Songs like Chinatown by Bleachers
Based on a tempo of (+/- 10%) and a similar genre
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Bleachers
Chinatown
89 bpm • E Maj • 04:04 • -5.23db
49% Popularity • 44% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 44% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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The Paper Kites
Woodland
89 bpm • C Maj • 03:51 • -9.5db
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Swift
ivy
89 bpm • D Maj • 04:20 • -9.28db
70% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
70% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Lizzy McAlpine
Older
89 bpm • D# Maj • 03:21 • -12.99db
52% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Last Dinner Party
Beautiful Boy
89 bpm • C min • 03:47 • -9.52db
60% Popularity • 24% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
60% Popularity • 24% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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King Princess
The Bend
90 bpm • D# Maj • 03:27 • -8db
49% Popularity • 62% Danceability • 66% Energy • 19% Liveness
8% Instrumentalness • 66% Positiveness
49% Popularity • 62% Danceability • 66% Energy • 19% Liveness
8% Instrumentalness • 66% Positiveness
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Carly Rae Jepsen
Comeback
90 bpm • C Maj • 03:43 • -7.94db
47% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Bleachers
Ordinary Heaven
90 bpm • G Maj • 05:12 • -11.84db
51% Popularity • 56% Danceability • 43% Energy • 10% Liveness
7% Instrumentalness • 14% Positiveness
51% Popularity • 56% Danceability • 43% Energy • 10% Liveness
7% Instrumentalness • 14% Positiveness
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Del Water Gap
NFU
88 bpm • C# Maj • 03:41 • -6.39db
47% Popularity • 51% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 51% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Yoke Lore
Winona
90 bpm • F Maj • 04:35 • -7.75db
35% Popularity • 49% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 49% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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The Japanese House
Sunshine Baby
88 bpm • C Maj • 03:39 • -8.3db
61% Popularity • 55% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 55% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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ROLE MODEL
Oh, Gemini
90 bpm • A# Maj • 02:44 • -8.24db
61% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ethan Tasch
Shell
90 bpm • F min • 02:20 • -7db
50% Popularity • 64% Danceability • 86% Energy • 39% Liveness
2% Instrumentalness • 65% Positiveness
50% Popularity • 64% Danceability • 86% Energy • 39% Liveness
2% Instrumentalness • 65% Positiveness
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Maggie Rogers
Want Want
90 bpm • D Maj • 03:08 • -3db
57% Popularity • 53% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 53% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Briston Maroney
Sunshine
90 bpm • C Maj • 03:37 • -7.14db
43% Popularity • 60% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 60% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Tommy Lefroy
Dog Eat Dog
88 bpm • B Maj • 02:49 • -8.67db
46% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Chappell Roan
Kaleidoscope
88 bpm • B Maj • 03:42 • -7.11db
61% Popularity • 42% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 42% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Del Water Gap
Ode to a Conversation Stuck in Your Thro...
88 bpm • B Maj • 03:19 • -6.78db
71% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Suki Waterhouse
Melrose Meltdown
90 bpm • C Maj • 03:32 • -10.78db
54% Popularity • 41% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
54% Popularity • 41% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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The Last Dinner Party
My Lady of Mercy
91 bpm • G Maj • 02:55 • -6.1db
61% Popularity • 33% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
61% Popularity • 33% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Lord Huron
Fool for Love
91 bpm • F Maj • 04:34 • -6.26db
48% Popularity • 62% Danceability • 76% Energy • 11% Liveness
26% Instrumentalness • 23% Positiveness
48% Popularity • 62% Danceability • 76% Energy • 11% Liveness
26% Instrumentalness • 23% Positiveness
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Maggie Rogers
Fallingwater
87 bpm • D Maj • 04:31 • -8.93db
60% Popularity • 39% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
60% Popularity • 39% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Chappell Roan
My Kink Is Karma
87 bpm • D Maj • 03:42 • -5.62db
70% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
70% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hozier
Someone New
92 bpm • G Maj • 03:42 • -5.95db
72% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
72% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Holly Humberstone
Paint My Bedroom Black
92 bpm • C Maj • 03:49 • -9.59db
54% Popularity • 72% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 72% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Lizzy McAlpine
I Guess
92 bpm • E Maj • 03:44 • -8.73db
54% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
54% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
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Krooked Kings
Wish We Could Be Friends
92 bpm • A# Maj • 02:33 • -7.52db
54% Popularity • 56% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 56% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Declan McKenna
I Write The News
93 bpm • C Maj • 02:45 • -6.53db
48% Popularity • 62% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 62% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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lovelytheband
take me to the moon
93 bpm • F min • 03:26 • -3.96db
45% Popularity • 57% Danceability • 87% Energy • 9% Liveness
5% Instrumentalness • 82% Positiveness
45% Popularity • 57% Danceability • 87% Energy • 9% Liveness
5% Instrumentalness • 82% Positiveness
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The Beaches
Me & Me
85 bpm • G Maj • 02:27 • -3.36db
57% Popularity • 53% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 53% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Holly Humberstone
Superbloodmoon
86 bpm • B Maj • 02:31 • -7.92db
54% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Suki Waterhouse
Moves
85 bpm • C Maj • 03:13 • -8.27db
70% Popularity • 57% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
70% Popularity • 57% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Lucy Dacus
Please Stay
93 bpm • B Maj • 04:19 • -14db
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Taylor Swift
You Are In Love (Taylor's Version)
85 bpm • A Maj • 04:27 • -9.42db
73% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
73% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Olivia Rodrigo
so american
93 bpm • G# Maj • 02:49 • -1.88db
83% Popularity • 45% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
83% Popularity • 45% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
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Chappell Roan
Love Me Anyway
94 bpm • G# Maj • 03:53 • -7db
56% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
56% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Holly Humberstone
Into Your Room
94 bpm • C# Maj • 03:29 • -7.34db
49% Popularity • 49% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 49% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Black Keys
This Is Nowhere
94 bpm • C Maj • 03:44 • -2.49db
52% Popularity • 60% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 60% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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The Japanese House
Sad to Breathe
94 bpm • C# Maj • 03:34 • -8db
53% Popularity • 63% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 63% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Richy Mitch & The Coal Miners
Sierra Vista
84 bpm • G# min • 02:35 • -11.49db
59% Popularity • 41% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 41% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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Olivia Rodrigo
girl i’ve always been
94 bpm • G Maj • 02:01 • -7.12db
78% Popularity • 51% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
78% Popularity • 51% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
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![NYE [Feat. Suki Waterhouse] cover art](https://i.scdn.co/image/ab67616d00001e028d9808e72b36782a1e3f9048)
Local Natives
NYE [Suki Waterhouse]
84 bpm • B Maj • 02:55 • -6.73db
51% Popularity • 44% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
51% Popularity • 44% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Holly Humberstone
Into Your Room
94 bpm • C# Maj • 03:31 • -5.63db
55% Popularity • 52% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 52% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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The Last Dinner Party
Nothing Matters - Acoustic
94 bpm • G Maj • 03:03 • -7.46db
51% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Noah Kahan
Forever
95 bpm • C Maj • 04:28 • -10.86db
80% Popularity • 40% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
80% Popularity • 40% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Bleachers
I Wanna Get Better (Live At Radio City M...
95 bpm • E Maj • 04:00 • -5.94db
30% Popularity • 34% Danceability • 94% Energy • 88% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 34% Danceability • 94% Energy • 88% Liveness
0% Instrumentalness • 9% Positiveness
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Taylor Swift
invisible string
83 bpm • E min • 04:12 • -11.14db
76% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
76% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ethel Cain
Crush
95 bpm • E Maj • 03:24 • -10.94db
65% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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GROUPLOVE
Hello
95 bpm • C# Maj • 03:23 • -4.13db
42% Popularity • 49% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 49% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Declan McKenna
Mulholland's Dinner and Wine
95 bpm • G min • 03:21 • -8.07db
55% Popularity • 62% Danceability • 82% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
55% Popularity • 62% Danceability • 82% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
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Del Water Gap
Losing You
95 bpm • G Maj • 03:02 • -7.88db
44% Popularity • 56% Danceability • 74% Energy • 20% Liveness
3% Instrumentalness • 69% Positiveness
44% Popularity • 56% Danceability • 74% Energy • 20% Liveness
3% Instrumentalness • 69% Positiveness
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Joy Oladokun
We're All Gonna Die
95 bpm • C Maj • 02:59 • -6db
51% Popularity • 51% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 51% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Vampire Weekend
Mary Boone
95 bpm • C# Maj • 04:26 • -5.59db
51% Popularity • 50% Danceability • 65% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
51% Popularity • 50% Danceability • 65% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
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Bleachers
Foreign Girls
95 bpm • F Maj • 04:02 • -7db
38% Popularity • 39% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 39% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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boygenius
Voyager
83 bpm • B Maj • 02:48 • -18.11db
59% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Chappell Roan
Coffee
83 bpm • D Maj • 03:25 • -10.22db
62% Popularity • 46% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
62% Popularity • 46% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The Backseat Lovers
Snowbank Blues
96 bpm • F Maj • 03:17 • -11.49db
64% Popularity • 59% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 59% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Harry Styles
Cherry
96 bpm • G Maj • 04:19 • -9.26db
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Declan McKenna
WOBBLE
96 bpm • G Maj • 02:43 • -6.19db
47% Popularity • 63% Danceability • 82% Energy • 12% Liveness
76% Instrumentalness • 41% Positiveness
47% Popularity • 63% Danceability • 82% Energy • 12% Liveness
76% Instrumentalness • 41% Positiveness
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Lizzy McAlpine
You Forced Me To
96 bpm • C# min • 03:03 • -13.62db
53% Popularity • 71% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
53% Popularity • 71% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Conan Gray
Lonely Dancers
96 bpm • G Maj • 02:28 • -4.09db
56% Popularity • 64% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
56% Popularity • 64% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Hozier
Jackie And Wilson
82 bpm • F# Maj • 03:43 • -4.2db
66% Popularity • 57% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
66% Popularity • 57% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Medium Build
Stick Around
82 bpm • A# Maj • 04:32 • -7.78db
45% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Claud
Soft Spot
82 bpm • A# Maj • 03:08 • -8db
51% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Wallows
Remember When
82 bpm • B min • 02:35 • -5.9db
73% Popularity • 50% Danceability • 71% Energy • 79% Liveness
0% Instrumentalness • 51% Positiveness
73% Popularity • 50% Danceability • 71% Energy • 79% Liveness
0% Instrumentalness • 51% Positiveness
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Middle Kids
Bootleg Firecracker
82 bpm • F# Maj • 03:20 • -7.71db
39% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor Swift
Anti-Hero
97 bpm • A Maj • 03:48 • -7.65db
56% Popularity • 63% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
56% Popularity • 63% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Royel Otis
Sofa King
97 bpm • C Maj • 03:16 • -5.06db
65% Popularity • 56% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
65% Popularity • 56% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Catfish and the Bottlemen
Showtime
82 bpm • D Maj • 04:40 • -5.97db
64% Popularity • 47% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
64% Popularity • 47% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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MGMT
Mother Nature
81 bpm • F# Maj • 03:56 • -5.49db
58% Popularity • 42% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 42% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Petey
I'll Wait
98 bpm • C# Maj • 02:52 • -5.38db
47% Popularity • 51% Danceability • 87% Energy • 16% Liveness
11% Instrumentalness • 39% Positiveness
47% Popularity • 51% Danceability • 87% Energy • 16% Liveness
11% Instrumentalness • 39% Positiveness
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Sufjan Stevens
Will Anybody Ever Love Me?
81 bpm • A# Maj • 04:09 • -9db
56% Popularity • 50% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 45% Positiveness
56% Popularity • 50% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 45% Positiveness
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Leith Ross
(You) On My Arm
98 bpm • D# Maj • 04:04 • -6.97db
55% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Krooked Kings
Catacombs
98 bpm • C# min • 02:56 • -12.7db
44% Popularity • 72% Danceability • 39% Energy • 14% Liveness
16% Instrumentalness • 22% Positiveness
44% Popularity • 72% Danceability • 39% Energy • 14% Liveness
16% Instrumentalness • 22% Positiveness
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Rainbow Kitten Surprise
Superstar
98 bpm • G Maj • 03:13 • -6.45db
66% Popularity • 64% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
66% Popularity • 64% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Holly Humberstone
Dive
81 bpm • G Maj • 03:59 • -6.74db
58% Popularity • 42% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 42% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lord Huron
Meet Me In The Woods
81 bpm • F# min • 04:22 • -6.76db
63% Popularity • 54% Danceability • 93% Energy • 7% Liveness
46% Instrumentalness • 60% Positiveness
63% Popularity • 54% Danceability • 93% Energy • 7% Liveness
46% Instrumentalness • 60% Positiveness
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Hana Vu
Care
80 bpm • D Maj • 04:37 • -5.29db
57% Popularity • 56% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 56% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Bleachers
Goodmorning
80 bpm • D Maj • 03:13 • -10db
49% Popularity • 63% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 63% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Maya Hawke
Missing Out
80 bpm • C# Maj • 03:37 • -9.19db
59% Popularity • 68% Danceability • 58% Energy • 9% Liveness
9% Instrumentalness • 89% Positiveness
59% Popularity • 68% Danceability • 58% Energy • 9% Liveness
9% Instrumentalness • 89% Positiveness
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The Vaccines
Love To Walk Away
80 bpm • A min • 02:07 • -3.62db
56% Popularity • 40% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 40% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Japanese House
Super Trouper
80 bpm • C Maj • 02:59 • -12.82db
41% Popularity • 38% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 38% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Kacey Musgraves
Too Good to be True
80 bpm • C# Maj • 02:40 • -8.61db
73% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Royel Otis
Heading For The Door
80 bpm • C# Maj • 03:47 • -7.59db
50% Popularity • 60% Danceability • 71% Energy • 9% Liveness
10% Instrumentalness • 55% Positiveness
50% Popularity • 60% Danceability • 71% Energy • 9% Liveness
10% Instrumentalness • 55% Positiveness
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Bleachers
Call Me After Midnight
100 bpm • C Maj • 03:15 • -11.43db
57% Popularity • 83% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 83% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Phoenix
After Midnight
100 bpm • B Maj • 03:08 • -5.99db
57% Popularity • 64% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 64% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Richy Mitch & The Coal Miners
Evergreen
79 bpm • D# Maj • 01:27 • -11.66db
89% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
89% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Beaches
My Body ft Your Lips
100 bpm • G Maj • 02:53 • -4.52db
52% Popularity • 40% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 40% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Lana Del Rey
How to disappear
79 bpm • A Maj • 03:48 • -11.79db
73% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
73% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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ZAYN
What I Am
79 bpm • G Maj • 03:31 • -8.31db
74% Popularity • 47% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
74% Popularity • 47% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Bleachers
45
79 bpm • C# Maj • 03:23 • -6db
46% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Laufey
Goddess
79 bpm • F Maj • 04:27 • -13db
77% Popularity • 37% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
77% Popularity • 37% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Searows
House Song
79 bpm • D Maj • 04:54 • -19db
67% Popularity • 29% Danceability • 13% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
67% Popularity • 29% Danceability • 13% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
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Still Woozy
Shotput
101 bpm • F# min • 02:50 • -4.81db
68% Popularity • 71% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 71% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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The Last Dinner Party
Portrait of a Dead Girl
79 bpm • D Maj • 04:57 • -6.28db
59% Popularity • 47% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 47% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The Beaches
Everything is Boring
79 bpm • E Maj • 02:56 • -2.93db
56% Popularity • 48% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 48% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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MGMT
Time to Pretend
101 bpm • D Maj • 04:21 • -3.25db
79% Popularity • 44% Danceability • 94% Energy • 30% Liveness
8% Instrumentalness • 42% Positiveness
79% Popularity • 44% Danceability • 94% Energy • 30% Liveness
8% Instrumentalness • 42% Positiveness
