, Act II: Suite de la pas...
141 bpm • C Maj • 01:46 • -20.18db
11% Popularity • 22% Danceability • 22% Energy • 28% Liveness
50% Instrumentalness • 57% Positiveness
11% Popularity • 22% Danceability • 22% Energy • 28% Liveness
50% Instrumentalness • 57% Positiveness
► Preview
Louis-Antoine Dornel
Suitte en Trio No. 3 in E Minor, Op. 1: ...
142 bpm • D# min • 01:45 • -19.71db
18% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
18% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
► Preview
Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata No. ...
127 bpm • C# Maj • 06:58 • -22db
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Michel Richard Delalande
Dies iræ, S. 31: Tuba mirum spargens so...
127 bpm • B min • 01:15 • -16.99db
11% Popularity • 28% Danceability • 22% Energy • 21% Liveness
13% Instrumentalness • 50% Positiveness
11% Popularity • 28% Danceability • 22% Energy • 21% Liveness
13% Instrumentalness • 50% Positiveness
► Preview
Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: VII. Pre...
126 bpm • C# min • 02:07 • -16.39db
11% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Diego Ortiz
Folia. Recercada 8ª
126 bpm • C Maj • 03:16 • -18.2db
7% Popularity • 47% Danceability • 43% Energy • 37% Liveness
69% Instrumentalness • 40% Positiveness
7% Popularity • 47% Danceability • 43% Energy • 37% Liveness
69% Instrumentalness • 40% Positiveness
► Preview
Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
21% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
21% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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Tomaso Albinoni
Sinfonie a cinque per due violini, alto,...
126 bpm • B Maj • 03:31 • -17db
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: IVf. Rittorne...
126 bpm • C# min • 01:11 • -16.9db
16% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
16% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
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Anthony Holborne
Galliard Heigh Ho Holiday
143 bpm • G# Maj • 01:30 • -22.35db
23% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
23% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
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George Frideric Handel
Concerto for recorder in F Major: II. Al...
143 bpm • E Maj • 01:47 • -14db
8% Popularity • 57% Danceability • 35% Energy • 20% Liveness
84% Instrumentalness • 93% Positiveness
8% Popularity • 57% Danceability • 35% Energy • 20% Liveness
84% Instrumentalness • 93% Positiveness
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Antonio Bertali
Pater Noster
125 bpm • C Maj • 04:08 • -17.78db
0% Popularity • 23% Danceability • 19% Energy • 10% Liveness
24% Instrumentalness • 12% Positiveness
0% Popularity • 23% Danceability • 19% Energy • 10% Liveness
24% Instrumentalness • 12% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Gavotte - ...
125 bpm • A Maj • 02:25 • -15db
13% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Alessandro Marcello
Concerto di Flauti, S.D945: III. Presto
143 bpm • G Maj • 01:19 • -21.65db
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
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Arcangelo Corelli
Trio Sonata in D Minor, Op. 3 No. 5: III...
144 bpm • E Maj • 01:41 • -19.36db
8% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Pietro Locatelli
Concerto in C Minor, Op. 3 No. 2: I. And...
124 bpm • B min • 10:04 • -17.8db
8% Popularity • 36% Danceability • 22% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
8% Popularity • 36% Danceability • 22% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Antonio Bertali
Sonata à 6
125 bpm • D# min • 05:55 • -21.43db
0% Popularity • 28% Danceability • 5% Energy • 13% Liveness
12% Instrumentalness • 16% Positiveness
0% Popularity • 28% Danceability • 5% Energy • 13% Liveness
12% Instrumentalness • 16% Positiveness
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Rocco Greco
Sinfonia Viggesima seconda a due viole
124 bpm • G min • 02:25 • -20db
7% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
7% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 2 in B-Flat Major, ...
124 bpm • E Maj • 05:30 • -16.61db
10% Popularity • 41% Danceability • 30% Energy • 31% Liveness
83% Instrumentalness • 84% Positiveness
10% Popularity • 41% Danceability • 30% Energy • 31% Liveness
83% Instrumentalness • 84% Positiveness
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Andreas Oswald
Sonate für 2 Violinen, Viola da gamba u...
124 bpm • F# Maj • 04:21 • -17.65db
13% Popularity • 31% Danceability • 23% Energy • 17% Liveness
50% Instrumentalness • 23% Positiveness
13% Popularity • 31% Danceability • 23% Energy • 17% Liveness
50% Instrumentalness • 23% Positiveness
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Christoph Graupner
Partita GWV 150: IV. Sarabande
145 bpm • B min • 01:57 • -27db
15% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
15% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Heinrich Ignaz Franz von Biber
Sonatae Violino Solo (1681): Sonata No. ...
124 bpm • C# min • 08:24 • -12.63db
8% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
8% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
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Antonio Bertali
Benedicite
125 bpm • C Maj • 06:03 • -21.62db
0% Popularity • 26% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 26% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Purcell
The Indian Queen, Z. 630 / Act III: Rond...
124 bpm • G# Maj • 01:41 • -18.22db
14% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
14% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
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Nicolas Chédeville
Les Saisons amsusantes, Op. 8: Concerto ...
145 bpm • B Maj • 03:24 • -16.6db
7% Popularity • 37% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 37% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Johann Heinrich Schmelzer
Sonatae unarum fidium: III. Gigue
123 bpm • G# Maj • 00:55 • -16.83db
18% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
18% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
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James Paisible
Sett in D Minor, Op. 2: V. Jigg
123 bpm • E Maj • 01:16 • -21db
14% Popularity • 39% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 81% Positiveness
14% Popularity • 39% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 81% Positiveness
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Domenico Zipoli
Beatus vir: IV. Peccator videbit
122 bpm • E Maj • 01:45 • -22.72db
11% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Antonio Bertali
XII sonate a tre o quattro strumenti e b...
124 bpm • G# min • 03:36 • -19.33db
5% Popularity • 32% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
5% Popularity • 32% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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Joseph Bodin de Boismortier
First Sonata, in D Major: I. Sicilienne
122 bpm • C Maj • 02:29 • -23.66db
11% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
13% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
13% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
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François Rebel
Les Augustales: Le théâtre s’éclair...
122 bpm • B Maj • 01:46 • -25db
10% Popularity • 26% Danceability • 14% Energy • 40% Liveness
6% Instrumentalness • 18% Positiveness
10% Popularity • 26% Danceability • 14% Energy • 40% Liveness
6% Instrumentalness • 18% Positiveness