Songs like Chopin: 24 Preludes, Op. 28: No. 9 in E Major by Frédéric Chopin
Based on a tempo of (+/- 10%) and a similar genre
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Claude Debussy
Children's Corner, L. 113: 5. The Little...
67 bpm • A Maj • 02:11 • -38.2db
25% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 31% Positiveness
25% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 31% Positiveness
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Franz Liszt
Wagner - Isoldes Liebestod aus Tristan u...
67 bpm • B Maj • 07:24 • -20.51db
20% Popularity • 25% Danceability • 11% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
20% Popularity • 25% Danceability • 11% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 9 in E ...
67 bpm • E Maj • 01:47 • -24.65db
13% Popularity • 43% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
13% Popularity • 43% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
13 Préludes, Op. 32: No. 13. Grave in D...
67 bpm • C# Maj • 05:59 • -19.67db
17% Popularity • 40% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
17% Popularity • 40% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Vladimir Horowitz
Etude-fantasie in E-Flat Major, Op. 4, "...
67 bpm • G min • 02:45 • -25.09db
33% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: 11. Novemb...
67 bpm • E Maj • 02:58 • -26.83db
6% Popularity • 38% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
6% Popularity • 38% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Con mortuis i...
67 bpm • B Maj • 02:51 • -45.31db
12% Popularity • 13% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Jean Sibelius
6 Bagatelles for Piano, Op. 97: Lied, No...
66 bpm • F Maj • 02:52 • -33.1db
19% Popularity • 35% Danceability • 1% Energy • 16% Liveness
84% Instrumentalness • 7% Positiveness
19% Popularity • 35% Danceability • 1% Energy • 16% Liveness
84% Instrumentalness • 7% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: 7. In A Major
67 bpm • B min • 00:56 • -34.26db
19% Popularity • 59% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
19% Popularity • 59% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
13 Préludes, Op. 32: No. 12. Allegro in...
66 bpm • C# min • 02:35 • -26.05db
21% Popularity • 23% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 8% Positiveness
21% Popularity • 23% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
Preludes and Fugues for Piano, Op. 87: P...
66 bpm • E min • 03:16 • -38.22db
10% Popularity • 36% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 36% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 71, Book X: I. Det var...
66 bpm • E min • 04:36 • -24.55db
16% Popularity • 41% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
16% Popularity • 41% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Mussorgsky: Pictures at an Exhibition: I...
68 bpm • C# Maj • 05:21 • -37.64db
28% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
28% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
IX. September. Hunt
68 bpm • G Maj • 02:51 • -20.88db
15% Popularity • 49% Danceability • 17% Energy • 7% Liveness
89% Instrumentalness • 38% Positiveness
15% Popularity • 49% Danceability • 17% Energy • 7% Liveness
89% Instrumentalness • 38% Positiveness
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Gabriel Fauré
Fauré: Impromptu No. 2 in F Minor, Op. ...
66 bpm • C Maj • 03:47 • -25.89db
17% Popularity • 30% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
17% Popularity • 30% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Mazurka No. 16 in A-Flat Major, Op. 24, ...
68 bpm • G# Maj • 02:34 • -33.07db
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 10 in C Major, K. 330: ...
66 bpm • F Maj • 05:10 • -28.14db
13% Popularity • 35% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
13% Popularity • 35% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
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Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 5 Scher...
66 bpm • E min • 02:38 • -28.25db
24% Popularity • 30% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 13% Positiveness
24% Popularity • 30% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 13% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 10 Elegiaco
68 bpm • C# min • 02:05 • -29db
39% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
39% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
68 bpm • E Maj • 03:50 • -23.94db
27% Popularity • 30% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
27% Popularity • 30% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
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Gabriel Fauré
9 Préludes, Op. 103: No. 3 in G Minor
68 bpm • D# Maj • 03:35 • -27.74db
43% Popularity • 32% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
43% Popularity • 32% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Frédéric Chopin
12 Études, Op. 25: No. 7 in C-Sharp Min...
68 bpm • D Maj • 05:30 • -29.51db
41% Popularity • 37% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
41% Popularity • 37% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Carl Philipp Emanuel Bach
Freie Fantasie fürs Clavier in F-Sharp ...
68 bpm • C# min • 00:53 • -21.22db
34% Popularity • 46% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 14% Positiveness
34% Popularity • 46% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 14% Positiveness
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Edvard Grieg
Lyric Pieces Book III, Op. 43: No. 1 But...
66 bpm • F# min • 01:43 • -34db
34% Popularity • 23% Danceability • 2% Energy • 14% Liveness
85% Instrumentalness • 40% Positiveness
34% Popularity • 23% Danceability • 2% Energy • 14% Liveness
85% Instrumentalness • 40% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 8 in ...
66 bpm • B min • 02:25 • -34.47db
19% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
19% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Robert Schumann
3 Romanzen, Op. 28: No. 2 in F-Sharp Maj...
66 bpm • F# Maj • 04:46 • -31.78db
21% Popularity • 34% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
21% Popularity • 34% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
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Fanny Mendelssohn
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 ...
68 bpm • C# min • 03:08 • -29db
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: 7. In A Major
66 bpm • A Maj • 01:06 • -40.29db
20% Popularity • 64% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 21% Positiveness
20% Popularity • 64% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 21% Positiveness
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John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
36% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
36% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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AntonÃn Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
54% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
54% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Georges Bizet
Les Chants du Rhin for Piano: V. Les con...
66 bpm • E Maj • 03:56 • -31.62db
9% Popularity • 25% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 6% Positiveness
9% Popularity • 25% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Il vecchio ca...
68 bpm • G# min • 05:14 • -35.97db
15% Popularity • 31% Danceability • 0% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 31% Danceability • 0% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Federico Mompou
Variations on a Theme by Chopin: Var. 11...
66 bpm • F# min • 01:29 • -20.92db
32% Popularity • 31% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
32% Popularity • 31% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Romances, Op. 16, TH 95: 1. Berceuse
69 bpm • G# min • 03:27 • -38.91db
22% Popularity • 25% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
22% Popularity • 25% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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John Field
Nocturne No. 4 in A Major
69 bpm • A Maj • 05:30 • -32.39db
27% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
27% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Robert Schumann
Schumann: Albumblätter, Op. 124: No. 6,...
69 bpm • G Maj • 02:25 • -31.63db
30% Popularity • 31% Danceability • 1% Energy • 17% Liveness
88% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 1% Energy • 17% Liveness
88% Instrumentalness • 33% Positiveness
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Johannes Brahms
4 Piano Pieces, Op. 119: No. 2, Intermez...
69 bpm • E Maj • 05:16 • -31.73db
17% Popularity • 36% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 9% Positiveness
17% Popularity • 36% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 9% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: The Old Castl...
69 bpm • G# Maj • 05:29 • -40.24db
15% Popularity • 30% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
15% Popularity • 30% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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Franz Liszt
Années de pèlerinage I, S. 160: IX. Le...
69 bpm • B Maj • 06:19 • -26.43db
18% Popularity • 22% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 22% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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John Field
Nocturne No. 5 in B Flat Major, H.37
65 bpm • A# Maj • 03:16 • -27db
33% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
33% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Georges Bizet
Chants du Rhin, WD 52: Les rêves
65 bpm • C# Maj • 03:44 • -30.94db
44% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
Kitsch-Musik: III. Allegretto
65 bpm • D# Maj • 03:02 • -42db
43% Popularity • 18% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
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Franz Schubert
Piano Sonata No. 4 in A minor, D.537: II...
69 bpm • D min • 07:02 • -27.9db
21% Popularity • 39% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
21% Popularity • 39% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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Claude Debussy
2 Arabesques, L. 66: I. Andantino con mo...
65 bpm • F# min • 04:12 • -35.32db
49% Popularity • 37% Danceability • 1% Energy • 5% Liveness
89% Instrumentalness • 8% Positiveness
49% Popularity • 37% Danceability • 1% Energy • 5% Liveness
89% Instrumentalness • 8% Positiveness
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Clara Schumann
Scherzo No. 2 in C Minor, Op. 14
69 bpm • C min • 04:52 • -24.3db
18% Popularity • 28% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 28% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 5 In E Major
69 bpm • E Maj • 01:38 • -38.75db
27% Popularity • 47% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
27% Popularity • 47% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Maurice Ravel
Gaspard de la nuit, M. 55: No. 1, Ondine
69 bpm • C# Maj • 06:35 • -31.11db
2% Popularity • 15% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
2% Popularity • 15% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Prelude & Fugue in C Minor (Well-Tempere...
65 bpm • C min • 01:24 • -25.02db
54% Popularity • 39% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
54% Popularity • 39% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 85: No. 4. Andant...
69 bpm • D Maj • 02:51 • -29db
21% Popularity • 28% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
21% Popularity • 28% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Reinhold Glière
12 Children's Pieces, Op. 31: No. 4, Rê...
69 bpm • D min • 02:11 • -27.91db
23% Popularity • 35% Danceability • 3% Energy • 7% Liveness
78% Instrumentalness • 28% Positiveness
23% Popularity • 35% Danceability • 3% Energy • 7% Liveness
78% Instrumentalness • 28% Positiveness
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Cécile Chaminade
6 Romances sans paroles, Op. 76: No. 1. ...
65 bpm • E min • 02:04 • -27.07db
30% Popularity • 34% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
30% Popularity • 34% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 38, Book II: VIII. Kan...
69 bpm • D# min • 05:00 • -28.95db
23% Popularity • 28% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
François Couperin
Le Rossignol-en-Amour: 14ème ordre, 3è...
65 bpm • A Maj • 02:36 • -31.92db
41% Popularity • 40% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 37% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 37% Positiveness
► Preview
Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
6 Pieces, Op. 94: No. 2 Nouvellette
69 bpm • F Maj • 01:04 • -24.77db
37% Popularity • 35% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
37% Popularity • 35% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Maurice Ravel
Miroirs, M. 43: I. Noctuelles
65 bpm • A# min • 05:07 • -29.89db
16% Popularity • 28% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 28% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Peter Schmalfuss
Deux Arabesques: No. 2 in G Major
70 bpm • G Maj • 03:40 • -25.98db
15% Popularity • 44% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
15% Popularity • 44% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
► Preview
Alexander Scriabin
4 Pieces, Op. 51: I. Fragilité
69 bpm • D# Maj • 02:32 • -36db
37% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
37% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes, Op. 34: No. 1 in C Major. M...
70 bpm • D min • 01:22 • -27.3db
16% Popularity • 38% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
16% Popularity • 38% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
► Preview
Joseph Haydn
Sonata in D Major, Hob. XVI:37: II. Larg...
70 bpm • D min • 03:50 • -33.14db
24% Popularity • 34% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
24% Popularity • 34% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
► Preview
John Field
Nocturne No. 8 in A Major
64 bpm • A Maj • 04:23 • -34.61db
28% Popularity • 32% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 25% Positiveness
28% Popularity • 32% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 25% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Piano Quintet In A, Op. 81, B. 155: 3. S...
70 bpm • A Maj • 04:13 • -23.86db
22% Popularity • 22% Danceability • 5% Energy • 25% Liveness
66% Instrumentalness • 23% Positiveness
22% Popularity • 22% Danceability • 5% Energy • 25% Liveness
66% Instrumentalness • 23% Positiveness
► Preview
Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Suite bergamasque, L. 75: 1. Prélude
70 bpm • D min • 04:02 • -25.05db
10% Popularity • 35% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
10% Popularity • 35% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 10 in C-Sharp M...
70 bpm • C# min • 01:12 • -25.51db
41% Popularity • 52% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
41% Popularity • 52% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 41% Positiveness
► Preview
Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Franz Liszt
Schubert - Mullerlieder, S565/E249: No. ...
70 bpm • G Maj • 03:05 • -29.5db
23% Popularity • 27% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
23% Popularity • 27% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Stanislav Bunin
12 Etudes, Op.10 No.12 in C minor "Revol...
64 bpm • C min • 02:52 • -17.42db
21% Popularity • 35% Danceability • 18% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
21% Popularity • 35% Danceability • 18% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Ottorino Respighi
3 Preludi Sopra Melodie Gregoriane, P. 1...
70 bpm • G# min • 05:19 • -28.17db
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Frédéric Chopin
Piano Sonata No. 2 In B Flat Minor, Op. ...
64 bpm • A# min • 01:23 • -36.53db
20% Popularity • 17% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 32% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 32% Positiveness
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Maurice Ravel
Sonatine, M. 40: 1. Modéré
70 bpm • A Maj • 04:10 • -19.62db
2% Popularity • 33% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
2% Popularity • 33% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Violin Sonata No. 1 In A Major, Op. 13: ...
70 bpm • A Maj • 04:04 • -21.7db
14% Popularity • 41% Danceability • 14% Energy • 7% Liveness
83% Instrumentalness • 34% Positiveness
14% Popularity • 41% Danceability • 14% Energy • 7% Liveness
83% Instrumentalness • 34% Positiveness
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John Field
Nocturne No. 3 in A-Flat Major
70 bpm • G# Maj • 04:54 • -33.76db
30% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
30% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Arr. Hewitt, Formerly A...
64 bpm • D# Maj • 02:54 • -28.78db
40% Popularity • 54% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
40% Popularity • 54% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Franz Liszt
Études d'exécution transcendante, S. 1...
71 bpm • D# min • 05:50 • -24db
20% Popularity • 18% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 5% Positiveness
20% Popularity • 18% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Mazurka In D (1832)
70 bpm • D Maj • 01:13 • -21.33db
21% Popularity • 48% Danceability • 12% Energy • 25% Liveness
96% Instrumentalness • 44% Positiveness
21% Popularity • 48% Danceability • 12% Energy • 25% Liveness
96% Instrumentalness • 44% Positiveness
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Pyotr Ilyich Tchaikovsky
I. January. By the Fireside
71 bpm • E min • 06:29 • -33.24db
19% Popularity • 37% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
19% Popularity • 37% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 62: No. 5 Andante...
71 bpm • A min • 02:50 • -31.51db
21% Popularity • 28% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
21% Popularity • 28% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Muzio Clementi
Musical Characteristics, Op. 19: X. Prel...
63 bpm • D min • 01:04 • -27.11db
36% Popularity • 37% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
36% Popularity • 37% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Joanna Brezezinska
Prelude No. 13 in F sharp Major Op. 28: ...
71 bpm • F# Maj • 03:58 • -39db
38% Popularity • 23% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
38% Popularity • 23% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Franz Liszt
3 Sonetti di Petrarca (1st version), S15...
71 bpm • C# Maj • 06:30 • -23.02db
23% Popularity • 36% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 36% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Mazurka No. 36 in A Minor, Op. 59 No. 1
63 bpm • A Maj • 04:28 • -27.2db
43% Popularity • 30% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
43% Popularity • 30% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
71 bpm • A Maj • 06:12 • -26.3db
0% Popularity • 37% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
0% Popularity • 37% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Edvard Grieg
Lyric Pieces Book V, Op. 54: VI. Bellrin...
71 bpm • C Maj • 03:08 • -29.4db
15% Popularity • 34% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
15% Popularity • 34% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: VI. The Tuile...
63 bpm • D# min • 01:02 • -28db
22% Popularity • 42% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
22% Popularity • 42% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
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Anatoly Lyadov
Liadov : 3 Preludes Op.40 : No.2 in D mi...
71 bpm • C Maj • 01:21 • -34.03db
30% Popularity • 21% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 6% Positiveness
30% Popularity • 21% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 6% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Frédéric Chopin
12 Études, Op. 25: No. 2 in F Minor "Th...
71 bpm • F min • 01:26 • -25.63db
31% Popularity • 26% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
31% Popularity • 26% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Valentina Lisitsa
Etude Op. 10 no. 6 in e flat minor
71 bpm • G# min • 03:27 • -37.03db
18% Popularity • 23% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
18% Popularity • 23% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Robert Schumann
No. 11, Fürchtenmachen
63 bpm • G Maj • 01:43 • -27.6db
19% Popularity • 23% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
19% Popularity • 23% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Valentin Silvestrov
Bagatelle, Op. 1: No. 1, Allegretto
72 bpm • D# Maj • 02:19 • -35.31db
43% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Moritz Moszkowski
Étincelles, Morceau caractéristique op...
72 bpm • C# Maj • 02:38 • -30.15db
15% Popularity • 46% Danceability • 10% Energy • 38% Liveness
83% Instrumentalness • 63% Positiveness
15% Popularity • 46% Danceability • 10% Energy • 38% Liveness
83% Instrumentalness • 63% Positiveness
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Jean Sibelius
6 Pieces, Op. 94: No. 4 Berger et berger...
72 bpm • D# Maj • 02:45 • -33.96db
23% Popularity • 30% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
23% Popularity • 30% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
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Janusz Olejniczak
Polonaise in B-Flat Minor, WN 10
72 bpm • A# min • 05:03 • -18db
20% Popularity • 36% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
20% Popularity • 36% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Valentina Lisitsa
Etude Op. 25 no. 1 in A Flat Major
72 bpm • G# Maj • 02:12 • -31.45db
21% Popularity • 14% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
