Songs like Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No. 35 Choral: "Seid froh dieweil" by Johann Sebastian Bach
Based on a tempo of (+/- 10%) and a similar genre
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Johann Sebastian Bach
Cello Suite No. 5 in C Minor, BWV 1011: ...
169 bpm • C min • 05:22 • -23.81db
39% Popularity • 12% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
39% Popularity • 12% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159: All...
169 bpm • C Maj • 02:31 • -24.8db
36% Popularity • 44% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 54% Positiveness
36% Popularity • 44% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 54% Positiveness
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Tomaso Albinoni
Concerto a cinque No. 2, Op. 9: I. Alleg...
169 bpm • C# min • 03:54 • -14db
41% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
41% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Georg Philipp Telemann
Concerto in G major: Largo
166 bpm • G Maj • 02:58 • -23.91db
29% Popularity • 22% Danceability • 5% Energy • 40% Liveness
29% Instrumentalness • 20% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 40% Liveness
29% Instrumentalness • 20% Positiveness
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![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] cover art](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb)
Carl Philipp Emanuel Bach
Notebook for Anna Magdalena Bach (1725) ...
166 bpm • G Maj • 01:04 • -25db
46% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
46% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 1 in ...
172 bpm • E Maj • 04:04 • -14db
40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness
40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
165 bpm • D min • 03:03 • -25.22db
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Concerto for Strings and Continuo in G M...
176 bpm • C# Maj • 01:08 • -15.77db
40% Popularity • 37% Danceability • 53% Energy • 37% Liveness
26% Instrumentalness • 57% Positiveness
40% Popularity • 37% Danceability • 53% Energy • 37% Liveness
26% Instrumentalness • 57% Positiveness
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Georg Philipp Telemann
Ouverture in D Major, "Darmstadt": Harle...
174 bpm • C# Maj • 01:59 • -16.95db
47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
176 bpm • C min • 05:22 • -29db
33% Popularity • 28% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 28% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Johann Sebastian Bach
Concerto for 2 Harpsichords in C Minor, ...
175 bpm • C min • 05:10 • -25.69db
17% Popularity • 36% Danceability • 28% Energy • 21% Liveness
34% Instrumentalness • 84% Positiveness
17% Popularity • 36% Danceability • 28% Energy • 21% Liveness
34% Instrumentalness • 84% Positiveness
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Alessandro Marcello
Concerto in D Minor: I. Andante e spicca...
180 bpm • D min • 02:49 • -18db
25% Popularity • 34% Danceability • 12% Energy • 8% Liveness
44% Instrumentalness • 55% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 8% Liveness
44% Instrumentalness • 55% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 In C Minor, Op. 13 -"...
181 bpm • G# Maj • 05:14 • -34.73db
46% Popularity • 26% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
46% Popularity • 26% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
II. Largo e pianissimo sempre
176 bpm • C# min • 02:35 • -26.93db
34% Popularity • 10% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Concertino for Clarinet and Orchestra in...
157 bpm • D# Maj • 01:58 • -20db
35% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
35% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book V...
182 bpm • F# min • 02:01 • -30db
52% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
52% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Keyboard Concerto No. 2 in E Major, BWV ...
178 bpm • C# min • 08:01 • -12.84db
34% Popularity • 41% Danceability • 43% Energy • 22% Liveness
24% Instrumentalness • 89% Positiveness
34% Popularity • 41% Danceability • 43% Energy • 22% Liveness
24% Instrumentalness • 89% Positiveness
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John Lewis
Prelude No. 3 "Nina's Convention"
182 bpm • C# Maj • 03:01 • -30.24db
32% Popularity • 20% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
32% Popularity • 20% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Arthur Grumiaux
Violin Concerto in E Major, BWV 1042: I....
183 bpm • E Maj • 08:04 • -17.76db
22% Popularity • 30% Danceability • 23% Energy • 26% Liveness
4% Instrumentalness • 67% Positiveness
22% Popularity • 30% Danceability • 23% Energy • 26% Liveness
4% Instrumentalness • 67% Positiveness
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William Boyce
Symphony No. 2 in A Major, Op. 2, "Birth...
187 bpm • G# Maj • 01:04 • -28db
48% Popularity • 37% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
48% Popularity • 37% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Karoly Botvay
Sinfonia in E major, RV 132: III. Allegr...
187 bpm • E Maj • 02:37 • -21.89db
51% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness
51% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness
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![Water Music, Suite No. 1, HWV 348: III. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e020467d27cbc2ac9ea30779a5d)
George Frideric Handel
Water Music, Suite No. 1, HWV 348: III. ...
151 bpm • E Maj • 02:08 • -17.98db
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Three Pianos in C...
161 bpm • C Maj • 07:10 • -19.92db
10% Popularity • 32% Danceability • 27% Energy • 13% Liveness
90% Instrumentalness • 71% Positiveness
10% Popularity • 32% Danceability • 27% Energy • 13% Liveness
90% Instrumentalness • 71% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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Domenico Scarlatti
Sonata in B Minor, K. 87: Andante
147 bpm • B min • 06:21 • -35.22db
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
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Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Two Violins in D ...
179 bpm • D min • 04:03 • -16db
34% Popularity • 41% Danceability • 33% Energy • 18% Liveness
10% Instrumentalness • 81% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 18% Liveness
10% Instrumentalness • 81% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
145 bpm • D min • 04:33 • -17db
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
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George Frideric Handel
Handel: Keyboard Suite in E Major, HWV 4...
144 bpm • E Maj • 04:23 • -24.67db
30% Popularity • 34% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 58% Positiveness
30% Popularity • 34% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 58% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
53% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
53% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Three Pianos in D...
149 bpm • D min • 05:58 • -19.17db
12% Popularity • 44% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
12% Popularity • 44% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Johann Sebastian Bach
Concerto for 3 Harpsichords, Strings & C...
149 bpm • A min • 05:22 • -17.55db
8% Popularity • 31% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
8% Popularity • 31% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
