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Chicago
Songs like
Chicago
by
Benny Goodman
Based on a tempo of (+/- 10%) and a similar genre
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Buster Smith
E-Flat Boogie
161 bpm • G# Maj • 06:54 • -11.09db
26% Popularity • 46% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Benny Goodman
Chicago
161 bpm • G# Maj • 02:59 • -11.22db
40% Popularity • 59% Danceability • 28% Energy • 16% Liveness
73% Instrumentalness • 78% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Wilbur De Paris
Martinique
162 bpm • A# min • 05:18 • -14.22db
16% Popularity • 57% Danceability • 42% Energy • 16% Liveness
81% Instrumentalness • 81% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Lester Lanin
Just In Time - Moderate Society
162 bpm • F Maj • 02:06 • -14.87db
32% Popularity • 69% Danceability • 32% Energy • 5% Liveness
50% Instrumentalness • 81% Positiveness
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Eddie Condon
I'll Build a Stairway to Paradise
162 bpm • C Maj • 02:51 • -11db
10% Popularity • 51% Danceability • 43% Energy • 32% Liveness
22% Instrumentalness • 90% Positiveness
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Si Zentner
Little Jazz
159 bpm • G# Maj • 03:07 • -13.01db
14% Popularity • 49% Danceability • 31% Energy • 8% Liveness
5% Instrumentalness • 64% Positiveness
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Jimmie Lunceford
Tain't What You Do
160 bpm • G# Maj • 03:07 • -10.47db
18% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Slim Gaillard
Jump Session
163 bpm • F min • 02:36 • -17db
31% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
33% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Benny Goodman
Don't Be That Way
159 bpm • C Maj • 03:04 • -10.29db
25% Popularity • 55% Danceability • 30% Energy • 13% Liveness
5% Instrumentalness • 74% Positiveness
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Doris Day
Blue Skies
164 bpm • C Maj • 01:47 • -16.11db
42% Popularity • 52% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Artie Shaw
It Had To Be You
158 bpm • G Maj • 02:28 • -10.77db
39% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
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Jimmie Lunceford
Honeydripper
160 bpm • A# min • 02:48 • -11.78db
13% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Kid Ory
Joshua Fit the Battle of Jericho - Remas...
158 bpm • F min • 02:58 • -6.74db
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
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THE SCHWINGS BAND
Ona
156 bpm • F Maj • 03:52 • -13db
22% Popularity • 75% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 53% Positiveness
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Benny Goodman
Dizzy Fingers
157 bpm • F Maj • 02:45 • -10.94db
29% Popularity • 61% Danceability • 34% Energy • 54% Liveness
94% Instrumentalness • 80% Positiveness
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Earl Hines
Jelly Roll
157 bpm • G# Maj • 02:51 • -9.04db
35% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Dorsey
Amapola
166 bpm • G min • 03:26 • -9.73db
20% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmie Lunceford
Annie Laurie
164 bpm • D# Maj • 03:15 • -1.62db
6% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
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Vince Giordano And The Nighthawks
Zing! Went the Strings of My Heart
166 bpm • F min • 04:13 • -15.66db
31% Popularity • 76% Danceability • 30% Energy • 7% Liveness
90% Instrumentalness • 79% Positiveness
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Art Tatum
Tea for Two
167 bpm • C# Maj • 03:13 • -13db
49% Popularity • 36% Danceability • 45% Energy • 14% Liveness
86% Instrumentalness • 52% Positiveness
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Benny Goodman
Stompin At The Savoy
156 bpm • A# min • 03:15 • -11db
55% Popularity • 52% Danceability • 22% Energy • 5% Liveness
8% Instrumentalness • 64% Positiveness
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Andy Kirk
Bearcat Shuffle
155 bpm • A min • 03:02 • -15.12db
22% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Duke Ellington Orchestra
Take the a Train
167 bpm • C Maj • 02:56 • -20.7db
23% Popularity • 53% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 64% Positiveness
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Slim Gaillard
Tutti Frutti 2
167 bpm • C Maj • 02:39 • -20.38db
25% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny Hodges & His Orchestra
Good Queen Bess
155 bpm • F min • 03:03 • -12.3db
29% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
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Benny Goodman
Love Me or Leave Me
155 bpm • D min • 02:42 • -11.11db
30% Popularity • 76% Danceability • 30% Energy • 6% Liveness
15% Instrumentalness • 84% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
27% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Muggsy Spanier
I Wish I Could Shimmy Like My Sister Kat...
154 bpm • F min • 02:55 • -9.93db
24% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
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Jimmie Lunceford
For Dancers Only
154 bpm • C min • 02:43 • -13db
18% Popularity • 66% Danceability • 32% Energy • 14% Liveness
65% Instrumentalness • 77% Positiveness
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Artie Shaw
Softly, As In A Morning Sunrise
154 bpm • F Maj • 03:12 • -9.95db
33% Popularity • 68% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 62% Positiveness
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Count Basie
One O'Clock Jump
169 bpm • C# Maj • 03:02 • -16.92db
38% Popularity • 57% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Benny Goodman
There's a Small Hotel
168 bpm • G Maj • 02:29 • -10.94db
27% Popularity • 61% Danceability • 30% Energy • 32% Liveness
51% Instrumentalness • 89% Positiveness
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Johnny Hodges & His Orchestra
You Need to Rock
169 bpm • C# Maj • 05:52 • -14.2db
17% Popularity • 50% Danceability • 34% Energy • 12% Liveness
7% Instrumentalness • 78% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
18% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Williams
'S Wonderful
169 bpm • D min • 02:36 • -12.14db
14% Popularity • 41% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
16% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Tommy Dorsey
I'm Getting Sentimental Over You
170 bpm • F# Maj • 04:28 • -17.75db
32% Popularity • 18% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 14% Positiveness
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Dick Haymes
Idaho
170 bpm • A# min • 03:01 • -9.73db
24% Popularity • 57% Danceability • 30% Energy • 10% Liveness
61% Instrumentalness • 65% Positiveness
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Harold Arlen
It's Only A Paper Moon
152 bpm • D min • 02:48 • -16.34db
19% Popularity • 68% Danceability • 21% Energy • 23% Liveness
7% Instrumentalness • 78% Positiveness
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Johnny Dodds
Wild Man Blues
171 bpm • F# min • 03:11 • -11.65db
32% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
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Jelly Roll Morton
Jelly Roll Blues
152 bpm • D# Maj • 03:05 • -7.26db
14% Popularity • 55% Danceability • 55% Energy • 7% Liveness
87% Instrumentalness • 87% Positiveness
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Wiener Symphoniker
Symphony No. 104 In D, H 1/104
171 bpm • F# Maj • 03:02 • -8.28db
17% Popularity • 56% Danceability • 46% Energy • 12% Liveness
48% Instrumentalness • 70% Positiveness
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Jimmie Lunceford
Baby, Won't You Please Come Home
171 bpm • F Maj • 02:55 • -11.49db
17% Popularity • 63% Danceability • 38% Energy • 8% Liveness
72% Instrumentalness • 90% Positiveness
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Kay Starr
It's a Good Day
151 bpm • C Maj • 01:59 • -8db
27% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Hodges & His Orchestra
Castle Rock
171 bpm • G# Maj • 02:49 • -12.39db
41% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Stan Kenton & His Orchestra
Eager Beaver
151 bpm • F min • 03:09 • -11db
24% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
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Bix Beiderbecke
Royal Garden Blues
172 bpm • A# Maj • 03:05 • -11.61db
16% Popularity • 58% Danceability • 54% Energy • 22% Liveness
88% Instrumentalness • 87% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
29% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Members Of The Glenn Miller Orchestra
Swingin' At the Ritz
173 bpm • G# Maj • 02:44 • -20.46db
19% Popularity • 41% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Dizzy Gillespie
Manteca
173 bpm • F min • 03:06 • -4.5db
29% Popularity • 45% Danceability • 79% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
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Benny Goodman
When Buddha Smiles - Remastered 1991
173 bpm • F# Maj • 03:12 • -11.2db
17% Popularity • 63% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 92% Positiveness
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Guy Lombardo & His Royal Canadians
Sweet Georgia Brown
174 bpm • F Maj • 02:00 • -12.02db
30% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
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Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Nancy Wilson
What A Little Moonlight Can Do - Remaste...
149 bpm • C min • 02:27 • -5db
44% Popularity • 59% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Tommy Dorsey
Song of India
174 bpm • F Maj • 03:06 • -13db
34% Popularity • 41% Danceability • 23% Energy • 43% Liveness
89% Instrumentalness • 63% Positiveness
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Jimmie Lunceford
Ain't She Sweet
149 bpm • C# Maj • 02:30 • -18.73db
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
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Sammy Price
Salute To Basie
149 bpm • A# Maj • 02:27 • -17db
31% Popularity • 68% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 65% Positiveness
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Vince Giordano And The Nighthawks
Have You Met Miss Jones?
175 bpm • F Maj • 01:43 • -14db
33% Popularity • 68% Danceability • 42% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
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Johnny Hodges & His Orchestra
Something To Pat Your Foot To
175 bpm • C# Maj • 02:50 • -11.66db
30% Popularity • 39% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
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Benny Goodman
I Never Knew (I Could Love Anybody Like ...
175 bpm • C Maj • 03:05 • -11.34db
34% Popularity • 67% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Bix Beiderbecke
In a Mist
175 bpm • C Maj • 02:43 • -19.27db
24% Popularity • 39% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
40% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Slim Gaillard
Communications
175 bpm • G Maj • 02:30 • -5.77db
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Glenn Miller
In the Mood - Live
175 bpm • G# Maj • 03:29 • -9.72db
60% Popularity • 46% Danceability • 65% Energy • 37% Liveness
92% Instrumentalness • 59% Positiveness
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Jimmie Lunceford
Ain't She Sweet
148 bpm • C# Maj • 02:26 • -15db
26% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Edmond Hall
Walkin' the Dog
175 bpm • C Maj • 04:34 • -7.73db
17% Popularity • 54% Danceability • 49% Energy • 8% Liveness
96% Instrumentalness • 92% Positiveness
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Earl Hines
Way Down Yonder In New Orleans
148 bpm • F Maj • 03:53 • -7db
24% Popularity • 60% Danceability • 46% Energy • 7% Liveness
39% Instrumentalness • 82% Positiveness
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Sammy Davis Jr.
Love Me Or Leave Me
148 bpm • A Maj • 02:58 • -9db
33% Popularity • 50% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
29% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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Benny Goodman
Let's Dance
176 bpm • F min • 02:15 • -9.6db
26% Popularity • 46% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 64% Positiveness
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Benny Goodman Quartet
The World Is Waiting For The Sunrise
147 bpm • C Maj • 02:41 • -15.39db
24% Popularity • 56% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 82% Positiveness
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Benny Goodman Trio
Oh, Lady Be Good
177 bpm • G Maj • 03:02 • -14.48db
26% Popularity • 61% Danceability • 31% Energy • 13% Liveness
75% Instrumentalness • 94% Positiveness
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Johnny Hodges & His Orchestra
Jeep Is Jumpin'
177 bpm • A# Maj • 02:46 • -13.32db
27% Popularity • 60% Danceability • 36% Energy • 38% Liveness
86% Instrumentalness • 92% Positiveness
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Art Tatum
Blue Skies
177 bpm • F# Maj • 02:52 • -19.11db
53% Popularity • 44% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 59% Positiveness
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Glenn Miller
Pennsylvania 6-5000
146 bpm • C# Maj • 03:12 • -12.74db
41% Popularity • 71% Danceability • 28% Energy • 15% Liveness
39% Instrumentalness • 52% Positiveness
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Eddie Condon
Madame Dynamite
177 bpm • G# Maj • 03:00 • -10.66db
18% Popularity • 60% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 78% Positiveness
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Bix Beiderbecke
Clementine
177 bpm • D# Maj • 03:02 • -10.87db
18% Popularity • 65% Danceability • 33% Energy • 30% Liveness
89% Instrumentalness • 93% Positiveness
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Johnny Dodds
Potato Head Blues
178 bpm • D min • 03:01 • -11.34db
32% Popularity • 60% Danceability • 29% Energy • 9% Liveness
78% Instrumentalness • 88% Positiveness
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Jimmie Lunceford
Le jazz hot
146 bpm • G Maj • 02:42 • -8.65db
22% Popularity • 73% Danceability • 41% Energy • 8% Liveness
24% Instrumentalness • 76% Positiveness
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Benny Goodman
All The Cats Join In
178 bpm • C# Maj • 04:22 • -9.46db
39% Popularity • 61% Danceability • 40% Energy • 6% Liveness
23% Instrumentalness • 31% Positiveness
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Earl Hines
St. James Infirmary Blues
178 bpm • C min • 04:08 • -14db
28% Popularity • 37% Danceability • 22% Energy • 6% Liveness
9% Instrumentalness • 20% Positiveness
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Kid Ory
The Bucket's Got a Hole in It
145 bpm • F Maj • 02:30 • -8.52db
28% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
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Allan Gray
Swing Doors
179 bpm • G min • 03:02 • -8.94db
40% Popularity • 55% Danceability • 52% Energy • 35% Liveness
85% Instrumentalness • 89% Positiveness
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James P. Johnson
Charleston
145 bpm • F# min • 01:47 • -9db
26% Popularity • 52% Danceability • 48% Energy • 18% Liveness
93% Instrumentalness • 73% Positiveness
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George Lewis
Down by the Riverside
179 bpm • G min • 02:54 • -7db
35% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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Benny Goodman
One O'Clock Jump
179 bpm • A# min • 03:53 • -8.85db
11% Popularity • 46% Danceability • 40% Energy • 21% Liveness
58% Instrumentalness • 59% Positiveness
► Preview
Bennie Moten's Kansas City Orchestra
Lafayette
145 bpm • C min • 02:47 • -16.37db
31% Popularity • 51% Danceability • 36% Energy • 13% Liveness
82% Instrumentalness • 86% Positiveness
► Preview
Eddie Condon
Chicago
180 bpm • D# Maj • 02:56 • -14.05db
27% Popularity • 40% Danceability • 41% Energy • 24% Liveness
29% Instrumentalness • 96% Positiveness
► Preview
Bud Freeman
Three Little Words
180 bpm • C Maj • 03:04 • -9db
14% Popularity • 61% Danceability • 51% Energy • 13% Liveness
88% Instrumentalness • 94% Positiveness
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Dizzy Gillespie
Oop-Pop-A-Da - 1994 Remastered
180 bpm • G min • 03:12 • -12.62db
12% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Members Of The Glenn Miller Orchestra
Chattanooga Choo Choo
144 bpm • C# Maj • 03:03 • -17db
19% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
34% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Jimmie Lunceford
Twenty Four Robbers
144 bpm • D# Maj • 03:07 • -11.45db
15% Popularity • 73% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Eddie Condon
Makin' Friends
143 bpm • F min • 03:05 • -14.01db
21% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Benny Goodman
It's Been So Long
143 bpm • F min • 02:57 • -9.38db
22% Popularity • 71% Danceability • 35% Energy • 7% Liveness
14% Instrumentalness • 73% Positiveness
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