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Children and Art
Songs like
Children and Art
by
Stephen Sondheim
Based on a tempo of (+/- 10%) and a similar genre
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Henry Krieger
Side Show: Who Will Love Me As I Am? - V...
113 bpm • G# Maj • 02:51 • -13db
18% Popularity • 39% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Joshua Henry
Finale: You'll Never Walk Alone - Repris...
113 bpm • F Maj • 02:13 • -11.33db
23% Popularity • 25% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Steven Pasquale
Wondering
112 bpm • C Maj • 03:51 • -10db
29% Popularity • 34% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Brian Stokes Mitchell
Henry Ford
112 bpm • A Maj • 01:41 • -7db
25% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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John Kander
When Velma Takes The Stand
114 bpm • G Maj • 02:01 • -9db
3% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Sunday in the Park with George Ensemble
It's Hot Up Here
112 bpm • C Maj • 04:28 • -12.97db
22% Popularity • 66% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Maria Bilbao
Kiss Me (Pt. 1)
114 bpm • E Maj • 01:29 • -9.73db
41% Popularity • 76% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Lauren Pritchard
The Song Of Purple Summer - Original Bro...
112 bpm • C Maj • 03:28 • -8.03db
37% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Stephen Sondheim
Evening Primrose: If You Can Find Me I'm...
112 bpm • A min • 03:31 • -13.2db
12% Popularity • 48% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Julia Migenes
Now I Have Everything
114 bpm • G Maj • 02:04 • -19db
18% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Laura Benanti
Mr. Nowack, Will You Please...
112 bpm • F Maj • 01:03 • -7.99db
21% Popularity • 60% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
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Cy Coleman
Sweet Charity: There's Gotta Be Somethin...
111 bpm • D Maj • 04:53 • -13.22db
20% Popularity • 56% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Frederick Loewe
Camelot: Guenevere
112 bpm • G Maj • 03:19 • -13db
20% Popularity • 50% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Judy Kaye
The Night that Goldman Spoke at Union Sq...
115 bpm • G Maj • 03:24 • -9.01db
22% Popularity • 51% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
115 bpm • C Maj • 03:37 • -18db
17% Popularity • 48% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Stephen Sondheim
Green Finch and Linnet Bird
115 bpm • A# Maj • 02:29 • -15.97db
29% Popularity • 38% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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Zachary Levi
Finale
111 bpm • D# Maj • 01:23 • -7.59db
22% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Julia Migenes
Sunrise, Sunset
115 bpm • F min • 03:33 • -20.54db
22% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Maury Yeston
The Proposal / The Night Was Alive
110 bpm • A# Maj • 04:40 • -21db
27% Popularity • 35% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Original Broadway Cast Of 'Curtains'
Show People
115 bpm • G Maj • 05:56 • -14.37db
27% Popularity • 66% Danceability • 29% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
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Jane Krakowski
I Want to Go to Hollywood
110 bpm • A Maj • 03:33 • -13db
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Stephen Sondheim
Opening
116 bpm • D# min • 02:28 • -19.99db
27% Popularity • 63% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Harriet Harris
They Don't Know
110 bpm • G# Maj • 02:09 • -14.84db
21% Popularity • 66% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Bernadette Peters
Small World
116 bpm • B Maj • 03:23 • -15.91db
10% Popularity • 40% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Heidi Blickenstaff
This Time
110 bpm • B Maj • 03:58 • -9db
14% Popularity • 36% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Mandy Patinkin
Where in the World
110 bpm • G# min • 01:35 • -12.17db
21% Popularity • 42% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jamie Jackson
Pretty Women (Pt. 1)
116 bpm • F Maj • 01:30 • -14.66db
38% Popularity • 80% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Miyoshi Umeki
A Hundred Million Miracles - Original Ca...
109 bpm • C Maj • 04:24 • -14db
8% Popularity • 52% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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John Kander
Class
117 bpm • F# Maj • 02:50 • -11.93db
2% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Stephen Sondheim
Poor Thing
117 bpm • D Maj • 03:27 • -11.08db
28% Popularity • 58% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Jule Styne
Gypsy: Some People
117 bpm • G Maj • 03:40 • -9.59db
14% Popularity • 60% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Judy Holliday
I'm Going Back
117 bpm • F# Maj • 03:27 • -14.02db
3% Popularity • 53% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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John Rapson
Ladies in Their Sensitivities
117 bpm • E Maj • 02:15 • -15.8db
37% Popularity • 56% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Sherie Rene Scott
Goodbye Until Tomorrow / I Could Never R...
117 bpm • F Maj • 07:27 • -13db
27% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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2003 Broadway Cast Gypsy
Together Wherever We Go
109 bpm • G Maj • 03:55 • -13.86db
12% Popularity • 72% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 57% Positiveness
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Heidi Blickenstaff
I'm Your Man
109 bpm • C min • 02:45 • -7.63db
22% Popularity • 74% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Original Broadway Cast Of 'Passion'
No One Has Ever Loved Me
117 bpm • C Maj • 04:25 • -27db
14% Popularity • 30% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Andrew Lloyd Webber
Goodnight And Thank You - Original Cast ...
109 bpm • G Maj • 03:12 • -16.19db
21% Popularity • 70% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Jordan Fisher
Johanna
109 bpm • D# Maj • 02:05 • -11.73db
44% Popularity • 24% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Annaleigh Ashford
Everybody Loves Louis
118 bpm • C# Maj • 03:39 • -10.74db
21% Popularity • 52% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Maury Yeston
Autumn / Finale
108 bpm • A min • 04:31 • -19.78db
22% Popularity • 32% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Rose, Herbie and Louise
Together Wherever We Go
108 bpm • A min • 03:51 • -3.73db
18% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Beth Leavel
As We Stumble Along
118 bpm • A# Maj • 03:25 • -8.2db
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Alvin Ing
Please Hello
119 bpm • G# Maj • 09:12 • -16db
13% Popularity • 62% Danceability • 32% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Great Big Stuff
119 bpm • D Maj • 04:02 • -11.21db
23% Popularity • 75% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Stephen Sondheim
A Little Priest
107 bpm • F# Maj • 07:17 • -10.39db
32% Popularity • 59% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Carol Burnett
Easy Street
120 bpm • A# Maj • 03:18 • -15.79db
34% Popularity • 47% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Maury Yeston
Hymn / Doing the Latest Rag
106 bpm • C Maj • 03:54 • -15db
23% Popularity • 50% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Annaleigh Ashford
Sunday in the Park with George
106 bpm • C# Maj • 05:34 • -10db
25% Popularity • 55% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Laura Benanti
Dear Friend
106 bpm • C# Maj • 03:32 • -9.72db
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Joshua Henry
The Highest Judge Of All
121 bpm • F# Maj • 01:42 • -10.25db
15% Popularity • 47% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Eddie Cooper
The Ballad of Booth
121 bpm • C Maj • 09:57 • -12.63db
16% Popularity • 58% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Adler
The Pajama Game: I'm Not at All in Love
106 bpm • A Maj • 03:52 • -10.8db
19% Popularity • 63% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Harry Guardino
Everybody Says Don't
106 bpm • C Maj • 02:17 • -10db
21% Popularity • 54% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Natasha Richardson
Cabaret
121 bpm • A Maj • 04:14 • -9.36db
36% Popularity • 63% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Gavin Creel
Grand Knowing You
121 bpm • A min • 02:19 • -10.04db
28% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Norbert Leo Butz
If I Didn't Believe in You
121 bpm • A# Maj • 04:59 • -13.07db
29% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Sondheim
A Little Night Music: The Glamorous Life...
105 bpm • A# Maj • 04:57 • -13.9db
13% Popularity • 41% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Ragtime Ensemble
Prologue: Ragtime
121 bpm • F Maj • 09:24 • -10db
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Chita Rivera
Chief Cook and Bottle Washer
105 bpm • A# Maj • 03:55 • -9db
15% Popularity • 58% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Mandy Patinkin
No More
122 bpm • A# Maj • 04:20 • -18.5db
10% Popularity • 35% Danceability • 7% Energy • 17% Liveness
1% Instrumentalness • 19% Positiveness
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Gavin Creel
Ilona
106 bpm • C# Maj • 03:04 • -7.74db
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ruth Kobart
That Dirty Old Man
104 bpm • E min • 02:13 • -17.34db
4% Popularity • 43% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Victoria Clark
Dividing Day
104 bpm • D min • 03:01 • -22.31db
17% Popularity • 37% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Angela Lansbury
Miracle Song
104 bpm • D Maj • 04:27 • -8.4db
8% Popularity • 47% Danceability • 63% Energy • 76% Liveness
0% Instrumentalness • 57% Positiveness
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Liz Callaway
I Remember (Evening Primrose)
104 bpm • C Maj • 03:05 • -10.32db
9% Popularity • 27% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Arnold Moss
Prologue: Beautiful Girls
123 bpm • C# Maj • 04:27 • -20db
12% Popularity • 34% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Bernadette Peters
Rose's Turn
104 bpm • A# min • 05:03 • -10.69db
25% Popularity • 59% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Norbert Leo Butz
Get Me to the Church on Time
124 bpm • D Maj • 05:19 • -7db
22% Popularity • 53% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Matthew Morrison
Aiutami
104 bpm • F Maj • 03:10 • -13.58db
14% Popularity • 49% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Angela Lansbury
Me and My Town
123 bpm • A# Maj • 04:24 • -9db
9% Popularity • 55% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 54% Positiveness
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Carol Channing
So Long Dearie
103 bpm • A# Maj • 03:00 • -17.06db
11% Popularity • 58% Danceability • 20% Energy • 83% Liveness
0% Instrumentalness • 64% Positiveness
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Dorothy Collins
In Buddy's Eyes
123 bpm • G Maj • 02:35 • -23db
12% Popularity • 41% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Annie Get Your Gun - 1999 Broadway Cast
My Defenses Are Down
103 bpm • A# Maj • 03:52 • -7.39db
16% Popularity • 47% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Judy Holliday
The Party's Over
103 bpm • C# min • 02:39 • -15db
7% Popularity • 34% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Daisy Eagan
Letter Song
102 bpm • A# Maj • 01:41 • -25.72db
18% Popularity • 43% Danceability • 6% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Jeanine Tesori
Maps
125 bpm • G Maj • 02:32 • -15db
27% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Groban
The Judge's Return
125 bpm • A min • 03:19 • -10.94db
34% Popularity • 52% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Alexis Smith
Could I Leave You?
103 bpm • F Maj • 03:04 • -17.83db
13% Popularity • 54% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Norbert Leo Butz
Moving Too Fast
102 bpm • F Maj • 04:46 • -9db
30% Popularity • 61% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Preshy Marker
That'll Show Him
125 bpm • C Maj • 01:48 • -15db
15% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Brian D'Arcy James
What Is It About Her?
125 bpm • F min • 02:53 • -5.87db
29% Popularity • 51% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Maria Friedman
Broadway Baby - Live
102 bpm • G Maj • 03:52 • -17.66db
5% Popularity • 38% Danceability • 44% Energy • 65% Liveness
0% Instrumentalness • 21% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Here I Am
102 bpm • C min • 02:44 • -11.02db
30% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Dorothy Collins
Losing My Mind
103 bpm • C# Maj • 03:43 • -21db
28% Popularity • 31% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Annaleigh Ashford
Poor Thing
102 bpm • D Maj • 03:36 • -11.18db
41% Popularity • 52% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Karen Mason
Colored Lights
101 bpm • B Maj • 05:42 • -21.13db
11% Popularity • 38% Danceability • 10% Energy • 64% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Stephen Sondheim
Another Hundred People
102 bpm • C# min • 05:54 • -12.22db
28% Popularity • 55% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Mandy Patinkin
Color and Light
101 bpm • A# Maj • 07:00 • -15db
25% Popularity • 47% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Richard Adler
The Pajama Game: Seven-and-a-Half Cents
126 bpm • G Maj • 04:32 • -9.43db
15% Popularity • 58% Danceability • 55% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
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Gene Nelson
Waiting For The Girls Upstairs
124 bpm • F Maj • 05:31 • -19db
11% Popularity • 55% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Victoria Clark
Fable
126 bpm • C# Maj • 04:23 • -13.73db
18% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Adam Chanler-Berat
Unworthy of Your Love
126 bpm • E Maj • 03:37 • -11.33db
20% Popularity • 48% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Julia Murney
Queenie Was a Blonde
127 bpm • C min • 05:58 • -7.07db
22% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Stephen Sondheim
The Ladies Who Lunch
127 bpm • G Maj • 04:17 • -9.78db
27% Popularity • 56% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Maria Bilbao
Green Finch and Linnet Bird
100 bpm • A# Maj • 02:47 • -10.24db
41% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Brian Stokes Mitchell
His Name Was Coalhouse Walker
127 bpm • A# Maj • 02:38 • -13.65db
20% Popularity • 56% Danceability • 32% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Roger Rees
Princess
128 bpm • C Maj • 03:23 • -18db
14% Popularity • 43% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Natascia Diaz
I'm Only Thinking of Him
128 bpm • F min • 03:36 • -13.84db
22% Popularity • 58% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Dorothy Laudon
Losing My Mind / You Could Drive a Pers...
100 bpm • A# Maj • 06:08 • -15.64db
9% Popularity • 41% Danceability • 21% Energy • 96% Liveness
0% Instrumentalness • 14% Positiveness
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Children and Art