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Chill Factor
Songs like
Chill Factor
by
Richard Elliot
Based on a tempo of (+/- 10%) and a similar genre
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Peter White
Caravan of Dreams
95 bpm • B min • 06:00 • -10db
44% Popularity • 62% Danceability • 62% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
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Jeff Golub
Ain't No Woman Like The One I Got
95 bpm • G Maj • 04:09 • -8db
36% Popularity • 74% Danceability • 50% Energy • 9% Liveness
14% Instrumentalness • 61% Positiveness
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Norman Brown
Soul Dance
95 bpm • F min • 04:14 • -7db
44% Popularity • 70% Danceability • 72% Energy • 10% Liveness
48% Instrumentalness • 84% Positiveness
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Eric Valentine
Velvet Groove
95 bpm • F# Maj • 03:57 • -7db
23% Popularity • 73% Danceability • 69% Energy • 12% Liveness
79% Instrumentalness • 74% Positiveness
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Althea Rene
In the Moment
95 bpm • C Maj • 04:11 • -13.35db
40% Popularity • 70% Danceability • 57% Energy • 14% Liveness
83% Instrumentalness • 81% Positiveness
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Brian Clay
Honey Grove Lane
95 bpm • F min • 03:47 • -8db
35% Popularity • 57% Danceability • 76% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
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Brian Hughes
One 2 One
95 bpm • E min • 05:26 • -11db
22% Popularity • 66% Danceability • 63% Energy • 7% Liveness
91% Instrumentalness • 75% Positiveness
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Jeff Golub
Silhouette
95 bpm • A# min • 04:40 • -10.62db
37% Popularity • 74% Danceability • 47% Energy • 12% Liveness
80% Instrumentalness • 65% Positiveness
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Freddie Ravel
Sunny Side Up
95 bpm • B min • 04:11 • -10db
44% Popularity • 76% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
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Warren Hill
La Dolce Vita
95 bpm • D Maj • 05:25 • -6.59db
48% Popularity • 66% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 25% Positiveness
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Jay Soto
Slammin'
95 bpm • F min • 03:37 • -3db
24% Popularity • 72% Danceability • 94% Energy • 8% Liveness
23% Instrumentalness • 96% Positiveness
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Blake Aaron
If You Were Mine
95 bpm • G# Maj • 04:02 • -8db
43% Popularity • 56% Danceability • 65% Energy • 12% Liveness
91% Instrumentalness • 53% Positiveness
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Alexander Zonjic
Leave it with Me
95 bpm • A min • 04:27 • -9.31db
16% Popularity • 72% Danceability • 65% Energy • 12% Liveness
28% Instrumentalness • 76% Positiveness
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Walter Beasley
Barack's Groove
95 bpm • F min • 03:49 • -9db
23% Popularity • 70% Danceability • 64% Energy • 12% Liveness
89% Instrumentalness • 73% Positiveness
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Kim Waters
The Ride
95 bpm • G Maj • 04:50 • -8.43db
39% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 75% Positiveness
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Richard Elliot
Right On Time
95 bpm • F min • 04:26 • -7.85db
11% Popularity • 67% Danceability • 56% Energy • 35% Liveness
5% Instrumentalness • 58% Positiveness
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Jeff Golub
Playin' It Cool
95 bpm • F# min • 04:49 • -10db
33% Popularity • 74% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 77% Positiveness
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Steve Oliver
Right Direction
95 bpm • A# min • 04:51 • -8.02db
19% Popularity • 71% Danceability • 78% Energy • 9% Liveness
79% Instrumentalness • 68% Positiveness
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Earl Klugh
Last Song
95 bpm • F Maj • 04:28 • -7.92db
27% Popularity • 74% Danceability • 61% Energy • 5% Liveness
87% Instrumentalness • 83% Positiveness
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Exodus Quartet
Summer Soulstice
96 bpm • G min • 04:31 • -16db
24% Popularity • 77% Danceability • 32% Energy • 10% Liveness
36% Instrumentalness • 69% Positiveness
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Bobby Lyle
Just Talk to Me
94 bpm • C Maj • 05:06 • -8.84db
16% Popularity • 71% Danceability • 65% Energy • 4% Liveness
39% Instrumentalness • 61% Positiveness
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Richard Elliot
Just Me And You
95 bpm • G Maj • 04:06 • -11.65db
21% Popularity • 63% Danceability • 38% Energy • 11% Liveness
53% Instrumentalness • 52% Positiveness
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Urban Knights
Far And Away
96 bpm • G Maj • 04:10 • -6.79db
22% Popularity • 66% Danceability • 82% Energy • 7% Liveness
81% Instrumentalness • 75% Positiveness
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Gail Jhonson
My Soldier
96 bpm • D Maj • 04:21 • -9.05db
29% Popularity • 64% Danceability • 69% Energy • 8% Liveness
95% Instrumentalness • 89% Positiveness
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Tim Bowman
Let It Shine
96 bpm • C min • 04:06 • -7.12db
46% Popularity • 61% Danceability • 86% Energy • 20% Liveness
88% Instrumentalness • 74% Positiveness
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Brendan Rothwell
Keep on Keepin' On
96 bpm • B min • 03:48 • -10.39db
28% Popularity • 74% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 37% Positiveness
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Steve Oliver
Tradewinds
96 bpm • G# Maj • 04:21 • -7.3db
29% Popularity • 60% Danceability • 68% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
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Richard Elliot
If You Want My Love
95 bpm • F# min • 04:31 • -7.96db
15% Popularity • 71% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 60% Positiveness
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Joe McBride
Midnight In Madrid
96 bpm • F min • 04:40 • -10.1db
42% Popularity • 68% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 74% Positiveness
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Threestyle
Road to Monterey
96 bpm • A min • 04:03 • -9.37db
22% Popularity • 68% Danceability • 59% Energy • 9% Liveness
22% Instrumentalness • 48% Positiveness
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Chris Geith
Watch Your Step
96 bpm • E min • 03:50 • -6.84db
45% Popularity • 65% Danceability • 78% Energy • 14% Liveness
82% Instrumentalness • 71% Positiveness
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Eric Darius
Back At Cha
94 bpm • F min • 05:32 • -4.7db
26% Popularity • 73% Danceability • 72% Energy • 9% Liveness
83% Instrumentalness • 74% Positiveness
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Jay Soto
Mesmerized
96 bpm • F min • 03:36 • -6.91db
26% Popularity • 70% Danceability • 72% Energy • 9% Liveness
74% Instrumentalness • 88% Positiveness
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Richard Elliot
Chill Factor
95 bpm • F min • 04:58 • -6db
42% Popularity • 69% Danceability • 73% Energy • 14% Liveness
34% Instrumentalness • 69% Positiveness
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Jeffery Smith
Keep Pushing
94 bpm • C Maj • 05:42 • -15.6db
24% Popularity • 68% Danceability • 46% Energy • 7% Liveness
84% Instrumentalness • 73% Positiveness
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Matt Marshak
Harlem River Drive
94 bpm • C Maj • 03:54 • -10.51db
30% Popularity • 79% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 82% Positiveness
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Brian Tarquin
Charlemagne
94 bpm • F Maj • 03:50 • -9.46db
41% Popularity • 63% Danceability • 60% Energy • 6% Liveness
28% Instrumentalness • 42% Positiveness
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Eric Darius
Secret Soul
96 bpm • G Maj • 04:08 • -5.39db
25% Popularity • 72% Danceability • 79% Energy • 8% Liveness
52% Instrumentalness • 82% Positiveness
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Jay Soto
Just Like That
96 bpm • F min • 03:52 • -6.8db
29% Popularity • 74% Danceability • 86% Energy • 7% Liveness
69% Instrumentalness • 77% Positiveness
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Althea Rene
My Summer Love
96 bpm • G min • 04:16 • -9.5db
17% Popularity • 61% Danceability • 63% Energy • 11% Liveness
90% Instrumentalness • 76% Positiveness
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Marion Meadows
Black Pearl
96 bpm • A# Maj • 04:27 • -6.63db
22% Popularity • 72% Danceability • 67% Energy • 52% Liveness
4% Instrumentalness • 77% Positiveness
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Gerey Johnson
Like We Used Too
94 bpm • A min • 04:11 • -7.64db
10% Popularity • 61% Danceability • 72% Energy • 4% Liveness
81% Instrumentalness • 83% Positiveness
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Richard Elliot
Work All Night
94 bpm • E min • 04:09 • -8.61db
10% Popularity • 71% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
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Freddie Ravel
Conversations
96 bpm • F min • 04:45 • -9.92db
32% Popularity • 72% Danceability • 64% Energy • 5% Liveness
82% Instrumentalness • 90% Positiveness
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Jazmin Ghent
Heat
94 bpm • A# min • 04:21 • -6.3db
19% Popularity • 74% Danceability • 62% Energy • 10% Liveness
23% Instrumentalness • 56% Positiveness
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Lisa Addeo
Never Enough
94 bpm • C min • 03:59 • -8.9db
49% Popularity • 70% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 62% Positiveness
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Dan Siegel
In Your Eyes
96 bpm • G# Maj • 04:09 • -9.17db
29% Popularity • 67% Danceability • 52% Energy • 6% Liveness
59% Instrumentalness • 62% Positiveness
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Rock Hendricks
Can't Let Go
94 bpm • A# min • 04:54 • -5.69db
15% Popularity • 69% Danceability • 74% Energy • 12% Liveness
71% Instrumentalness • 53% Positiveness
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Joe Sample
Seven Years of Good Luck
96 bpm • E min • 05:12 • -13.37db
27% Popularity • 70% Danceability • 49% Energy • 5% Liveness
89% Instrumentalness • 90% Positiveness
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Jeff Golub
On The Wes Side
96 bpm • A min • 04:26 • -11.33db
48% Popularity • 73% Danceability • 40% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
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Spyro Gyra
Ariana
96 bpm • F# Maj • 05:07 • -9.89db
32% Popularity • 67% Danceability • 78% Energy • 6% Liveness
15% Instrumentalness • 73% Positiveness
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George Howard
Luv N' Haight
94 bpm • G# Maj • 03:10 • -7.88db
32% Popularity • 84% Danceability • 53% Energy • 15% Liveness
78% Instrumentalness • 66% Positiveness
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Richard Elliot
Corner Pocket
97 bpm • G min • 05:19 • -8.45db
18% Popularity • 77% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
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Paul Taylor
Pleasure Seeker
93 bpm • B min • 04:29 • -5.67db
46% Popularity • 66% Danceability • 74% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Michael Lington
City Life
97 bpm • G min • 04:54 • -5.69db
25% Popularity • 74% Danceability • 68% Energy • 11% Liveness
85% Instrumentalness • 77% Positiveness
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Jeff Golub
Mercy Mercy Me
97 bpm • E Maj • 03:47 • -6.87db
47% Popularity • 74% Danceability • 56% Energy • 11% Liveness
35% Instrumentalness • 49% Positiveness
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Nick Colionne
Always Thinkin' Of You
97 bpm • G# Maj • 04:09 • -9.45db
49% Popularity • 70% Danceability • 65% Energy • 5% Liveness
85% Instrumentalness • 79% Positiveness
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Roger Smith
Workin It
97 bpm • C Maj • 05:16 • -8.67db
25% Popularity • 65% Danceability • 79% Energy • 5% Liveness
64% Instrumentalness • 78% Positiveness
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Richard Elliot
Like Butter
93 bpm • F min • 04:42 • -6.36db
26% Popularity • 67% Danceability • 73% Energy • 5% Liveness
94% Instrumentalness • 76% Positiveness
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Riley Richard
Captivate Me
93 bpm • C Maj • 04:48 • -7.04db
16% Popularity • 72% Danceability • 76% Energy • 31% Liveness
2% Instrumentalness • 60% Positiveness
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Acoustic Alchemy
Tuff Puzzle
97 bpm • D min • 05:14 • -8.95db
36% Popularity • 67% Danceability • 67% Energy • 8% Liveness
80% Instrumentalness • 78% Positiveness
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Adam Hawley
Can You Feel It
97 bpm • D Maj • 04:11 • -5.12db
51% Popularity • 80% Danceability • 60% Energy • 5% Liveness
24% Instrumentalness • 78% Positiveness
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Paul Hardcastle
Puerto Banus
93 bpm • F min • 03:46 • -12.73db
36% Popularity • 58% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
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Cal Harris Jr.
She Loves the Water
93 bpm • G Maj • 04:30 • -6.77db
38% Popularity • 64% Danceability • 81% Energy • 50% Liveness
22% Instrumentalness • 32% Positiveness
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Richard Elliot
Sake For Two
97 bpm • C min • 04:25 • -7.37db
8% Popularity • 72% Danceability • 58% Energy • 8% Liveness
63% Instrumentalness • 76% Positiveness
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Stanley Jordan
Easy Love
93 bpm • G Maj • 04:52 • -8.96db
17% Popularity • 60% Danceability • 80% Energy • 10% Liveness
54% Instrumentalness • 48% Positiveness
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Warren Hill
Do You Feel What I'm Feeling?
93 bpm • A# min • 05:14 • -7.46db
38% Popularity • 68% Danceability • 57% Energy • 4% Liveness
40% Instrumentalness • 52% Positiveness
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Walter Beasley
Comin At Cha
93 bpm • F# min • 03:35 • -9.45db
29% Popularity • 76% Danceability • 55% Energy • 11% Liveness
42% Instrumentalness • 48% Positiveness
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Paul Jackson, Jr.
Down the Road
93 bpm • C# Maj • 05:09 • -8.36db
26% Popularity • 68% Danceability • 56% Energy • 12% Liveness
39% Instrumentalness • 76% Positiveness
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Sean U
Business As Usual
93 bpm • C Maj • 03:36 • -8.59db
1% Popularity • 63% Danceability • 67% Energy • 26% Liveness
74% Instrumentalness • 65% Positiveness
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Richard Elliot
Mystery
97 bpm • A# min • 04:02 • -7.41db
16% Popularity • 76% Danceability • 62% Energy • 6% Liveness
81% Instrumentalness • 89% Positiveness
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Tim Bowman
Ocean Breeze
93 bpm • G# Maj • 04:12 • -9.23db
33% Popularity • 57% Danceability • 67% Energy • 11% Liveness
60% Instrumentalness • 45% Positiveness
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Gail Jhonson
Pacific Breeze
97 bpm • F min • 03:44 • -9.92db
50% Popularity • 77% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
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Norman Brown
That's The Way Love Goes
98 bpm • G min • 04:45 • -10.65db
48% Popularity • 63% Danceability • 64% Energy • 8% Liveness
72% Instrumentalness • 36% Positiveness
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Boney James
After The Rain
98 bpm • F min • 04:40 • -8.31db
40% Popularity • 61% Danceability • 73% Energy • 9% Liveness
91% Instrumentalness • 78% Positiveness
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Jeffery Smith
Let's Get It Started
98 bpm • C min • 06:16 • -14db
46% Popularity • 70% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 57% Positiveness
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Richard Elliot
In The Groove
97 bpm • D# Maj • 04:17 • -8db
42% Popularity • 65% Danceability • 72% Energy • 13% Liveness
58% Instrumentalness • 76% Positiveness
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Tim Bowman
Summer Groove
93 bpm • G Maj • 04:39 • -9db
41% Popularity • 58% Danceability • 83% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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The Rippingtons
Into You
98 bpm • D Maj • 03:56 • -9.91db
29% Popularity • 73% Danceability • 54% Energy • 4% Liveness
13% Instrumentalness • 50% Positiveness
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Jazz Holdouts
Morning Breeze
98 bpm • C Maj • 04:12 • -9db
44% Popularity • 72% Danceability • 62% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Four80East
Cookie Strut
98 bpm • F min • 05:28 • -9db
45% Popularity • 74% Danceability • 66% Energy • 9% Liveness
81% Instrumentalness • 84% Positiveness
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Norman Brown
West Coast Coolin'
98 bpm • A# min • 04:30 • -8db
50% Popularity • 69% Danceability • 63% Energy • 31% Liveness
87% Instrumentalness • 57% Positiveness
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Richard Elliot
Seven Sacred Pools
93 bpm • A# min • 04:13 • -8.86db
11% Popularity • 58% Danceability • 58% Energy • 24% Liveness
4% Instrumentalness • 41% Positiveness
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Kevin Toney
Just Like The First Time
98 bpm • G Maj • 04:39 • -7.4db
39% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 57% Positiveness
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Bobby Lyle
Aruban Nights
92 bpm • G Maj • 05:10 • -12db
36% Popularity • 66% Danceability • 49% Energy • 4% Liveness
85% Instrumentalness • 31% Positiveness
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Bill Evans
The Sunday After
92 bpm • F min • 06:00 • -11.58db
31% Popularity • 69% Danceability • 44% Energy • 7% Liveness
85% Instrumentalness • 52% Positiveness
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Jonathan Fritzén
In Motion
98 bpm • A# min • 04:18 • -10.7db
48% Popularity • 76% Danceability • 56% Energy • 20% Liveness
92% Instrumentalness • 84% Positiveness
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Ray Obiedo
Moodswing
98 bpm • A min • 04:39 • -12.46db
28% Popularity • 76% Danceability • 44% Energy • 11% Liveness
75% Instrumentalness • 65% Positiveness
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Richard Elliot
Breakin’ It Down
92 bpm • F min • 04:18 • -6.83db
14% Popularity • 75% Danceability • 58% Energy • 5% Liveness
48% Instrumentalness • 85% Positiveness
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Tommy Davidson
I Know-Radio Edit
92 bpm • B Maj • 04:20 • -10.36db
1% Popularity • 62% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Darren Rahn
Tale of Two Cities
92 bpm • A Maj • 04:15 • -8db
35% Popularity • 62% Danceability • 70% Energy • 7% Liveness
70% Instrumentalness • 41% Positiveness
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Michael Lington
Another Time
92 bpm • G# Maj • 04:23 • -8.68db
32% Popularity • 65% Danceability • 62% Energy • 30% Liveness
93% Instrumentalness • 72% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Always There
92 bpm • G Maj • 04:59 • -11db
50% Popularity • 78% Danceability • 74% Energy • 5% Liveness
51% Instrumentalness • 74% Positiveness
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Jessy J
You're Makin' Me High
92 bpm • C# Maj • 06:23 • -9db
30% Popularity • 86% Danceability • 42% Energy • 21% Liveness
51% Instrumentalness • 66% Positiveness
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Oli Silk
Tokyo
92 bpm • D Maj • 05:35 • -8db
26% Popularity • 65% Danceability • 79% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Tommy Davidson
I Know
92 bpm • F# Maj • 04:42 • -10.36db
6% Popularity • 62% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Byron Miller
The B Spot
92 bpm • D min • 04:59 • -11db
42% Popularity • 70% Danceability • 50% Energy • 27% Liveness
11% Instrumentalness • 38% Positiveness
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Ronny Jordan
Nite And Day
92 bpm • A Maj • 04:10 • -9db
33% Popularity • 80% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 43% Positiveness
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Warren Hill
Tell Me All Your Secrets
92 bpm • F min • 06:02 • -7db
35% Popularity • 67% Danceability • 66% Energy • 4% Liveness
51% Instrumentalness • 54% Positiveness
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Brian Tarquin
Tangled Web
92 bpm • F# Maj • 04:02 • -8db
30% Popularity • 73% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Chill Factor