Songs like Choir (feat. Samantha Jade) - Alt. Version by Guy Sebastian
Based on a tempo of (+/- 10%) and a similar genre
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Meghan Trainor
After You
172 bpm • E Maj • 03:26 • -6.54db
29% Popularity • 32% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 32% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Sebastian
Hard To Get To Love
172 bpm • C Maj • 02:24 • -3.96db
24% Popularity • 63% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 63% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
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Marlisa
Stand By You
172 bpm • G Maj • 03:12 • -2db
39% Popularity • 51% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 51% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Rose
Keep Me Believing
172 bpm • B Maj • 03:13 • -5db
11% Popularity • 49% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 49% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Guy Sebastian
Choir - Alt. Version
172 bpm • F Maj • 03:27 • -4.32db
23% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Elia Esparza
Tenerife Sea - The Voice Performance
172 bpm • A Maj • 02:22 • -5db
13% Popularity • 28% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 28% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Samantha Jade
BACK 2 BACK
171 bpm • F Maj • 03:36 • -5db
21% Popularity • 59% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 59% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Amy Shark
All the Lies About Me
174 bpm • D Maj • 02:57 • -8.99db
35% Popularity • 40% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 40% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ryland James
Better Off
174 bpm • C Maj • 03:10 • -5.55db
19% Popularity • 46% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 46% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
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Megan Davies
Landslide / Everywhere (Acoustic Mashup)
170 bpm • C Maj • 03:18 • -12.71db
40% Popularity • 47% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 47% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Tyler James Bellinger
Giving You Up
174 bpm • G# Maj • 03:07 • -7.58db
15% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Sam Fischer
This City - Luca Schreiner Remix
169 bpm • F# Maj • 02:56 • -5.64db
41% Popularity • 42% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 42% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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LeAnn Rimes
How Do I Live - Re-Imagined
175 bpm • G# Maj • 04:18 • -7.66db
14% Popularity • 28% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 28% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Guy Sebastian
Climb Every Mountain
169 bpm • E Maj • 02:57 • -3.98db
31% Popularity • 13% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 13% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Justin Jesso
Let it Be Me - Acoustic
169 bpm • D# Maj • 03:47 • -7db
19% Popularity • 53% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 53% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Lauryn Evans
Butterfly Kisses
169 bpm • C Maj • 04:11 • -10.1db
23% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Novita Dewi
Breakeven
176 bpm • D Maj • 03:23 • -8.61db
7% Popularity • 59% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 59% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Claire Richards
These Wings
176 bpm • F Maj • 03:37 • -8.54db
18% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Damien Leith
Night of My Life
168 bpm • C Maj • 03:34 • -6db
22% Popularity • 42% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 42% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Guy Sebastian
Used to You
176 bpm • D Maj • 03:17 • -5.89db
17% Popularity • 23% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 23% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Bachelor Girl
I'm Just A Girl
168 bpm • G Maj • 03:54 • -6db
24% Popularity • 52% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 52% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Mateo Oxley
I Knew I Loved You - Acoustic Piano
167 bpm • E Maj • 03:15 • -9.93db
54% Popularity • 36% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 36% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Samia Prez
I Can't Help Falling in Love with You
177 bpm • C Maj • 03:22 • -11db
29% Popularity • 26% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 26% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Samantha Jade
Bounce
167 bpm • C# Maj • 02:44 • -3.48db
31% Popularity • 77% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 77% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Chad Graham
Me! / You Need to Calm Down
177 bpm • D Maj • 02:40 • -8.72db
12% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Guy Sebastian
Who I Love
168 bpm • G Maj • 04:04 • -4.96db
33% Popularity • 31% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 31% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Amy Shark
I'll Be Yours
167 bpm • C min • 03:27 • -5.66db
27% Popularity • 30% Danceability • 65% Energy • 19% Liveness
1% Instrumentalness • 16% Positiveness
27% Popularity • 30% Danceability • 65% Energy • 19% Liveness
1% Instrumentalness • 16% Positiveness
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Rita Ora
Big Yellow Taxi - Live from Spotify Stud...
166 bpm • D# Maj • 02:29 • -8.32db
47% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
47% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Emeli Sandé
I'll Get There (The Other Side)
178 bpm • C Maj • 03:28 • -7.68db
20% Popularity • 46% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 46% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Stephanie Rainey
No Cowboy
166 bpm • C min • 02:34 • -4.11db
28% Popularity • 58% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 58% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Jim Brickman
Never Alone
166 bpm • D Maj • 03:45 • -6.91db
12% Popularity • 45% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 45% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Guy Sebastian
Keeper
177 bpm • B Maj • 03:55 • -3.84db
19% Popularity • 55% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 55% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Amy Shark
All Loved Up
178 bpm • A Maj • 03:30 • -6.33db
45% Popularity • 56% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 56% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Dan + Shay
10,000 Hours - Piano
180 bpm • A# Maj • 02:52 • -6.51db
56% Popularity • 43% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 43% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Dakota Striplin
Love Me Tender - The Voice Australia 201...
179 bpm • A# Maj • 01:40 • -10.07db
19% Popularity • 33% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 33% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 57% Positiveness
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Bachelor Girl
Permission To Shine
164 bpm • A Maj • 04:16 • -6db
33% Popularity • 47% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 47% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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A Great Big World
i will always be there
164 bpm • E Maj • 03:26 • -5.86db
22% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Guy Sebastian
Believer
178 bpm • A Maj • 03:45 • -5.53db
47% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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D Minor
Concrete Pillow
164 bpm • C min • 03:31 • -6.54db
21% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 57% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Olly Murs
Excuses - Acoustic
180 bpm • C Maj • 04:08 • -6db
20% Popularity • 50% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 50% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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James TW
Incredible
181 bpm • C Maj • 04:06 • -6.21db
58% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Shan Ako
Get Back
182 bpm • C min • 02:46 • -4.67db
11% Popularity • 51% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 51% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
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Amy Shark
Love Songs Ain't for Us
182 bpm • E Maj • 03:40 • -8db
43% Popularity • 40% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 40% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Guy Sebastian
Believer - Radio Mix
178 bpm • A Maj • 03:40 • -5.19db
27% Popularity • 38% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 38% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Jonas Blue
What I Like About You - Acoustic
182 bpm • C# Maj • 03:56 • -7.25db
32% Popularity • 43% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 43% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Mitch James
Be Somebody
162 bpm • C# min • 03:04 • -5db
31% Popularity • 37% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 37% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chris and Bri
Beyond
160 bpm • C Maj • 03:41 • -5.93db
12% Popularity • 50% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 50% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Annie Miller
Latch (Acoustic)
160 bpm • C# Maj • 03:01 • -10.17db
9% Popularity • 47% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 47% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Amy Shark
Mess Her Up - Single Edit
160 bpm • G Maj • 03:25 • -4.48db
39% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Guy Sebastian
Armageddon
163 bpm • C min • 03:29 • -4.08db
34% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Paces
Siren
160 bpm • C# Maj • 03:05 • -6.2db
8% Popularity • 68% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 68% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Mitch James
Move On
184 bpm • F# min • 03:00 • -7.34db
25% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Una Healy
Strangers
160 bpm • F# Maj • 03:45 • -7db
20% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Tarryn Stokes
Nobody - The Voice Australia 2023 / Gran...
186 bpm • A Maj • 03:32 • -5.08db
29% Popularity • 49% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 49% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Script
Run Through Walls
159 bpm • D Maj • 03:26 • -3.64db
52% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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Guy Sebastian
Like It Like That
161 bpm • D Maj • 04:01 • -3db
45% Popularity • 58% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 58% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Molly Hocking
After The Night Before
158 bpm • F Maj • 03:28 • -6.77db
17% Popularity • 40% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 40% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Allyson Brown
At the Beginning
187 bpm • C# Maj • 03:36 • -7.92db
23% Popularity • 49% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 49% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Marx
Another One Down
158 bpm • D# Maj • 03:13 • -6.52db
30% Popularity • 54% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 54% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Irum Jaan
I'm Gonna Stand by You
188 bpm • A Maj • 03:34 • -3.63db
32% Popularity • 42% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 42% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Birds Of Tokyo
Two Of Us
189 bpm • B Maj • 03:30 • -5.14db
43% Popularity • 34% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 34% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Guy Sebastian
Amnesia
160 bpm • C min • 03:13 • -4.74db
31% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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DJ Fidda
If It's Meant to Be It'll Be
154 bpm • D# Maj • 02:42 • -8.39db
33% Popularity • 72% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 72% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Sebastian
Runaway
154 bpm • D# Maj • 03:26 • -5.93db
17% Popularity • 25% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 25% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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William Lipton
North Star
154 bpm • G Maj • 03:59 • -9.18db
11% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Andie Case
I Have Nothing
153 bpm • C Maj • 04:47 • -9.13db
13% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Birds Of Tokyo
Good Lord
156 bpm • C Maj • 03:25 • -4.82db
45% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Guy Sebastian
Gold
192 bpm • E Maj • 03:24 • -2.62db
30% Popularity • 43% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 43% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Anne-Marie
Birthday - Acoustic
152 bpm • G# min • 02:59 • -6.73db
30% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Darling Brando
Beat Up Guitar
152 bpm • B Maj • 03:36 • -6.57db
19% Popularity • 44% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 44% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Amy Shark
Mess Her Up - Acoustic
150 bpm • G Maj • 03:30 • -8.4db
39% Popularity • 56% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 56% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Joe McElderry
I Am an Army
151 bpm • G# Maj • 02:59 • -7.01db
23% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Daniel Shaw
Hey Little Brother
150 bpm • A Maj • 03:25 • -12.06db
14% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Guy Sebastian
Summer Love
187 bpm • C Maj • 03:47 • -3.92db
17% Popularity • 35% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 35% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jordan Rabjohn
Souvenir
150 bpm • B Maj • 04:03 • -7.79db
10% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Brooke McClymont & Adam Eckersley
Star Of The Show
149 bpm • B Maj • 04:46 • -7.28db
18% Popularity • 33% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 33% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Johnny Manuel
A Change Is Gonna Come - The Voice Austr...
148 bpm • A# Maj • 01:36 • -7.92db
24% Popularity • 33% Danceability • 62% Energy • 92% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 33% Danceability • 62% Energy • 92% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Francis
You Make My Dreams - Acoustic
148 bpm • G# Maj • 03:25 • -8.45db
43% Popularity • 64% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 64% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Lady A
What I'm Leaving For - ACM Presents: Our...
148 bpm • D Maj • 03:25 • -7.15db
18% Popularity • 53% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 53% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Guy Sebastian
Get Along
158 bpm • D Maj • 04:22 • -6.04db
36% Popularity • 45% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 45% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Dylan Hartigan
Danny’s Song - The Voice Performance
146 bpm • A Maj • 03:30 • -6db
24% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Brendan Murray
If I'm Honest
146 bpm • F# Maj • 03:07 • -7.29db
17% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The McClymonts
Forever Begins Tonight
146 bpm • E Maj • 04:03 • -4.83db
30% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Script
The Man Who Can't Be Moved - Acoustic
205 bpm • G# Maj • 03:48 • -7.9db
57% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Alex Weybury
The Best - The Voice Australia 2020 Perf...
207 bpm • G Maj • 02:25 • -7.98db
7% Popularity • 29% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 29% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 15% Positiveness
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Guy Sebastian
Beg
154 bpm • G Maj • 04:43 • -4.18db
22% Popularity • 53% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 53% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Maria Greenan
The Hinch Song
208 bpm • A# Maj • 02:09 • -14.12db
9% Popularity • 36% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 36% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Guy Sebastian
Closer To The Sun
154 bpm • D Maj • 03:52 • -7.52db
9% Popularity • 41% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 41% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness