Songs like Christmas in Connecticut with You - From The Netflix Film "The Noel Diary" by Steve Tyrell
Based on a tempo of (+/- 10%) and a similar genre
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Steve Tyrell
All Of Me
126 bpm • D min • 03:35 • -7.88db
12% Popularity • 66% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 66% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Lisa Lovbrand
Over the Rainbow
126 bpm • F# Maj • 04:05 • -11.85db
15% Popularity • 39% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 39% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Dean Martin
On The Street Where You Live - Remastere...
126 bpm • F# min • 03:41 • -14.05db
58% Popularity • 64% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 64% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Harry Connick, Jr.
Just The Way You Are
126 bpm • C Maj • 03:46 • -14.1db
40% Popularity • 61% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 61% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Carmen Cuesta-Loeb
La Bossa De Kris - Toots Thielemans
126 bpm • E min • 04:00 • -7db
23% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Stephen Bishop
New York In The Fifties
126 bpm • C Maj • 03:53 • -12.81db
15% Popularity • 71% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 71% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Eduardo Braga
You Are the Sunshine of My Life
126 bpm • A Maj • 03:37 • -13.71db
49% Popularity • 80% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 80% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Bria Skonberg
Cocktails for Two
126 bpm • A# Maj • 03:21 • -12.58db
28% Popularity • 64% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
28% Popularity • 64% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Joe Sample
End of the Line
126 bpm • E min • 03:28 • -13.7db
32% Popularity • 78% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 78% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Ruth Cameron
A Sunday Kind Of Love
126 bpm • C min • 04:52 • -12.22db
46% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Steve Tyrell
They Can't Take That Away from Me
126 bpm • F min • 02:54 • -7.82db
18% Popularity • 68% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 68% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Deana Martin
You're Nobody 'til Somebody Loves You
126 bpm • C Maj • 02:25 • -8db
31% Popularity • 70% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 70% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Silje Nergaard
Once I held a moon
126 bpm • D Maj • 03:19 • -14.36db
39% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Roberta Gambarini
No More Blues
126 bpm • G Maj • 03:12 • -14.75db
24% Popularity • 53% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 53% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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Renee Olstead
When I Fall in Love
125 bpm • C# Maj • 04:43 • -11db
51% Popularity • 39% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
51% Popularity • 39% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Bob Tostes
All of Me
125 bpm • G Maj • 02:34 • -13db
35% Popularity • 80% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 80% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Steve Tyrell
A House Is Not a Home - 2018 Remaster
125 bpm • G Maj • 03:52 • -10.94db
25% Popularity • 35% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 35% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Grant
The More I See You
125 bpm • A# Maj • 02:55 • -8db
32% Popularity • 86% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 86% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Taryn Spilmann
My Cherrie Amour (Bossa Version)
125 bpm • E min • 03:19 • -11db
42% Popularity • 69% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 69% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Joe Sample
Everybody's Talking
125 bpm • F min • 03:53 • -12db
43% Popularity • 82% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
43% Popularity • 82% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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Viktoria Tolstoy
Out Here on My Own
127 bpm • F Maj • 04:29 • -13db
24% Popularity • 52% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 52% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Bob Tostes
It Had to Be You
125 bpm • C Maj • 02:37 • -12db
36% Popularity • 83% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 83% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Steve Tyrell
I Say a Little Prayer for You (Duet with...
125 bpm • G# Maj • 03:25 • -8.19db
35% Popularity • 77% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 77% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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John Stevens
Don't Get Around Much Anymore
127 bpm • C min • 02:31 • -10db
21% Popularity • 72% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 72% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Rosenberg Trio
Dance in the Old Fashioned Way
125 bpm • G# Maj • 03:15 • -10.77db
29% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Inger Marie Gundersen
Allways on my mind
127 bpm • G Maj • 05:14 • -17db
35% Popularity • 48% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 48% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Diana Krall
Let's Fall In Love
125 bpm • F min • 04:18 • -16.93db
59% Popularity • 62% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 62% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Cæcilie Norby
The Look of Love
124 bpm • A# min • 03:01 • -9.62db
25% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Dusk
Deep in a Dream
128 bpm • C min • 04:05 • -12db
38% Popularity • 29% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 29% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Sara Gazarek
Ev'ry Time We Say Goodbye
128 bpm • A Maj • 03:40 • -13.33db
18% Popularity • 55% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 55% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Brigitte Zarie
I Can't Wait
124 bpm • G min • 04:06 • -6.41db
6% Popularity • 60% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 60% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Sarah McKenzie
Triste
124 bpm • G Maj • 03:55 • -12db
25% Popularity • 62% Danceability • 31% Energy • 10% Liveness
6% Instrumentalness • 51% Positiveness
25% Popularity • 62% Danceability • 31% Energy • 10% Liveness
6% Instrumentalness • 51% Positiveness
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Peter Grant
The Fool On The Hill
128 bpm • G# Maj • 03:13 • -6db
21% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Bria Skonberg
From This Moment On
128 bpm • G# Maj • 05:55 • -12.06db
37% Popularity • 61% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
37% Popularity • 61% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
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Maria Luiza
The Way You Look Tonight
128 bpm • A min • 04:26 • -13.73db
40% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Lisa Lovbrand
Hot 'n' Cold
128 bpm • C Maj • 03:51 • -8.77db
25% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Lara Louise
Alone Together
124 bpm • F min • 03:35 • -14.42db
47% Popularity • 80% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 80% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Steve Tyrell
Just In Time
124 bpm • F Maj • 03:00 • -8db
17% Popularity • 67% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 67% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Roberta Gambarini
On the Sunny Side of the Street
124 bpm • G Maj • 05:39 • -9.65db
29% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ernestine Anderson
I Love Being Here With You
123 bpm • C# Maj • 04:59 • -16db
39% Popularity • 72% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 72% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Sant Andreu Jazz Band
Que Reste Till De Nos Amours
123 bpm • D min • 03:54 • -9db
33% Popularity • 56% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 56% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Rigmor Gustafsson
What Are You Doing The Rest Of Your Life
130 bpm • F min • 05:57 • -14.18db
37% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Shelby Lynne
You Don't Have To Say You Love Me
130 bpm • A Maj • 04:11 • -16db
44% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Heather Rigdon
Slow Fuse
130 bpm • G Maj • 03:45 • -13.31db
49% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Roberta Gambarini
Easy to Love
130 bpm • G# Maj • 04:47 • -12.75db
20% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Margareta Bengtson
As You Are
122 bpm • C min • 05:30 • -14.75db
37% Popularity • 45% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 45% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Steven Pasquale
The Lady's in Love With You
122 bpm • A min • 03:51 • -12.08db
29% Popularity • 70% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 70% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Maria Luiza
Lullaby of Birdland
130 bpm • B min • 02:17 • -10.69db
47% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Grant
I Saw Her Standing There
130 bpm • D# Maj • 03:30 • -7.65db
16% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Robin Mckelle
Night & Day
130 bpm • G# Maj • 03:49 • -9db
23% Popularity • 55% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 55% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Sarah McKenzie
Paris In The Rain
130 bpm • D Maj • 03:47 • -10.38db
27% Popularity • 63% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 63% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Manhattan Jazz Quartett
Summertime
122 bpm • A min • 03:24 • -8.89db
53% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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John Stevens
It Had to Be You
122 bpm • C Maj • 02:46 • -11db
28% Popularity • 70% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 70% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Maria Luiza
Speak Low
122 bpm • F Maj • 03:56 • -10.94db
42% Popularity • 80% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 80% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Kevin Mahogany
Baby You Got What It Takes
130 bpm • G# Maj • 03:01 • -18.08db
44% Popularity • 78% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 78% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Sara Gazarek
You Are My Sunshine
122 bpm • C Maj • 03:34 • -10db
43% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Carmen McRae
Here There and Everywhere
122 bpm • G Maj • 02:36 • -17db
37% Popularity • 49% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
37% Popularity • 49% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
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Diana Krall
'S Wonderful
131 bpm • D# Maj • 04:28 • -16db
55% Popularity • 57% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
55% Popularity • 57% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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John Stevens
My Blue Heaven
122 bpm • F Maj • 02:38 • -9db
32% Popularity • 77% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 77% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Renee Olstead
Breaking up Is Hard to Do
131 bpm • F Maj • 04:11 • -10.83db
47% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Morgana King
Sunny
121 bpm • F min • 02:10 • -11.89db
40% Popularity • 51% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 51% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Anita O'Day
(Fly Me To The Moon) In Other Words
121 bpm • G min • 03:45 • -20.15db
38% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sinne Eeg
Talking to Myself
131 bpm • G# Maj • 04:00 • -14.63db
49% Popularity • 69% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 69% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Diana Krall
L-O-V-E
131 bpm • A min • 04:20 • -13.29db
49% Popularity • 68% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 68% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Susannah McCorkle
How Little We Know
121 bpm • C# Maj • 03:41 • -12.72db
25% Popularity • 61% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 61% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sylvia Bennett
What a Difference a Day Makes
121 bpm • G min • 02:43 • -10.28db
30% Popularity • 73% Danceability • 49% Energy • 38% Liveness
1% Instrumentalness • 54% Positiveness
30% Popularity • 73% Danceability • 49% Energy • 38% Liveness
1% Instrumentalness • 54% Positiveness
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Vic Damone
Let's Fall in Love
131 bpm • C# min • 01:58 • -9.06db
50% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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John Stevens
Let's Fall in Love
121 bpm • G min • 03:06 • -10db
28% Popularity • 73% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 73% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Susie Arioli
Beyond the Sea
131 bpm • F# min • 02:49 • -8.24db
20% Popularity • 58% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 58% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Alice Babs
I Let a Song Go out of My Heart
120 bpm • A# Maj • 02:45 • -8.88db
37% Popularity • 59% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 59% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Delicatessen
Do it again
132 bpm • F# min • 02:41 • -13.11db
49% Popularity • 80% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 80% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Sylvia Bennett
Besame Mucho (English Version)
121 bpm • B min • 03:13 • -8.05db
33% Popularity • 74% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
33% Popularity • 74% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Heather Rigdon
Spring
132 bpm • C# Maj • 03:25 • -11.62db
48% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Carol Saboya
Fragile
120 bpm • A# min • 04:46 • -12db
31% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Susie Arioli
Spring
121 bpm • G Maj • 02:41 • -12.45db
20% Popularity • 72% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 72% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Suss von Ahn
My Baby Just Cares for Me
120 bpm • C Maj • 03:37 • -7db
28% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Malene Mortensen
Girl from Ipanema
120 bpm • F Maj • 04:03 • -13db
41% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Peter Grant
You're The First, The Last, My Everythin...
120 bpm • B Maj • 03:15 • -9db
39% Popularity • 77% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 77% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Papik
Arthur's Theme
120 bpm • C min • 04:22 • -10.08db
30% Popularity • 60% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 60% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Viktoria Tolstoy
As Time Goes By
120 bpm • F min • 05:31 • -13db
37% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Cassandra Beck
Jump
120 bpm • G Maj • 03:29 • -6db
44% Popularity • 76% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 76% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Les Crossaders
A Hard Day's Night
120 bpm • C Maj • 02:53 • -9db
46% Popularity • 75% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 75% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Malene Mortensen
Take Me to Your Heart
120 bpm • C Maj • 04:47 • -6.43db
33% Popularity • 84% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 84% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Grant
The Best Is Yet To Come
120 bpm • C# Maj • 02:29 • -7.99db
16% Popularity • 66% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 66% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Rigmor Gustafsson
Fire and Rain
120 bpm • D Maj • 04:02 • -10.99db
42% Popularity • 60% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 60% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Maria Luiza
Call Me Irresponsible
120 bpm • A# Maj • 02:53 • -12.16db
44% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Manhattan Jazz Quartett
Isn't She Lovely
132 bpm • C Maj • 05:10 • -8db
42% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Deana Martin
Volare
120 bpm • D min • 04:07 • -5.35db
18% Popularity • 59% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 59% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Malene Mortensen
Sway
120 bpm • B Maj • 02:46 • -9.43db
49% Popularity • 80% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 80% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Steve Tyrell
You'd Be So Nice to Come Home To
119 bpm • A# Maj • 03:55 • -10.73db
24% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Grant
Happy Together
120 bpm • A min • 03:07 • -5.74db
22% Popularity • 61% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 61% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Viktoria Tolstoy
Midnight Sun
119 bpm • G Maj • 04:35 • -12db
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Kandace Springs
Solitude
133 bpm • G Maj • 04:59 • -8.5db
39% Popularity • 42% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
39% Popularity • 42% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
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Jean Frye Sidwell
Over the Rainbow - H. Arlen & E. Harburg
119 bpm • G Maj • 05:42 • -12db
11% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Paul Brown
Moondance
119 bpm • D min • 03:22 • -11.01db
43% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Carmen McRae
I Only Have Eyes For You
119 bpm • F Maj • 03:48 • -19db
34% Popularity • 67% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 67% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Sylvia Bennett
La mer
119 bpm • F min • 03:22 • -7.29db
43% Popularity • 77% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 77% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Dakota Staton
Misty - Remastered
119 bpm • B Maj • 02:35 • -20.03db
43% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
