Songs like Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz by Georg Philipp Telemann

173 bpm • A# min • 04:33 • -26.24db

11% Popularity • 26% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness

173 bpm • D# min • 00:59 • -23.56db

16% Popularity • 26% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness

172 bpm • F# min • 00:53 • -23.77db

10% Popularity • 18% Danceability • 4% Energy • 9% Liveness
5% Instrumentalness • 11% Positiveness

173 bpm • G# Maj • 01:09 • -21.21db

9% Popularity • 39% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness

174 bpm • B min • 01:08 • -18.31db

9% Popularity • 21% Danceability • 16% Energy • 11% Liveness
14% Instrumentalness • 13% Positiveness

175 bpm • F# Maj • 04:40 • -13.66db

20% Popularity • 28% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness

173 bpm • D Maj • 02:09 • -24.93db

11% Popularity • 16% Danceability • 10% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness

174 bpm • G# Maj • 01:11 • -17.33db

10% Popularity • 31% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness

171 bpm • D Maj • 01:09 • -17.21db

9% Popularity • 24% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 26% Positiveness

176 bpm • C Maj • 01:08 • -15.16db

17% Popularity • 22% Danceability • 31% Energy • 11% Liveness
77% Instrumentalness • 50% Positiveness

172 bpm • C# min • 01:20 • -18.95db

18% Popularity • 14% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness

170 bpm • E Maj • 01:34 • -21.59db

8% Popularity • 15% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 12% Positiveness

174 bpm • B min • 03:43 • -19.32db

9% Popularity • 19% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness

170 bpm • D min • 01:48 • -17.31db

3% Popularity • 22% Danceability • 12% Energy • 58% Liveness
9% Instrumentalness • 33% Positiveness

176 bpm • A Maj • 01:50 • -20.88db

12% Popularity • 28% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness

169 bpm • D Maj • 01:12 • -15.95db

12% Popularity • 29% Danceability • 25% Energy • 56% Liveness
0% Instrumentalness • 38% Positiveness

177 bpm • B min • 01:01 • -18.84db

21% Popularity • 18% Danceability • 29% Energy • 16% Liveness
55% Instrumentalness • 28% Positiveness

177 bpm • D# Maj • 01:11 • -27.38db

8% Popularity • 25% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness

172 bpm • C# Maj • 01:47 • -14.1db

12% Popularity • 19% Danceability • 36% Energy • 60% Liveness
77% Instrumentalness • 48% Positiveness

170 bpm • G# Maj • 02:55 • -19.82db

11% Popularity • 33% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness

178 bpm • C# Maj • 01:52 • -18.1db

9% Popularity • 16% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 54% Positiveness

178 bpm • A# min • 03:27 • -13.65db

12% Popularity • 14% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness

179 bpm • A# Maj • 02:58 • -21.98db

11% Popularity • 19% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness

167 bpm • B Maj • 01:33 • -20db

13% Popularity • 36% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness

181 bpm • B min • 01:01 • -18.85db

14% Popularity • 36% Danceability • 10% Energy • 48% Liveness
0% Instrumentalness • 42% Positiveness

183 bpm • E Maj • 01:26 • -17.21db

11% Popularity • 18% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness

165 bpm • A min • 06:12 • -19.55db

8% Popularity • 26% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness

180 bpm • A# Maj • 04:00 • -11.08db

14% Popularity • 17% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness

183 bpm • F# Maj • 02:18 • -23.45db

8% Popularity • 28% Danceability • 8% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness

163 bpm • B min • 01:47 • -21.16db

11% Popularity • 14% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness

184 bpm • B min • 03:04 • -18.05db

2% Popularity • 22% Danceability • 9% Energy • 10% Liveness
11% Instrumentalness • 40% Positiveness

150 bpm • F# Maj • 01:02 • -35.6db

16% Popularity • 14% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness

163 bpm • B min • 02:32 • -26.04db

9% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness

149 bpm • C Maj • 01:19 • -14.89db

13% Popularity • 30% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 69% Positiveness

151 bpm • E min • 01:26 • -20.39db

20% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness

162 bpm • C# Maj • 02:11 • -22.92db

12% Popularity • 24% Danceability • 1% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness

185 bpm • F# Maj • 03:18 • -25.42db

16% Popularity • 34% Danceability • 3% Energy • 21% Liveness
11% Instrumentalness • 50% Positiveness

185 bpm • E min • 02:00 • -25.72db

21% Popularity • 46% Danceability • 6% Energy • 18% Liveness
3% Instrumentalness • 60% Positiveness

191 bpm • E min • 03:37 • -18.76db

3% Popularity • 15% Danceability • 11% Energy • 14% Liveness
70% Instrumentalness • 15% Positiveness

148 bpm • E min • 02:36 • -14.13db

4% Popularity • 44% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 60% Positiveness